Viva Moira is an experimental psychedelic display font inspired by the delicate and curled leaves of Monstera esqueleto. This font has an all-caps format with charmingly connected letters or ligatures, making it an ideal choice for posters, titles, and designs that require a distinctive and vibrant theme.

Embrace playfulness with Qilka, a vibrant and versatile typeface crafted for impact. Perfect for branding, logos, flyers, and more, Qilka adds a lively touch to your designs. Its unique personality and dynamic characters make it an ideal choice for projects that demand creativity and a dash of joy."

“Trisula Street” sounds like an intriguing font choice for graffiti-inspired designs. Monoline graffiti fonts often feature a balanced and flowing style that adds an artistic and urban touch to various projects. Given its complexity, it can be particularly suitable for streetwear designs, car decals, product packaging, and more.

MNRagnala is a display serif typeface that boasts a versatile collection of 18 font families, encompassing 9 weight weights and 2 unique styles. With an inherent blend of elegance and boldness, this font exudes a commanding presence, making it an ideal choice for branding endeavors and diverse design requirements.

Strangelove NextSlab is a serif version of our bestseller Strangelove Next. It contains 3 styles with two weights each. (Be sure to have ‘Contextual Alternates’ activated in your design app of choice to get a more lively look when it comes to subsequent letters like ee, gg ... etc).

Lunch Show is a cute, friendly yet thick lettered display font. It embodies playfulness and it's the right choice for product packaging, logotype, games, children, or school projects. So what’s included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

Resolution is a modern monospaced typeface with 4 weights. The typeface is a satire of rendering of early screens and inherited its name through this sentiment. Since screen resolution is getting higher, this font is a memorial to low resolution screens. Resolution is also an excellent programmer’s choice.

Azuree is a typeface designed by Bauersche Giessere in 1908, simulating copperplate engraving, frequently used in cards. Today it is still an excellent choice for publishing projects, both for typographic compositions and for headlines, adding a romantic and rough touch at once. Azuree is a Trademark of BauerTypes SL

Royagna Display font. Its cool look makes it the perfect choice for logos, branding, invitations, stationery, wedding designs, social media posts, and so much more. Rayogna font is PUA encoded which means you can access all of the glyphs. Features : Alternate Characters Numbers and punctuation Multilingual PUA encoded

Agaleoz Display font. Its elegant and cool look makes it the perfect choice for logos, branding, invitations, stationery, wedding designs, social media posts, and so much more. Agaleoz font is PUA encoded which means you can access all of the glyphs. Features : numbers and punctuation multilingual PUA encoded

Designed to be versatile, the Road Bridge font is a great choice for any type of project. Compatible with both modern and vintage design styles. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

Villager font created with a simulated ballpoint will give it a natural handwritten shape. It's perfect for a signature, diary, business card, greeting card or printed product with a casual theme. With the discretionary ligature and alternate characters, it will make you a good choice of writing variations.

The Croisan serif font stands out for its delicate and slender lettering, making it an ideal choice for conveying a sense of subtle luxury and elegant. Perfect logo, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular hollow icon kerning multilingual support

Spring Ride is a cute, friendly yet thick lettered display font. It embodies playfulness and its the right choice for product packaging, logotype, games, children, or school project. So what’s included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

Introducing MBF Reute, a cutting-edge font that redefines modern typography. With its squared, minimalist design, this typeface strikes a perfect balance between rounded warmth and sharp precision. Clean lines and a contemporary aesthetic make MBF Reute the go-to choice for a sleek and versatile visual language.

Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Only the E, F and L deviate with narrow forms. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. The M is splayed, and the N, like a serif design, has light vertical strokes. The lowercase a and g in Optima are high-legibility two-storied designs. Optima can be set within a wide choice of line spacing values – from very tight to very open. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima also benefits from a wide range of letter spacing capability. It can be set quite tight, or even slightly open – especially the capitals. If there are any guidelines, Optima should be set more open than tight. It’s not that readability is affected that much when Optima is set on the snug side; it’s just that the unhurried elegance and light gray typographic color created by the face are disrupted when letters are set too tight. Optima is also about as gregarious as a typeface can be. It mixes well with virtually any serif design and a surprisingly large number of sans serif faces. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™, and Soho®.

Step into the 1920s with Breamcatcher, the typeface that’ll transport you to the Art Deco era. Inspired by the smooth notes of “With Every Breath I Take” from the Bing Crosby/Kitty Carlisle classic “Here is my Heart,” Breamcatcher is the epitome of class and style. Don’t be fooled by compact sans-serif typefaces that lack personality; Breamcatcher is a slow jam that’ll have you grooving in no time. With loose spacing and lazy strokes, your message will take on a breezy, reassuring voice that oozes romance. Get ready to feel like a true Gatsby with Breamcatcher’s OpenType fractions, numeric ordinals, and a wide range of currency symbols that are included. Available in Regular, Italic, and Bold-Italic styles, this typeface is perfect for any occasion. So whether you’re advertising the latest luxury goods or simply want to add a touch of class to your designs, Breamcatcher is the perfect choice. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

“There is just something magical about type design,” says Sebastian Lester. “If you draw a successful typeface it can travel the world, taking a part of you with it.” If this is true, his Soho® Gothic family has taken him far and wide. Understated, modern and exceptionally versatile, the family has been put to good use in just about every application imaginable. A good choice for virtually any type of project, The Soho Gothic family performs equally well as the backbone of a global brand as it would in an edgy fashion magazine. Versatile, extensive, customizable, and multilingual – the Soho Gothic typeface family has it all.With the same proportions as Soho, its slab serif cousin, Soho Gothic ranges across seven weights, from a willowy hairline to a brawny ultra – each with a complementary italic.Lester took care to ensure that the Soho and Soho Gothic designs work in perfect harmony. According to him, “The typefaces were developed alongside each other so that I could consider every aspect of each design and be certain that they would be absolutely compatible.”Soho Gothic is a more understated and more subtle design than Soho. Features that give the design its distinctive tone are the flat, crisp apexes of the diagonal characters like the A and V, and the marked horizontal stress in the a, g and s. “I wanted the family as a whole to radiate effortless modernity,” recalls Lester, “to be a master communicator that works in all conditions and at all sizes.” A collection of alternate and “semi-slab” characters were also part of Lester’s plan. “I like to develop alternate characters for all my type designs,” he says. “I believe they give graphic designers greater flexibility and make a typeface more valuable.” Soho Gothic is available as OpenType® Pro fonts that have an extended character set which supports most Central European and many Eastern European languages. If you’re looking to complete your designs, consider pairing it with Bembo® Book,Joanna® Nova,Neue Frutiger®,PMN Caecilia®,or ITC Stone® Serif.

We are proud to introduce, Board of Directors. This striking, square display typeface is a true testament to the advancement of modern technology. Inspired by hi-tech logos of the 1970s, the tight curves and large x-height of Board of Directors truly set it apart from the competition. But it’s not just the aesthetics that make Board of Directors stand out. The stroke gaps were carefully crafted to lighten the perceived character weight, making it the perfect choice for scientific and technical applications. The flat sides of the A and V harken back to the dot matrix printer letterforms of the past, adding a sense of nostalgia and history to this otherwise futuristic typeface. Board of Directors is available in seven weights and italics, giving you the flexibility to choose the perfect weight for your project. From the lightest weight for subtle emphasis to the boldest for maximum impact, Board of Directors has you covered. We believe that Board of Directors is more than just a typeface. It’s a symbol of innovation, progress, and forward-thinking. With Board of Directors, you can take your message to the next level and make a statement that truly stands out from the crowd. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Only the E, F and L deviate with narrow forms. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. The M is splayed, and the N, like a serif design, has light vertical strokes. The lowercase a and g in Optima are high-legibility two-storied designs. Optima can be set within a wide choice of line spacing values – from very tight to very open. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima also benefits from a wide range of letter spacing capability. It can be set quite tight, or even slightly open – especially the capitals. If there are any guidelines, Optima should be set more open than tight. It’s not that readability is affected that much when Optima is set on the snug side; it’s just that the unhurried elegance and light gray typographic color created by the face are disrupted when letters are set too tight. Optima is also about as gregarious as a typeface can be. It mixes well with virtually any serif design and a surprisingly large number of sans serif faces. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™ and Soho®.

Neo Brushly is an enchanting handlettered brush font that encapsulates the artistry of free-flowing strokes and the warmth of handcrafted expression. With each character meticulously crafted, the font exudes a genuine, human touch, reminiscent of brush strokes on canvas. The letters dance dynamically, creating a harmonious rhythm that lends a unique, personalized flair to any project. Neo Brushly captures the essence of spontaneity, making it an ideal choice for designs that seek a balance between casual elegance and a hint of playful sophistication. The organic, brush-inspired design imparts a sense of authenticity, making Neo Brushly an inviting and versatile choice for a wide range of creative endeavors, from branding to invitations, infusing a touch of handmade charm into every typographic creation.

Flicket is a contemporary display serif font that seamlessly blends sophistication with a touch of whimsy, making it an ideal choice for modern design projects. With its clean lines and subtle flourishes, Flicket exudes a timeless elegance that captures attention while maintaining readability. The typeface strikes a harmonious balance between classic serif elements and a contemporary aesthetic, making it versatile for a range of applications, from editorial design to branding. Flicket’s distinctive letterforms showcase a refined yet approachable style, allowing it to convey both professionalism and creativity in a single glance. This modern display serif font, with its unique personality, adds a distinctive flair to any project, making it a standout choice for those seeking a perfect blend of tradition and innovation in typography.

Glypster - Bold Aesthetic Serif Fonts is a font that has boldness in every line. This font's robust and bold style conveys a luxurious, elegant, retro, and aggressive feel. The serenity afforded by this font's blend of boldness and subtlety makes Glypster suitable for a wide variety of design choices. Apart from that, the strengths of Glypster are its ability to support multiple languages and additional features that can add interest to every design you make. In terms of marketing, Glypster is very suitable for purposes such as logos, posters, business cards, and many more, so you can explore the potential of this font for various designs. Glypster's simplicity, but still elegant and luxurious, makes it the right choice for all procedures.

Introducing Kavitta - Modern Clean Serif Kavitta is a modern and classic serif typeface that exudes nostalgia and elegance in equal measure. With its clean lines and bold strokes, Kavitta offers a touch of luxury and sophistication to any design project. Its fancy and retro look make it the perfect choice for creating eye-catching headlines, logos, and branding materials. Whether you're designing for print or digital media, Kavitta is the ideal choice for any project that requires a touch of vintage charm and modern aesthetics. FEATURES - Stylistic Alternates - Ligatures - PUA Encode - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Grafek is a unique reverse-contrast font with tapered vertical strokes and heavier horizontals on the top and bottom. This typeface is loaded with individual character, bolstering its excellent legibility with a moderately extended width. It’s a strong choice for large headlines, web banner graphics, and branding/logo usages. It’s got a high-end and elegant flair on shorter words, especially when choosing an all lowercase lettering design, for example on a logo treatment. It has a whiff of a nautical, antique map vibe, and even conjures up a hint of Oceania and Tiki-style graphics. Grafek will prove to be a great choice on book and magazine titles, and its width lends itself easily to wide mega-scaled outdoor marquee graphics and billboards.

Lucaria is a modern serif typeface that combines classic design with contemporary details. The most distinctive feature of Lucaria is its strong shape on the edges, which gives the font a bold and commanding presence. This design element is complemented by the wide characters, which provide ample space for legibility and readability. The combination of these features makes Lucaria a great choice for displays and headlines. This versatile font family is available in seven weights, including Light, Regular, Medium, Semibold, Bold, Extrabold, and Black, as well as a variable font for added flexibility. The variable font option allows designers to customize the weight makes Lucaria an ideal choice for a range of design projects, including branding, packaging, and editorial layouts.

Rukishy font is the most appropriate choice to enhance the visual appeal of your branding projects. With an attractive Script font style, this font presents an impressive design touch, creating an unforgettable charm. What makes Rukishy so unique is its wide range of features. With a complete family that includes regular, shadow, slant, and shadow slant, you have everything you need to express your creativity optimally. Not only that but some ligatures and alternates add a unique touch to each character, helping you create truly original designs. The ability to support multiple languages makes Rukishy a universal choice that allows you to reach a global audience. With its ease of use and flexibility, this font becomes a valuable asset in your design world.

Burges Elbow - Playful Font In 2 Styles Created with the idea of bringing happiness and joy to any project, Burges Elbow is a perfect choice for those who want to add a touch of playfulness to their design. To use Burges Elbow to its full potential, it would be great for designs aimed towards children such as book covers, posters, and flyers. Its playful and quirky nature would also make it a great choice for branding aimed at a younger audience or products that want to add a sense of fun and whimsy. Burges Elbow comes with a variety of features, including uppercase and lowercase characters, opentype alternates and ligatures, and support for multiple languages. These features allow for a wide range of creative possibilities and make it easy to use in various projects. Included in the zip package are three different file types: OTF, TTF, and WOFF, which can be used in any design software that supports font installation. With these different file types, you can use Burges Elbow on any platform or device, making it a versatile choice for any project. Add a touch of fun and playfulness to your design with Burges Elbow. Its cute and whimsical nature will surely make your design stand out and bring a smile to anyone's face. In summary, Burges Elbow is a playful font in 2 styles that is perfect for designs aimed at children or those looking to add a sense of fun and whimsy to their branding. With its various features and file types, Burges Elbow is a versatile choice that can be used in any design project.

Ionic No5 is a refresh of a classic Linotype Clarendon-style serif, another restored classic from the Monotype library, much like the recent updates to Walbaum and Helvetica Now. The original typeface was designed to be printed and read at small sizes, popular with newspapers in the 20th Century at its birth. The restoration and refinement of this typeface has bestowed a greater sense of clarity and directness, smartly stylish, and an utterly captivating appeal. Because these styles were so popular for books and newspapers for so long we associate them with being editorial or bookish, not dull, but thoughtful. Designers today can use that association to their advantage as a visual shortcut to convey similar meaning and tone. More attention was given on modernising the typeface with precious use and the introduction of sharp edges & finishes. The thinnest weights can give a dancing typewriter aesthetic, being low stroke contrast. The heavy weights have an unquestionable presence on the page. Overall, the typeface has a richness and almost illustrative quality about it. The true depth of Ionic No.5 could enable each weight to be a poster by itself. Ionic N°5™ font field guide including best practices, font pairings and alternatives.

The design of Beau Sans was inspired by Bernhard Gothic which is considered one of the first contemporary American sans serifs and was designed by Lucian Bernhard in the late 1920s. Panos Vassiliou came across this font while attempting to reduce the design elements of a text typeface, by introducing Bauhaus-like minimal forms to the characters. The first version was completed back in 2002 and introduced one year later in Parachute’s 3rd catalog, under the name PF Traffic. Some time later it was decided to make a few improvements but the project was so carried away that the new typeface which emerged needed urgently a new name. Beau Sans Pro is a modern sans-serif family of 16 fonts which includes true-italics. Just like all other Parachute fonts, it covers a broad range of languages by incorporating 3 major scripts i.e. Latin, Greek and Cyrillic in one font. Furthermore, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life. This typeface is totally recommended for titles and/or body text when you want to give a distinct and contemporary identity to a product or service.

[Noah PDF Type Specimen] [Download 4 Free Fonts] Noah is more than just another geometric sans. With sharp details and a distinctive arrangement, it further extends the limits of the x-height, providing unparalleled flexibility. The specific structure is paired with normal width proportions, moderate contrast and vertical stress – making Noah well suited for a wide range of typographic purposes. This type family consists of 72 fonts divided into four subfamilies with different x-heights – ranging from Noah Grotesque at the bottom, through Noah and Noah Text, and extending to the highest one – Noah Head. The entire set includes styles from Thin to Black, with matching true italics and supports Extended Latin and Cyrillic scripts in more than 130 languages. The inclusion of terminals with a humanistic flavor and typographic letter alternates, such as the binocular “g” or the geometric “a”, offers a blend of the best aspects of both geometric and grotesque typeface classics. Noah features 4 weights that are available completely FREE. Features: • Over 650 glyphs in 72 styles (Thin to Black) • Extended Latin and Cyrillic scripts for more than 130 languages; • 4 different x-heights; • Normal width proportions; • Moderate contrast and vertical stress; • Geometric characteristics and terminals with humanistic flavor.

Momoiro is a feminine typeface family, designed for editorial use. "The first case in which appeared a fashion content in a magazine was in 1672 in the magazine Le Mercure Galant, which was a magazine of entertainment and varied content, including fashion. But the first illustrated and specialized magazine was Le Journal Des Dammes Et Des Modes, created in 1797. "(Fashion Trends, 2011). On the basis of this historical period, the creation of typography has characteristics of a Baroque type. "In this category we mainly include the types created in the Netherlands during the seventeenth century and whose protagonists are the punch makers Reinhard Voskens and Christoffel Van Dijck. Baroque typography stands out for its accentuated play of irregular axes and contrasts that permeate the text of great vividness. " Therefore it has contrast in the thick and thin strokes, Roman serifs, humanistic axis. With this typography, we are not looking for a re-reading of the baroque, but rather a current typeface with humanistic characteristics of the handwriting, with a brush as a differential. Momoiro comes in two weights plus italics to cover as much design needs as possible. It compliments from OpenType features such as ligatures, swashes, true fractions, old style numerals and stylistic sets.

Victorian Orchid is a gorgeous vintage flower. Victorian Orchid is a beautiful, organic serif font family available for both text and display. Its bizarre serifs for A and other diagonal letterforms came from decorative types and letterings in old Victorian era. These unusual serifs support and enhance the horizontal flow of the eyes and vertical alignments. Very eye-catching lowercase g also came from the Victorian era and this is one of the most dramatic letterform of this font. Lowercase such like n and d also have horizontal serifs which designed in the same theory. Victorian Orchid is somewhat organic, humanistic and soft-impression font like Transitional Serif as typified by Times New Roman. But at the same time, this font has horizontal serif and vertical stressed letterform like Modern Serif. They make this font sharp, handsome and neat. In addition, Victorian Orchid has low contrast and the serifs are not too flat and not too coved. By them, Victorian Orchid create strong and casual impression like Slab Serif fonts. Victorian Orchid family consist of 5 weights from Light to Bold including about 500 glyphs, international accented letters, some OpenType features. Italics are "True" italics which designed very carefully to match Romans.

This font is an adaptation of the cyprus syllabic script to a Latin-based font. I tried to assign as many correct letters as possible, but there were too many characters so I had to fit them. Please review the alphabet table of Cypriot syllabic to use the Font. To see all the characters, you can see all the characters and add them to the text by selecting this font from the add character section on the word page. Cypriot syllabary The Cypriot syllabary was used in Cyprus from about 1500 and 300 BC and is thought to have developed from the Linear A. The earliest known inscriptions from between 1500 and 1200 BC are in an unknown language called 'Eteo-Cypriot', or 'True Cypriot', and the script in which they are written is called Cypro-Minoan. From around 1200 BC Cyprus began to be colonised by Mycenaean, Minoan and possibly Cretan Greek settlers, and they probably adapted the existing script to write their own language - the oldest known inscription in Greek dates from the 11th century BC. Cypriot Greek had much in common with Greek dialects of Arcadia and Pamphylia, which corresponds to the province of Antalya in Turkey.

Kometa Sans is a contemporary grotesk with a certain personality. She has a steady geometric skeleton, but its appearance is rather humanistic. The precise details of the artwork, the carefully drawn true italics, the six types of numerals, the variety of alternates, the broad range of open-type features and the extensive glyph set can meet most of the contemporary typographer’s demands for a neutral, but not boring type family for both long text and display use. Among the distinctive qualities of Kometa are also the forms of ligatures (both default and discretionary). They follow the natural constructive transitions between oval parts and stems, which is an advantage to mark, at least for designers who respect the beauty of clean forms. Note the specially designed Kometa Unicase sub-family, substantially enough to exist as a separate typeface. Its elegant and expressive letterforms are boosting further the power to create outstanding design work. Kometa Unicase has original and playful, yet reasonable approach to letterforms variety. Kometa has a very broad usability range – from logotypes and poster designs to corporate identities and complex editorial projects. The contemporary Cyrillics of Kometa allows easily completion of graphically consistent multilingual corporate and artistic design projects. Designed by Kiril Zlatkov and Vassil Kateliev.

Bo Berndal, the master Swedish typographer, is the eponymous designer of Berndal, a contemporary text family with five different styles. This family represents a new achievement for Bo Berndal, who has spent many years working to optimize text legibility in the printed media. Several small tricks make the Berndal family an interesting milestone in legibility. Berndal's letterforms contain large x-heights. Large x-heights open up the counterforms of letters, making text appear lighter on a page, but their correspondingly shorter ascenders and descenders can hinder legibility. This does not occur in Berndal at all! Coupled with this experiment, Berndal's various font weights display a certain softness and roundness. The letterforms themselves are relatively wide, with an overall consistency in width. The calligraphic nature of the strokes has been minimized, yet a contrast stroke-thickness is still to be noticed within the alphabet. Berndal's five styles offer almost everything that one could want from a good text family. The Regular weight may be paired with Small Caps, Italic, Bold, and Bold Italic. All styles ship in the OpenType format, and include tabular and old style figures. The two italic weights are made up of true italics, not obliques. The Berndal family is a part of the Take Type 5 collection from Linotype GmbH."

The design of Cyan was inspired by features found in classic Roman and styles like Trajan and Bodebeck. The characters stay true to the same features as the capitals, resulting in an unusually distinctive style. The Capitals version contains Roman numerals. Cyan's weight is similar to Trajan's but the horizontal strokes are slightly bolder resulting in better legibility for small sizes, especially for lowercase characters. Cyan Sans evolved out of the hugely successful Cyan Serif family. Cyan Sans retains the same geometric Roman proportions with open centers in B,P,R b, d, p . This helps create a thick and thin stroke illusion since the actual strokes don't vary much. There are many subtle details in Cyan Sans that become more interesting in larger sizes. The beauty of Cyan Sans is that it has no features that "jar" the eye. The result is a very pleasing and distinctive sans that scales well. Cyan Sans is a robust font that will exceed expectations in areas never explored before. The name is inspired by the Greek word cyan, meaning "blue". Blue as a primary color that has many hues and uses. Cyan the font, we hope will be seen in a similar light. Obviously Cyan Sans is a perfect companion to the Cyan Serif family.

The Signers of the Declaration of Independence font is a collection of all 56 signatures that appeared on America's Declaration of Independence. A must-have for autograph collectors, desktop publishers, lovers of history, or anyone who has ever dreamed of sending a letter, card, or e-mail to a friend or family member "signed" as if by one of the signers of America's Declaration of Independence. This unique font puts every signature on that history-altering document at your fingertips in the form of a high-quality Open Type font. Our fonts behave exactly like any other font on your system and are installed and selected the same way. No special software is needed. Each signature contained in our fonts is mapped to a regular character on your keyboard. Just as with any True Type or Open Type font, you can resize the signature, change its color, etc. Open any Windows application, select the installed font, and type a letter, and you will see the President's signature appear right there on your page where you placed your cursor. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. We're confident you will enjoy it. Please note that this font is intended for entertainment purposes only.

Introducing the stunning Longevity Bold Script Font, a true masterpiece of typography that will bring elegance and sophistication to any design project. Crafted with the utmost attention to detail, this font boasts an exquisite hand-lettered script style, complete with bold strokes and delicate flourishes that add a touch of luxury to any text. Its timeless design ensures that it will remain a classic for years to come, while its versatility allows it to adapt to any design concept, from wedding invitations to product packaging. The Longevity Bold Script Font is perfect for designers looking to make a bold statement, whether it’s on a website, brochure, or social media post. Its bold and confident appearance exudes a sense of strength and power, making it ideal for branding projects, logos, and headlines. With its sleek and stylish aesthetic, this font is sure to impress your clients and elevate your design work to new heights. So why settle for ordinary when you can have extraordinary? Choose the Longevity Bold Script Font and create designs that will stand the test of time. Feature : Longevity alternates multilingual support If you have any questions please don’t hesitate to contact me Thank you best regards, Fikryal Studio

Katlynne is unpredictable. Katlynne is erratic. Katlynne is beautiful. Katlynne is an alternating contrast, sans serif type family. Arbitrarily separating the characters into ‘rounder’ and ‘straighter’ letterforms to determine what contrast each glyph will take. Katlynne is inspired by the observations made while watching the inexperienced use of broad tip pens. I found how and when individuals rotated their pen gave a visually intrusive, if not also pleasantly conspicuous effect. Often, the pen would naturally rotate horizontally (vertical contrast) on the rounder letterforms, and vertically (reverse contrast) on the straighter ones. This is more or less the formula Katlynne adopts as the contrast changes throughout the styles. Katlynne’s severity of contrast varies from ‘Negative Three’ to ‘Positive Three’ in four weights. With a central style ‘Book’ being the sensible, low contrast font in the family. Within the family there are four weights with 7 contrast styles, with complimenting true italics. Giving a total of 56 fonts! Katlynne's array of options works for creating stylistic similitude within layouts, where conspicuous title faces are needed with a cohesive text face to compliment. Alone, the ends of the contrast spectrum (Negative and Positive Three) create striking word forms for advertising, packaging and anywhere else a loud voice is needed.