The Ayes have it! The 1909 specimen catalog from the H. C. Hansen Type Foundry of Boston contained a lovely decorative face named Congress, which is the pattern for this font. It's a winning choice for distinctive headlines, and the uppercase letters are also suitable by themselves for use as decorative initials. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus Central European (Unicode 1250) languages as well.

Boulevard Sans typeface designed by Takoliko Studio. This Sans Serif font inspired by retro geometric style especially the radio and vhs era.The simplicity and geometric style is a timeless choice for your design. It comes with reguler and Bold, also oblique style for a different feel. Its bold characteristics makes it suitable for attention grabbing design projects such as headlines, posters, social media displays and editorials. And You can combine the family to make a larger design concept.

Monka is a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Monka have a smooth edges, so this font gives an authentic handcrafted feel style. Monka is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc

Bloomsburg is a sharp, modern, everyday font with a multitude of uses. This family is characterized by its high legibility, delicate curves, and vertical cuts to most lowercase terminals. Its humanist features are most evident in the lightest versions making it a versatile choice for showcasing warmth and personality. Use Bloomsburg for eye catching headlines or try the Bold version for a company logo. A wide range of languages are supported including European accents and Cyrillic characters.

Glimp, is a new versatile modern geometric font family, offering 3 widths, 9 weights and corresponding italics. It features rich set of opentype features such as stylist sets, contextual alternates, case sensitive forms, superscripts, subscripts, fractions, and more. Glimp is expertly crafted to be your top choice across a diverse array of projects, be it branding, web design, print materials, or presentations. It seamlessly enhances your designs, embracing your unique creative vision. Note: Also available in Variable version

Introducing "Sanford" - A Modern Display Sport Font. Sanford is the ultimate choice for designers seeking a bold and contemporary display font to make a lasting impact. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

"Black Squad" is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Black Squad" makes it the perfect choice for death metal or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs, "Black Squad" is the font for you.

Glaschu is a modern, uppercase typeface which comes in 5 font weights with 2 additional outline styles. It’s clean, crisp edges and bold appearance makes it a perfect choice for headings, branding, signage, advertising, magazine layouts and more. Combine the outline styles with Glaschu ExtraBold to go even more creative with your lettering! FEATURES Uppercase Letters Numerals & Punctuation Multilingual Support Glaschu Inline is a bonus font which has been added to the Glaschu Font Family for free!

Rotally is a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Rotally have a smooth edges, so this font gives an authentic handcrafted feel style. Rotally is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc

Vedacity is a sophisticated glamorous script font, with modern calligraphy style that you'll hard to resist like the nowadays trend. Inspired from the society behaviour who always craving for the trends but still want to show something different yet special from it. Yes, that's why it came with a bunch of Stylistic Alternates of each letters because everybody loves a choices, in a pack. And also the Ligatures for every double letters to get the seamlessly handwritten looks.

Oldion is a captivating display font, draws inspiration from the boundless realms of science fiction and modern technology. With its distinctive and futuristic accents adorning each letter, Oldion breathes life and dynamism into your projects. Available in both regular and rounded styles, infuses a touch of innovation and intrigue into your designs. Oldion is your ideal choice for a wide range of creative applications, from commanding movie posters and attention-grabbing headlines to captivating packaging and distinctive logotypes.

Mahezty is a modern, bold and fashionable serif display font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch. Mahezty is perfect choice for people looking for modern, minimalist, elegant, clean, beauty design styles. Suitable for almost any graphic designs such as identity, business cards, branding materials, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc

Drawlers is a organic sans with stencil versionthat effortlessly infuses your designs with a touch casual and a dash of classic. Its unique type- maekt it perfect choice for any projects especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular & Stencil Version Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Kroist was born from the rebellious mindset to break the rules of perfection of typographic hierarchy. Pushing to the very edge of possibilities to craft something different yet remarkable in the industry. Combining the reference of classic band posters, old records, and a spirit to be loud in sending the message. Kroist will be your perfect choice for your logo, branding, music project, cover artwork, merchandise, apparel, clothing, fashion, movie title, serial project, and many more.

"Wild Graf" is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Wild Graf" makes it the perfect choice for death metal or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designsWild Graf" is the font for you.

Linotype Mhai Thaipe is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The work of German designer Markus Remscheid, the name is not hard to recognize as an English-Asian play on my type and describes its general character. The small circles which ornament the alphabet and the unusual flowing forms which look like a mixture of Arabic and Sanskrit combine to give the typeface an ornamental, exotic look. Linotype Mhai Thaipe is best used for headlines with point sizes of 12 or larger.

Linotype Brewery is part of the Take Type Library, chosen from the contestants in the International Digital Type Design Contests of 1994 and 1997. This text font is available in six weights from light to black and was designed by Gustav A. Grinberg. An outstanding characteristic of the font is its light stroke contrast and its constructed forms. Its tiny, triangular serifs first become noticeable in very large typesizes, much like the Dutch fonts of the 17th century, Copperplate, for example. Linotype Brewery is cool and elegant and well-suited to middle-length texts and headlines.

Linotype Zensur is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. This fun font was created by French designer Gérarld Alexandre and contains one weight. The characters look as though parts of each of them were censored or removed, leaving just enough left over to know what was meant. The basic forms of this font are sans serif and the rounded corners give it an almost soft character. Linotype Zensur is a distinctive typeface which is especially good for headlines in larger point sizes.

Neue Frutiger Arabic was created by Nadine Chahine and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black. Neue Frutiger Arabic embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

My wife was watching ‘Memoirs Of A Geisha’ the other day, and I am going to take my son Sam to see Japan in May this year, so when I started drawing out the glyphs for this font, the name was already chosen! Tokyo Geisha is a handmade brush font. I made it with Chinese ink and one of the Chinese brushes my late father in law gave me. Tokyo Geisha is a font with speed and a certain flamboyance. It comes with extensive language support and a cool .notdef glyph. I am sure you will put it to good use! Arigato Kozaimasu!

Urbane Adscript is a script companion to Urbane. A monoline semi-linking sans, it has the same number of weights and the same cap height and x-height as the Urbane family, meaning the two can be used together harmoniously. It features swash capitals that can be toggled on or off in the Opentype panel, or chosen individually from the Glyphs menu according to taste. Almost every capital has a swash alternate, and many have two. In Adobe Illustrator, the more decorative swash can be found under “swash”, the less decorative as an alternate. Also includes lining, tabular and old-style numerals.

Filo Pro is a very beautiful and highly legible typeface family as regular, medium and bold. It is a quite characteristic, modern interpretation of the humanistic serif. The serifs of Filo Pro are not too dominant, and its forms are soft and organic. The font family renders extremely well in text sizes but can equally well be used for headlines. The OpenType Pro family of Filo Pro comes with an extended Latin character set including a large number of beautiful ligatures as well as small caps and different sets of figures. Filo Pro has been chosen to be part of the URW++ SelecType.

Linotype Vision is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Created by German designer Dan-André Neimeyer, the font contains five weights. The characters look as though they are constructed of fragments fitted only loosely together. Just enough of each character is put onto paper so that the eye of the reader can complete the conventional form. Based loosely on sans serif forms, the font has a futuristic, mathematical feel. Linotype Vision is exclusively for headlines in point sizes of 18 and larger.

The More Than Life Bubble graffiti tag font is a typography style commonly used in street art and graffiti culture. It features rounded and inflated letters that create a three-dimensional, bubble-like effect. This style is often used for tagging, a form of graffiti in which an artist writes their name or a stylized chosen word to mark their territory or establish their presence. This font is perfect for your design needs with a graffiti theme. Features : - All Caps - numbers and punctuation - multilingual - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Nipok is a single weight display typeface, inspired by the aesthetics of different decades. Rounded terminals and playful intersections from the 60’s and 70’s, joined with straight and compact lines from the 80’s and 90’s. The particular style is given by the alternation of upper and lower case letters, chosen to fill the empty spaces greatly and create harmony. In addition, alternates are included to give you more stylistic options. While by default this font is a semi unicase, the alternative glyphs extend the Ascent and Descent metrics. Multilingual support is available.

Tuscaloosa is a hybrid script that includes Tuscan (bifurcated) serif treatments. The design of Tuscaloosa began as a set of organically-formed initials, the Tuscan serifs being reminiscent of shoots and leaves bursting forth. Tuscaloosa also derives inspiration from the late Victorian era, when the development of newspaper and poster advertising led to extremes of weight in the main strokes. The font is intended to convey an aura of excitement and fun that characterized those times! The name 'Tuscaloosa' was chosen because of the appropriate combination of 'Tuscan' and 'looseness,' and because of its essentially American character.

Mixtra is a versatile and complete type family designed by Bo Berndal. The three Mixtra family branches are Roman, Sansserif and Slabserif, each with a full set of weights. The Roman also has a Small Caps font. Combining the three family members is a good starting point for creating a coherent typographical design. Mixtra works well in magazines and all sorts of print in need of a strong visual identity. "Mixtra is a multiface", says Bo Berndal. "With or without serifs, or with powerful slabserifs, you can pick the version that best suits the design and printing technique you have chosen."

Linotype Dropink, from German designer Christine Voigts, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. A spirited font, Linotype Dropink may remind you of your first attempts with a broad-tipped pen or of schoolwork in days of yore. However, the blots of ink are in this case done on purpose, are indeed the highlight of the font, large and small, round and irregularly sheped. Linotype Dropink is intended exclusively for headlines/display and should be used in point sizes of 18 or larger.

The name FeggoliteHatched comes from the fact that it was created with the help of an old font manipulation program called Incubator Pro. It was an attempt to create a more conventional typeface from the odd monospaced font, FeggoliteMono. As a monospaced font, FeggoliteHatched could be considered a typewriter face, but no typewriter ever produced letters like these. The original version from 1994 is now the italic style and it has a leftward or back slant. The upright or plain version was added much later, in 2018. There is also a choppy upright version included in this family.

Mixtra is a versatile and complete type family designed by Bo Berndal. The three Mixtra family branches are Roman, Sansserif and Slabserif, each with a full set of weights. The Roman also has a Small Caps font. Combining the three family members is a good starting point for creating a coherent typographical design. Mixtra works well in magazines and all sorts of print in need of a strong visual identity. "Mixtra is a multiface", says Bo Berndal. "With or without serifs, or with powerful slabserifs, you can pick the version that best suits the design and printing technique you have chosen."

Linotype Sjablony is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Designed by Dutch artist Mark van Wageningen, the typeface with its interrupted strokes has the characteristics of the stencils seen on crates and barrels. The difference lies in the raw contours of this font, which make the characters look as though they were slowly eroded away by water and wind. Linotype Sjablony is composed exclusively of heavy capital letters and is particular suitable for initials and headlines with point sizes of 18 and larger.

Linotype Laika is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. This fun font was created by Dutch designer Mark van Wageningen, who based its forms on those of a sans serif font but gave them wavy, irregular contours. They look almost as though they lie just under the surface of a pool and the movement of the water gives them their undulating appearance. The dynamic Linotype Laika is especially good for headlines in larger point sizes or shorter texts in point sizes of 14 or larger.

Linotype Irish Text is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German artist Torsten Weisheit designed this font based on Irish scripts of the 5th century. Characteristic of this style is the mixture of upper case letters in the mostly lower case alphabet and vice versa. The letters look as though written with a broad tipped pen and have triangular serifs, displaying a decorative tendency akin to that of Irish calligraphy. Linotype Irish Text is intended exclusivley for headlines in large point sizes.

Welcome my new hand lettered, cute and decorative font Good Day. The font family includes two fonts – Regular and Italic – both with Latin multilingual uppercase letters, lowercase letters, numbers and basic punctuation. With so many stylistic alternates and swashes it’s easy to create cute designs and signs for wedding branding, quotes, ads, logos, prints, social media texts, blogs, and so much more. Swashes are controlled by adding 0/1/2 before or after any letter while alternates can be chosen from the glyphs panel in Adobe apps. Really very easy to use! Both OTF and TTF are included for each font.

Linotype Scott Mars, from German designer Hellmut Bomm, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. Bomm constructed this typeface from a consciously limited repertoire of forms, producing a strictly constructed font with a cool, technical look. Worthy of note are also the exalted numeral forms and the unusual size relation of the lower case and capital letters. Scott Mars is best used for headlines and short to middle length texts in point sizes of 10 or larger.

Inspired by public fonts in New York in the 1970s. Authority pays tribute to the almost unnoticed but powerful effect type have on our lives. From waiting on a cold morning to catch the 307 to Morton West High School, to the rain and snow worn stencil on a postal box. Public typography is a part of the little spaces in your lives where life actually happens. Government designed fonts were chosen to communicate authority and help grease the gears of the day-to-day grind. Authority beckons back to these days with it's mildly condensed feel, squared corners and weight presence.

The name of this blackletter font was chosen due to the centennial of the Bauer Foundry, Frankfurt am Mai, in 1937. Ernst Schneidler probably created then the most beautiful of all fraktur fonts. They are the fruit of countless calligraphic drawings and of many years of professional experiences. Zentenar Fraktur became in its time the workhorse among German blackletter fonts. To access all ligatures in both styles, it is recommended to activate Standard and Discretionary Ligatures. The round s can be reached by typing the # key, and the combination N-o-period plus the OT feature Ordinals gives you the Numero sign.

Atomette is a bouncy sans that is friendly without being flippant, warm yet still stylish. The upper case and lower case options provide letters with less or more animation. Five weights plus an inline provide a neat mini-family to cover all your requirements. Suitable for snack packaging, comic books, toys, celebratory banners, book covers and games. Contains two or three options for each letter, including automatically-substituting letter-pairs to prevent repetition, plus an alternate set of numbers in circles. These can be chosen from the Glyphs palette or toggled on and off in the Opentype panel.

This typeface was designed to be used as the page heading font for MyFonts. Originally only the letters needed to make up the required phrases were drawn. Then amazingly enough, people started asking where they could get the font, so I decided to complete the character set, and named it Softie. This name was chosen because the round and rather bulbous shapes that make up the letters reminded me of marshmallows. Softie, almost good enough to eat. The Bold version, called Softie Bloated, was added in late 2003. Rumor has it that the name came to Steve after Thanksgiving dinner.