A new experimental vintage font called Hermona. The combination of retro and old fashioned era. Inspired by old school badges and labels. Hermona is an all-caps font that perfect for a headline. A great choice to use in label, poster, signage, t-shirt, storefront, greeting cards and logotype. Hermona is also complete with a lot of special characters such as stylistic alternates or swashes which are possible to combine and get more calligraphic looks. The ornaments and pre-made also include in a pack. Typeface features: - Uppercase - Smallcaps - Numbers - Punctuation & symbols - Accents - Custom ligatures - Stylistic Alternates - Contextual Alternates - Swashes - Stylistic set 01-05 Best Regards, Ramz.

Hello, introduce our new font “Wood Craft” is a bold display font, this font looks cool, unique, cartoon, playful, catchy and easy to use. Wood Craft Font is the best choice for your professional design projects, including : logo, poster design, t-shirt, headline, flyer, cd cover album, quotes, business card, branding, magazines, social media, advertisements, product designs, or something that need playful or cartoon looks. Highlight : - Easy instalation - Work on PC or Mac - PUA Encoded Support - Basic Latin A-Z - Numbers - Symbols - No special software is required, The fonts can be opened and used in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.

Floresta is a modern vintage serif font packaged in a modern and classy style, complete with access to your OpenType features to access a large selection of alternates letters and ligatures, the choice of letters you like from variations of uppercase and lowercase letters to get a display luxurious and elegant. Floresta Display has 433 glyphs with 11 ligatures and 197 alternates to beautify the design you like. This font is perfect for branding projects, Logo design, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more. Features · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Thank you, Great Studio

Perfect in its imperfection, Psychedelic Xylophones is a retro trippy hippie font that brings a hand-lettered groove to your text graphics. It features a large complement of two-character alternate glyphs that adds a subtle sway and an ebb-and-flow that results in some customized surprises and other more subtle variations to your text. It's great for that bendy, melty, warped headline psychedelic poster thing. Try it on retro t-shirt messages and surf/skate graphics, or a daring branding choice for drink or snack packaging. The alternate glyphs are turned on by default but can be over-ridden easily in the Glyphs panel of many popular software packages.

Blackers Serif is a modern vintage serif font packaged in a modern and classy style, complete with access to your OpenType features to access a large selection of alternative letters and ligatures, the choice of letters you like from various upper and lowercase letters for a luxurious and elegant look. A unique, fun and versatile series of serifs with 60 ligatures and 101 alternatives to perfect any design you like. This font is perfect for branding projects, logo design, clothing branding, packaging, magazine titles, advertisements, t-shirts, postcards and more. Features • All upper and lowercase letters • Numbers & Symbols • Supported Languages • Alternatives and Ligatures • PUA Encoded

Wanna make your branding spark? Looking for a gorgeous and stylish font? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then we've got what you want. Fresh Roomattes - A Signature Font Fresh Roomattes is an elegant signature font. Every swash, stroke, and curve was created to entice happiness and elegance. Great choice for your logo, book cover, poster, t-shirt, branding, and advertisement needs. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Alternates PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Axeon is a modern futuristic typeface with elegant in every single letter. This font looks modern, sci-fi, futuristic, future, readable, stylish, catchy and easy to use. Axeon Font is the best choice for your professional design projects, including: logo, poster design, t-shirt, headline, flyer, cd cover album, quotes, business card, branding, magazines, social media, advertisements, product designs, or something that need modern or futuristic looks. Highlight: - Easy instalation - Work on PC or Mac - PUA Encoded Support - Basic Latin A-Z and a-z - Numbers - Symbols - No special software is required, The fonts can be opened and used in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.

Looking for a font that’ll make your branding spark? Ready to enhance your project? Something that’s versatile and a bit touch of retro vibes? Get ready to transcend to a world of magic, laughter, and butterflies. Big Flask-A Display Font Big Flask is a typeface that will make your projects elevate. An excellent choice to add the right amount of retro touch. This typeface with artistic style looks very interesting for loads of different projects and promotions. Use it to create standout headings, logo, book cover, poster, t-shirt, branding, and advertisement needs. Features: Ligatures Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Bigola Display is a modern vintage serif font packaged in a modern and classy style, complete with access to your OpenType features to access a large selection of alternates letters and ligatures, the choice of letters you like from variations of uppercase and lowercase letters to get a display luxurious and elegant. Unique, playful and versatile serif family with 14 ligatures and 170 alternates to beautify the design you like. This font is perfect for branding projects, Logo design, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more. What is included: Bigola Display Regular Features · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded

Corinthian is the work of Colin Brignall, a clean sans serif which was inspired by Edward Johnston's Railway Type and Eric Gill's Gill Sans.

This font is a vivid choice when you want to effortlessly make your designs stand out with a remarkable clearly crafted and dynamic handwriting.

The Avigail font family is a vivid choice when you want to effortlessly make your designs stand out with an outstanding clearly crafted handwriting.

Flivver JNL takes its name from the slang term applied to Model T's in the 1920s, and it's design is a first-cousin to Two Reeler JNL (inspired by lettering on titles from a Charlie Chaplin silent film).

The Urfa font family comes in nine weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal. With the Urfa font family, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Urfa typeface also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile. It supports a wide range of languages, including Extended Latin and Cyrillic.

A merge version between LayarBahtera Doomsday Condensed font and freestyle initial script

Nikita is a very lively upright script with lots of 1950s flair.

Ysadora is a very elaborate script with high contrast and big swings.

WildThing is just that, a script that has a real wild character.

The killer way font basically form script with hand lettering brush style.

Oona is a joining script with that classic, elegant "Old England" touch.

A casual retro script refined and developed from some old handwritten letters.

EdwardEdwin a is simple but elegant rendition of a formal, calligraphic script.

A rounded-joined-script font, well suited for invitations and greeting cards.

»Floralscript« is an english copperplate script decorated with flowers and curly leaves.

I always admired the beauty of Gothic letters, but lamented their low readability. The revivals of Gothic faces are beautiful, but they revive everything, including the traits that prevent readability. Blackletters are fine in ads and titles, but can’t be used in long texts (like books on Middle Ages, Medieval romances etc) where they would be the perfect historical choice. And I wanted to change this scenario. With Giureska, instead of taking one particular face to revive, I chose the best traits from many Gothic faces, i.e. the forms that were pleasant to look and easy to read. For the ‘small caps’, I studied uncial scripts and made a similar selection, adapting everything to make a unified font. With three weights, true italics and the uncials, Giureska can endure a variety of projects, bringing the appeal of Middle Ages much beyond the cover.

Mezalia is a one of a kind typeface. Its shapes were strongly influenced by bastarda scripts of high medieval times. Unlike most fonts sharing similar origin, Mezalia is not just another blackletter but a fully functional text typeface, blending medieval poise and character with modern sensibilities. Stroke widths, imitating a broad nibbed pen of a scribe, fluctuate constantly giving paragraphs a characteristic vibrating texture. Despite it's strong character Mezalia is very legible and will be an excellent choice for a book or an elegant magazine. Mezalia has two distinct styles: straight and cursive (true italic if you will, although the word is not really correct here), which come in seven weights, from thin to black. Each weight contains a set of old-style figures, lining figures, small caps and ligatures. A separate style containing drop-cap initials is also available.

Hot Dogs, Apple Pie, Baseball and great TYPOGRAPHY are deeply rooted in American culture. American Auto is a Type Family that embodies that culture visually. It joins a robust workhorse sans with a playful script that brings you back to 70+ years ago, while at the same time remaining as contemporary as any new 2019 design. This unique pair work together in harmony to create wonderful designs for a variety of uses. From book covers to posters, web sites to apps, American Auto is an excellent choice to create striking designs that stand out from the crowd! American Auto also features many Opentype Features such as: Alternate Characters, Initial & Final Forms, Contextual Alternates, Old Style Figures, Lining Figures, Numerators & Denominators, Fractions, and more! This typeface has really been designed to meet any challenge that a designer can throw at it!

Laguna Hills Font is a connected script font with clean lines, smooth curves combined, and dramatic movement. It’s perfect for creating hand-made lettering typography in an instant. The special letter gives your design some extra flair, which can be used to create awesome vintage designs or brush-style designs. If you are looking for something unique to help add coolness and beauty to your design, then Laguna Hills Font is the right choice! Laguna Hills Features: A full set of upper & lowercase characters Numbers & punctuation Ligatures A full set of upper & lowercase characters (Alternates) Swashes Multilingual symbols PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Neon Love was designed originally for a circle coaster design with a quote by the Beatles’ “All you need is Love, Love is all you need”. The inspiration of the lettering was a neon sign style where a cursive script is kind of bended from those glass wires. The idea was to get the overall look and feel of neon signs into a font, as well as creating a good raw material to use for some further photoshop effects to enhance the visual presentation. Neon Love has many OpenType features that allow for choices that can make the lettering unique. Neon Love has two versions of the font a Smooth one which is connected and the Cutout version which can be used to create neons and for this it is in parts. Design by Roland Hüse and Schriftlabor team.

Dear Gray – Modern Wedding Fonts Dear Gray is a beautiful, feminine, and modern calligraphy script for your wedding designs. Dear Gray includes a full set of uppercase and lowercase letters, numerals, punctuation, and common ligatures for a more harmonious look. With Opentype features and stylistic alternatives, Dear Gray gives you a lot of possibilities to make your design even more special. Following the trend of modern hand-drawn typography, Dear Gray is a friendly choice to convey your loving words. Dear Gray features: A full set of upper & lowercase characters Numbers & punctuation Ligatures Lowercase beginning swashes Lowercase ending swashes A ton of stylistic alternatives PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Are you looking for a font that speaks beauty? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Daily Smiles-A Signature Font Inspired by the recent print design trend, the look of the script typeface is elegant and beautiful. Everything’s well with cursive! Show your opulence and decadence with this fancy font and blow your audience’s mind away as you put these cursive letters in your projects. Every detail of this beautiful font making it easy to present your brand or project in the best light. Go ahead and use it on your website, your social media branding, Pinterest banners, printed invitations, and more! Features: Ligatures Stylistic Sets PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.