Droog is an unusual rounded font pierced with circular holes, some of which are used in lieu of counters. Used to best effect in shorter settings and at larger sizes. Suitable for science fiction posters, sweet wrappers, hipster bars, noodle joints, pet shops and native Nadsat speakers.

Using examples of antique street signs from New York City, Stickball JNL recreates the iconic lettering in a digital typeface and is available in both regular and oblique versions. For a nostalgic touch, a blank street sign is located on either the solid or broken bar keystrokes.

The capsule shape has long been a favorite of mine. So, why not use it as the basis for a font design. And if you hit the cap bar key, you'll find a hidden capzule. Take two and catch some Zs before you resume surfing for fonts.

Linotype Scott Mars, from German designer Hellmut Bomm, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. Bomm constructed this typeface from a consciously limited repertoire of forms, producing a strictly constructed font with a cool, technical look. Worthy of note are also the exalted numeral forms and the unusual size relation of the lower case and capital letters. Scott Mars is best used for headlines and short to middle length texts in point sizes of 10 or larger.

The second in our Cool Japan series, Odaiba Soul echoes back to some of the futuristic amusement centers and entertainments found on Odaiba Island in Tokyo Bay. Tailored for sci-fi lettering, anime awesomeness or even just making flyers for a day trip across the Rainbow Bridge, this is one to keep in mind!

Meet Osbert, the font that effortlessly marries vintage charm with a contemporary flair. Imagine the nostalgic allure of old tin labels, now reimagined with a fresh twist. With its playful flared serifs and diagonal bars, Osbert brings a touch of modern to classic aesthetics. Boasting a whopping 15 static styles and a variable font, Osbert offers a playground of possibilities for designers. And with three distinct sub-families - text, regular, and display - finding that perfect balance in your designs has never been easier, whether you're crafting some typographic badges, editorial, logo, branding, poster, print, signage, etc. So go ahead, let Osbert add a touch of timeless coolness to your next project!

I felt an urge to create a font that used the bars seen in an equalizer; Sound Board is that font. If you're going to use it, you will need to put the size up much more then a normal font, this font is very skinny and tall.

Main Feature JNL is patterned after the plastic letters found on theater marquees. As an extra bonus, the | (bar) key has the phrase "double feature", the ^ (ascii circumflex) has the word "and" and the ~ (ascii tilde) has the phrase "with" for anyone doing a theater marquee mock-up.

After its period of exclusivity expired, the corporate typeface of the Saubermacher recycling company was revised and expanded. Now it is available for everyone! Whether on fresh buttermilk, a Honolulu surfer bar, or a hotel on the Arlberg, this preppy script face is versatile and full of character.

Wilder is a condensed handwritten sans serif with both uppercase and lowercase characters. It has a generous x-height with big elongated counters and low set bars which gives Wilder a unique look. Great for packaging, print, and display use. You can also use it in shorter paragraph texts.

Public Utility JNL digitally duplicates the look of those small white-on-black self-adhesive stickers used by cities, power companies and telecommunication firms in order to identify utility poles and other service locations. A blank rectangle is available on both the solid and broken vertical bar positions.

A vintage booklet from the Japan Tourist Bureau entitled "How to See Matsushima and Environs" had the title hand lettered in the Art Deco style which is the basis for Travel Brochure JNL. For those who prefer a more traditional 'E', it is located on the broken bar keystroke.

Alfarn is based on capital letters that Bauhaus student Alfred Arndt (1898?1976) drew for a poster in 1923, designed to advertise a bakery in Jena, Thuringia. The poster is an example for what we call today ?Bauhaus features?: yellow circle, red square, black bars and an indication of geometric lettering that became so popular in the following years. C�line Hurka carefully analysed Arndt?s lettering and derived two weights in different widths: wide and condensed. She took on the characteristic bars and transformed them into an underlined weight of its own. Hurka also drew perfectly balanced small caps, which make up for a missing lower case. Alfarn captures the spirit of 1920s Bauhaus-influenced posters ? a timeless style quite suitable for contemporary designs.

Draconian is a old school typeface with cool character! Draconian perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more.

My daily challenge is how to get my kids out of bed, feed them breakfast, get them to dress, wash and pack their school bags and drop them off at school before the bell rings. The rest of the day, the challenge is to renovate our house, get my work done, pick up the kids from school (plus all of their friends, who want to come and play) and cook dinner. Of course, the word ‘challenge’ was misused by the internet. Not too long ago, there seemed to be and endless stream of crazy challenges that ended up hurting or even killing a few people. Daily Challenge font is none of the above: it is a clean cut, 100% handmade, all caps font. The only challenge here is how to adapt your design so it fits this font perfectly… ;-)

A quill pen-like joined script typeface which echoes the cartoon lettering of 17th Century court papers during the period of the English Civil war. A nifty feature of this font is that if you enter a vertical bar '|' character, it will turn off the exit stroke of a joining character.

Homeplate is a classic serif display font. The font is designed for use in vintage themes and works particularly well in bar, steakhouse, rodeo and country music themes. The font was originally developed for use in branding in baseball teams. The font is an all capitals font and includes 128 characters.

A Splashy font inspired by all things liquid and wet, the goal was to create a fun and realistic representation of water in the form of a letter. Water parks, Juice bars, your backyard pool party or your box of fresh squeezed orange juice, any time you need a good splash.

Syondola is Greater Albion's venture into the Wild-West. Need something to evoke saloon bars, or the OK Corral, or river Paddleboats? Syondola is it! Two styles are offered, Regular with clean and precise outlines, and Rustic, which has a deliberately slightly eroded look, for that old and timeworn feel.

Nanuk in the Inuit language means polar bear. My 2 year old son's favorite animal is the polar bear and he loves to watch the 'Earth' DVD. Nanuk font is an all caps, outlined affair, ideal for use in posters and covers. It comes with a bear-load of diacritics!

Homeplate Rough is a classic serif display font. The font is designed for use in vintage themes and works particularly well in bar, steakhouse, rodeo and country music themes. The font was originally developed for use in branding in baseball teams. The font is an all capitals font and includes 128 characters.

ITC Schizoid, from designer Frank Marciuliano, displays a stroke contrast which could not be larger, abrupt and uncompromising. Fine strokes turn into thick bars and create angular, consciously awkward forms. Nervous, unbalanced and amusing, Schizoid is an appropriate name for this font. The experimental ITC Schizoid is best used for headlines in print.

Mixed Drinks JNL derives its look from a set of gold foil self-adhesive letters made by a company called Cameo for the Schenley distilling company circa the late 1950s or early 1960s. The letters were used to personalize bottles of whiskey for your own bar or to give as a unique gift.

Counting four variations for each letter and two for the numbers, Felt Noisy delivers a cool organic feel with a strong and spontaneous ​​ attitude. The typeface was drawn with a bad felt tip pen​ and resulted in two rather nice fonts that will stylishly fit many visual projects out there that don't look for any transparency at all. Give it a go!

Monthelo font under inspiration of vintage bar signage, hotel signage, barbershop signage ect. Montelo has a classic impression but still elegant suitable for modern and classic designs project. Montelo include 3 variation style is regular script, extured and serif. Monthelo are perfect for badge, label, tshirt design, branding, logotype, poster, book cover, packaging and more.

Upperclass was a font I created back in 1995. I had a brainstorm about the uppercase letter “A”. I noticed that the cross bar for the letter A is always toward the bottom, what if I moved it toward the top. The result is a unique font, a great addition to your font collection.

Use the [ and ] key to create a unique flag ending on your words. Use alternating lowercase and uppercase with the Bounce version to create a bouncy look. To create a solid space instead of an empty space, use the bar key | which shares a key with the \ backslash on my keyboard. Your keyboard may vary.

HotRod the Flame Font. Hot Font in 50th Flames Style. Made for all US Custom Cars Fans. The Font comes with many Graphics for Vintage Cars like Dices and Skulls

Darkspear is handwritten script font. It has vintage, elegant, old school, classy, and cool. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

A font with a strong architectural feel, inspired by those great commercial emporiums of a bygone era. To cap the crossbars, use [brackets] to enclose uppercase letters, {braces} to enclose lowercase letters, and the upright bar | between upper- and lowercase letters. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

This typeface appeared in the William H. Page Woodtype specimen book as Gothic Tuscan Condensed Reversed—quite a mouthful. Banner elements appear in the brace and bracket positions, and reversed spaces can be found in the underscore and bar positions. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

When you use this font, be sure to look for the two different sets of end and spacing pieces, one with stars, one without. The ends are on the Bracket and Brace keys, and the spaces are on the Vertical Bar and Backslash Key. There are also a couple of "torn" end pieces on the Plus and Equals key.

The power of ND Bimbo is here now. If you like deep-fried candy bars you will like ND Bimbo. This playful design integrates art deco influences into a contemporary display style. As usual, it covers Latin, Cyrillic and Greek. Respect ND Bimbo now! Get ND Bimbo now! You want ND Bimbo now! Create Magic with ND Bimbo now!

This font was designed by blocks, square glyphs. Terminals/crossbars of some glyphs can be extended in a way that you can customize the text of your design by using the selection bars in "variable font" button. That button will appear in the text editor of your program, if such option is available, like in recente illustrator and photoshop.

Dottie is based on a matrix of dots. It was inspired by the output of old, cheap, dot-matrix printers. In addition to Dottie-Regular with round dots, the family group includes DottieDiamond with diamond dots, DottieSquareTwo with square dots that do not overlap, and DottieSquare with square dots that overlap to create horizontal and vertical bars.

The same monograms found on a 1930s-era business card that inspired Golden Beach JNL are reproduced as Art Deco Monograms JNL. Left-side monograms are on the upper case A-Z, while the lower case a-z are the right side monograms. A vertical bar is on the period key for a centerpiece between the two initials.