When I was painting this font, I suddenly had the movie Cool Runnings (1993, directed by Jon Turteltaub) in my head. I had to name the font, so I came up with Smooth Brushings. Of course, this font has nothing to do with the movie. Smooth Brushings is an all caps brush font, which was made with a stiff brush and some China Ink. Upper and lower case glyphs can be mixed. It is a very legible and clear font, ideally suited for posters, product packaging and book covers.

Northwoods Rough is a handwritten sans serif collection by Cultivated Mind. This collection includes 30 handwritten rough sans serif fonts. Northwoods Rough comes in three rough versions (Rough/Rougher/Roughest). Choose between light, italic or bolder versions for designing. Test out the FREE Northwoods Demo before you buy. Northwoods Rough Demo is for testing only. Northwoods supports most of Central European and Eastern European languages. Use Northwoods Rough for packaging designs, products, signage, books and magazines. Fonts are designed by Cindy Kinash and posters by featured Behance designer, Mustafa Akülker.

Some words from the designer... Like long legs walking a runway in stiletto heels, ITC Cherie is both sophisticated and feminine. West coast designer Teri Kahan developed this art nouveau-style font into two distinct all capital alphabets – one with a “high waist”, placed in the capital position, and the other a “low-waist,” placed in the lower case position. They work separately or together, and this dual nature gives a designer the ability to make subtle changes in a logo or line of text. Additional flourished letters round out this versatile headline font.

Aelita is a low contrast serif typeface in 6 styles. It's distinguished by lowercase character alternates that noticeably change the text pattern. The main character set is quite strict and is characterized by sharp and clear terminals and stiff junctions between stems and bowls. Alternates are more facile and calligraphic. Neutral design of the main character set makes the typeface suitable for scientific and literary texts. Alternates are ideally suited for science fiction, fantasy and art books. The typeface was designed by Natalia Vasilyeva and released by ParaType in 2014.

Decorative, eye-catching and extravagant font. It stands out for the depth of its lines. In addition, it has a three-dimensional effect, it is a typeface that represents the beginning of a new stage, showing the Renaissance change with human figures and parts of the face (eyes, mouths, noses, animal bodies). You can use it for web designs, brands, advertising campaigns, titles, covers, posters, and much more. "New era" is a typeface worked with many details hidden in its design, each character is a new world that tells a story.

Linotype Red Babe is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. With Red Babe, Austrian designer Moritz Majce produced an energetic typeface which gives an impression of movement and change. The letter forms seem to be composed of countless fragments which can’t sit still, fragments which make the original forms burst and then draw them back together with their own rhythm. Linotype Red Babe is best used for headlines in larger point sizes.

The Uto font family is named after the island of Utö, the southernmost part of Finland – an ascetic place that’s defined by bare simplicity. The same is true for the font, that’s constructed of the simplest of forms. At the outer archipelago, life is shaped by the ever-changing nature and its seasons. Uto thus comes as a variable font, making it highly adaptable for different requirements. For more conventional use, a compact range of single fonts in different weights is provided, equipped with multiple Open Type numeral styles.

ITC Cushing has a long history. The typeface was originally designed by J. Stearns Cushing, a Boston-based book printer, and famous American type designer Frederic Goudy expanded it to include an italic weight. Under a special license from the American Type Founders, Vincent Pacella modified the design for ITC and added some additional weights. ITC Cushing is slightly condensed with large, bracketed serifs. Pacella changed the capital letters to better complement the lower case and replaced the sloping serifs of the italics to linear type serifs to produce ITC Cushing.

Lerum this is elegant stencil font. Classic serif, bold weight, stencil style, it all carries this font and with it in highlight the main thing, make a title or logo and much more. It can also be more expressive and playful, thanks to the many alternates that are harmoniously combined in this font and make it more attractive and expressive. Try to change the alternatives, ligatures and you will get a lot of options for your project that will make it unique. This font is easy to use and has OpenType features.

Introducing, proudly present the newest and fresh product from the oven. The Lord Music font is a decorative serif font made with collaborating of beauty and elegant looks. This font made with a lot of alternate features that every letter has a minimal 3 alternates for change and mix with your style do you want. This font will to giving more valuable projects that outstanding and elegant. The Lord Music font is perfect for a title, headline, logo, branding, quote, tagline, and etc. The font also supports more than 20 languages.

Smiling Cat is a cute little font. It is an adaptation of and older font of mine: Harimau Dua. I have had many requests for a bold version of Harimau, so I started working on it, changed a few glyphs, redid the kerning and cleaned it up. Rather than adding it as an extra bold style to my existing font, I thought it’d be better to launch it as a new one. Smiling Cat is handmade, cute and quirky, it would be ideal for Children’s Book Covers. Comes with a litter of diacritics.

Black Strar is a modern calligraphy design, including Regular. This font is casual and beautiful with swash. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more. Black Strar includes a change of the OpenType language style, binding and international support for most Western languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions.

Some time ago, my kids asked me what kind of sweets I really liked. To be honest, I don’t actually like sweets at all - never have, never will. BUT… you can wake me up for chocolate and ice cream! Those are my guilty pleasures! Guilty Pleasure is a handmade font. I used China Ink and a brush to create all the glyphs. Guilty Pleasure is a very distinct display font. I recommend you use it for your ice cream or chocolate packaging… but that, of course, is entirely up to you!

My affection for Slab Serifs began in the early 1960s in Kansas City with Rob Roy Kelly and his fabulous collection of wood type. In the 1970s tried to re-create a Nebiolo Egiziano for Roger Black. Again for Roger, in the 1980s I designed a Slab Serif logo for Newsweek Magazine. Finally, in 2003, designed the Sutro Family. There were things I didn't like about it, so when I did Version 2 for Open Type, I changed it around a little, making it a much nicer Sutro.

Norando this is a modern and elegant serif font. It carries a bold weight and with it in highlight the main thing, make a title or logo and much more. It can also be more expressive and playful, thanks to the many alternatives and ligatures that are harmoniously combined in this font and make it more attractive and versatile. Try to change the alternatives, ligatures and you will get a lot of options for your project that will make it unique. This font is easy to use and has OpenType features.

Rosselina is a handwritten, fully connected script with ligatures and contextual alternates to help with flow and readability. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Every lowercase letter has at least two variations. To get the alternate glyph just add "+" before the letter in any OpenType savvy application or manually choose the character from Glyph Palette. When you type uppercase letters they will change to Small Caps. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Blarks is a unique font with a strong character. The inspiration for making this font is from several e-sport and typography logos that I have seen on various websites, where I found ideas to make fonts that could be applied without having to use another application to change it. Blarks is ideal for logos, event titles, quotes, product packaging, clothing, or anything that requires a turbo typographic boost. It is perfect for titles and logos. Type any a-z using this font, and you will get a unique font arrangement and strong character.

Germania is a Sans font based on classic roman proportions and forms based on my Imperia font. But I added that distinct, rigid, no-nonsense German touch. This monoline font with its classic proportions and personality is good for lots of occasions. And – I designed three »real« italic typefaces – not just slanting the straight ones. I corrected the stroke thicknesses and changed the lowercase a, e, f, g and q. I put in a collection of very interesting uppercase ligatures for free. Your classical type designer - Gert Wiescher

Impact wide was developed from the designer's original drawings for the production of 'Impact' metal type, with many detail changes because of the density of the letters. These include the restoration of the bevelled i and j dots of the original. Character maps show some useful alternative characters in both roman and italic. Included are a crossbar numeral 1, mirror quotes and some sorts which were cast in metal but never reproduced in digitized versions of the typeface. There is also a font-specific Euro symbol. (Impact is a trademark of The Type Museum, London).

In its beauty, Comicraft's Fairytale font is without rival in the heavens, the earth, or the stuff of men's dreams! A wee thing it may be, but 'tis like a star pulled from the sky. Luminescent. Radiant. Perfect. Yes! PARADISE can be yours...from the pages of "Captain Stoneheart and the Truth Fairy," comes a font that might very well change your life forever... it's a dream, a myth, a neverending story, it's a FairyTale! Words by Joe Kelly & art by Chris Bachalo from Captain Stoneheart and the Truth Fairy

Guttie Display Typeface says something about graphics and usability. People tell stories for a reason. We want to convey certain information, change a reader's opinion or make them feel something; Guttie Display Typeface helps you to do all this easily. --- It's all about visuals and functionality. For example, people will use words to convey information, convince readers of something specific, or share emotions they are feeling right now. --- - Fonts can be read from a much larger distance than regular fonts - Elegant letters give the impression of luxury - Smooth curves for elegant typography

Follow your design needs with Presto Script font. It’s a script typeface which has contextual alternates for additional authenticity as open type feature. If you want to manually change letters in your headline or short text, stylistic alternates are available through glyph panel (you need to disable contextual alternates option). Really very easy to use! The font is perfect for quotes, wedding branding, headings, social media texts, blogs and much more. The font has Latin multilingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations.

Our Rum Raisin Pro was inspired by the lettering from a vintage Kellogg's Raisin Bran cereal box, yet is has expanded from what was originally a unicase design to include a lowercase character set. For those seeking to use the original unicase A, you can find it in the Delta character slot. Fun and festive, this font plays the comic clown to perfection. The SmallCaps and extensive figure sets offer a change up to a slightly more serious tone or alternate personality for a wider range of use.

Italiano Fushion is part of an expanding project on which we have been working for several years and which we are committed to in the future. Like the first two, this one too starts from the study of the great Futurist adventure of the early 1900s by great artists such as DEPERO and MARINETTI, who twisted the world of typography with shapes and colors. Italian Fushion is made up of almost 2,000 glyphs for each weight and in addition to hundreds of alternatives mainly, such as initials and endings of each word but also different alternatives for the letters I, J, Y. Thanks to the characteristics of Open Type, you can change them in automatic many of the alternatives, use it as a simple text font by changing only the I's and J's that have the typical capital dot, and giving the text a more fun breath to the composition. Italiano Fushion is suitable for large texts and to get the most out of it it is compulsory to transform the text into UPPERCASE text using the tabs of graphic applications such as Illustrator, or activate the Alternavive tabs and the various options of SS. Ideal for creating Logos, Head Lines, Web Titles, Posters, Epub Covers, Tatoo Projects, T-Shirts, Drink Labels ... Thanks

Mr Orange is a typeface based on our handwritten letters which we used in some of our books H.O.U.S.E, D.E.S.I.G.N and Who Eats Whom. It has up to three alternate glyphs for each character, even for every diacritic letter. We do use our fonts in our books so we know that switching alternate glyphs can be a pain in the ass. Thats why we’ve created a very cool Contextual Alternates feature. It automatically sets alternate glyphs depending on frequency of appearance of the same character. The script doesn’t throw random glyphs. It’s checks if lets say letter “A” appears more then once in a sequence of characters. For example in the word “ANAKONDA”, the third “A” and the second “N” would be changed to glyphs from first stylistic set, the second “A” would also be changed but to glyph from second stylistic set. We’ve designed different rules for basic characters and different for diacritics and punctation. It really works great but of course you can always fine tune it by hand. This option has one obvious advantage for web fonts. Browsers that support OpenType calt feature will be able to display alternate characters. And since you can’t put by hand alternate glyphs on your website this is the only way to use them.

Arabesque is a romantic, ornamental font, in which intertwining, flowing lines and generous loops enhance the beauty of the basic shapes. Arabesque successfully combines legibility with a decorative, sumptuous style. In its European interpretation it was also called "Moresque". The font "Ability" was the origin of Arabesque, however, numerous, subtle changes set it apart. Arabesque, is characterised by a small x-height and relatively large ascenders and descenders (loops). The loops are created out of two or three delicate, intertwined lines that contrast with the much less expansive bowls and shapes of the lowercase letters. The capitals, more complex and composed of intertwined lines, echo the elegance of the loops on the lowercase letters. As a result of these changes "Arabesque" is both more readable, controlled and extravagant than "Ability". Suggestions for use: - wedding stationery - greeting cards - valentines day media - beauty products media - lingerie tags - women's magazine pages - classical music media - award certificates - magazine pages The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages. Arabesque works well in Application packages such as Microsoft Word that do not support professional kerning.

Introducing the stylized Miluero family. Graceful cut, rounded corners combined with austere shapes. Accent fonts with color padding and a classic basic monochrome version in the set. Perfect for logos, headlines and captions. Looks elegant in a minimalist modern design. An assortment of colors will help you get started quickly. This font family is based on the Regular font Pacardo - which means that if necessary you can combine these two families and they will be absolutely stylistically identical and complement each other. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. P.s. Have suggestions for color combinations? Write me an email with the subject "Miluero Color" on: ld.luxfont@gmail.com Features: - Free Demo font to check it works. - Uppercase and lowercase the same size but different forms. - Color in letters. - Kerning. IMPORTANT: - Multicolor version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf -Don't worry about what you can't see the preview of the font in the tab "Individual Styles" - all fonts are working and have passed technical inspection, but not displayed, they just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

What's Included : • Ligatures • Works for PC and Mac • Simple installation • 7 styles: 1 undistressed, 6 distressed • 500+ glyphs in each type • More than 75 languages are supported, including extended Latin. • Each style includes 12 OpenType features, including stylistic alternatives, ligatures, old-fashioned figures, and other helpful elements. • Two different swash ending varieties. • Non connected forms • All connected forms, including caps • Randomly selected character forms for organic looking textures. Sophima exudes languorous luxury. The writing glides around, changing elevation above and below the standard x-height, giving it a lively and raucous vibe. Sophima is designed for 3D printing. I required a contemporary script with technical elements that could be printed using a 3D printer. This necessitates the use of quite thick linking characters. Another result of this technology was the need that all letters, including caps, be linked. Such letters are included in optional Opentype style sets. The unusual technological limitation gave the design a new and distinct vibe. Sophima may be used for a variety of purposes, including headlines, weddings, social media, logos, posters, packaging, T-shirts, coffee shops, restaurants, magazine headers, signage, gift/post cards, cafés, and weddings. Designers have a plethora of alternatives from which to pick, giving them greater variety, power, and creative flexibility. Automatic ligatures for best character connections are supplied, as are alternate ending characters that appear at the end of words that lack connectors or have lengthy swash endings. Sophima is made up of five fonts: one standard and five texture variants that change the tone of the typeface. Each design has 500 characters and is available in more than 75 languages. The typeface has 15 OpenType features, such as stylistic alternates that change the look of characters, ligatures, and more. Constraints and a desire to solve challenges breed the finest creativity. And there's no question that Sophima came up with a solution to the situation. Now use Sophima to create your own designs.

Emulating real handwriting has always been an aim of font designers in the digital age. The standard mainstream scripts and doodles that were available for the longest time have not successfully reached that goal. A letter always looked the same wherever you placed it. Some workarounds, such as letter alternates and ligatures, were used in many fonts, but they were a bit inconvenient to use, and in some cases didn't work correctly because they had to be placed in separate fonts from the main character set. Not until now, with OpenType technology, have we been able to emulate real handwriting, by including multiple character sets in the same font and programming it for smart form changes through letter sequence counting. Secret Scrypt was the first Canada Type font to make it to the bestseller list in the summer of 2004. In early 2005 a New York restaurant chain picked Secret Scrypt to use on its menus and internal signage, but they wanted to look even more like real handwriting, where two or three instances of the same letter used in one word would automatically change and look different from each other. Using OpenType technology, Canada Type produced a Secret Scrypt Pro for that restaurant chain under the direction of Mucca Design in New York City. That initial version contained three different character sets in the same font, and some intelligent programming that determines the sequence of the letters and change their shapes accordingly. Now the retail version of Secret Scrypt Pro is available, with four character sets built into the font for even more variety on the real handwriting theme. Make sure to check out the Secret Scrypt Pro PDF in the MyFonts gallery for tips on using Secret Scrypt Pro. Secret Scrypt is perfect for menus, handwritten notes, theater programmes, charity organization posters, and any design that attempts to get close to people with the personal magic of real handwriting.

VLNL Wurst started as a final result in the Typographic Chinese Whispers project for Typeradio.org, in collaboration with the Type & Media master course. A soundtrack of festive Bavarian music accompanied by burping, followed by loud crunching and munching, inspired Alexandre Saumier Demers to create this typeface family. The fraktur letter forms were composed with sausages to form a recipe available in three flavours: Brat, Blut and Bier Wurst. This 'charcuterie typographique' is ideal for an established butcher shop, a local grocery store or a casual BBQ with friends. Wurst is so tasty, you can't get enough of it! A "Wurst Schreiber" script was developed to automatically draw the sausages around the skeleton.

Bigday is a bold modern script with a bright atmosphere. It's inspired by suburban bars, winter and the city, chilly afternoons with a cocktail in your hand and the sound of crashing snow. Bigday comes with Contextual Alternatives that add variety to the text and help maintain a smooth flow. Contextual Alternative activates automatically. For extra flair, try Alternates or Swash danTails from the glyph palette. Bigday is PUA coded so you can access its alternatives in any graphic design software. This font is versatile and useful for web and print media; think websites, posters, menus, logos, cards, signs, packaging and more. Bigday is friendly, sturdy, and stands out, but most importantly, it's fun to play.

Las Palmas is a vintage type collection with print texture. • Brush - Two weights of a connected Brush Script with Contextual and Swash Alternates • Pen - A connected monoline Script with Contextual and Swash Alternates • Slab - Two weights of a chunky Slab Serif with rounded corners, Bold has the same proportions but fuller texture. • Condensed - A bold and tight condensed Sans Serif with rounded corners. Las Palmas fonts are designed to work together - in pairs or more. Las Palmas is great for branding, posters or any display use. If you need a clean version of Las Palmas try Steak And Cheese by Fenotype. All fonts are PUA encoded and have a wide language support.

Arlon makes it easy to give any brand or advertising a cool & futuristic look. Thanks to its spurless letterforms and some uncommonly shaped letters, this typeface creates a strong visual impact even in small sizes. Having generously rounded angles and terminals, Arlon also spreads warmth and friendliness. To sum up, Arlon communicates an affinity for technology – in a friendly way. The family contains a really wide span from thin to black and has many Opentype features as well as many numerical variations to offer, making it a versatile font. From Afrikaans via romanized Chinese through to Zulu: Arlon comes with 631 glyphs per font, covering more than 200 languages. Designed by Marc Lohner in 2018.

Whimsical Musical is a vivid, hand drawn font with 405 alternate letters, all caps. Developed from a lighthearted drawing in my sketchbook saying the German word “MUSIK” cheerfully over and over in twenty vivid variations. Next to it was the date “6th April 2007”. This initial idea has burst into a font that is full of surprises and whimsical turns. It is dynamically suggestive, like music, and humorously chaotic, as in Dada. Each uppercase letter is enriched with ten stylistic alternates (OpenType stylistic sets) to create a heap of playful variations amounting to a mountain of possibilities. Recommended for display usage: gonzo headlines, fantastical picturesque covers, extravagant quirky flyers, chichi posters, individual labels and fun logos.

Acklebury is a chunky, reverse contrast, slab-serif typeface available in two styles. It has heaps of personality, plenty of open type features, and a whole host of special characters and dingbats. Although it's drawn from historical sources, Acklebury is not a straight revival, rather more of an homage to the many, varied, extended lining figures of the late 1800's. Acklebury celebrates the once labelled 'hideous' combination of wide rounded forms and hard slab serifs. Only using modern type technology to fix the spacing and kerning issues that would of been impossible with metal or wooden type. Acklebury is not a French Clarendon, neither is it really an Italienne... but it is phat, wide and hella funky.

I had a really weird dream the other night, but when I woke up, I had forgotten it. I had the feeling it was about something important, but I cannot, for the life of me, recall what I dreamt about! Forgotten Dream is a horror brush font, which I made with a brushy brush and Chinese ink. It looks like something right out of a nightmare, but you can also use it for something important. Like a ‘keep your distance’ poster, or a sign about the importance of washing ones hands. But then again, if you play in a death metal band, then Forgotten Dream font could be exactly what you need for your album cover!

The Momentum family of typefaces is not for the faint of heart. Although difficult to spot at small point sizes, the glyphs are nothing but dot-to-dot letterforms raggedly, haphazardly placed for a chunky appearance. Brazen and bold in its appearance, Momentum may be EXACTLY WHAT YOU ARE NOT LOOKING FOR in a font family, unless you desire a chiseled, flat, cut-out look. Originally developed for package design requiring a grunge appearance, the Momentum family of fonts creates controversy and speculation wherever it is utilized. Momentum is a modern, chiseled typeface designed with a sense of humor. Perfect for large and small display alike, the extended character set allows flexibility on the fly.

Senko Hanabi (線香花火 - Japanese: incense-stick fireworks) is a type of Japanese sparkler. These traditional sparklers are said to evoke “mono no aware” - “an empathy toward things”; the flash of sadness when reminded of the fleeting nature of life. I am always a bit melancholic this time of the year, so when I created this font, I wanted to give it a suitable name. Senko Hanabi was made using a brush and Chinese ink. It is a beautiful font, which comes with stylistic alternates, discretionary ligatures and a sparkling amount of diacritics. Remains for me to wish you all a very happy new year. Let’s do our best to make it one worth remembering!

Sticky Shoes was inspired by a sign at a local flea market. The artist behind the sign obviously didn’t care much about painting the letters “in the right way” - leaving a slobby and uneven impression. And what is wrong with that? Nothing, if you ask me. I tried my best to capture the charm and innocence behind that sign in Sticky Shoes. I even made the paint version go outside the outline in the Regular version! I added 6 different versions of each letter, and they automatically changes as you type. That goes for all 4 versions, and they even mix very nicely!