PRC series fonts are in Unicode encoding and consists covers GB 2312 character set. It conforms to GB12345 standard. The character glyphs are based on the regular simplified Simplified Chinese writing form and style. It is generally used in China Mainland PRC and Singapore.

Jullina is a charming script font that adds an organic, handwritten feel to your designs while staying polished and clean. It’s a versatile font that would work great in many different projects including branding, social media posts, product packaging, product designs, labels, and invitations. Jullina comes with 359 glyphs including uppercase, lowercase, numerals, punctuation and includes OpenType features such as an alternate Uppercase set and 47 ligatures to create an authentic, handmade feel. Opentype- Jullina is an opentype font and recommended for programs that support opentype features such as Adobe Illustrator, Adobe Photoshop, Adobe Indesign, Pages, Word. What’s Included 359 glyphs — Uppercase, lowercase, numbers, symbols, punctuation, 47 styled ligatures & an alternate Uppercase set for more customization. Multilingual Support — Multilingual Support is included for Western & Central European Languages.

This is the Bruce Foundry’s Old Style No.20, which was loosely based on the Miller & Richard Old Style. It was recut at Lanston under Sol Hess’ direction in 1909, and survives as the second text face in the Sears Roebuck Catalogue.

Hello Everyone, introduce our new product Font Billy Boss This Is Rough Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate 47 Ligatures glyphs OpenType panel.

Breeze is a fun font from Frank Marciuliano where the letters are formed like the sails from the boat. He may have been inspired from the sailboats which he sees on the walks along the shore on the Hudson River. There are two forms available. Left and right define the direction of the blowing wind.

Dollar Tree Stores imports a number of items from China, and many times these are limited-run products only available until the existing supplies run out. One such item was a sans serif stencil lettering guide with rounded ends that takes on the look of 1980s-influenced techno lettering. This is now available as Import Stencil JNL, in both regular and oblique versions.

Klondike began life as an update of the discontinued Elemeno font Pourpoint. It took on a life of its own early in the design process and went in a completely different direction. Standard Klondike is best at very large sizes and evokes a disco or neon feel. Klondike Solid works at smaller sizes to compliment the regular version or on its own.

This is a set of decorative numeric characters, which can stand alone with one another to create ordinal displays. Several of the shape sets can be used to create two digit numbers, up to 99. The triangle version can even be used as arrows pointing in specific directions.

Chamber of Commerce JNL is loosely based on a type style used for some rubber stamp letters and numbers from a vintage child's printing set. Originally a cast shadow design, Jeff Levine felt the lettering merited a direct treatment in both regular and oblique styles without the shadow effect.

Flagstaff JNL takes the lettering from Roma Initial Caps JNL and gives them the movement of an unfurled banner. For added effect, there are flagpoles facing in either direction on the lesser and greater keys. Left and right flag ends are placed on the parenthesis keys; a wide blank flag panel is on the left brace key and a narrow blank flag panel is on the right brace key. Letters only; no punctuation or extended characters.

Tme, new lineal — Tme is an update of Sl (T = S + 1, m = l + 1 and e for natural logarithm), drawn in 2006 for the University of Arts Saint-Luc de Tournai. Its geometrical drawing is based on the directions of the hexagon, a scrupulously followed constraint which confers on some glyphs a very particular drawing. in light, regular and bold language: all latin glyphs

Meet my new font Sarebbe Bellissimo – a romantic delicate signature font with its poetic flow, wich simulates natural handwriting. Great for logo creating, wedding stationery, packaging, for your Instagram and other social media posts. The font includes: Uppercase and lowercase Standard punctuation & numerals Special letters for most of the European languages 47 ligatures (pair combinations, which help the font to look more natural)

At first glance Parking Lot Stencil JNL look quite similar to many sans stencil fonts, but rest assured there are numerous subtle nuances that give the typeface its own unique flavor. Modeled after the plastic stencils used for marking numbers and directional information on paved surfaces, the lettering is clean yet industrial.

Stripy strokes with more open to curves, designed for Young Urban, Professionals! PRC series fonts are in Unicode encoding and consists covers GB 2312 character set. It conforms to GB12345 standard. The character glyphs are based on the regular simplified Simplified Chinese writing form and style. It is generally used in China Mainland PRC and Singapore.

Neue Frutiger Arabic was created by Nadine Chahine and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black. Neue Frutiger Arabic embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Neue Frutiger Vietnamese''' was developed by a team of designers and font engineers from the Monotype Studio under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Vietnamese embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Neue Frutiger Arabic was created by Nadine Chahine and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black. Neue Frutiger Arabic embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Decorative Arrows JNL is a collection of twenty-six decorative arrows provided in right and left facing directions.

Lining up on the start line is Resistenza’s DreamTeam! This fit font’s long limbs, nimble movement and shifting weight make the multiline-display (inspired by bestseller Afrobeat ) perfect to grab attention on signage, print advertising and editorial applications like book covers. DreamTeam’s distinctive forms also make it ideal for branding applications and obviously with its directional movement and the suggested speed DreamTeam’s 4 styles would be DreamSolutions on athleisure apparel and clothing lines. Check out also “Voguing” & “Afrobeat”

On one hand, this font serves as a calm sans-serif, while on the other, it stands alone as a graphic system. Enriched with various shapes and symbols, it goes beyond the mere conveyance of information through text. It's an emotional neo-grotesque and a versatile tool in the hands of a designer, capable of adapting to a project and guiding the flow of information in the desired direction, adding either rigor or emotion in the appropriate places.

QUIPO is a typeface based on my recent survey (Freeflow) on hand drawn logotypes used by American and English pop groups in the 60-70s. We thought it an interesting project and a free flow exercise to design this particular font just in capitals and well... yes it’s rather ‘bulky’. Needless to say it comes with numbers and the normal punctuations ! Concept/Art Direction/Design: André Toet © 2017

Penitentiary Gothic is a digital recreation of the letters used on California state license plates, designed in order to make props for movies and television shows. The regular style is meant to be used on its own, but the other four styles are meant to be used one on top of another in different colors to create an embossed 3D effect. For best results, use the fill style in a dark color on top of a light colored background. Put the lolite style directly on top of the fill style in 10 - 30% of the background color. Put the hilite style directly on top of that in 10 - 30% of your fill color. Put the shadow style directly on top of that using your background color plus 50 - 80% black.

Figural is the work of Michael Gills, developed under the direction of Colin Brignall. It is based on an original 1940 design of Czechoslovakian designer Oldrich Menhart. All original characteristics were carefully retained in this distinguished typeface family. Figural is highly legible, making it perfect for both short pieces in advertising text or larger applications in magazines or books.

Ask any typical New Yorker about subway directions and they'll tell you to take the "uptown line", "downtown line" or "cross-town line". Uptown Line JNL is yet another variation of the Art Deco monoline style of lettering prevalent during the 1930s and 1940s, and is based on titling from vintage sheet music for a Johann Strauss classical piece.

FRUTTA (Fruit) is a new typeface made with the ever expanding food industry in mind. But don’t let that deter you from using our font on the cover of the forthcoming cd of the Black Keys or Beady Eye or Damon Albarn or Paul Weller or Daft Punk or Whatever... Concept/Art Direction/Design: André Toet © 2017

HOLBORN Aptly named after ‘High Holborn’, a high-street in London where the Central School of Art & Design was based. A font, just in capitals, based on the original design and the earlier sketches (1976) by André Toet. The strong optical illusion in this alphabet makes it an outstanding typeface. Concept/Art Direction/Design: André Toet © 2017

TREMELO a typeface based on a logotype (Microtel). We designed it as a complete capital alphabet. The original idea for the logotype font came from the products the firm produced. They provided the parts that go into hearing-aids. We thought the type should have some visual tremor in it. Concept/Art Direction/Design: André Toet © 2017

Golden Ticket is a digitization of hand-drawn poster lettering by Otto Heim from 1925. The regular style is meant to be used on its own, but the other three styles are meant to be used one on top of another in three different colors to create a 3D effect. For best results, put the base style on the bottom, with the fill style directly on top of that in a different color, and the highlight style directly on top of that in a third color.

An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. The exit strokes link words together visually, and in handwriting they lead to spontaneous joins along the baseline leading logically to a joined-up hand. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. When starting point and stroke direction has been learned, the arrow font (Tracker B) can be dropped and the simpler Tracker font used. Tracker B font, with its direction arrows helps pupils to start in the correct place. Motor movements can be refined by keeping inside the line. When starting and direction is no problem, the arrow can be dropped and the plain Tracker font used. When starting point and stroke direction have been learned, the arrow font (Dotted B) can be dropped and the simpler Dotted font used. Free to download resources How to access Stylistic Sets of alternative letters in these fonts Purchasers of this font package may use their Order Number to receive a free Copybook PDF by Rosemary Sassoon recommended for effective teaching

SECONDS OUT! ROUND ONE!  The champ comes out swinging, there’s a left hook, a right hook, another left, another left to the chin, a box to the ears, a punch to the stomach, the challenger is reeling, he’s on the ropes, there’s another left to the chin and here’s the knockout, RIGHT IN THE KISSER! The Kisser. The Mouth. You know, what you kiss with? SMAK! It’s a font with a fat lip or one that makes you look like you’re talking’ with a fat lip. Or if you’re more of a lover than a fighter, it’s a big wet kiss from your loved one when the clock strikes midnight on New Year’s Eve. Either way, you win!

I've always admired the work of Rudolph Koch. Culpepper is what I think Neuland would have looked like if it had been developed with lowercase, small caps and a range of weights. I started work on this series in the late 80’s and, like so many of my ideas, it was shelved when life drew me in another direction. Culpepper is the name of one of the islands in the Galapagos chain.

Shanghai JNL is loosely based on the title lettering from “Charlie Chan in Shanghai”, one of the long-running series of detective films featuring the Asian sleuth and his “number one son”.

This font is for gamers, game titles, for science fiction books and movies. Like hexagons fill and take space, in this font we attempted to employ hexagonal spatial typography. Sometimes it requires more rapid stroke direction change than in traditional typography. The same for Starfighter and for space quests – the competition and adventure will often require quick and sudden change of direction to succeed and survive. Have fun!

Neue Frutiger Hebrew was created by Yanek Iontef and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Hebrew embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Neue Frutiger Georgian was created by Akaki Razmadze and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Georgian embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

NATH !* Is a peculiar typeface. It’s design came by the fascination of Optical Illusions and 3D on a flat surface, like with Holborn and Powerplay. The typeface is named after a girlfriend of André Toet. *Made in the UK, 1974, London (Central School of Art & Design). (Redesigned 2013 by André Toet / Jasper Terra). Concept/Art Direction/Design: André Toet © 2017

Golden Wraith Fonts designed the digital typeface Hastynga It began as an effort to find a solution to the digital aesthetic. By distorting digital fonts into a fluid style of writing with a variation in direction between strokes from one letter to the next, Hastynga allows for simulated text imperfection. Its layout creates textual tension, energetic movement, and vibrant vitality.

MMM is a sturdy Typeface, the design is based on a old Soap-Powder advertisement. MMM is very useful for headings and/or logotypes. André Toet his 17th Font Caps, Lowercase. With Numbers, Glyphs and the normal Punctuation. Use this Font well, it’s made with the greatest care. Concept/Art Direction: André Toet © 2017 - Design: André Toet / Jasper Terra

The Carlin Script family, inspired by the Carolingian minuscule alphabet (ca 800 A.D.), is one of the great new families available through Linotype's Library's Take Type 5 collection. Take a closer look at these beautiful characters; with them, one can create a different, more personal feeling than commonly comes from more available script and chancery fonts. Like a monk with his writing table, German designer Hans-Jürgen Ellenberger created this new design, which includes 10 different weights, bringing scribal excellence directly to your keyboard. The Carlin Script family includes an additional Initial set-allowing the creation of medieval-flavored drop or initial caps in snap. And the critics are raving: Carlin Script was a winner in the New York-based Type Directors Club's 2003 Type Design Contest!"