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  1. Antique Shadow by Wooden Type Fonts, $15.00
    A modified remake of one of the popular wooden type fonts of the 19th century. This is an extra bold, shadowed, sans serif suitable for display.
  2. Scrap Caps by Illustration Ink, $3.00
    Cap off your project with this all capital letter font. Bold and stylish with hand lettered appeal. Great for any paragraph or headline that demands attention.
  3. French Antique by Wooden Type Fonts, $20.00
    A revival of one of the popular wooden type fonts of the 19th century, extremely condensed, bold, flat thick serifs, a very useful design for display.
  4. Display Engraved JNL by Jeff Levine, $29.00
    Display Engraved JNL was inspired by the bold, engraved Sphinx Blanc from the Deberney & Peignot circa 1925, and is available in both regular and oblique versions.
  5. Pipo by bb-bureau, $65.00
    Pipo is a minimalist rounded tubular and stencil font in 5 weights (Thin, Light, Regular, Medium & Bold) — many symbols and cleverly ligatured! language: all latin glyphs
  6. AZ Claire by Artist of Design, $20.00
    AZ Claire was inspired by hand scripts, but with the necessity for a bolder look. This font was designed for use as a fun bold headline.
  7. Ugaritica by Mouhannad Alkousa, $14.00
    Ugaritica is an uppercase typeface. Blocky, sharp, and aggressive. Nice for headlines to catch the attention. Ugaritica is available in two styles - regular and bold. Enjoy!
  8. Greywall by Khurasan, $8.00
    Introducing Greywall, a bold stretch sans serif font. Greywall it perfect for posters, logos, magazines, covers, banners, t-shirts and headers, or even large-scale artwork.
  9. BB book A by bb-bureau, $65.00
    bb-book A — breaking rules typeface Expressive book serif (triangular and curved) kicking up weight, width and contrast — in 4 styles: light, regular, medium and bold.
  10. Fagies by Hitype, $15.00
    Fagies is a modern and bold sans serif typeface featuring characters that stand out from every background. Suitable for logos, posters, packaging, branding, invitations, notes, etc.
  11. Flute by Typotheticals, $5.00
    Flute was a font that was released in 2006 now, in 2022, it has been updated to increase the number of faces, including a bold version.d.
  12. Darbee Legend by OGJ Type Design, $35.00
    A characteristic feature of the Darbee Legend is its boxy forms and the angled (unpainted) terminals. Regular to bold plus italic and a variable font (upright).
  13. Gengboy by Hitype, $15.00
    Gengboy is a fun bold Sans Serif typeface featuring characters that stand out from every background. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, etc.
  14. Jebakan by Nandatype Studio, $13.00
    Jebakan is a beautiful and charming display font with a bold vibe. Jebakan suitable for standout designs and make any design idea into a true standout.
  15. Madriz by SilverStag, $14.00
    Introducing Madriz, a slab serif font with a retro feel that's perfect for any project that needs a touch of old-school charm. With over 32 fonts in one font family, Madriz offers a wide range of styles to suit any need. You can choose from Thin to Black weights and Regular to Extra Expanded widths to create your perfect look. Madriz is inspired by the old-school signage of Madrid, Spain. The name "Madriz" is actually the affectionate nickname that Madrileños, the people of Madrid, gave to their city. The font's bold, blocky letters capture the essence of Madrid's vibrant and historic streets. Madriz's versatile nature makes it a great choice for a wide range of projects. Its bold, retro style is perfect for showcasing heritage brands or giving a modern touch to classic designs. Madriz can also be used to create a sense of nostalgia, making it ideal for retro-themed projects or campaigns. Here are some of the ways you can use Madriz: Titles and headings: Madriz's bold, eye-catching style is perfect for titles and headings. Text blocks: Madriz's wide range of weights and widths makes it suitable for text blocks, from body copy to large paragraphs. Logos and branding: Madriz's retro charm makes it a great choice for logos and branding. With its 32 font styles and support for over 90 languages, Madriz is an incredibly powerful tool for any designer. It can be used to create a variety of looks, from classic and elegant to modern and edgy. Whether you're working on a print project, a web design, or an app, Madriz has the potential to make a lasting impression. Madriz is the perfect font for anyone who wants to add a touch of old-school charm to their designs. With its wide range of styles and features, Madriz is sure to make a statement in any project. Would you like to get 5 completely free fonts worth over $75? No tricks, no hidden words, terms or anything. Just subscribe to my newsletter, make sure to check your email to approve the subscription, add me to your contacts so that the emails don't end up in spam folder and you will get 5 fonts for free. The fonts are packed with alternates, ligatures and some even come with extra goodies. Happy creating everyone!
  16. Mirabelle by Magpie Paper Works, $14.00
    Mirabelle from Magpie Paper Works is a family of four hand-lettered fonts designed to coordinate with each other or stand alone as display faces. Each font was created with a felt-tipped pen & ink, and includes a full set of capital and lowercase letters, as well as multi-lingual support, currency figures, numerals, and punctuation.
  17. Sansational by Type Innovations, $39.00
    Sansational is an original design by Alex Kaczun. The inspiration started with the shape of a "paper clip". Simple and elegant. A condensed sans serif that's, well... just sansational! It's a delight to use and view. Great for advertising, large headlines, web applications, and well... just about anything. Works equally well in a broad range of text point sizes.
  18. Rail Route Stencil JNL by Jeff Levine, $29.00
    Rail Route Stencil JNL is based on a hand-cut paper stencil depicting a logo for the Baltimore and Ohio (B&O) Railroad. The lettering is from the motto encircling an image of the Capitol dome: "Linking 13 Great States with the Nation". This motto was not present on some other versions of the B&O logo.
  19. Neuzeit S LT by Linotype, $30.99
    Designed by Wilhelm C. Pischner, Neuzeit-Grotesk first appeared in 1928 with the font foundry D. Stempel AG. In 1966, Neuzeit S was introduced by Linotype-Hell AG, intended for large bodies of text and predecessor of Siemens corporate design. Neuzeit S is timeless, combining strength of form and objectivity and legible even on inferior papers.
  20. Cookie Powered by PizzaDude.dk, $15.00
    Tall, thin, grid, legible and handmade! What's not to like?! The font was made using a squared paper as a base for the lines. However, I managed to keep the free spirit of the handmade look, despite the guides. Play around with the 4 different versions of each letter and the swashes to make your text stand out!
  21. Angie Lou by FontFuel, $12.00
    Angie Lou is a contemporary clean informal face. More formal than most handwritten faces, it surprises the eye with its clean rhythm. It gives that "marker on paper" or "dry erase board" feel. But the thin nature of Angie Lou sets it apart from most marker style fonts. Angie Lou offers two variants: regular and italic.
  22. Alma Serif by Alma Type, $19.00
    Alma Serif is a typeface that tries to combine the modern shape of serif magazines such as Times New Roman with the atmosphere of classic typefaces such as Baskerville. I was working on the universality of the typeface, so that it would be suitable for both long papers and books, but also for formatting narrow columns in magazines.
  23. PM Endora by Paper Moon Type & Graphic Supply, $17.00
    A new magical, mystical font family from Paper Moon Type & Graphic Supply. PM Endora was inspired by hand-lettered Mid-Century Modern movie titles and posters. Its mystical side makes it perfect for halloween and winter holiday marketing. Its casual side makes it a go to choice for weddings, specialty packaging, cosmetics, and modern lifestyle branding.
  24. Dremaks by SMZ Design, $22.00
    Dermaks - A modern typeface with unusual shapes. The starting point were intuitively drawn glyphs that gave the impression of being cut in paper. It goes well with colors and black and white. The font is intended to provide a distinctive original form. Intended for slogan designs, headlines, logotypes, clothing designs, posters and all designs with an intriguing style.
  25. Bellis by Nine Font, $25.00
    Bellis is a hand painted brush font. Painted on absorbent paper with a chinese brush to make the ink spreading texture. The original texture was a little bit messy but we translated into a more clean textured font. Bellis is a very easy to read brush font and it can be used for posters, magazines or graphic artworks.
  26. Kinghawk by Putracetol, $19.00
    Kinghawk is a natural handwritten brush font. Made by writing on paper first and then scanning. Then spruce up each character so that they blend into a very natural font. Like original handwriting. Kinghawk is perfect for logo, quote, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.
  27. Attention Seeker by Hanoded, $15.00
    Attention Seeker does seek attention: it looks like a stencil font, and it sort of is, but it wasn’t made with stencils. It was made with a brush and ink on paper - just like that! Use Attention Seeker for your revolutionary posters, your books, your products or your posters, I am sure the end result will make heads turn.
  28. Delivery Note by Hanoded, $15.00
    I like fonts that look like scribbled notes… so I made one! Delivery note was made with a sharpie pen on paper. I didn’t ‘clean’ the glyphs too much, as I wanted it to look like a genuine note script. It comes with double letter ligatures for the lower case glyphs and a fun doodle pack!
  29. Malena by Tipo, $69.00
    Malena is a typographic family created by Lentino and Muhafara like a shared working project which integrates both views on typography as a whole. Malena is intended to be used in lengthy texts with a wide range of variables, having a striking contrast, with consistent features and standard performance, Ideal to be used in paper with very good finish.
  30. Alige by Unforma Club, $20.00
    Alige is a humanist sans serif typefaces made for body text and display. Carried classic roman proportion in higher letterform for better reading experence. Inspired by Optima Nova which designed by Hermann Zaph in early 50's, alige contains 28 cuts which 14 style in text and 14 in display. Kindly visit Alige Playground for more detail presentation.
  31. Ovidius Script by GroupType, $21.00
    Ovidius is a formal script with solid structure. Characters present a look and feel of an ancient pen to very rough paper. The Ovidius family designed by Thaddeus Szumilas is now part of GroupType, a foundry specializing in period and revival typeface designs. These designs have not only important historical design roots, they possess great contemporary appeal.
  32. Paciencia by Typographias, $16.00
    This family started as a graduation project back in 2009, coming from calligraphic studies and sketches with a broad nib pen, based on humanist proportions and inclination. From its ink and paper origins it has come a long way until the current form, being digitalized and made into fonts through the course of the last 8 years.
  33. Blacker Pro by Zetafonts, $39.00
    Blacker Pro is the revised and extended version of the original wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli in 2017. Blacker was developed as a take on the style that Jeremiah Shoaf has defined as the "evil serif" genre: typefaces with high contrast, oldstyle or modern serif proportions and sharp, blade-like triangular serifs. Due to the high contrast in the design - slightly reminescent of didone typefaces - Blacker has been developed in two optical subfamilies. The display version offers tighter tracking, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering at smaller sizes, with lower contrast and looser spacing. In the pro version, two additional condensed variant families have been added (condensed display and condensed text) allowing for more freedom and versatility in typesetting where space constraints are present. Also, three titling uppercase-only variants have been added, with a slightly extended feel, and two decorative subfamilies (inline and diamond). Each of these seven variants has been developed in six weights from light to heavy, with matching italics, for a total of 69 styles covering a wide range of editorial and advertising uses. All Blacker Pro feature a revised and extended character set covering over two hundred languages using the latin, cyrillic and greek alphabets. Open type features include small caps, positional numerals, fractions, superior & inferior figures, alternate forms, and an extended set of standard and discretionary ligatures. With its bold personality, Blacker aims to be a modern classic used for bold statements and self-conscious brands, making your text look great both on paper and on the screens.
  34. Pot roaster - Unknown license
  35. Stone Dense by Putracetol, $20.00
    Stone Dense is a playful display font. Stone Dense has a large number of ligatures, 160 ligatures. So that makes this display font more playful and unique. And Stone Dense has a bold body, with unequal widths for the characters. Stone Dense can suitable for your projects that require fonts with bold and strong characteristics. Such as branding, logos, titles, headlines, printing, magazines, quotes, posters, fashion, t-shirts, apparel and others. Stone Dense is also support multi language.
  36. Tape Up by Ingrimayne Type, $9.00
    The letters in TapedUp are constructed from straight pieces of what could be masking tape. The letters have a unsophisticated or unpolished quality to them. The typeface is caps-only but many of the shapes on the lower-case keys differ from those on the upper-case keys. It was formed with a template used for several letterbat fonts and also typefaces Rumpled and Tinkerer. The family has six styles: regular, bold, shadowed, oblique. bold oblique, and shadowed oblique.
  37. Ballsye by Putracetol, $28.00
    Say Hello to Ballsye, a Superb bold display font. This font is a very bold font so it has a strong impression. But other than that, this font can also be a fun and playful font. Ballsye is perfect for branding design, posters, apparel, for logotype, website header, fashion design and any more. Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.
  38. Charles Wright by K-Type, $20.00
    Charles Wright is a full typeface in the style used for British vehicle license plates. The standard Bold weight is based on the condensed bold ‘2001’ style with an uppercase which conforms to UK registration plate specifications for character heights of 79mm and widths of 50mm. The 9 font family also includes previously unavailable Medium and Regular weights, Obliques , and a newly designed lowercase. For platemakers, the wider '1935' and lighter 'Motorcycle' fonts are also included.
  39. Typewriter Revo by Matthias Luh, $29.99
    Typewriter Revo is based on Typewriter BasiX but it is completely redesigned: While Typewriter BasiX has dapples and grunge (which looks more realistic), the contours of Typewriter Revo crisp and clear. Typewriter Revo is more suitable for continuous text while Typewriter BasiX and Typewriter DirtY are suitable for large Pictures, logos or headings. In contrast to Typewriter BasiX, Typewriter Revo includes 11 more characters and is also available in a bold, italic and bold + italic version.
  40. Forbes by Linotype, $29.99
    Forbes consists of one bold weight and is an alphabet in the style of the bold English slab serifs, as made evident by its flexed serifs. This style first made its appearance in the 19th century. It was used at first only on posters but later became available in smaller point sizes and was then be used for titling and headlines. With its robust figures, Forbes should be used exclusively for these applications in middle and large point sizes.
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