Fukushima is a script font that has a distinctive character that is very thick and elegant to use Fukushima is a relaxed and flowing handwritten script font. It's incredibly versatile and this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive! Features A-Z Character Set Numerals & Punctuations (OpenType Standard) Stylistic Alternates Multilingual Support Ligatures

Finally, a serious alternative to that other comic font. After years of mocking the font that shall not be named, I decided to create an alternative. I wanted to keep the fun feel and the comic book roots, but have a more polished look. The result? JollyGood, a complete font family, with great language support, a big range of weights and styles, and a friendly look. Check out the other members of the JollyGood family

Introducing Scandia, a unique geometric Scandanavian font with a beautiful and simple runic and Vikings style to help you bring the soul of the Nordic region into your design works! Based on Scandinavian runes and elegant geometric forms, this unique typeface has 3 weights to fit your needs. It includes some multilingual support, uppercase letters, numbers, and punctuation. It works great in titles, logos, and short quotes in modern and traditional projects. Check it!

Introducing "Chaline" - A Modern Elegant Sans Serif Font. Chaline is a refined and contemporary sans serif font that seamlessly blends sophistication with versatility. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Introducing a comic style label font named Caffeination. This font has a wide languages support with west european and cyrillic characters (check out all available characters on previews). The font family has six styles: Regular, Shadow, Shadow FX, Rough, Rough Shadow FX and Rough Shadow. Each of these fonts have same metric and kerning. This font will look good on any comic or vintage styled designs like a poster, T-shirt, label, logo, etc.

RNS Pictografica Cocina (Kitchen, culinary arts and food related font) it is comprised of 230 glyphs, it's based on a modular structure of a minimal thickness on lines and round corners, making a clean visually drawing, give importance to the surround white for improve contrast. The font is better used on a big white canvas for achieve visual focus. And in great sizes for more impact, however the font is legible even at small sizes.

Linotype Down Town is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The cheerful character of this fun font from German designer Critzler is perfect for comics or posters. The figures dance across the base line, swinging between thick and thin, big and small. Linotype Down Town is intended exclusively for headlines and short texts in at least 18 point.

Introducing "Gussian" - A Modern Sans Serif Font. Gussian is a contemporary sans serif font that effortlessly combines modern aesthetics with clean simplicity. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Introducing "Tropical Vibes" - A Display Retro Fon, a captivating display retro font that channels the essence of nostalgia and carefree spirit. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Hello everyone, we hope you have a great day. Say hi to Mirallove Restimond a new casual modern font that is very perfect for branding, wedding designs, quotes, posters, business cards, logotype, display, watermarks, signatures, etc. This font also has a special character in terms of thickness and thinness on each side, so it will give a neat handwritten impression that will make your design look very attractive and it is PUA Encoded.

Created in 2010 by Olivier Gourvat, Mozziano is an elegant cross between geometric and round shapes. Its post-retro style opposes also fine and thick lines. This font can be used for very short texts however it is particularly effective for headlines in larger point sizes so that its details are emphasized. Mozziano best used in experimental designs. Mozziano contain an extensive character set that includes support for Central and Eastern European languages.

Heyday is a font in its prime! This font was inspired by vintage style typography with the use of thick rounded serifs, while the shape of the letterform has a contemporary edge which brings it into the modern day. This combination of classic and modern creates a unique look and feel that enables the font to feel at home in any era. The Heyday family consists of a serif and sans weight.

ITC Photoplay is another gem from Nick Curtis. Unearthed from the 1927 edition of Samuel Welo's Studio Handbook for Artists and Advertisers, the design's original suggested use was for title and caption cards for silent movies. A monoweight design that bridges the gap between turn-of-the-century decorative type and Art Deco, ITC Photoplay is both casual and stylish. And, yes, the cap S" is supposed to look that that. To expand this already handy typeface's versatility, a Black weight has been added to the original design. Curtis has also created an array of alternate characters, a couple of conjunctions, and a handful of "bishop's fingers" to help make your point. ITC Photoplay is eminently suitable for all those occasions when you need to say, "Unhand that fair damsel, you dastardly cad!", and really mean it."

Catsy is a cute and curly upright script family. Catsy is great for any kind of display use from packaging to poster to headlines. Catsy makes clear word images but if you want more curly action try Swash, Stylist or Titling Alternates on any OpenType savvy software. If that isn’t enough you can manually select from even more alternates from Glyph Palette: Each version of Catsy contains more than 700 glyphs. Keep Standard Ligatures on for smooth flow. Catsy Printed is a texturised version of Catsy. Catsy Printed also has softer features than Catsy. Catsy Ornaments is a pack of 86 extra swashes, badges, ornaments and swirls designed to play with the font, though they work nice on their own as well. For the best price purchase Catsy Family, Catsy Printed Family or Catsy Complete Family.

Introducing Rantic Kafis, a classic modern font with a bold and elegant touch. This font features thick strokes and rounded edges, giving it a distinctive and sophisticated look. With its stylistic set options for upper and lowercase letters, Rantic Kafis adds a touch of individuality and creativity to any design. Rantic Kafis is the perfect font to add a classic modern feel to your work. Its thick strokes and rounded edges make it highly legible, ensuring that your designs are easy to read and understand. So if you’re looking for a font that combines the best of classic and modern design, look no further than Rantic Kafis. Download it now and start creating stunning designs that stand out from the crowd! What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Introducing Kompot - This is the Greatest Font... actually typeface with 4 styles Kompot is swirly, vintage typeface with 4 styles to enchant your next project. They are loaded alternate glyphs, ligatures and multilingual support. Very versatile fonts that works great in large and small sizes. Basic latin, advanced latin, basic Cyrillic and advanced Cyrillic character sets are supported! Kompot is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase numeral, punctuation & Symbol Regular Styled Outline Styled Outline Alternate glyphs Ligatures Multilingual support Basic and Advanced Cyrillic support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Gunsmoke is a revival of a James Conner's Sons font that's been listed under different names such as Extended Clarendon Shaded, Original Ornamented and Galena. Dating back to 1888 this font was available with an original lowercase, numbers and punctuation. Today we've expanded the set to include the original shaded version a regular black, open left, open right and a fill font for the two open faced versions. The single Gunsmoke fill font is in alignment with the Gunsmoke Open R version and will also work with Gunsmoke Open L by shifting your fill font layer to align with the Open L version. You will need an application that works in layers in order to use the fill font with the Gunsmoke Open L and R fonts. Make sure you check out the left and right pointing gun hands on the less than and greater than keys, the gun alone is on the left and right brace keys. Remember to check your gun in with the Marshal when entering Dodge City.

Magendfret is a typeface that was designed very mechanically. However, it is also the optimal typeface for expressing soft warmth. Magendfret was designed by constructing a "line." That is: it is based on the concept "it is the combination of a straight line and a curve with a character." I made the character from the act of using and constructing a vector graphics editor, a mouse, and a keyboard. That, I thought when constructing it, should make neither a roman type nor italic type into a novel form, and a very general form. Once those characters were bit-map-ized, they traced again mechanically by the vector graphics editor. It became a soft impression by this work. The very mechanical act of changing the thickness of a line uniformly constitutes the family. The thickness of seven patterns was created first and, finally it results in four patterns. Respectively, styles called Light, Regular, Medium, and Bold are attached as usual. The name Magendfret is meaningless. It is an anagram of a certain words selected very arbitrarily.

Sintesi Sans. Sans meets serif. Are you looking for a robust, contemporary but nonetheless an elegant font? Sintesi Sans might be exactly what you are looking for. Sintesi Sans builds together with Sintesi (SemiSerif) and Sintesi Semi an extended family. However each of the three member of the Sintesi-family accomplish the «synthesis» between Sans and Serif on its own way. Sintesi Sans scores because of its readability, robustness and contemporary style. It is a true Sans Serif and therefore really flexible, universally applicable especially as a body text font and in a broad number of other applications. Worth mentioning is the particularly slim «Extrathin» style, which elegance is not to be outbalanced. Thanks to the good readability and the wide set of styles and glyphs, Sintesi Sans suits to a wide spectrum of applications. Download a free trial package of the extended family with a reduced character set – check it out! Download a free trial version of Sintesi Sans with a reduced character set. Check it out!

Whassup y’all! Me and my bros got this li’l gang together: we is Ringo, and we got da bling, yo! We is da typeface family for ya all! We got some real sweet stuff for ya, some nice characters. We got all ’em OpenType features like fractions and proportional figgers, we even got da cubic root, man! And check out da question mark, man, is real sweet. And the ampersand, yeah! I luv ’em ampersands. Now my brothers over here got some light action for ya, and they got some real bold action for ya. We got some nice foxy curves goin’ on, some nice tension, and some nice relaxation. My bro Light over here is kind of like the subtle guy, ya know. He’s in for the female fans, ya know. Heh! Hell, yeah! And man, we speak like 84 languages: we speak the German, and the French, and the Spanish, and we speak the Polish, and the Czech, and the Hungarian, and we even speak Shambala and Swahili and Rundi, and we got some Esperanto thing as well for ya. And check out my bro Black right over here, he’s like the action superhero, man! He’s got impact, man! Yeah yeah, but you know, my bros Regular and Bold are the real deal. Them is like da word of da street, man! Like da word of you, and you. And we got a message for y’all: life is hard, life is real, but you should work your mojo, be smooth, be nice, chill. We got all them kerning pairs, and all them weights, and we got ’em alternate letters. So check us out, yo!

Jazz Gothic is a digitization and expansion of an early 1970s film type from Franklin Photolettering called Pinto Flare. This type became an instant titling classic with jazz and soul album designers; then it caught on wildly with film and television designers. Blue Note and Motown would not have been the same without this face. Jazz Gothic is a simple geometric idea, quite likely originally inspired by the heavier display weights of Futura. The resulting product is a versatile message-driver that stands quite strong and cherishes the limelight, yet shows a playful and artistic side within its curvy thick swashes and rebellious unicase forms. In the hands of a good designer, Jazz Gothic eliminates any doubt about the delivery of the message or the attractive purposeful way it is delivered. It is the kind of typeface that loves a design program's bells and whistles. Knock it out of dark or light backgrounds, shade it, mask-alize it, roughen it, stretch it, squeeze it, and the message will still stand larger than life. Jazz Gothic comes in two fonts, a main one with a full character set to accommodate the majority of Latin-based languages, and a second one that contains about 50 alternates and swashed forms. The OpenType version is a single font that has all the alternates and swashes at the disposal of the buttons of OT-savvy program palettes.

Introducing our latest display typeface called Luxurist Vintage - Display Vintage Serif with Ligatures can make your logotype become more interesting. Best Vintage font with special ligatures and multilingual support. inspired by the decorative arts and architecture movement Luxurist Vintage fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more

Jason Uncial, a unicase font, was created by Dutch designer Coen Hofmann. Uncial hand writing began to spread in Europe at the time of the late Roman Empire (200 A.D.). It influenced both the Carolingian Minuscule as well as our present lower case letter forms. Uncial fonts are still very much in use. It is used for headlines, display, titles, certificates, and not surprisingly, very much in Ireland or for anything with a Gaelic/Irish or Celtic touch.

Pouri is a classic script with a modern style that is very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classics, formal or luxurious looks. Pouri includes a wealth of OpenType features. If you don't have a program that supports OpenType features like Adobe Illustrator and CorelDraw X Version, you can access all alternative glyphs using Font Book (Mac) or Character Map (Windows).

Qanthorely Castigra an elegant and unique calligraphy font. Carefully designed to work together in harmony that makes it perfect for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires unique, formal or luxury. Try Qanthorely Castigra, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Included Multilingual Support And Special Ligatures

Introducing our latest display typeface called Blind Qualifier A unique Fonts with vintage taste can make your logotype become more interesting. Best Vintage font with special alternative glyphs, and multilingual support. inspired by the decorative arts and architecture movement Blind Qualifier fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Introducing our latest display typeface called Walker Knight A unique Fonts with vintage taste can make your logotype become more interesting. Best Vintage font with special alternative glyphs, and multilingual support. inspired by the decorative arts and architecture movement. Walker Knight fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Parshell Beautiful and stylish, Parshell is a script font with modern elegance. Its natural strokes add visual flair to any design project, from invitations to certificates—the perfect font for adding a classic touch to your projects while maintaining an authentic, handwritten look. To access alternative glyphs, you'll need a program that supports OpenType features such as Adobe Illustrator CS and Adobe Indesign, and PS. How to use the open type feature https://helpx.adobe.com/illustrator/using/special-characters.html

The Linotype Technical Pi font includes a variety of characters for technical areas, especially for the field of electrical engineering. Among other symbols are those for AC and DC, certifications, and a number of others which illustrate technical terms, warnings and information. Technical Pi also includes the modern symbols which have become a part of everyday life, like environmental and recycling characters. General characters like fax and telephone symbols complete the symbol palette of Linotype Technical Pi.

Inspired by classic calligraphy, Armstead is an elegant and sophisticated handwritten font with a classic charm. All lowercase have 8 - 9 variants, total of 203 alternates, 7 ligatures, 20 swash of which 10 are final, and there are old roman numerals from 0 to 12. This font is perfect for your wedding invitation, greeting card, certificate, branding, magazine, book cover and much more and the alternates will help you to make your design unique. Thank you!

Between 1958 and 1961, Herbert Thannhaeuser developed the typeface Liberta for Typoart as a broadly conceived newspaper type which established itself quickly. Its positive adaptation by publishing houses and printing companies was based, next to its agreeable and reader-friendly general impression, also on a relatively robust typeface character which does not sacrifice its power of impression and elegance even when confronted with poor paper and printing qualities. In the 1970s, a bullish and robust design style took over the area of consumer goods which then required a corresponding advertising face. Harald Brödel re-worked the Liberta Ultra for phototypesetting, and, with great sensitivity, designed a matching cursive variation. Both types work especially well as an attention getter for advertising and for emphasis purposes.

Bonhomme Richard evokes the cursive penmanship of Chevalier John Paul Jones (1747–1792), celebrated Continental Navy commander during the American Revolution, in letters from the late 18th century. The font’s name comes from Jones’s famous frigate, lost during his victorious engagement with the British in the Battle of Flamborough Head in 1779. During this battle Jones is said to have exclaimed, when urged to surrender, “I have not yet begun to fight!” (In fact, his likely words were, “I may sink, but I’ll be damned if I strike!” – i.e., surrender.) A legible script, Bonhomme Richard has an elegance about it while also conjuring the colonial era of its source material. Use to simulate historical handwriting in film props, games, formal invitations, product labels, and the like.

The Mehdi Mutamathil type family follows the guidelines of the Mutamathil type style. It has only one glyph for every basic Arabic Unicode character or letter. The Mehdi Mutamathil family includes all required Lam-Alif ligatures and selected marks positioning so it does use limited glyph substitutions or forming. Mehdi Mutamathil employs variable x-height values. Text strings composed using typefaces of this family are non-cursive with stand-alone isolated glyphs. The Mehdi Mutamathil family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

Smiling Lovely is an elegant, classy, modern script font of which prominent character is the combinations of brush style and handwritten curves and shapes. Unlike the other cursive fonts, Smiling Lovely’s letters are not closely interrelated for a legibility reason. This font combines uppercases and lower cases for perfectly interconnected writings. Features: Alternates Ligatures Stylistic Set Swashes Multilingual Supports PUA Encoded Numerals and Punctuation Smiling Lovely fits best for various designs, such as posters, banners, logos, book covers, album covers, headings, printed products, merchandise, clothes designs, quotes, invitations, pamphlets, greeting cards, product packages, social media, and more. Find out more ways to use this font by taking a look at the font preview. Thank you for purchasing our font and happy designing,

Pacific Script is a font inspired by an alphabet created by Howard Trafton in the 1930s. However, I felt it needed some changes to bring it to the cutting edge of 21st century font design. Though designed as a display font, it works very successfully in longer passages of text, however, it should not be used in font sizes less than about 15 point. Small x height in contrast to extravagant caps gives the font a very dramatic feel. Though it has cursive qualities, the characters in this font do not connect, making it slightly more legible and less like handwriting. The inclusion of 26 alternate upper case characters give the user the freedom to create a hand crafted design. Language support includes all European character sets.

Gyst is a neo-humanist sans-serif typeface that artfully blends the principles of Grotesque and Antiqua. With its classic uprights and the serifs in its true italics, Gyst spans the arc from a modern humanistic sans serif to a captivating calligraphic serif. Contrasting strokes and luscious, on the other hand razor-edged terminals reflect a sense of grace, thriving at the intersection of geometric precision and flourishing sophistication. Made for body text as well a s display use. In any situation, you will find the autonomous cursive posture to be a perfect playmate for the upright. Gyst Variable is a TTF Variable Font with a weight axis and a whole lot Alternates and Ligatures. Gyst is also available in four static upright and italic weights.

Designed as a versatile and functional family, Convexion is the result of a personal exploration into the use of convex forms in serif designs. Its humanist form is inspired by a fusion of classical serif forms with the more expressive forms found in script lettering, to create a legible yet original typeface family. Consisting of 3 weights, with accompanying cursive inspired italics, this family is suited for a wide range of applications such as branding that will expose its defined personality or editorial design were it can be used for both display titles or text. This family supports a range of Opentype features, offering multiple numeral styles, ligatures and other alternate glyphs. With an extended Latin glyph set, it will support most Latin based languages.

Futuristic, modular, blocked, squarish and modernist KayKhosrow font has got 12 versatile styles! The very first non-cursive Arabic/Persian font which also supports Latin characters as well! You're gonna love how all those different styles are gonna work with each other! For your cover designs, posters, logotypes and any typographic projects, you can count on KayKhosrow fonts! There are 12 of them! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Mestika is a resinous spice, in Arabic means gum, the name is Mestika cause the mestika has a mixture of sharp edges and cursive connections, that mixture gives the typeface an edge to stand out, a low contrast sharp design with 9 weights making it works well with text and headlines. The design is a collaboration with the Iranian designer Kamyab Jafari, The typeface is a modern design, and has a wide range of ligatures and features for better justifications. The typeface comes with 9 weights, and works in variable axes, the typeface now supports only Arabic-based languages, but in the near future, it would support Latin-based languages, the Typeface is based on Naskh calligraphy, something in between the Iranian and the Arabic styles.

Vanitas Stencil is an elegant high contrast contemporary sans. It is rooted in the style of a classic didone, excluding the typical serifs and ball terminals as well as being designed with a cleaner, more reductionist appearance. Strict attention was given to the cohesiveness and balance between letterforms as well as the careful refinement of all curves. The careful, atypically placed stencil marks complement Vanitas’ refined character, presenting a distinct slant on the average stencil treatment. Stylistically, Vanitas Stencil’s alluring, sophisticated sensibility is directly inspired by high fashion. The upright styles are complemented by a pairing of optically adjusted true italics, which were purposefully adapted to retain the sharpness of their counterparts. Abandoning traditionally executed cursive italic letterforms retains Vanitas Stencil’s distinct characteristic through each style.