Monotype Modern, the first typeface produced by Lanston Monotype, was released in 1896, the same year the company introduced its hot metal typeseting machine. It is a Victorian variation on the vertically stressed, high-contrast Bodoni model.

‘Conflict’ is one of Typomancer’s early typefaces; it was released when the foundry started. After a few years, we decide to give it some major changes, including more weights, more glyphs, brand new outline, and revamped kerning.

Floralissimo are flowery embellishments that I found in several old publishing books dating back over a hundred years. I thought they might be useful for some of you, so I digitized them. Your digitizing typedesigner, Gert Wiescher

‘Charm’ is one of Typomancer’s early typefaces; it was released when the foundry started. After a few years, we decide to give it some major changes, including more weights, more glyphs, brand new outline, and revamped kerning.

Mama, are you doing letters? I want to do letters too! Mano Danielli is based on the writing of a 6 year old child. Great for anything that has to do with children - even the inner ones.

The original Lawabo was started many years ago by Rainer Scheichelbauer. Its ­minimalistic and rounded shapes are reminiscent of bathroom ceramics, hence the name. Schriftlabor designer Miriam Surányi added bold and italic shapes, and produced the family.

Beardstown is solid, hardworking & no-nonsense. It may be a little gritty & rough around the edges, but it can also be open, warm and welcoming. Beardstown is a little Midwestern town on a river with a town square where you can buy comic books from a spinner rack at the front of the drugstore and read 'em with a root beer float from the soda counter in the back. The Beardstown font is perfect for t-shirts, sports graphics, beer cans, trading cards, carnival posters and record albums. But that’s it. I mean, you could use it on foofy hipster stuff like organic produce, vegan meat substitutes, electric car accessories or mountain bike parts, but you risk Beardstown coming over there to kick your butt. Features: three versions of each letter and two versions of each number automatically rotate for authentic print texture thirteen catchwords (like "and" "of" "for" & "the") accessible in Discretionary Ligatures support for 223 languages including Western & Central Europe, Vietnamese & Cyrillic

Droog is an unusual rounded font pierced with circular holes, some of which are used in lieu of counters. Used to best effect in shorter settings and at larger sizes. Suitable for science fiction posters, sweet wrappers, hipster bars, noodle joints, pet shops and native Nadsat speakers.

Flexi Gloo Font A display typeface that has a bubble character and graffiti theme font to work with. The Flexi Gloo font is, as the name suggests, a hypebeast and unique display font. This font I've created has been in heavy use this year & is very versatile, goes well with a variety of designs, elevating it to the highest level. Add this font to your favorite creative ideas and see the results! Features: Single Case, alternate, ligature & multilingual There it is! I really hope you enjoy it

Conspired Lovers is based on five years of love-letter writing. A font to capture the intentions of love letters more than any other font. How did the Project start? In the last five years I wrote love letters with two persons. I became used to the joy of handwriting with ink and nib on fine paper. Through practice a experimentation my style continuously refined. As life moves on, suddenly I found myself with no one to write love letters to. It's a luxury to have someone to write letters to. Missing the joy of writing and listening to Gregory Porter’s “Be Good”, the decision was made to take this 5 years of writing and make this dance on paper a font. A handwritten typeface for everyone to use. This font was created in July, 2012 and named Conspired Lovers. A font to capture and convey your message in a special way to the beloved one close to your heart. With a long practice of writing crafted into the unique design I hope that you and the recipient of your writing will soon enjoy this design. The Open-type version features 350+ glyphs including alternates and ligatures. All lowercase and most uppercase letters are connected, to create a realistic hand-writing-calligraphy on your creations. Conspired Lovers is international and supports a wide range of eastern european languages with accented letters to reach everyone in Sweden, France, Hungary and almost everywhere around the globe. A trailer for Conspired Lovers can be seen here: http://vimeo.com/haraldgeisler/conspired-lovers If you're looking for more heart related fonts also check out my other fonts.

Scary Notes is a spine-chilling display font designed to evoke fear and horror. With its big letters and bold weight, this font demands attention and is sure to send shivers down your spine. The details of the letters are meticulously crafted to resemble brush strokes, adding an unsettling and handcrafted touch to the font. Each letter in Scary Notes is bold and commanding, creating an impactful presence that cannot be ignored. The big size of the letters adds to the font's intensity. The brush details in this font give the font an organic and chaotic appearance, reminiscent of chilling hand-painted writings. These details add a sense of unpredictability and terror, immersing the viewer into the world of horror and fear. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Scary Notes fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any project that requires a terrifying touch. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Mancave SRF is the perfect font for the ultimate party Neanderthal. Holding court in his den with a case of beer, wide screen TV and all of his sports buddies, he is safe and secure in his lair. Bold, brash and angular, this typeface was designed for Stella Roberts fonts by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

The characters in this font are the key players in a global conspiracy reaching down into the lives of every man, woman and child on the planet. The Information Agency known as "Active Images" has been shut down. The availability of this font is now restricted to comicbookfonts.com operatives only. Information Agents have been instructed to deny the existence of any UFO* activity in the pages of CABLE, GEAR STATION or LEGION LOST. Trust no one. *Unauthorized Font Operation

This slab serif font is inspired by European industrial, machine-made letters. It looks rational and geometric, but optically corrected and balanced. As the name says this font face is designed to be used by mostly for posters, headlines, visual identities and short texts. Font was created for Celebration of the 5 year anniversary of Design Studio Box from the city of Kragujevac (KG), the industrial city of Serbia. Posterizer KG contains all the Latin and Cyrillic glyphs.

Damian is a font designed with simplicity in mind and a hint of flare to catch the attention of the user. The sans serif style is based off of the geometrical features of Futura and Univers. With the focus on the circle creating the forms this font is geared towards a feeling of modern art deco. The name comes from a colleague who asked to be named after the font, it was his birthday, how could I say no.

Stonecrop is a font unified by bold, imposing lines as well as its use of rounded rectangles as the central stylistic shape. Stonecrop loosely conforms to the monospaced font style, with near-equal widths for all letters and numbers (but not all symbols/punctuation), however it does incorporate kerning for all types of glyphs where appropriate to aid in legibility. A perfect font for usages that demand consistency and precision, while still maintaining a quirky and stylized handwritten effect.

Our Original Surfer Pro is an offbeat sans serif font bursting at the seams with lively personality. Inspired by a vintage advertisement for the "California Cliffs Caravan Park", this font exudes all of the fun of a summer vacation anytime of the year. The letterforms are clear and cleanly legible, while nothing is formal or uptight about this font. The SmallCaps and extensive figure sets offer Original Surfer Pro an even wider range of design options.

I designed this font a few years ago to address a direct problem. My work demanded small paragraphs of text to be screenprinted in a varsity font style. The house varsity was rather uneven and created small blobs of ink at sharp angles when printed. I designed Beau's Varsity to address both of these problems. The new font eliminated the blobbing, and I like to think my original design is a step up in evenness from the other options.

This is a special font for use creating US Postal Service "Intelligent Mail" barcodes. Those are the barcodes you see on most cards and envelopes. Commercial mailers get the best pricing by printing barcodes when they address the mail, saving the Postal Service a step. The barcodes are also used on reply mail and Share mail, and for "Informed Visibility" tracking. Software to create these barcodes, including the USPS Intelligent Mail Small Business (IMsB) tool, typically provide an output of 65 characters, each character being an A, D, T or F, corresponding to each of the styles of bar. SmartBars 12 replaces those characters with the corresponding bar. When doing a mail merge to print addresses, the user would set the barcode field on their merge template to be printed using SmartBars 12, at 12 point, regular, and the barcode will print with the correct bars and at the required size to meet USPS requirements.

This time the font's name is meaningless. Maduki doesn't mean 'cool' in Swahili, nor does it mean 'cup cake' in Sranantongo. It is just a nice name. Maduki is a playful font, created with one of my 2 year old son's marker pens (the 'no stain, wash-out' variety), a couple of cups of coffee and a whole bunch of 'speculaas' cookies. Now you're wondering what speculaas is, right? I'll tell you later - in a couple of fonts... Anyway, there's not much meaningful to say about Maduki font. It is nice, it is cute and it comes with alternates!

A debut from the most anticipated vintage digital typefoundry by Gilang Purnama and Ilham Herry, who stucked their mind, body and soul back into the first era of 18th century. They build this intense visual-time machine that no one capable before. Started by the visual branding of the Ephemera Fonts, they bring every letters of it to the another level of journey. They called it Ephemera Sickles. Ephemera Sickles is a ornamented letterhead style typeface-inspired by the era of victorian (1800-1900) and this style was commonly used by engrossers at the turn of the century to embellish official documents, such as diplomas and other certificates. Carefully crafted for every single letters with the soul of Sickels Lettering, Spencerian, and some research from the Penmanship Journal book. The style is named after Charles Sickels, who headed the art department of Electro-Light Engraving Co. in New York City during the early 20th century. There’s no doubt that such a very strong presence typeface like Ephemera Sickles will bring a powerful identity to your visual project. Will be a perfect joint for a logo, visual branding, poster, beer label, packaging, classic bar decor, vintage hotel, et cetera.

Robeaugo is pronounced as “ro-bo-go”. The name is originated out of the 3 words: robo, beau (French) and go. It’s a mix of Art Deco with round shapes and is best used in headings and logos.

December is an easy to use script, suitable for greeting cards, logos, watermarks, and more. It is made with a light and elegant drawing style, as a reminder of a quieter season at the end of the year.

With deliberately tight kerning, Lurline wears its retro vibe as a badge of honour. Lurline features extreme reverse contrast and stroke modulation and intentionally pushes legibility boundaries. Suitable for anything requiring a strident and flamboyant tone of voice.

Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Available in four weights (with italics), it has a healthy compliment of OpenType Features and the character set covers most Roman-based letterforms and Cyrillic.

A set of square capitals developing from the interest in geometric forms stimulated by the Bauhaus, Bank Gothic was designed by Morris Fuller Benton for ATF in 1930, the same year that Georg Trump designed City for Berthold.

Can one have enough butterflies? I think not, which is why I created these little creatures. Another release of Butterflies, containing more butterflies and perhaps a few other critters thrown in, will be available later in the year.

Dance Lesson JNL is a reinterpretation of the popular "Latin Bold" typeface. The font's name is a reference to the Latin dance craze of the 1950s, when the Cha-Cha, Meringue, Tango, Mambo and even the "Chalypso" - a hybrid of Cha-Cha and Calypso rhythms had everyone moving to the beat of Central and South America.

Breathe Neue is not just an update of my renowned Breathe of 2010, this is something else... Many times I find myself looking for inspiration in my previous creations. The original Breathe has something on its essence: Something that almost 10 years later still caught my attention. Like its name suggests, letters seem to be breathing, moving, alive. Many years passed so I asked myself if there was still something I could do for it, something to get the most of that beautiful essence... Suddenly, I was already working on its curves: Many new loops, more polished, more refined. Also the proportion and spacing were altered to embellish the font. Breathe Neue’s swashes are addictive. I couldn't find another word. Irresistible? Maybe. Once you see some of its loops you want to see more. I believe this might be due to its very geometrical feel, which match well with the bodonian curves of the font. See also how well it works with Breathe Caps. And what if you combine them with Breathe Special? wow. I'm still young (yeah, sure) and I believe there're still many years ahead to enjoy this great profession, and to make many new (and astonishing, I hope) fonts. But I also think, it’s time to pamper my first creations. They deserve the best treatment, after all, they were once a success! This is what I did with my lovely Breathe. I hope you like it.

946 is a multilingual techno-style family developed by Berlin-based type designer Roman Wilhelm (RomanType). While more and more text families have recently been extended to a multilingual and multi-script level, not so much attention has been given to the more decorative styles. The 946 family does exactly that. A lot of care has been given to the various diacritics: they were designed a little more brutal, a little more European than with some other fonts of this category. Do also watch out for the non-Latin legs of this family. 946 is inspired by electronic music. When Roman found a second-hand Roland TR-606 drum machine in a store in his hometown back in 1995, he started to hang out with would-be DJs and musicians, trying to play the beats that went around the globe. When he started to study visual communication three years later, he was assigned the matriculation number of 946, which has now become the name of this family. Language support: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Vietnamese, Zulu. Do also watch out for the other script versions of this family!

Bombelli is a font that looks like it has been handwritten by a meticulous architect in one of those hand-drawn blueprints of the old days. I chose the name to honor one of my ex-bosses -- a graphic designer-architect who taught me a lot of things when I was young and needed the money. One of the things he taught me – and probably the most important one – was to always be on time in the morning. He never said a word about me being late, but it worked. He taught me about being meticulous in detail and many other things I only appreciated much later. This clear and straightforward font deserves bearing his name. Your grateful type designer Gert Wiescher

Burobu, in case you’d like to know, means ‘blob’ in Japanese. I thought it was quite an appropriate name for this blob-like font! Burobu is a messy font and comes with a generous helping of jittery, jumping glyphs, exaggerated strokes and over-the-top arms, ties, bars and counters. Comes with an ultra-cute blob dingbat font and copious amounts of diacritics.

Restoration is a two style sans serif font with a rustic vintage aesthetic. It’s angled bars give it a unique appearance and sets it apart from other vintage fonts. You’ll get a textured version and a clean version, so you’ll be ready for any project. This vintage font is great for logos & branding, titles, web design, marketing, advertising & much more!

With Dreadnought I go back to my roots: one of my very first fonts was a scary brush typeface called Face Your Fears - a very popular typeface with horror lovers, thrill seekers and gangsta rappers. Dreadnought was created using a stiff brush and some very high quality paint on textured paper. The result is a lively, scary and very legible font. Use it for your movie, book or album: you won't be disappointed!

Last year I spent some time exploring the city of Bath in England. Its claim to fame are the Roman Baths in the city center, which are well worth a visit. Kingsmead is an electoral ward within Bath and I thought it was an apt name for this rather stylish - if old fashioned - font. Kingsmead Script is a handmade font. It comes with diacritics and some discretionary ligatures for double lower case letter combinations.

Thuner is a chunky bold typeface perfect for any fun quirky design work! This font is equipped with ligatures and will be very good for your work such as posters, logos, t-shirt designs, branding, or even large scale artworks. What you get dear, you will get : 1. Thuner- A clean San serif font including Upper & Lowercase characters(ALL CAPS), 2. Ligatures Character (260 characters) 3. Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

In the old Amsterdam neighborhood of 'De Jordaan', you will find a canal called Bloemgracht (Flower Canal). For many years, a coffee store called Schildmeijer could be found here. Their paper coffee bags and advertisements sported a hand made font which I have tried to recreate and the result is Bloemgracht typeface. It is an all caps art deco font, quite angular, but very legible and distinct. Bloemgracht comes with extensive language support.

In the years 1937 and 1938 Paul Renner drew these both styles of the Ballade font family. Now freshly redesigned and extented for contemporary use, both styles have reappeared. These fonts contain the historical long s, which can be reached by typing the integral sign [ ∫ ] or by turning the round s into the long s via using the OT feature historical forms. It is also recommended to activate the OT feature discretionary ligatures.

The 52 characters assembled by this Gothic font, Prince of Darkness, were once interred in coffins onboard the Russian cargo ship Demeter, when it set sail for the sleepy shores of Whitby, Northern England ages ago. Hunted down by Vampire Hunters for century after century, this noble Transylvanian set has hidden for years in England and Eastern Europe. Now, Prince of Darkness is available as a font with more Layers than Dracula has Lairs.