HU Specialmovie is a retro, wide square typeface, characterized by streamlined, narrow stroke ends. The first consonants are designed to be large with full modules to improve readability. The grapheme 'O', which is the face of the font, is in the form of a square in harmony with straight lines and curves, expressing a solid and simple feeling overall.

The Woodchip fonts are a collection of fun and edgy, worn and pitted, rough and crunchy typefaces. Styled to be comic & playful enough for children's products, yet edgy enough to advertise a dirt bike/monster truck marathon and anything in between. Sink your teeth in. It’s suitable for some interesting titling and short bits of copy.

Misket is a display typeface designed by Altay Dagistan. The glyphs were drawn one by one by hand, using traditional calligraphy methods. The font features a modulation called “reversed contrast”. Instead of the stems being thicker than the horizontals like in most typefaces, the contrast is reversed so, the stems are much thinner than the horizontals.

Chessnota is a font suitable for the design of chess schemes. It includes original graphic images of chess pieces as well as checkers. Smaller pieces are placed at the level of the text string in order to replace letters in chess notation. It can be used for printing of chess magazines, books, in any design of schemes on websites.

Grethania Script is a calligraphic script font that comes with beautiful alternative characters. a mixture of copper plate calligraphy with handlettering style. Designed to convey the elegance of style. Grethania is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in all types of formal work such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Grethania Script displays 310+ glyphs and 122 alternative characters. including multiple language support. With OpenType features with changes in style, binder and character swash, which allows you to mix and match pairs of letters to fit your design. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. (Windows), Font Book (Mac) or software programs such as PopChar (for Windows and Mac). How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to use font styles that are set in Microsoft Word 2010 or later: https://www.youtube.com/watch?v=NVJlZQ3EZU0 There are additional ways to access alternatives / swash, using Character Maps (Windows), Nexus Fonts (Windows) Font Book (Mac) or software programs such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Burstwick is a sans-serif typeface inspired by modern workhorse typefaces and designed for everyday use. It has unique personality but doesn’t suffer in more practical situations, and is very flexible: there are six weights, ranging from thin to bold, and matching oblique italicis. Lifting elements from grotesque, geometric, and humanist styles, and putting legibility at the forefront, each weight is drawn with higher contrast and subtle asymmetrical features to enhance individuality and aid in readability, particularly at body sizes on websites. These features are intended as an alternative to rigid geometric lines, bringing a natural feeling to glyphs, resulting is a friendly, but professional choice for any organisation or designer. The foundation of the design is a large X-height, which further aids in differentiating lowercase characters from one another. This allows Burstwuck to feel open, airy, and really shine when used in single-family type hierachies, particulalry in headlines and larger text. Through its 630 glyphs, Burstwick supports many Latin languages, with thorough kerning for accented character combinations, making it an ideal choice for organisations considering multilingual users, and the perfect addition to any designer’s toolbox. In addition to accented characters, a large number of special characters and alternatives have been included to increase choice and flexibility. Among these are expand currency symbols, oldstyle figures, math operators, and symbols. Language support includes: Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Dutch, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Albanian, Swedish, Turkish.

Typography exists to honor content. Like oratory, music, dance, calligraphy-like anything that lends its grace to language – typography is an art that can be deliber­ately misused. It is a craft by which the meanings of a text ( or its absence of meaning) can be clarified, honored and shared, or knowingly disguised. When we long for life without difficulties, remind us that oaks grow strong in contrary winds and diamonds are made under pressure. The Ring Font Family continues to grow strong.

Blured Stroke is a beautiful script font. Every letter in this font looks like it was created with a skillfully swung brush. The subtle and soft brush strokes are clearly visible at every angle and bend, giving the entire font an artistic and expressive feel. The ends of each letter tend to be rounded, giving it a soft and elegant touch. This font is designed with detail and a perfect balance between thick and thin strokes. The thicker lines bring out strength and firmness, while thinner lines add softness and elegance to this font. The perfect combination of these differences creates an eye-catching visual harmony and expresses a unique writing style. The colors used in this font can vary, but to maintain a soft impression, bright colors would be the right choice. The letters remain legible and understandable because they have clear outlines. Enjoy the various features available in this font. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Blured Stroke fits best for any design projects that want to convey tenderness, friendliness and creativity. This font can be used in the invitations, greeting cards, brand logos, promotional materials, and many other design projects that require a warm artistic touch and are full of personality. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

A humanist design typeface incorporating elements from the more rationally constructed grotesque typefaces. Its characteristics are relatively large x-height and open apertures. The overall effect suggests approachability without the sentimentality carried by some of the more authentic humanist designs – contemporary and precise.

“Hand Stamp Gothic Rough” is based on real vintage rubber stamp letters from Germany. A classic american gothic face mixed with a modern condensed sans serif type. Rough & dirty with a authen­tic hand stamped look for a warm analogue vintage charm. It star­ted ana­lo­gous with only a few rubber stamps and finally it was digi­tal 776 gly­phs. With 4 × A–Z, 4 × 0–9, 4 × a–z and many other alternative glyphs like @. Plus modern OpenType Features like contextual alternates (automatic generated loop for letter variation). The different variations from the dynamic pressure by hand inten­ded to show the hand-made nature and crea­tes a live­li­ness in the display font. The font has 80 decorative extras in the form of symbols & dingbats like arrows, hearts, smileys, stars, further numbers, lines & shapes. A range of figure set options like oldstyle figures, lining figures, superiors & inferiors. Additionally stan­dard liga­tures, deco­ra­tive liga­tures (type the word “show” for ☛ and “love” for ❤ … ), Ver­sal Eszett (German Capital Sharp S) and many emojis & symbols. Example of use It’s your turn … for example everywhere where it makes sense. The hand stamped font would look good at head­lines. Advertising (big headlines), Corporate Design (type for logos & branding), Edi­to­rial Design (maga­zine or fan­zine headlines), Product Design (typographical packaging) or Web­de­sign (head­line web­font for your web­site), flyer, pos­ter, music covers or web banner … How To Use – awesome magic OpenType-Features in your layout application: ■ In Adobe Photoshop and Adobe InDesign, font feature controls are within the Character panel sub-menu → OpenType → Discretionary Ligatures … Checked features are applied/on. Unchecked features are off. ■ In Adobe Illustrator, font feature controls are within the OpenType panel. Icons at the bottom of the panel are button controls. Darker ‘pressed’ buttons are applied/on. ■ Additionally in Adobe InDesign and Adobe Illustrator, alternate glyphs can manually be inserted into a text frame by using the Glyph panel. The panel can be opened by selecting Window from the menu bar → Type → Glyphs. Or use sign-overview of your operating system. For a overview of OpenType-Feature compatibility for common applications, follow the myfonts-help http://www.myfonts.com/help/#looks-different ■ It may process a little bit slowly in some applications, because the font has a lot of lovely rough details (anchor points). Tech­ni­cal Spe­ci­fi­ca­ti­ons ■ Font Name Hand Stamp Gothic Rough ■ Font Weights Regu­lar & Dirty (Bold) ■ Font Cate­gory Dis­play for head­line size ■ Font For­mat.otf (Open­Type Font for Mac + Win) ■ Glyph Set 776 glyphs ■ Lan­guage Sup­port Basic Latin/English let­ters, Cen­tral Europe, West European diacritics, Turkish, Bal­tic, Roma­nian, OpenType Features, Dingbats & Symbols ■ Spe­cials Alter­na­tive let­ters, sty­listic sets, automatic con­text­ual alter­nates via Open­Type Fea­ture (4× different versions of A–Z & 0–9 + a–z), Euro, kerning pairs, stan­dard & deco­ra­tive liga­tures, Ver­sal Eszett (German Capital Sharp S), 80 extras like Dingbats & Symbols, arrows, hearts, emojis/smileys, stars, further numbers, lines & shapes. ■ Design Date 2016 ■ Type Desi­gner Manuel Vier­gutz ■ License Desktop license, Web license, App license, eBook license, Ser­ver license

Bastinson is a monoline script with a touch of retro look and feel. Looks great to be paired with bold consendsed sans serif typeface. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Koruption is a neo-grotesque typeface family that allows the user to control the amount of distortion in the letters. Thanks to variable axises, this typeface can range from a clean form to a glitched, deformed letter style. To further the effect, these fonts employ further opentype features to alternate the letters, mimicking the real randomness that can arise from distorted letters. With a full character set and some additional symbols and arrows, Koruption aims to be a versatile display solution, for use in headlines or logos, but it’s variable axis can also be employed as a real time animation in videos or digital applications.

Cover Sans is a humanist geometric typeface with an orthogonal structure, which provides stability when composing a text. Open shapes and low x-height give this font balance and makes it an air-breathing typeface. Cover Sans is a stable and strong condensed font that works well for magazines and publishing. The strong personality of its alternative characters gives the font a modern and elegant style, which makes it ideal for use on annual reports as well as on business logotypes.

Savoye was created by Alan Meeks in 1992. The spirit of the Jugendstil lies behind the design of this font. Graceful upright letters combine to create delicate, flowing word figures. The light stroke contrast and slant to the right emphasize the liveliness of Savoye. Generous capitals contrast with small, demure lower case letters whose distinguishing characteristic is their high ascenders. This contrasts beautifully with the relatively reserved descenders. The capitals can also be used as initials combined with other alphabets. Savoye is the perfect font for invitations, greeting cards and other personal correspondence.

Introducing Luxca, a font that epitomizes modern luxury within the serif category. This typeface seamlessly blends contemporary sophistication with timeless elegance, making it the perfect choice for designers seeking to infuse their projects with an air of opulence and refinement. With Luxca as your font of choice, you have at your fingertips a versatile tool that can elevate a wide range of design applications. Whether it's high-end branding, editorial layouts, invitations, or packaging.

Hello Sierra is a pair of font that brings the fun, playful look with feminine feel. The handwritten sans serif combined with the natural hand writing script are the perfect match for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. Features : 2 fonts (sans serif and script font) uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Bubble Block" is a 3D layered graffiti font that encompasses solid, shadow, and inner shadow styles, offering the tools to create a three-dimensional appearance in your text. Fonts with layered styles like this are often utilized in graffiti art, posters, or other designs that aim to create a prominent 3D effect. By using the solid, shadow, and inner shadow layers in "Bubble Block," you can add depth and dimension to your text, giving it a dynamic and visually impactful 3D appearance. This font enables you to create text that stands out prominently and grabs attention due to its three-dimensional effect and layered style.

Rasthmon Brush Typeface , with authentic dry brush imperfections, and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Features Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multilanguage Support To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Kliptones Brush Typeface , with authentic dry brush imperfections, and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Features : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multi language Support To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Beauty Culture is a pair of font that brings the modern and luxury feel. The Bold sans combined with the natural hand writing script are the perfect match for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. Features : 2 fonts (sans serif and script font) uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

While it is obvious that this is an ornamental style font, it is more than that: it is a Celtic Knotwork design tool! Irish, Scottish, Welsh, even Norse and Viking cultures have used knotwork designs for millenia. These ancient traditional interwoven designs are experiencing a revival as Celtic culture gains exposure in the modern world. Intricate Celtic knots are featured everywhere from jewelry to tattoos. While many enjoy them simply for their beauty and fascinating twists, they can also be used to add an air of myth, magic and mystery to any project. The interlaced lines make them perfect for wedding invitations, borders, dividers and rules, web graphics, and logos. I began using Celtic knotwork designs in my own work as part of my knifemaking and jewelry making hobbies. I read all of the books I could find about Celtic knots and at first I drew them by hand with pencil and paper. Then as I realized how nice it would be to have "undos" I switched over to using Corel Draw. Draw proved to be a natural for this type of artwork with tools like contour and the trim function. But even with these great tools, it was still tedious to create these designs. I noticed that I was able to reuse a lot of parts in repetitive sections. I developed a small library of reusable bits and chunks of Celtic designs. I found them so useful and fun to work with that I began thinking about ways to market my Celtic design kit. I thought about CDR and EPS formats, but then I thought of creating this toolset as a True Type Font. That way anyone with ANY program that uses fonts could easily create Celtic knotwork designs. Word processors, embroidery programs, engraving programs, jewelry design programs, CAD/CAM programs...almost every program can use fonts. I was also interested in CNC work and thought that this font would work well for applications such as laser etching, vinyl signs, and machining. With that in mind, I designed each character of the font with extremes of accuracy. If one character from the font is used at one inch tall, every control point will be placed to an accuracy of better than 0.0001 inch. I wanted every piece to meet exactly with the next, with no possibility for misalignment. The different styles are all very carefully created to fit accurately with each other. So the Filled Style fits exactly into the Outline Style, and the Inverse Style fits precisely around the Outline Style so as to make up the background behind the knotwork. Combining the styles allows you to have complete creative control. By assembling the nearly 200 pieces it is quite easy to produce very complex designs. It is actually a bit like playing with a puzzle and many people really enjoy putting the pieces together to make designs. In fact, I have had many customers tell me of how they love playing with this font and making knots into the wee hours of morning. If you like puzzles then you will absolutely love this font! And creating the patterns is just the beginning of the fun! If you apply your favorite Photoshop tricks on them you can make anything from dazzling chrome knotwork to carved stone. Photoshop plug-ins like SuperBladePro are great for converting knotwork text into corroded bronze or rusted iron. Use your knotwork to add texture to a virtual landscape, or add them as surface embelishments on architecture and furniture. You can also make round knotwork by using this font with "WordArt" (WordArt is included with every copy of Microsoft Word. See http://clanbadge.com/round_knots.htm for a tutorial on how to make round knotwork). For Crafters there are limitless uses for this font. It has been used for embroidery, jewelry, leatherwork, stencils, stained glass, quilting, painting, pyrography, woodcarving and lots more. We have even sold copies to monks for use in decorating handmade books!

CAPITALIZED, geometric, bold and round. If the typo­grapher sees a font like that, it's enough to make his toes curl. But sometimes it just has to be that way. Geometrically constructed fonts do not necessarily have to be pointed and angular; It also works consistently around. And if I say it consistently, then in this case, that's done consistently. The basis for the BOULE is the circle. The letters are drawn with constant line width, the “corners“ and endings all have the same radius, the lines are all the same thickness. The BOULE consists only of capitals. There is only one difference in the use of uppercase and lowercase letters: in the uppercase letters, the round letters are circular, while the lowercase letters are narrow. The character set of the Boule contains all letters and accents to support the Western, Northern, Central and Eastern European languages with Latin alphabet. The BOULE is not only very fat, it also runs very tight; that is, the glyphs are very close to each other. To avoid "holes" due to unfortunate letter combinations, the BOULE contains ligatures for FT, ST, TT and TZ. There are also other versions of the font: BOULE Brillant on the one hand. In this version, simple highlights simulate a light incidence from the top right. These light edges give the font a decorative effect that makes it easy to think of wet sausages or balloons in some shapes. And finally the BOULE Contour. As the name implies, it is the outer contour of the letters, combined with a shadow at the bottom left. The name BOULE (French for ball) says it already: this font is globated. Therefore, it is also very suitable for all three-dimensional alienation effects. With simple light and shadow you can achieve a very convincing 3D effect with little effort.

This family was inspired from the set of fontfaces used by Francisco Del Hierro, to print in 1726 the first Spanish language Dictionary from the Spanish Royal Academy (Real Academia Española, Diccionario de Autoridades). These two Transitional styles are said to have been the first set of official typeface in Spain, like the French “Reale” (take a look at our "[/fonts/glc/1790-royal-printing/ 1790 Royale Printing)". In our two styles (Regular & Italic), fontfaces, kernings and spaces are as closely as possible the same as in the original. This Pro font is covering Western, Eastern and Central European, Baltic and Turkish languages, with standard and “s long” ligatures and twin letters in each of the two styles and a few Italic swashes inspired from the font used in 1746 by the same printer for another edition from the Royal Academy.

Christopher Matthews originally drew Piccadilly for Letraset in 1973. Piccadilly is a decorative, all caps display typeface with a high degree of stroke contrast. All of Piccadilly's letterforms are made up of a single, curvy line. The thick" elements of each letter are five lives, while thin elements are made from one or two. In order for all of this detail to be clear, Piccadilly should be used in large point sizes, i.e., from 36-point on upward. Piccadilly's style is reminiscent of both the Art Deco and Disco eras."

Font Etruria is based on a real Etruscan inscriptions and realistic accurately simulates the writing of the Etruscans. The idea of the font Etruria is to give an opportunity for anyone to touch the past of mankind! The character of the Etruscan alphabet involves the creation of a font with only uppercase letters. However, I did not limit this font by that. Etruria has not only a lowercase is different from uppercase, but an additional sets of alternative characters. In General, the main characteristic of Etruscan writing is randomness and diversity of characters. Differs from lowercase to uppercase is only the first step on the road to make randomness effect. Next to the aid of the OT features. To recreate the randomness effect, in Etruria there are several OT features (Contextual Alternates, Stylistic Alternates and Stylistic Sets), which built a script to simulate randomness. Additionally, another script creates the effect of random positioning. Together they create incredibly realistic Etruscan inscription. Thus, any of these features can be disabled at will. I also used a small line spacing, because it is characteristic of the Etruscan writing. Actually the Etruscan writings is a mirror of the writings compared with the current European alphabets. I didn't use this feature all the letters, because this would make the font difficult to perceive, but to make the font characteristic of the Etruscan style, Etruria has a few letters in mirror image. However, if for someone it may seem unusual, mirrored letters can be disabled instead of them will appear more familiar to them. Another feature of Etruscan writing is the use instead of a space dotacentered. Font Etruria has this feature, there is a OT feature Stylistic set ss03. Naturally, it also can optionally be disabled. All these features can be used together, separately, or turn it off. The main goal achieved! The text typed in Etruria, creates full impression of these Etruscan inscriptions.

TOPPLER is a top-heavy comic font, K-Type’s salute to nineties freebies such as Ben Balvanz’s Baby Kruffy, Comix Heavy from WSI, and Dave Bastian’s Startling. Unlike those glorious fonts-of-old, Toppler contains a complete repertoire of symbols, dingbats and Latin Extended-A accented characters, as well as a proper lowercase, careful spacing and tasty kerning. Toppler also boasts cleaner outlines and more refined shapes. The Toppler family comprises four fonts that share spacing and kerning, so can be overlapped to produce bicolor and multicolor effects. In addition to the regular, solid style of Toppler, there is a shaded ‘Popdots’ style, plus thick and thin outline fonts.

You are on the page of the old display version of the TT Supermolot font. In 2019, we released an entirely new, completely redesigned and significantly expanded version of the typeface called TT Supermolot Neue. In addition to 54 styles, TT Supermolot Neue has stylistic alternates, ligatures, old-style figures and many other useful OpenType features. Before you buy the old display version of the font, we suggest that you pay attention to the new superfamily TT Supermolot Neue and study it in more detail. - TT Supermolot Condensed is the narrow version of the TT Supermolot font family. Thanks to its open forms, TT Supermolot Condensed fits perfectly into any contemporary technological design and navigation systems. We've already seen this font family in the sports theme (as the main font for hockey teams branding), we've seen TT Supermolot as the main font inside the gameplay of a popular 3D-shooter. Information transfer in the high-tech areas is the ideal environment for this font family, also TT Supermolot Condensed fits well into army, space, and innovation themes. We've tried to create a maximum number of convenient weights (Thin, Light, Regular, Bold, Black) for you to be able to use this family anywhere, from mobile apps and web pages to big state fairs branding.

You are on the page of the old display version of the TT Supermolot Condensed font. In 2019, we released an entirely new, completely redesigned, and significantly expanded version of the typeface called TT Supermolot Neue. In addition to 54 styles, TT Supermolot Neue has stylistic alternates, ligatures, old-style figures and many other useful OpenType features. Before you buy the old display version of the font, we suggest that you pay attention to the new superfamily TT Supermolot Neue and study it in more detail. - TT Supermolot Condensed is the narrow version of the TT Supermolot font family. Thanks to its open forms, TT Supermolot Condensed fits perfectly into any contemporary technological design and navigation systems. We've already seen this font family in the sports theme (as the main font for hockey teams branding), we've seen TT Supermolot as the main font inside the gameplay of a popular 3D-shooter. Information transfer in the high-tech areas is the ideal environment for this font family, also TT Supermolot Condensed fits well into army, space, and innovation themes. We've tried to create a maximum number of convenient weights (Thin, Light, Regular, Bold, Black) for you to be able to use this family anywhere, from mobile apps and web pages to big state fairs branding.

Robot OS CORP AI Wrote version: 2.0 is the first version, including 340 characters, there are 4 types of handwriting that are: Regular (Regular); Italic (Italic); Bold (Bold); Bold Italic (Bold Italic). The sturdy, strong, robot-like design is the idea to design this typeface

Aberforth is clean, mixed-case font family. It's mono-height, so it pairs well with other fonts. Family includes regular, rough, outline, tiles, and italic versions.

Hello everyone, I would like to introduce my newest font Merry Bright Script is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a full set of lowercase and uppercase letters, a wide variety of punctuation marks, numbers, and multilingual support. font also contains a lot ligatures and contains many alternative Style Sets such as the stroke alternative of the heart to combine with two words, for example: Ashley-Haston. You can see an example in the image above. Merry Bright is perfect for today's emerging market design, this font has a stylish, trendy, natural and soft font, with this font you can take advantage of any opportunity is a great way to highlight the celebration the best of parties, because this font will be an advocate for the cause such as wedding invitations, branding, parties, graduations, birthdays, gatherings, etc. Thank You, Romie Creative

Pagram fonts are fonts that have neutral and authentic values, are made without reducing the value of functionality, these fonts are easily adaptable to the use of text and displays such as logos, body text, and others.

Skammefy holds a detailed set of letters, that are intended to be both readable when small - and charismatic when large. Strong details of letters like e, a, g, f, y draws attention to headlines, signs or wherever it might be used.

A characteristic of the Minea font family is the achievement of the calligraphic handwriting effect. In addition to basic, simple letter forms, it contains a large number of additional stylistic alternatives and ligatures that, by combining and changing without repetition, give the effect of calligraphic writing. Some of these characters can be changed by automatically turning on a particular OpenType function, when ligatures replace the combination of letters that are part of them, the letter is replaced by a certain alternative when found in a given context, and capital letters are replaced with decorative initials. Letter swap functions can be used in all programs that support OpenType programming. Minea is an attractive font that is sleek, clean, feminine, sensual, glamorous, simple and very easy to read. The Minea font family, based on original calligraphic sketches, contains a total of six weights. Thin, regular and medium weights have ligatures and alternate letter shapes, which help make the syllable look like an authentic calligraphic print. Semi-bold, bold, and black weights contain only basic letter shapes. The font family contains Latin and Cyrillic. Includes Russian and Serbian alternative letter forms. The family of calligraphic fonts Minea can be used on various occasions, and is intended for use in print and online. Can be used in the realization of certain tasks, unusual advertisements, packaging and invitations, diplomas ... as well as for all purposes where this type of letter is needed.

Novantico is an all capitals typeface, influenced mainly by roman inscriptional capitals and renaissance typefaces. Classicly designed forms give text a noble and elegant feel. It is intended to be used for relatively short and important texts, titles, headings, quotes, etc.

The thinking behind Fairway was to create a relatively conventional soft sans with a certain amount of movement at the top of the x-height line. The face is casual and quirky but can still be used as a text face.

Gatha is a fun font duo that includes signature scripts and elegant, soft sans that grab 4 styles – it's fit and ready to go together for your next design! Gatha includes a complete set of beautiful upper and lowercase letters, numbers, a wide variety of punctuation marks, ligatures, and super pretty prefixes as well as a final sweep thus providing a realistic handwriting style. These typefaces are versatile and can be used successfully in Magazines, Posters, Branding, Websites, etc. Fonts include multilingual support. Please message me if you're unsure of any language support. Ligatures • Are also available for several lowercase characters (double-letters which flow more naturally). These are only accessible via software with opentype capability or a glyphs panel, e.g. Photoshop/Illustrator. I hope you have a blast using Gatha. Thanks for use this font ~ Khaiuns X zelowtype

Introducing color Retro font family. Modern retro design dictates its own rules and graphic techniques - one of which is fonts with outlines. Retroline font family embodies this. 4 fonts with black stroke and white fill, and 4 fonts with only black stroke are perfect for retro illustrations. Color scheme of colored fonts is convenient and easy to recolor in graphics programs. Retroline fits comic illustrations or designs from the 90s Features: 8 fonts in family: - 4 color fonts with fill & outline - 4 fonts with outline only 2 weights of fonts 2 weight of outline Kerning IMPORTANT: - OTF SVG fonts contain vector letters with gradients and transparency. - Multicolor OTF version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf - Don't worry about what you can't see the preview of the font in the tab "Individual Styles" - all fonts are working and have passed technical inspection, but not displayed, they just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic OTF | TTF fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more closely they held to those rigid rules, the more internal inconsistencies they showed. Angles won’t match up correctly, letters will lean, overshoots complicate clean typesetting, and idealized circles become grotesque and unwieldy in some weights. Because of issues like these, geometric sans fonts have a reputation of being cold, austere, even a bit “off”. Grava was made to hold a T-square and triangle in one hand while giving a welcoming handshake with the other. The Grava font family comes in two styles (a normal and a Display), each with 20 weights (Thin to Ultra) and paired with italics. Its design allowed the three scripts of Latin, Cyrillic, and Greek to emerge seamlessly, ensuring Grava will find its home in multilingual publications. Even better, each character in the three scripts is spaced with every other character for a beautifully matched fit, and it’s a buy-one-get-all-three deal since they are all packaged together. The normal style’s large x-height won’t let you down in paragraphs, headings, and any call-out text. And have you seen the angles on those numerals? Pairing Grava’s numerals on a jersey is sure to catch some eyes, just sayin'. Grava Display is purposefully quirky and sharp, and made for poster sizes, book and album covers, and those websites with a well-defined character — somewhere between playfully self-aware and overtly vintage. Flat edges are abandoned to make way for sharp points and conspicuousness, for geometrical attitude and respectful expressiveness. Corporate reports use Grava Display to take on a professional and current look. The optional ligatures (N–T, L–L, G–A, C–O, almost anywhere an ‘A’ is placed, and more) in both the normal and Display styles invoke a midcentury modernist and high art feel. Now that introductions are done, you can let go of Grava’s hand and put it to work for you.

I created CemeteryWalk in 2018 to illustrate a program for a local cemetery walk. CemeteryWalk places letters on pictures of gravestones. In 2022 I expanded the family by placing three different sets of letters on the gravestones. Each of the four different sets of letters on gravestones has two styles, one with black letters on white gravestones and the other with white letters on black markers (the bold style). The bold style can be placed beneath the plain style to add color or texture. All eight styles are caps only, with the lower-case letters having different shapes for the tombstones but the same letters as in the upper case. There is only one set of accented characters and it is where the upper-case letters are found. Each also has an alternate set of characters that are somewhat similar in appearance and it can be accessed using the OpenType feature of stylistic sets. A final typeface in the family is a picture font of items that may be found on old tombstones.