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  1. Printing Press Extras JNL by Jeff Levine, $29.00
    Printing Press Extras JNL is another collection of classic printing embellishments and stock cuts from Jeff Levine, with a few new ones thrown in for good measure.
  2. Archive Antiqua Extra Condensed by Archive Type, $19.95
    Extra condensed display typeface.
  3. Radiant Extra Condensed CT by CastleType, $59.00
    I was commissioned by the Emporium (now Macys) to digitize Radiant Bold Extra Condensed (originally designed by Robert Middleton in 1940) for use in their Sunday supplement to the San Francisco Examiner. For several years, I stubbornly refused to add the lowercase letters to the font, because I thought it looked best just used with caps, but finally relented, added the lowercase letters and at the same time created two more weights as well: Light and Medium. Used very large and carefully, these faces can be quite elegant.
  4. Major Pro Extras NF by Nick's Fonts, $10.00
    A supplement to Major Production NF, which includes an assortment of symbols and logos for video, web and mobile applications, including the Blu-ray logo with its region designators. Please remember that logotypes are the property of their respective copyright holders, and should be used solely in accordance with the copyright holder’s guidelines.
  5. THINK EXTRA PERSONAL USE - Personal use only
  6. New Lincoln Gothic BT by Bitstream, $50.99
    New Lincoln Gothic is an elegant sanserif, generous in width and x-height. There are twelve weights ranging from Hairline to UltraBold and an italic for each weight. At the stroke ends are gentle flares, and some of the round characters possess an interesting and distinctive asymmetry. The character set supports Central Europe, and there are three figure sets, extended fractions, superior and inferior numbers, and a few alternates, all accessible via OpenType features. Back in 1965, Thomas Lincoln had an idea for a new sanserif typeface, a homage of sorts, to ancient Roman artisans. The Trajan Column in Rome, erected in 113 AD, has an inscription that is considered to be the basis for western European lettering. Lincoln admired these beautiful letterforms and so, being inspired, he set out to design a new sanserif typeface based on the proportions and subtleties of the letters found in the Trajan Inscription. Lincoln accomplished what he set out to do by creating Lincoln Gothic. The typeface consisted only of capital letters. Lincoln intentionally omitted a lowercase to keep true his reference to the Trajan Inscription, which contains only magiscule specimens. The design won him the first Visual Graphics Corporation (VGC) National Typeface Competition in 1965. The legendary Herb Lubalin even used it to design a promotional poster! All this was back in the day when typositor film strips and photo type were all the rage in setting headlines. Fast forward now to the next millennium. Thomas Lincoln has had a long, illustrious career as a graphic designer. Still, he has one project that feels incomplete; Lincoln Gothic does not have a lowercase. It is the need to finish the design that drives Lincoln to resurrect his prize winning design and create its digital incarnation. Thus, New Lincoln Gothic was born. Lacking the original drawings, Lincoln had to locate some old typositor strips in order to get started. He had them scanned and imported the data into Freehand where he refined the shapes and sketched out a lowercase. He then imported that data into Fontographer, where he worked the glyphs again and refined the spacing, and started generating additional weights and italics. His enthusiasm went unchecked and he created 14 weights! It was about that time that Lincoln contacted Bitstream about publishing the family. Lincoln worked with Bitstream to narrow down the family (only to twelve weights), interpolate the various weights using three masters, and extend the character set to support CE and some alternate figure sets. Bitstream handled the hinting and all production details and built the final CFF OpenType fonts using FontLab Studio 5.
  7. Oz Handicraft BT WGL by Bitstream, $50.99
    Oswald Cooper is best known for his emblematic Cooper Black™ typeface. Although he was responsible for several other fonts of roman design, Cooper never drew a sans serif typeface. But that didn’t stop George Ryan from creating one. Ryan saw a sans serif example of Cooper’s lettering in an old book and decided that it deserved to be made into a typeface. Ryan’s initial plan was to make a single-weight typeface that closely matched the slender and condensed proportions of the original lettering. While the resulting Oz Handicraft™ typeface proved to be very popular, Ryan was not satisfied with the limited offering. So, between other projects – and over many years – Ryan worked on expanding the design’s range. The completed family includes light, semi bold and bold weights to complement the original design, plus a matching suite of four “wide” designs, which are closer to normal proportions. Fonts of Oz Handicraft include a Pan-European character set that supports most Central European and many Eastern European languages.
  8. Cone Of Silence - Unknown license
  9. Conte Script Plus by Ingo, $61.00
    A personal handwriting done in pencil. Conté Script is a computer font but has the extraordinary look of handwriting. The typeface is exceedingly lively, diversified and distinct thanks to more than 300 different ligatures, i.e. letter combinations. In addition to the letter combinations in Conté Script, there are also double letters and figures included (aa, ff, AA, MM, 22, 66…) as ligatures with stylistic alternates. Type set in Conté Script appears remarkably similar to a text actually handwritten with a pencil. The typical style of the pencil — crumbliness where pressure lessens and the deep darkness where the pressure of the graphite in it's fullest denseness smudges — is another earmark of Conté Script. The font appears to be written quickly, fleetingly, casually, as if not really to be taken seriously, and as if it would be written one minute and erased the next. Conté Script looks most ”authentic“ around the point size of 18 to 22.
  10. Shorelines Script Bold - Personal use only
  11. DIST Inking Bold - Unknown license
  12. D3 Biscuitism Bold - Unknown license
  13. Goulong Bold Outline - Unknown license
  14. DDD Pipe Bold - Unknown license
  15. D3 Euronism Bold - Unknown license
  16. Monday Bold (sRB) - Unknown license
  17. Spylord Bold Expanded - Unknown license
  18. Phat Grunge Bold - Unknown license
  19. Pecot Outline Bold - Unknown license
  20. BN Pinky Bold - Unknown license
  21. Walkway Oblique Bold - Unknown license
  22. D3 Honeycombism Bold - Unknown license
  23. Yukon Tech Bold - Unknown license
  24. Samson Bold Oblique - Unknown license
  25. D3 LiteBitMapism Bold - Unknown license
  26. Walkway Condensed Bold - Unknown license
  27. Bagad Bold Tryout - Unknown license
  28. GF Matilda bold - Unknown license
  29. Spylord Bold Italic - Unknown license
  30. Rowling Stone Bold - Unknown license
  31. Walkway UltraCondensed Bold - Unknown license
  32. Walkway Expand Bold - Unknown license
  33. Walkway Bold RevOblique - Unknown license
  34. Hog Bold - HMK - Unknown license
  35. Chizzler Bold Outline - Unknown license
  36. Earth's Mightiest Bold - Unknown license
  37. PsychedelicSmoke Cn Bold - Unknown license
  38. Wyld Stallyns Bold - Unknown license
  39. Bionic Type Bold - Unknown license
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