Trade Printer JNL is another font design inspired by an old rubber stamp sign printing set. In this case, the lettering has a classic "wood type" look, reminiscent of the letterheads, billheads and fliers made by local printers of the 1880s-1920s.

Galicia is a looser calligraphic serif that has unusual forms that are seen to good effect in characters like the lower case a. It is suggested for use where a more formal and classic yet still warm and calligraphic look is appropriate.

Mafond is a fresh slab serif. It supports all european languages. The family is rounded as never before and includes 5 styles. Each of them has alternates for basic latin and a couple of ligatures. In case of success Mafond becomes Yofond.

Savour Pro's elegant, classic form has a calligraphic touch, almost a hand-written feel. The individual creation of the characters provide additional dynamics and vitality. Savour Pro comes with a complete set of upper case swashes as well as lining and old style figures.

Zornale TITLE is a family of four fonts that can be combined with the rest of Zornale family (text and caption). These fonts have been designed with precise kerning and full OpenType features: Old-style figures, swashes, stylistic alternates, ligatures and case-sensitive forms.

Crimson Skyline is a thin brush font. I used a pencil and Chinese ink to paint the letters. Crimson Skyline comes with double letter ligatures for the lower case letters. And the name? Well, it just has a nice ring to it. That’s all!

Gluten is an experimental font family designed by Carlos Fabian Camargo. It includes irregular shadows to communicate craftsmanship. Its multiple upper cases with condensed width and naive lines are notable for their expressive drawing with a high amount of contrast between thick and thin strokes.

Dutch type designer Max Kisman created this display FontFont in 1990. The font is ideally suited for advertising and packaging and poster and billboards. FF Vortex provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Abwyn is a sparkly Art Deco construction. The little diamonds in the vertical strokes add a lightness that is very pleasing to the eye in display sizes: Lower case numbers, Euro, ballot box in the section slot. It was just designed for fun & celebration.

Flame rider. It is a layered font in a vintage biker style. Suitable for illustrations for T-shirts, alcohol labels, logos and corporate identity. The font has 8 font styles: upper and lower case letters, numbers, punctuation marks and multilingual characters for each style.

Cross Stitch Elaborate is based on upper case characters 25 stitches tall. It is not intended for text use. It was designed specifically for use as fancy monograms or initials. Cross Stitch Majestic has an uppercase alphabet located under the shift+character set keys.

Donut Derby is a playful, hand lettered caps font. It's got smooth lines, a heavy weight, and cute curves. Mix lower and upper cases for a more authentically hand-lettered look. Includes 5 ampersand alternates, because I like to have lots of options for ampersands. :)

Mehriban is a deconstructivist revival inbred from Michael Browers' previous work: Formasi and Disjecta. Formasi characters were morphed with their Disjecta counterparts, and in some cases with previously unpublished letterforms from Disjecta's concepting stages, resulting in a grunge font with its own unique swagger.

Kayla Sans is a sans-serif display font and works best in display applications, such as headline, magazine, posters, product branding, corporate branding, signage, logos and titles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Mr Stickman is a happy clappy kind of font, inspired by an older font of mine called Oranjerie. Oranjerie is an all caps typeface, but Mr Stickman comes with lower case letters - AND - a Stickman Action Figures pack! What more could you possibly want?

Coptek is the work of David Quay and gets its name from the high tech look imposed on the design of copperplate script. The capitals are initials which fit well with a lower case alphabet whose letters join in the style of true handwriting.

Hex is an uneven, spiky font with an evil twist. The glyphs look like they have been scratched onto paper (which is indeed the case), so it will be perfect for your scary halloween postcards or posters. Hex font comes with extensive language support.

Introducing Tiramisu Sans, a cute mixed-case sans font. Tiramisu Sans is best for: - adorable quote graphics for social media - playful logos + branding - website design + website accents - think travel blogs, fashion blogs, & more - SVG designs - fun sticker designs - header elements that need handwritten touch

Golf was originally designed by Henry Reinhard Möller in 1935 for Schriftguss KG. Coen Hofmann redrew the capitals and then added lower case letter and Cyrillic alphabets by himself. This digital version of the original typeface is best used in sizes above 24 points.

This condensed type is based on Roman calligraphy and (through having several alternates on both upper and lower case, plus some non-standard ligatures) your text may look like it’s written or handmade. You can combine this font with Ecstasy, also available on MyFonts.

Titles hand lettered for articles appearing in the November, 1938 issue of Hollywood Magazine were done in a condensed Art Deco stencil style in just lower case. This novelty type design is now available as Deco Display Stencil JNL in both regular and oblique versions.

Sidra Sans is an upper-case font with an authentic, handwritten feel. It's perfect for: logos, playful branding, greeting cards, shirts, quotes, textiles, posters, magazines, social media, planners, prints, and more. FEATURES: Consistent stroke widths for linear designs Multilingual characters for the global designer

Search Party is a handwritten font, made with a Sharpie pen. It is a little wild, a little uneven, but legible and perfectly suited to be used in your designs. Comes with extensive language support and a set of alternates for the lower case letters.

German type designer Critzla created this display FontFont in 1997. The family has 11 weights, and is ideally suited for music and nightlife. FF Chemo provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Pecorino Script is a lower-case script font with an authentic, handwritten feel. It's perfect for: logos, branding, wedding invitations, greeting cards, quotes, textiles, posters, magazines, social media, planners, prints, and more. FEATURES: Stylistic end swashes to add personality Initial characters Multilingual accents + support

Roller Girl is a bubbly ligature filled 70's inspired retro font. Roller Girl has easy going curves and a laid back aesthetic. It has a ton of ligatures in both upper and lower case that can help you create unique designs that stand out.

Non-alphabetical font Astrosym is a collection of astronomical, astrological and other cosmogonic signs and pictograms. It contains useful symbols of planets, zodiac signs, lunar phases and even the pictures of aliens. The font can be used in scientific papers, schoolbooks, encyclopedias, calendars and women's magazines. Designer Natalia Vasilyeva. Released by ParaType in 2010.

This is a font to build an hebrew Bible (Tanach) or any Hebrew prayer book. Hebrew Classic Tanach has all unicode hebrew marks and others like, ShevaNa, Dagesh Chazak, Qamats Katan and Cholam Chaser. You can even hide marks You don't want to use. This font has a complex and exclusive programmation of opentype features.

A set of astronomical signs  (symbolic representation of the Sun, the Moon, planets and other celestial bodies as well as zodiacal constellations, phases of the Moon, etc), signs of Chinese Zodiac and several ornamental symbols. Designed by Andrey Belonogov. The typeface (under the name Astra) was awarded a Diploma of TypeArt’05 Design Contest.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser. The first Hebrew Variable font with all Trop and Nikud!

Kaleko 105 Text is the text specific variation of stablemate, Kaleko 105 . With a shallower x-height and longer ascenders and descenders, its more traditional proportions make it more economical with space and better suited to continuous text. It's a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The Kaleko 105 Text family comprises of four weights and includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. It is closely related to Kaleko 205 Text , which offers variations in some characters, most notably a two-storey lower case a and g.

Monthly Calendar JNL is a companion font to Calendar Blocks JNL, and features classic wood type lettering and numerals from the 1800s. A set of large numbers are on their own keys, while the numbers 1-31 reside on the A-Z and a-e keys respectively. The days of the week are on the lower case “f” through “l” keys, while the names of the months are found on the “m” through “x” positions. An open rectangle is on the lower case “y” key, and a solid black rectangle is on the “z”. For those who wish to use the 23/30 and 24/31 configurations, they can be found on the left and right parenthesis.

The original inspiration for Blue Parrot came from a short scene in the classic film Casablanca. For just a few seconds, the exterior of Ferrari's Blue Parrot night club is shown, complete with a wonderful hand-lettered sign... all in capital letters. Blue Parrot JNL was originally released in 2006, and it wasn't long before a few people noted that the font would also look good with a lower case alphabet. The idea of adding in lower case kicked around for a couple of years until Jeff Levine finally completed a revision of the font. In this version there's also an expanded character set thanks to the creative input of Michael Hagemann of Font Mesa.

The Crepes is a layered type family consisted of 25 effect layer fonts. The basic shape of Crepes is re-designed based on 'Geon' and lower-case letters are replaced to small-capitals. Endless effects can be created by combining each of different colored layer fonts. Variety of check and stripe patterns can be made with 9 stripe layer fonts. The Open Type fonts contain complete Latin 1252, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, old-style figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in headlines, logotypes, signs, posters, greeting cards, letterhead, t-shirts and so on.

Kaleko 105 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kaleko 105 family comprises of six weights, and is closely related to Kaleko 205. The most notable differences between the two variations, are the single-storey lower case a and g in Kaleko 105, where they are two-storey in Kaleko 205.

Kaleko 205 Text is the text specific variation of stablemate, Kaleko 205 . With a shallower x-height and longer ascenders and descenders, its more traditional proportions make it more economical with space and better suited to continuous text. It's a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The Kaleko 205 Text family comprises of four weights and includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. It is closely related to Kaleko 105 Text , which offers variations in some characters, most notably a single storey lower case a and g.

RensGazet is a decorative blackletter typeface with elaborate upper-case letters and condensed lower-case characters. It was inspired by the masthead of a short-lived weekly newspaper, The Rensselaer Gazette, which was published from 1857 until 1860. I could not find any existing digitized fonts that replicated this old typeface, so I decided to create an interpretation of it. I had samples of few letters in large point sizes and a number of others at a small point size, though these were blurry and not sharply defined. As a result, this typeface is undoubtedly considerably different from the original. Also, my spacing is much tighter than that in the source samples.

Drop Cap One is a drop cap or an initial cap font. Even though it has all the letters of the alphabet it is not an alphabet font to be used for headlines or body copy. It has no kerning or punctuation except a period. It does not have accent marks. There are basically 2 alphabets in this font. The lighter letters are lower case and the darker letters are upper case. The light and dark letters are interchangeable. While a fun desktop font the real inspiration for this font was my need for a webfont for initial caps for blogging. It could also make a great scrapbooking font too. Lots of uses for this quirky little font.

Payload began as an early concept for Loaded magazine, and here is developed into a clean outline and rough splattery spraycan version. In this font, the upper and lower case characters are subtly different enabling a more realistic appearance to be achieved by ßipping between cases whenever characters occur together in pairs. Wide and Narrow styles of this popular font have been subsequently been added. This font is reminicent of military stencilling, urban graffiti and freight packaging. The "Outline" version, as before, is a carefully weighted addition where the thickness of the stroke is identical to the stencil gap. It has also been respaced and rekerned to allow for the additional character spread.

Kaleko 205 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kaleko 205 family comprises of six weights, and is closely related to Kaleko 105. The most notable differences between the two variations, are the two-storey lower case a and g in Kaleko 205, where they are single-storey in Kaleko 105.