Introducing our first death metal font! We called it Black Dread! This brutal death metal font is can be used for logos or branding and your metal band name without having to pay for expensive logo-making services. Just by buying this font, you can immediately make your own band or brand logo name. Combine it with the death metal ornaments and make your own death metal design with ease! This black metal typeface is perfect for logotypes, t-shirts, vintage badges, branding, packaging, posters, clothing brands, posters, horror movies, album covers, and many more! ——— Black Dread features: A full set of uppercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +313 Total Glyphs +Death Metal Ornaments included! ——— Black Dread includes: Black Dread Regular Black Dread Outline ——— ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010, or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or a software program such as Pop Char (for Windows and Mac).

It all started with the letter S. I drew it, I liked it, I based a font around it! This is Pickled Limes, a tall and narrow single-case font. It's built clean from the ground up, for ultra-sharp lines and corners, as well as super-smooth curves. The slightly flared ends and quirky character mix make this font a ton of fun to use on its own, but it will also pair well with tons of hand-written styles! I've branched out on this one; in addition to over 300 Extended Latin characters, I've also included Unicode's 256 Cyrillic and 121 Greek characters for even more language support. Add in the 90+ alternates, ligatures, and catchwords, and Pickled Limes clocks in at just over 1000 characters. I hope you enjoy using my tasty Pickled Limes for your branding project, logo, crafting work, or design project. Happy fonting, MyFonts fans! :)

Mabotim Brush Font painted, Fun, modern, multi-purpose and operated bold letters combine letters brushing operates with a natural style. Suitable for review, packaging, titles, posters, t-shirts, logos, quotes, invitation, apparel, wedding, advertising, image overlays, greeting cards and web banners, etc.Get substitute alternate glyphs and characters beginning and end of interest to the composition of your design. Comes with Uppercase and lowercase characters, large set of punctuation glyphs, numerals, supports international languages, stylistic alternates for several key lower case characters And this Font has given PUA unicode (specially coded fonts). Letters replacement can be accessed using a program like Adobe Illustrator and Adobe InDesign OpenType Smart. Adobe Photoshop Corel draw X version, and Microsoft Word. I had a lot of fun designing this font. I hope you have even more fun using it. If you have any questions, please don't hesitate to ask. Thank You for Purchase!

Museum Fournier is inspired by a set of Rococo capitals designed by Pierre Simon Fournier le Jeune circa 1760. The matrices are part of a set imported to Sweden by J.P. Lindh in 1818 from Breitkopf & Härtel in Leipzig, Germany. They are now in the Nordiska Museum in Stockholm. Type designer Torbjörn Olsson has expanded the original 31 lead matrices in the collection to 55 characters. Please note that the font contains capitals only, no lower case letters and no figures either. Museum Fournier is an OpenType creation, for both PC and Mac. Swedish type foundry T4 premiere new fonts every month. Museum Fournier is our ninth introduction. Museum Fournier is part of the growing Museum type family. Museum also includes three different border fonts, an ornament font with some of Granjon's arabesques and Museum Tertia Cursive, an exquisite 1700's typeface with modern additions.

Hi there, thanks for looking at my first typeface. It began as one of my original sketches back in 2019 as a freelance graphic designer trying to create unique letterforms that I could use for posters or websites with other possible use cases in mind for commercial use. The sketches were then passed on to and worked on with Vladimir Tsagolov who has more experience in creating professional typefaces, the experience for me was invaluable, and I have many more typefaces I'm now working on. Shiny Ink Display is a collection of hand drawn fonts based on the flow of reflective viscous ink with 7 styles, some styles can be interchangeable and used on top of each other. For example, Shiny Ink Display Plain, can be used with Shiny Ink Display Plain Lined to create shadows underneath it, at angles not available with the Shadow styles you'll see in the font collection. Shiny Ink Display has various use cases, maybe even infinite, but more specifically for posters or websites with large text, though it bodes quite well at smaller sizes, and is visually appealing to its viewers as long as it's at a legible font size. When it comes to font pairing, Shiny Ink Display works especially well with Monospace and sans-serif fonts. You can check the poster examples on this page to help you imagine what you could do with the font styles. I also had in mind manufactured products, but I could leave that to you to create your ideas with the available font styles. In regards to languages or typing on a keyboard, most of the English/European latin or cyrillic language keys are supported, so you'll have lots of glyph characters to play with for a number of ideas you may have. All the best with your projects using my fonts, if there are any issues, don't hesitate to contact me for support: lloyddaviddesigns.co.uk - Lloyd David

Forme Furniture Type Em and Furniture Type En Designed by using the pieces of letterpress furniture usually hidden, to create letter shapes. The square nature of the type means it could be used as a low resolution type. Forme Furniture Type Em – Low resolution type. Designed using *Furniture and **Em quads from letterpress printing. *Furniture: Pieces of wood or metal placed around or between metal type to make blank spaces and fasten the printed matter in the chase. ** Quads: (originally quadrat) is a metal spacer used in letterpress typesetting. An em quad is a space that is one em wide and one em high. Also available as Em Shadow to be used as a headline or display font. Forme Furniture Type En – Low resolution type. Designed by using *Leads and ** En quads from letterpress printing. *Lead or Reglet is a piece of Lead or wooden spacing material used in letterpress typesetting, to provide spacing between paragraphs. **An En quad is a space that is one En wide half the width of an Em quad, and the same height as the typeface. Also available as En Shadow to be used as a headline or display font.

Auntie Pat is a new script font in my continuing objective of designing scripts that I can really use. Of course, I am looking for readability in booklets. In many ways, Auntie Pat is a very unusual script in that it has caps, lowercase, small caps with the appropriate figures for each case. This is font has all the OpenType features in the set for 2009. I didn't bother with the CE accents (though I can add them upon request). There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!

Orca Pro is a modern sans-serif font family. Its lowercase letters are inspired by the well known OCR-A font, however every single glyph has been more or less revised. Capitals, numerals and all other characters and punctuation marks are entirely new. Feel free to download the PDF Specimen for detailed info and examples. The Orca Pro family consists of 10 fonts – light, regular, medium, bold and heavy weights including real italics. It supports many OpenType features like automatic fractions, ordinals, proportional/tabular figures, numerators, denominators, superiors, inferiors or case sensitive forms and offers great multilingual support for most of Latin-based languages (including CE). Orca Pro contains a number of standard and discretionary ligatures, numerals as well as 62 bullets, symbols and arrows. Orca reveals its soft, rounded character in bigger sizes while it remains distinct and legible in small sizes.

Populaire is a hand-drawn font that mimics true handcrafted lettering. Counting 4 glyphs for each letter, the laborious kerning table ensures that the glyphs are really exchangeable. Yet, there’s a cool set of ornaments and a kind-of-magic OpenType feature. When the Populaire font is used in OpenType-savvy applications, its Contextual Alternates feature produce a striking random-like effect on glyphs distribution, achieved by cycling through alternates. When not using the Contextual Alternates feature, you can still pick the alternates in the Glyphs palette or use the alternates available from the keyboard upper and lower case.. Inspired by the electrifying posters from May 1968 by Atelier Populaire, this dynamic font is flexible enough to bring freshness and energy to a wide range of design applications. Used in the titles for the 2012 movie Life of Pi.

As with any attempt at a new typeface, you want to create something different. A difficult task as most legible fonts are based on something previous. Somatype isn't actually based on any particular font but it has unavoidable similarities to others. The important difference here being the distinctive quirk of the connection points going opposite to the norm; exemplified best by the lower case d & e. Once devised, the unique characteristic was applied wherever possible, keeping the rest of the characters in a sympathetic, rounded style. I first designed this in the light weight version, seeing it working best as a large open display font for magazines etc. but realized it would be too light for body copy at small scale, so, medium and bold weights were created to resolve that issue. Incidentally, the word ‘somatype’ literally means body-type.

A Trollkatt in Norwegian myth, is the cat associated with witches. The last few days a stray ginger cat seems to have adopted us - she comes into the house, lies down on the carpet and loves the cat food we bought her. We have posted some ‘found a cat’ messages online and hung op some flyers - just in case someone is missing a cat. Because of the stray, I decided that I should name this font something cattish, so Trollkatt is what popped up. The font is quite nice; I made it with my Chinese ink and a brush, from which I cut most of the hairs. This font won’t catch mice, but it will put some magic into your designs! And the stray cat… well, if she isn’t chipped and no one comes to fetch her, we will keep her. #happyending

Bredagh (pronounced Braid-ah) is a happy font! It can bring a smile to your face, yet is at one with science and mathematics and the Arts. The first presentation is in a Poetry book. Overall, it is a strong and capable font. The organic nature of the font Breadgh is in Nature itself, with the roundels as found in the cross-section of a tree, for example, both circular and rounded oblong shapes, influencing. Accordingly, some of the characters are of a condensed nature and some are not. The lower case does not have the condensed aspects but the numerals do. In the creation of Bredagh, it was the dynamic between all of these that was part of the challenge. And to make them all work together subtly to be in overall harmony—was the ultimate challenge.

I've been working on a usable sans serif for body copy since the mid-1990s (though I certainly did not know it at the time). This one works well. It started life back in the mists of time as a scan of an old German font by Carl Fahrenwaldt. It was developed fully as a synergized serif with strong traditional roots and released as Bergsland Pro. Now it finally makes it to where I was headed all along as a sans text font. This is a well modulated humanist, sans serif font family with many OpenType features and over 600 characters: Caps, lower case, small caps, ligatures, swashes, small cap figures, old style figures, numerators, denominators, accents characters, ordinal numbers, and so on. It is designed for text use in body copy. But it also works very well for elegantly stylized display.

Geon Soft is the rounded version of Geon. Geon Soft Family is a modern sans-serif typeface that is clean, simple, soft and highly readable. Letters in this type family are designed with geometric shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Geon Soft is a versatile type family of 54 fonts. Geon Soft family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) & 3 widths (Condensed, Normal & Expanded)with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Cherubina means ‘Blessed’. It is a name derived from the Akkadian “karabu / kuribu”, meaning “blessing, blessed”. A cherub is a type of spiritual being mentioned in the Hebrew Bible, often depicted as a baby with wings. This font was based on the hand lettering I found on a 1962 Japanese poster for the movie “Mother Joanna Of The Angels”. The poster was designed by Hiroyoshi Oshima. Cherubina font is an all caps font (upper and lower case differ and can be used together) with a medieval feel to it. I tried to keep the ‘spirit’ of Hiroyoshi Oshima’s lettering, but changed the glyphs and designed most of them myself, as I had nothing but the title of the poster to work with. I have added some ligatures as well. Comes with my blessing and an eternity of diacritics.

Police JNL was modeled from one of the many fonts created by the late Alf Becker exclusively for Signs of the Times magazine during the 1930s through the 1950s. This was a bit of a difficult design to translate into a digital font file, because the individual characters did not follow a formal structure as to the width and length of the cast shadows or the letter shapes—such is the way of the hand-lettered alphabet. Special thanks to Tod Swormstedt of ST Publications (and curator of the American Sign Museum in Cincinnati) for providing the archival material to work from in creating this font. Police JNL has a limited character set. The basic A-Z character is on the upper and lower case keys, along with numbers, some punctuation and the dollar and cents signs.

TT Lovelies Script useful links: Specimen | Graphic presentation | Customization options About TT Lovelies Script: Without any false modesty we can say that TT Lovelies Script is one of the most complicated projects we have ever carried out – there are 1115 glyphs, more than 2000 contextual alternates, 10000 kerned pairs and a large number of OT features, including ligatures and Old Style numbers. The most important characteristic of this font is that it is really seamless. We've done the impossible: in TT Lovelies Script, even capital letters are connected to lower-case letters without any breaks. The base for our typeface is original calligraphy by Russian designer Alena Korobanova. The beautiful handwriting was painstakingly crafted into a fully functional font. TT Lovelies Script is a very lively and playful typeface with some unpredictable nuances. Turn on the use of OpenType features CALT & DLIG in your graphic editor and use the font to the full. Every lower-case letter has characteristic pen strokes which begin and end a word. The pen strokes are turned on automatically when you accordingly type two hyphens at the beginning and at the end of a word. For instance, type '- - apricot - -' and you'll see the beautiful pen strokes at the beginning and at the end of the word. TT Lovelies Script uses a great number of contextual alternates and ligatures which help maintain the handwritten impression. For each letter, a separate grapheme is created for the end of a line, and we've also integrated the Case Sensitive OpenType feature to make working with upper-case characters easier. We've enabled onum, sups, sinf, numr, dnom, frac, ordn as well in order to work with figures. To benefit from all of these wonderful options, you need to use software which supports OpenType features. TT Lovelies Script language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana , Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

The name “Parchemin” is derived from the word in old English for “parchment.” Our modern word “parchment” changed its spelling to conform with French spelling practices during the French occupation of England. The font was created to suggest an informal but antique form of handwriting written on parchment with a quill pen. The scratchiness of the old quill pen is conveyed in the roughness of the characters. The font was loosely based on the font Queen. Use this font whenever you want to suggest rough informality or antique handwriting. The characters have been letter-spaced and kerned in such a way that they join perfectly with one another giving a completely convincing imitation of genuine handwriting. The font is fully professional in terms of its character set. It contains more than 235 characters — (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). In fact, it has all the accented characters used in the major European languages.

Initially commissioned in the summer of 2009 for a popular North American ice cream parlor chain we cannot name, Tuba started with a reconceptualization of a somewhat flawed '72 alphabet idea by Swiss graphic designer Erwin Poell. During the back-and-forth of the custom project, other ideas seeped into the design, mostly from other Canada Type fonts, like Fab, Jonah, Jojo and Teaspoon. The end result was what the client called a "sugar circuit trigger alphabet". This now is the retail version of that project. Tuba's main style is a straight-forward mix of 60s/70s art nouveau ideas and late-70s/early-80s tube aesthetic. The Highlight and Outline styles are almost necessary spinoffs for this kind of typeface. And the all-caps Black style is a nod to the fat font fad of the past couple of years. All styles contain many alternates – so many that each style is almost two fonts in one. Make sure to check out the character sets for a few nice and useful surprises. Life's too short. Seek sweetness. Get gooey.

Silk Script is a revival and elaborate expansion of a 1956 Helmut Matheis script called Primadonna, which strangely remained a metal face and never made the leap into the film age. Silk Script has the unmistakable high contrast and elegance of formal scripts, yet both its majuscules and minuscules show much more complex and visually appealing art than traditional copperplate or Spencerian calligraphy. When set properly, it adds just the needed extra touch of artistic flair to designs that are not visually satisfying with the usual high-contrast elegant scripts. Silk Script comes in two styles, with the Alt font containing form variations on almost every letter, allowing for flexibility and precision in choice typesetting. Plenty of more alternates are available throughout the character sets of both fonts. Both styles also boast expanded character sets that include support for Central and Eastern European languages, as well as Baltic, Celtic, Esperanto, Maltese and Turkish. Silk Script Pro unifies both styles in one font, for 550 characters of sheer elegance and handy OpenType features including stylistic alternates, discretionary ligatures and class-based kerning.

We introduce our new script font called Blendhes. Blendhes is a strong bold script font inspired from Vintage baseball sport design. Blendhes has a standart OpenType Features. With the OpenType Features, Blendhes gives you so many options to create something awesome. Mix and match the alternate characters to add an attractive message to your design. Blendhes is great for Logotype, Branding Design, Logo Design, Badges, Digital Lettering Arts, T-Shirt/Apparel, Poster, Magazine, Signs, Advertising Design, and any vintage design needs. Blendhes Features : - Upper and Lowercase Standard Characters, Punctuation, Numerals. - Opentype Features such as Standard Ligature, Discretionary Ligature, Ornament (Trail and Swash), Contextual Alternates and Stylistic Set (ss01 - ss07). - Fully accessible without additional design software. - Includes a range of multilingual characters. You can access all those alternate characters by using a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Please, Feel free to contact me by e-mail yyudhara@gmail.com for any question about my font, Extended License document and more.

Article to appear on the font family page: According to the Catholic faith, a well known náhuatl story called "Nican Mopohua" (translated as "Here it's narrate") about the Marianas apparitions on the Tepeyac's hill, to the north of the actual Mexico City. After four apparitions, La Virgen de Guadalupe (LVG) told Juan Diego (JD) that he must introduce himself to the first Bishop of Mexico. JD took in his "ayate" some roses (that aren't natives to Mexico's barren territories) and when he dropped them in front of the bishop, the image of LVG appeared in front of him with indigenous features. I’ve worked a lot in this font that appears to came out of nowhere, just like the image of LVG itself, the fact is that I started first sketching some flowers, because I wanted to do something related to this mexican story, so, taking some features from this flowers I started sketching some letters, for example “r” and “i” and the counter forms for some letters like “a” and “o” (that I didn’t use by the way) and the punctuation marks, all inspired by this leaf forms. Lighter weight coming soon! Hope you like it. Any comments: rodrigonabo@gmail.com

Secca Soft is the rounded sister of Secca font family. With its workhorse qualities, Secca Soft is perfectly suited for a wide range of applications - especially where legibility and economy are important factors. It comes with a wide language support and many typographic features and extras. The family comes in nine weights from Thin to Ultra Black - each with italics, small caps and italic small caps. While the weights from Light to Bold perform well in text sizes, the more extreme styles give extra freedom for Headlines & Signage. For setting tables and charts, Secca Soft offers tabular figures, fractions, currency signs and mathematic operators which share the same fixed width throughout the entire range of weights. This special feature is called "weight duplexing" and is a time saver for designers of annual reports and other figure-heavy texts.

Back to the past when the old building and the beauty of a old store decorated by distinctive signage. With a clear feels of authentic historical value and the today's needs must be balanced in order to create the nostalgic feels. Introducing an authentic touch based on old fashioned signage developed into the wood type feels, and it's called Dealers. Dealers is a development of the classic taste wood type to form a solid blocked shapes, modern serifs, and with all caps based characters and slightly condensed. With specific characteristics, dealers font is intended for coffee shops, stores, restaurant menu that you want to create the impression of a classic and harmonious. With the addition of catchwords in the OpenType features, allowing you to be more creative to meet the requirements on the design you create.

John Quincy Adams, sixth President of the United States, didn't hit his stride until he'd left that lofty office. It was during his many years in Congress that he assured his legacy, not least because of his long, masterful oratory opposing slavery. His speeches, in fact, won him the nickname "Old Man Eloquent." So when I decided to simulate Adams's penmanship in his legendary diary (which he kept for nearly 70 years), it seemed fitting to call the font by that name. I focused on his handwriting from about 1810, when he was Ambassador to Russia, but also consulted pages from later years. Old Man Eloquent has both regular and bold weights. The OpenType version has more than 450 glyphs, including alternate uppercase characters, old-style and lining figures, and numerous ligatures; all formats contain several common (English) words.

Funky decorative display typeface with a curvy eye catching character. Choowee can solve many graphical problems. Features and alternates add personality and let you create unique logos, rad graphic identitys and stunning headlines! Package design for food or any kind of products. Posters or music covers. Prints on sweatshirts or t-shirts. Children’s book-covers or comics. Features: ligatures, alternates, case sensitive punctuation. Support: cyrillic, cyrillic extended, latin, latin extended... 1000+ glyphs! Have fun!

German type designer Martin Wunderlich created this sans FontFont in 1993. The family has 6 weights, ranging from Regular to Bold (including italics) and is ideally suited for editorial and publishing and logo, branding and creative industries. FF Wunderlich provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

German type designer Yanone created this FontFont in 2013. The family has 3 weights and is ideally suited for advertising, packaging, logo, and branding as well as web and screen design. FF Antithesis provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

German type designer H. A. Simon created this script FontFont in 1996. The family contains 3 weights: Regular, Condensed, and Bold and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, poster and billboards as well as software and gaming. FF Market provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures.

Israeli type designer Yanek Iontef created this display FontFont between 2003 and 2011. The family contains 2 weights and is ideally suited for advertising and packaging, film and tv, logo, branding and creative industries, poster and billboards as well as sports. FF Cartonnage provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with proportional oldstyle and proportional lining figures.

Fada is a unicase geometric grotesque that was made on the basis of a logo for a bar, which we have designed. We were inspired by the license plate, in which the letters have specific heats in places conjoined. The only difference between upper or lower case characters is reduced and increased waist. This is characteristic not only for letters and digits. Fada - good for fashion, editorial, posters, logos and so on.

ITC Arid was designed by Rob Leuschke in 1997 as a lively calligraphy typeface which looks as though it was put to paper with a piece of charcoal. Generous capitals mix harmoniously with the more reserved lower case characters and the forward slant of both create a dynamic impression. Arid should be used in point sizes of 12 and larger and is well-suited for headlines and short to middle-length texts.

undercoverLOVAHH is a unique typeface based on the sprightly and smooth handwriting of an equally jubilant classmate. It contains a full set of uppercase and lowercase characters, as well as accented characters in the case of a love that knows no borders. With its bold appearance, undercoverLOVAHH is well-suited for headers, party invitations, and greeting cards, as well as projects that require an infusion of teenage spunk and personality that cannot be found elsewhere.

The origin of this typeface is a Polish catalog cover dated 1936, made by I. Rubin. The word ”Graficz” (included in the poster copy) seemed appropriate as a name for this typeface with its typical ”Central European look”. The original letters are more ”thin” (light weight) than the MRF interpretation and only consists of capital letters. Lower cases and almost all standard character signs have been added, in order to make it more functional.

German type designer Jakob Runge created this FontFont in 2014. The family has 20 weights and is ideally suited for advertising & packaging, logo, branding as well as web & screen design. FF Franziska provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

ITC Eastwood is the work of British designer Martin Archer and is named for Clint Eastwood. Archer was looking for a plain oldstyle typeface with open lower case forms and used Stempel Garamond as his starting point, although the result ended up well beyond its origins. In small point sizes the typeface looks interestingly rough while at display sizes it looks like a 16th century French typeface and its unique details come forward.

BR Segma is a geometric sans-serif type family of 8 weights plus matching italics. Geometric precision and modern utility create a contemporary modern aesthetic, while open apertures, and low contrast strokes provide a comfortable reading experience. Segma builds upon geometric traditions but remains firmly in the present. BR Segma provides advanced typographic support with features such as case sensitive forms, fractions, slashed zeros and multiple figure sets. For custom enquiries please contact: mail@brinktype.com

Straight from the ‘extras’ drawer, the mismatched Sluicebox character set is comprised mainly of serif type specimens. The OpenType versions of Sluicebox have 52 ligature features that automatically substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row, as well as features for Old Style Numerals and Small Caps. Sluicebox Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

A 1930s WPA (Works Progress Administration) poster promoting national parks depicts Native Americans overlooking the land with the tag line "his hunting ground of yesterday". The hand lettering of that text is reminiscent of Futura Black and similar Art Deco stencil-influenced type designs, but is rendered in an oblique lower case with no capitals. Re-drawn as Sandwich Shop JNL, the typeface is now available in both regular (vertical) and oblique versions.