The final text should look like this then:Vary by Olli Meier is a geometric sans serif typeface inspired by Bulgarian Cyrillic. Vary is fun and adaptable and was built with three feelings (variations): classic, modern, and loopy, offering an opportunity for designers to be playful in their creations. The inspiration in Bulgarian Cyrillic is seen mostly in the character “g,” which was inspired by a very uncommon handwritten “&#x0432”  spotted by the designer in a shop window in Sofia, Bulgaria. When he flipped this design in 180°, the Latin character ‘g’ was born for Vary. Another example is the “R” in the modern stylistic set, which was inspired by the handwritten Cyrillic character “&#x042F”. Vary is available as a variable font also and comes with 10 preset instances from Hairline to ExtraBlack.

Tall, thin and elegant, Marian Churchland’s fonts are very much like her.. and now available from those awfully nice chaps at Comicraft to allow you to pretend that you are too! Marian Churchland was born in Canada in 1982, and was raised on a strict diet of fine literature and epic fantasy video games. She has a BA in Interdisciplinary Studies (English Literature and Visual Arts) from the University of British Columbia, and has been doing professional illustration work, including book covers and magazine articles, since she was 17. Last year, she became the first woman to solo-illustrate a CONAN story, and this year she’s illustrating three issues of ELEPHANTMEN for Image Comics. Artwork by Marian Churchland from Elephantmen #20. See the families related to Marian Churchland Journal: Marian Churchland .

Yink takes big, bulbous, ball terminals up a notch, by repeating the shapes not only in the black but in the white space too. This interplay between black and white shapes is reminiscent of the yinyang symbol in places, which is where the name Yink originates. It's a shamelessly over-the-top font, and should be set large. There's a handful of OpenType features, including ligatures and alternates: Ligatures for ff, fft, ft, tt, gj Alternates are grouped into stylistic sets: 1. An alternate u, possibly more legible, but definitely not as much fun! 2. Again, a more boring version of m, just in case the default is ambiguous. 3. A more exuberant L 4. A blackletter informed T 5. Alternate P and R 6. An alternate 1 (one)

Hyperartism is an artistic movement born in La Chaux-de-Fonds (Switzerland) which advocates free and uninhibited creation, in all forms, for everyone. HyperBrush was originally created for the new collective's logo and is the perfect cross between the corrosive spirit, the assumed nonchalance and the natural class of Hyperartists' works. HyperBrush is the ideal font for anyone who wants to add a touch of fantasy to a soft design, or a bit of seriousness to a completely crazy project. Its quirky, edgy and clean look is just as suitable for a festival poster as it is for a DIY shop sign, for the title of a trashy short movie or else for a toilet door sign in a hipster lounge bar. With HyperBrush, it's easy to put more hyper into any project!

The purpose of Brutman was to create a typeface that reimagined the incise style for the 21st century. Its roots emerge from the humanistic style, adopting the structures of the roman capitals for the upright version and some features of the chancery style for the italics. On the other side, its contours are forged by the frankness of the brutalist style, which can be seen in the asymmetrical flared terminations, the sharp shoulders and the diagonal cuts that emulate the stress of the broad nib pen. The result is a typeface that combines a sleek character with a historical flair. It conveys a feeling of modernity and sophistication when it comes to shine in big sizes, but on the functional size has sharp shapes that make it perform very well on small ones.

Are you getting bored by the growing number of sans-serif fonts that absolutely lack character? Do clean typography and sleek curves repulse you? Maybe it’s time to forget the normal and set sail into the murky waters of abnormality. Abnormal features four styles, ranging from an almost monolinear Light to a reverse-contrast Bold. The design pays homage to 19th century poster typefaces, with their crude character and unconventional means of catching the eye. It is one of the few typefaces out there that features reversed contrast and no serifs. These properties make it an ideal choice for large headlines, posters, flyers and essentially all applications where getting attention is a paramount. Abnormal offers extended language support, standard ligatures, alternative lowercase “a”, fractions, ordinals and a plethora of quirkiness at your disposal.

The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass in wartime Bomber Command, namely Dowding, Harris, Newall, Tedder, Portal and Douglas. The Brief was to cut the letters in bronze and gild them. Instead, they were cut in perspex and gilded. To sit comfortably within the long and narrow vertical space available beneath the chapel’s stained glass window, extended letterforms were used with many vertical serifs omitted and with lengthened horizontal serifs. Some twenty years later, the missing upper-case letters were drawn together with the lowercase letters and Frieze, the font, was born. Subsequently, additional weights and styles were added to create a font family of six styles.

The beauty of visual brand identity can direct people's perspective and shows the value of the brand. Hence we try to bring beauty to our font that one may forge harmony for the audience. Introducing, Mondany, the (grand, divine, elegant, beautiful, etc.) monoline script font. With the neat curve glyph, Mondany is perfect for branding purposes such as logo, label, title, headline, social media, business card, quotes, and others. Mondany includes: numbers and punctuation multilingual ligatures alternates swash opentype features We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so you can see and access all Glyph variations. We hope you enjoy our font - please do let us know by emailing us at info@prestigetype.com or prestigetypestudio@gmail.com if you need something!

Cascadeur is a variable modular sans with 3 axes, a modernistic hommage to space-age typography. It was designed by Peter Bushuev and released in April of 2020. Cascadeur was born from a type design study and went a long way to its final form. The main feature is a structure of the font: it based on 4 lines grid, has very tight spacing to achieve maximum space coverage and set of inventive letterforms. It is also a variable font and has 3 axes: weight, slant, and roundness. Cascadeur has alternates for almost every letter (2-4) so you can find a rhythm and a unique pattern for your design piece. It is a perfect choice for posters, album covers, big headlines, oversize typography, identity and packaging, editorial design.

SPACE ASIA was born in the modern era which was inspired by the letters found in various print and digital media. Comes with a modern and futuristic style that will rock your great design! It is suitable for you to use in logotype designs, games, posters, movies, typography, t-shirts, tickets, and other modern designs. This is a very technical typeface and is great for use in projects related to sci-fi, science, and electronic music. This tech-savvy but fun-looking font will break between technology, science, fiction, and boundary art. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Stylistic Sets, and Ligature. The OpenType features can be accessed by using the OpenType program such as Adobe Illustrator, Adobe Photoshop, and Adobe InDesign.

BILLIARD was born from the numerous sketches André Toet did for the design of a series of postage stamps in 2011. It’s a capital monospaced and ‘fun’ alphabet, based on the classic billiard play with two white and one red ball. Actually snooker and pool were derived from this rather old sport! In Europe it used to be a sport played by elderly people, practiced in traditional bars, including the smell of beer and the at that time prevalent smell of cigarettes and cigars. These days billiard, snooker and pool are quite popular once again with young people. Hopefully our new font will get the same attention the ‘old sport’ deserves and who knows it might even be used in a sportive way. Concept/Art Direction/Design: André Toet © 2017

Saddle up and venture into uncharted typographic territory with Canyon Slab, a wild west-inspired serif slab typeface that beckons you to explore the untamed frontiers of design. Like the rugged canyons that have withstood the test of time, this font's bold serifs and sturdy letterforms exude a sense of strength and adventure. Canyon Slab captures the spirit of the old west, where legends were born and tales of grit and determination echoed through the canyons. As you wield this powerful typeface, you'll feel the dust of the trail beneath your feet, hear the echo of revolvers in the air, and taste the thrill of unbridled exploration. Channel the untamed spirit of the wild west with Canyon Slab, and let your designs ride into the sunset of creativity.

BAMBOLA, Script put out by EdyType. Almost formal script, that gained a little weight. but she is taking care of that. BAMBOLA, a real doll, wants to be loved, she is trying hard to be popular. Is very conscious of her beauty, but trying not to be a show off. She'll be at ease in any place where normal faces gather, unpretentious, yet with a touch of class. Born to be readable, it’s ideal for packaging headlines and editorial work. Not thick, nor thin, just the exact weight, makes a good pattern at large texts, and reduces with no problems, her voluptuous initials makes it stand out always. A real romantic face, it belongs to the fashion world, where she’s come from. A real hip chick, she’s got what it takes!

Often it is hard to express ourselves and our emotions. Thus, the idea of emotional typography and fonts was born. This is a detailed font with many lines and shapes. It has been designed to reflect the feeling of overthinking. Overthinking, by nature, is done by logically thinking through all the different scenarios and outcomes for one particular thought or situation. Therefore the appearance of this font is one that is structured and technical. This font is great for architecture, buildings, construction, geometry or even for situations that are heavily detailed! It definitely works great as an overlay on images or photographs. Pair this overthink font with a simple sans serif font to contrast against the details in the former. We hope you enjoy this font as much as we do!

S P O I L E R A L E R T ! We don't want to be a drag, a wet blanket or a spoilsport, but we're here to tell you that everything before “but” is bulls*it! Yep, if you're a merrymaker, a carouser, a jester, a reveler or a live wire, we're here to poop your party with our latest knicker-twister, KILLJOY! Call us cynics, call us crabs, grouches, grumpy old men, sourpusses or bores, but we're the kind of Killjoys who just have to make some noise... sound effects (sic) everybody, so listen up even if you can't handle the truth... and here’s OUR truth; Keep Calm and be a Fabulous Killjoy! Yes, it’s easy to be mean -- but why should anybody else have all the fun? Or all the fonts?

Ioana is an inoffensive, slightly quirky, slightly fattened sans serif font. It has a full character set as well as ligatures, small caps, superiors, inferiors, numerators, denominators and auto-fractions. Ioana came about as a direct result of 3 previous, private commissions that were all based on an artists hand-writing. For Ioana, I wanted a more regimented (but not boring) sans serif that could be used for headlines, posters and flyers with larger body text. Ioana Lighter is an inoffensive, slightly quirky, slightly lighter sans serif font. It is the lighter weight of Ioana and has a full character set as well as ligatures, small caps, superiors, inferiors, numerators, denominators, old style figures and auto-fractions. These OpenType fonts have support for CE languages and I hope you like it.

Show Card Deco JNL is a hybrid of examples from hand lettered titles found on various song folios from the Carl Fischer Music Library circa the 1930s and is available in both regular and oblique versions. This particular typeface lends itself perfectly to show cards, posters, headlines and display titling which captures the modern, streamlined design of the Art Deco era.

Kfontz is a display font that simulates the appearance of typewritten text. Each letter in Kfontz has been carefully designed to resemble the effect you get with a typewriter. This effect adds a sense of nostalgia to the text, as if it were from a bygone era, adding an authentic charm to the designs. Kfontz retains its varied and extravagant style, giving the text a lightness and a certain nonchalance. Remastered in 2023.

Introducing Fredy Youth - Multilingual Handwritten Font. The characters of this handwritten font exude a subtle charm, maintaining a delicate balance between sophistication and simplicity. Each letter is carefully crafted with a light touch, capturing the essence of handwritten notes while maintaining a modern and refined aesthetic. The absence of unnecessary embellishments allows the font to convey a sense of clarity and purity, making it a versatile choice for a wide range of design projects.

Kiddie Love is a lovely display font that radiates charm. It features gorgeous hearts in each letter which give it an incredibly romantic feel. this font suitable for valentine day poster, logo, t shirt, event banner and etc. you can use this font for any design, apparel, kids logo, logo type, with many swash for make your design awesome. feature : Kiddie Love Uppercase Kiddie Love Number and Punctuation Kiddie Love Multilingual Kiddie Love Swash

Aspidistra is a modern vintage typeface; which is to say a Studio K original with a period feel: it has a strong Art Nouveau influence (a distant cousin of Arnold Bocklin). Why Aspidistra? In the first half of the last century an Aspidistra was a must have accessory of the aspiring middle classes (see George Orwell's Keep the Aspidistra Flying), and to my mind this font evokes the chintzy charm of that era.

Introducing Phoenix Display Serif Typeface: Elevate Elegance to New Heights Evoke a sense of regal charm with Phoenix Display Serif – a font that embodies luxury and grace in every serif. Crafted for the most sophisticated projects, from upscale branding to premium stationery, Phoenix Display Serif adds an aura of elegance to your designs. Illuminate your creativity with a touch of grandeur – experience Phoenix Display Serif and reignite the art of luxury typography.

Ranger Rays Rocketeers SRF was originally a freeware font on Jeff Levine's old site, but needed a lot of reworking and cleanup to be user-friendly. Jeff did all of the fixes and provided this charming retro-style font of space-age dingbats to the Stella Roberts Fonts project. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Nettally is a lovely signature font with a delicate and feminine vibe about it. This typeface gives off a sense of elegance, simplicity, and charm. Please feel free to use this typeface in your own project. This typeface was created with a refined natural touch of handwriting to produce parts and compositions that meet your demands. As a result, this typeface is ideal for crafts, children’s writing, adventure posters, and other similar applications.

Meet Swingly Lours, the epitome of serif elegance enriched with magnificent ligatures and a plethora of alternates. This font transforms your typography into a visual symphony, striking the perfect balance between classic sophistication and contemporary creativity. Swingly Lours is not just a typeface, it's a versatile tool for crafting unique and captivating designs. Elevate your projects with the charm of this serif font, where every detail tells a story of timeless sophistication and customizable creativity.

Embrace the timeless charm of the "Young Fighter" Font Family, a carefully crafted vintage display typeface that brings a touch of nostalgia to your designs. This versatile font family features 6 unique styles, each designed to capture the essence of classic typography while adding a modern twist. With a seamless blend of serif, display, sans serif, and dingbat ornament options, the "Young Fighter" Font Family offers unparalleled versatility for your creative projects.

Rusulica Antique distinct aroma & flavor Rusulica Antique is a modification of the erstwhile script. With rough edges it has a distinctive appearance, rich aroma and antique charm. Because of its ornamental and playful design, it offers plenty of possibilities. Rusulica Antique has a high contrast. Its edges are rough and there is an alternate for almost every capital letter. The typeface’s x-height is bigger than usual and it is constructed at a 30° angle.

It’s a mixture of digital exactness and analog freedom. With over 130 Opentype features, the font can change its look from strict to charming twirly. GELI offers many different ways to highlight words, which gives the font a personal character. It is a powerfull corporate font with a wide range to play with. Tobias Gutmann designed the Font in 2009/10 in the Typoclub which is part of the Hochschule der Künste Bern.

Espect Retro beckons to the discerning eye with its harmonious blend of the modern and the classic. Its wide, yet hairline-thin structure gracefully extends into elongated serifs, giving it a poised and elegant stance. The extended x-height isn't just noticeable; it's a celebration of design that evokes charm and cuteness in every curve and counter. Espect Retro's lightness radiates a fashion-style sophistication, making it a go-to for classy projects.

Smooth Batters is a Modern Handwritten Font. Smooth Batters feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a customized touch. This font is PUA encoded which means you can access all glyphs and swashes with ease! - also multilingual support Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Presenting Gamilia: A stylish serif font that exudes elegance and sophistication. With its refined lines and contemporary charm, Gamilia adds a touch of class to your projects. Elevate your designs with Gamilia's timeless style, perfect for capturing attention with a dash of refinement. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Maskule Combo is a vintage combination pairing font that captures the essence of hand-painted signs. It features two fonts: Maskule Regular and Script, which work harmoniously together. With its charming and nostalgic style, it's the perfect choice for creating designs with a vintage theme. Whether you're working on headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, or album covers, Maskule Combo will add a touch of timeless appeal to your projects.

This elegant monocase design is based on a nineteenth-century offering from Britain’s Stephenson Blake Foundry named "Fry’s Ornamented No. 2". Stylish, witty and debonair, it will add grace and charm to any project. The font features bracketed fleurons in the greater than and less than positions, and no math operators. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

A revival of sorts, Freaky Frog BF is modeled after an 1887 design from Central Type Foundry, called Grimaldi. Much warmth and charm have been instilled into the original design through among other means, reworked contours and serifs. Contours are smoothened, liberated from its roughness, while serifs have become somewhat concave. Verticals and horizontals appear to "swell" owed in part to flared shapes. The overall effect, I believe, is one of pure typographic endearment.

The Buchen is an excellent combination of smooth shapes and medium weight. It will fit perfectly into any project, both in a modern style and in a vintage style. It can also be classic and more expressive and playful thanks to the alternatives and ligatures that are harmoniously combined in this font and add charm to your project. Making it more versatile to use. This font is easy to use has OpenType features.

Introducing Redflick the display font, with consistent characters and a modern italic style. It has a naughty and unique look. The form has a firm consistency. I'd say that adds to its charm—and it does. It's great for headlines and titles, but also very easy to read in sentence form. It's perfect for branding and packaging, books, invitations, and anything else you want in a casual setting — without being too childish.

Fallmora hand brush typeface is a script font that is carefully crafted. Made with a natural and organic flowing brush pen, which make the letters look cool and classy. Fallmora has a unique style and the charming characteristics from the brush texture. Fallmora is a good choice for many different projects such as logos and branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermark, special events or anything.

Goliath Soldier is a Playful Handbrushed Font. Goliath Soldier feels equally charming and chic. It looks fun on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a customized touch. This font is PUA encoded which means you can access all glyphs and swashes with ease! - also multilingual support - Ligatures & Swash Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!