Stribe, this is an amazing work. Why? ... because this is not just talking about fonts, but more than that, with the spirit of Street Art, stribe invites you to explore with your wild ideas, I'm sure this will really make you feel happy in creating the work that you will wake up to the front. Supported by 3 font choices that are very sweet and also strong, stribe answers all your difficulties in choosing font support that suits your taste. And the most exciting thing is, you get a free bonus vector illustration that is very detailed and also has a very strong Street Art spirit, and is made very original, so what are you waiting for, have Stribe as soon as possible. Thank You

Ready to slay your design with a epic font? Get it now. Repath is a awesome serif font. This font expresses a heart desire for strong and sophistication design overall. The weight of the font brings strength to any title or header you apply to it, On the other hand, the curves of the letters and numbers convey sense of elegance. As our commitment to support your brand globally recognized, we always come with multilingual options. Features: Alternates Ligatures Uppercase and lowercase PUA Encoded Numerals and Punctuation It can be used for branding, logos, social media quotes, stickers, posters, vintage designs, wall art, merchandise, social media, and many more. Get more inspiration by seeing the preview. Thank you for purchasing premium fonts from Din Studio! Happy Designing!

At VetteLetters we like food but we also appreciate our drinks. Yes, of the non-alcoholic kind as well. Like milk. Contrary to what Arnold Schwartzenegger once said, Milk is not just for babies. It contains a whole lot of stuff that is genuinely good for you. Like proteins, carbohydrates, minerals (calcium a.o.) and many vitamins. One time visiting The Hague, Donald DBXL spotted a tile tableau on a brick wall, advertising a dairy factory called ‘De Sierkan’. Yellow sans serif letters on a bright blue background, dating back to the late 19th century, immediately grabbed DBXL’s attention. Especially because the tableau showed both regular and bold letters with some lovely peculiarities here and there. De Sierkan appeared to have been a milk factory solely operating in The Hague from 1879 until 1961. A number of these wall adverts are still to be seen in The Hague streets today. Photos were taken for later reference. Later is now, the lettering has been digitized, missing characters added, and VLNL Melk sees the light of day. VLNL Melk is an all-caps geometric display sans serif family of three weights, Regular, Bold and Black. The basic shape of the letters is a rectangle with rounded corners, leaving a sturdy no-nonsense look and feel. It has a distinct historic aura, but with both feet in this digital day and age. It can equally well be used for the logo of a hipster coffee place, as the cover of a historic novel. Actually, VLNL Melk kan be applied in a wide range of designs like logos, posters, flyers, book covers and magazine headlines.

Raclette grills are an ingenious Swiss invention. This tabletop grill is used to cook raclette cheese, a unique sort of cheese produced by the happy cows of Valais. Swiss designer Michael Parson created a typeface in 2002 that speaks endearingly to his hearty homeland tradition - endearingly enough, he named it Raclette. Raclette most likely started out as a bold, condensed sans serif. But then, just as one pulls little trays off of a raclette grill, Parsons quickly removed many rectilinear bits from the edges of each letter. Text set in Raclette looks like an old brick wall, or perhaps like a raclette party for several hundred people, that ended an hour ago! Raclette is one of ten of Michael Parson's experiments in type design featured in the Take Type 5 collection from Linotype GmbH."

Looking for an awesome font? Ourgrown is an awesome display font. It projects friendly, cute, and warm feel. The weight of characters makes this font easy to read and works equally well in header and body text. On the other hand, the shape curves, and shadow style brings a sense of cuteness. This font family also includes special illustrations that you can use as you wish. Features: Multilingual Supports Uppercase and lowercase PUA Encoded Numerals and Punctuation This font would looks great on your branding, logos, social media quotes, stickers, posters, wall art, merchandise, social media, and many more. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. If you have any further questions, don't hesitate to contact us. Happy Designing.

Street Explorer - Graffiti Font. Street Explorer A Graffiti Style Font. Inspired by the graffiti art on the city streets, so I made it into a font. So that it will make it easier for you to make graffiti writing or designs. There are 54 ligatures that will make this font even cooler. so enjoy it! Suitable for many design project, branding, packaging, logo, wall art, headline, template, banner, poster, and so much more! The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

ArchiLogo is not a regular outline-font. It has a stencil element to it and it’s a kind of indirect, because the font is basically the space between the lines. You have to read between the lines, so to speak. It’s like one of the key elements in architecture: the space between the walls. Here’s where type design meets architecture! The new version, ArchiLogo 3.0, has been improved slightly and 13 glyphs have been added to a total of 85 characters. It is still a free font. Because of the popularity of this font I decided to introduce ArchiLogo Pro. Indeed, the pro version of ArchiLogo. Besides the basic Macintosh Character Set the supported languages are Latin 1, Latin 2: Eastern Europe, Turkish, Windows Baltic. It grew to over 300 glyphs.

Philapost was inspired by the Blackletters era of typeface, specifically Textura. Existed in Western Europe, from approximately 1150 until the 17th century. Reminiscing about the domination of Blackletter styles in every visual hierarchy from multiple industries. We talk about the newspaper, books, headlines, signs, architectures, cemetery, manufacture, and many more. As the life goes on, the historical aspect is still inevitable. Nowadays, the blackletter style of typeface got modernized a lot in the form of a print and digital media. Magazines, journals, movie titles, album artwork, signage, merchandise, events, branding, logo, and massive possibilities in graphic-design-based industry and business. Armored with a well-designer Opentype Features such as various of Stylistic Alternates and Ligatures that makes your visual statement historical, yet remarkable. And the majestic touch is a bonus, of course.

Is it magic? Snack Bowl really know how to maximize your beautiful design. Snack Bowl is a fun and cute display font that comes with solid weight. It is easy to read and will look great in a variety of header and title sizes. You also get 15 illustrations as special extra that you can use as you wish. Features: Ligatures Stylistic Sets Swashes Multilingual Supports Uppercase and lowercase PUA Encoded Numerals and Punctuation This font would looks great on your branding, logos, social media quotes, stickers, posters, wall art, merchandise, social media, and many more. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. If you have any further questions, don't hesitate to contact us. Happy Designing.

During the spring of 2006, while creating this typeface, I was reading Praying For Gil Hodges, by Tom Oliphant, who grew up a Brooklyn Dodgers fan. I grew up a Los Angeles Dodgers fan. My mother worked as secretary to the president of the old Triple A LA Angels Baseball Team. In 1952 when she was pregnant with me, she left the team. They gave her an autographed baseball and a puppy named Angel. That's the dog I grew up with. Toward the end of the book the author talks about Gil Hodges' favorite ballplayer, a slugger for the LA Angels, Jigger Statz. I thought, could it be? My mother died two years ago and I got the team baseball. Sure enough, the first name after the dedication to my mother was Jigger Statz.

2015 First Prize TipoType award. Neftali is a type family designed for continuous reading in long texts & editorial design, created as an interpretation of Pablo Neruda’s “Poema 20”. This work delivers a subtle experimentation of Baroque and Roman styles, rescuing features from some of the most successful chilean typefaces such as “Australis”, “Berenjena” and “Biblioteca”, along with its particular calligraphic details, medium weights, accentuated strokes, and wide curves that seek to project Pablo Neruda’s particular way of reciting. This typeface contains uppercase, lowercase, small caps, oldstyle, and tabular numbers; in addition to a true italic for every weight; and calligraphic details designed to compose his poems. A typography to talk about everything, except love… (Special thanks to: Francisco Gálvez & Patricio Truenos; without the help of the latter, this project wouldn’t have had an ending)

Fact or Fiction? Are you troubled by strange noises in your font folder? Do you experience feelings of dread in Illustrator, Photoshop or Procreate? Have you or any of your family ever been haunted by an ampersand, cedilla or tilde? If the answer is yes, please don’t wait another minute. BEYOND BELIEF is ready to Believe YOU! Six weights of non-judgmental understanding and faith in everything you have to say -- even the most outrageous font conflicts and naming “coincidences”. Some say this font resembles our tall, friendly sans-serif font Tall Tales, but we don't know what they're talking about. Beyond Belief includes six fonts (Regular, Italic, Bold, Bold Italic, Heavy & Heavy Italic) with upper and lower case alphabets, automatic alternate letters, Crossbar I Technology and Western & Central European language support.

Introducing Baelish Script! It is a perfectly playful new font pair. Creative and relaxing, together or apart, Baelish allows you to create lots of beautiful typographic designs in an instant, just in time for all labels, cards, and branding! Perfect for DIY projects, greeting cards, labels, quotes, posters, wall art, branding, packaging, websites, photos, photos & photography overlays, signs, window art, scrapbooking, tags, and more! Baelish Script has alternative uppercase and lowercase character sets, as well as Standard Ligatures options - allowing you to make your design truly unique. Don't forget to add Swash to the design you match to make it more attractive. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Ligature and Ligature Alternates. Mail support: maculinc@gmail.com Thank you! Maculinc

Marylebone is a font duo inspired by its namesake neighborhood, located in central London. Marylebone was designed to compose short text for advertisements, blackboards and shop windows in coffee shops, small bookstores, flower shops and local shops. The set is made up of a hand made brush script, composed of 519 characters including ligatures, initials and terminals; as well as a very clean, geometric unicase sans serif with some alternates and ligatures that can double as monograms, it also includes a hand-drawn floral dingbat set. Marylebone allows you to design beautiful compositions for packaging, advertising, quotes, wall art, branding, photography overlays, magazines, motion graphics, scrapbooking, planners, window art, tags, tote bags and much more, thanks to its irregular appearance that gives a unique personality to your design projects.

Hi, guys! I like creating fonts with a story. Once me and my family were traveling and exploring the northern area of our region and came across an inscription carved on the wall of a monastery tower. It inspired me to create a full set of a multulingual font, but there is no lowercase letters. What's included? Only uppercase Multilingual support Numbers Symbols Punctuation Ligatures If Northern Monk is not ok, please check out my Celtic Spiral font https://www.myfonts.com/fonts/kaer/celtic-spiral/ I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Cherishline Script is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! Cherishline Script is PUA encoded which means you can access all glyphs and swashes with ease! What's Include : PUA encode & Opentype ( It is full of Tails and glyphs ) Multilingual support Use the fonts for: logos, branding materials, wedding sign, wedding website card, farmhouse signs, sign bridal, shirts, pantry labels, sign bridal shower, business cards, greeting cards, wall decor, social media, planner prints and websites. • This font works with any application Microsoft Word, Adobe Photoshop, Microsoft Paint, Corel, Adobe Illustrator, Cricut Design Space, and many others! If you have any question please do not hesitate to contact me. Thank You!

Nosegrind is a bit of a departure from our usual more traditional font offerings. It's based on skate-culture graffiti gleaned from various samples of similar style found on walls in Austin and online. The font includes two character sets, one which is plain and one which is enhanced with outlines. In normal usage the characters should nest, with slight overlap from one character to the next as shown in the sample to the right, but the lower case characters in the font are spaced evenly but not pre-nested, leaving the degree of overlap up to the user - nesting is easily adjusted with the tracking option in programs like Photoshop, Quark or InDesign. Ultimately Nosegrind will be added to our Modern Fonts collection, where it ought to fit in nicely.

At the end of every road in Transylvania stands a dark, foreboding castle, seemingly clouded by impossibly dark shadows. Bat-like creatures scurry across its gargoyle-festooned towers, and slimy green patches of moss climb inexorably up its cold walls. Blood has been spilt in the tombs of this chilling location, and there, etched in stone above the arched entranceway, is inscribed -- in Comicraft’s TRANSYLVANIAN typeface -- a simple legend: ABANDON ALL HOPE YE WHO ENTER HERE. TRANSYLVANIAN is a small-caps font that includes Comicraft's revolutionary Crossbar I Technology™, to locate that mysterious character in exactly the right places. Artwork from ASK FOR MERCY by Richard Starkings & Abigail Jill Harding, available on Comixology.com Features Four weights (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters. Includes Western European international characters.

CHARACTERISTICS The font name is a pun on the Ger­man word "Kitt­chen" (English prison/jail) and the English "Hell’s Kit­chen". The cha­rac­ter of the font looks as though the scum here — the guilty and inno­cent pri­soners carved/scratched their signs and mes­sa­ges at the pri­son walls of their jail cell. The cold, creepy and scratchy cha­rac­ter of the hand­writ­ten type­face is a very uni­que gloomy atmosphere. APPLICATION AREA The scary, dark, hor­ror, trash, hand­writ­ten script font "Hells Kitt­chen Devil God" with many symbols/dingbats would look creepy good at rusty dis­play size for head­lines. Maga­zi­nes or web­sites, movie pos­ters, music covers or webbanner. TECHNICAL SPECIFICATIONS Head­line Font / Dis­play Font / Trash Script "Hells Kitt­chen Devil God" Open­Type Font with 375 gly­phs — many symbols/dingbats, alter­na­tive let­ters and liga­tures (with accents &€) & 2 style (regu­lar, bold)

Looking for a font with playful style? This is it. Rainbow Pancake is a display font that generates fun and cute feels. What's particularly nice about this font is the readability and the weight that bring strength when you apply it. This font makes designing look easy to do. As a special extras you will get 15 illustrations that you can to beautify your designs. Features: Stylistic Sets Multilingual Supports Uppercase and lowercase PUA Encoded Numerals and Punctuation It is can be used on your branding, logos, social media quotes, stickers, posters, wall art, merchandise, social media, and many more. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. If you have any further questions, don't hesitate to contact us. Happy Designing.

An offbeat alternate caps typestyle inspired by the title screen of a 1968 Walt Disney film titled, The Horse in the Gray Flannel Suit. This playful and childish font comes with an extensive language set, a stylistic alternates feature that auto-alternates between capitals & lowercase (alt caps), as well as a contextual alternates feature that auto-alternates between sets only where double characters are typed like SS, TT, etc. The contextual alternate feature also enables a few titling word options like " the " " in " and " in the ". As noted in the quotes, when these word sets are typed with a space before and after them, it will trigger the swap when contextual alternates is on. Switching on Contextual Alternates enables automatic alternations between caps and alt caps like AlTeRnAtIoNs to create a more randomized look.

Wild Loops is a handwritten monolinear typeface for wild ideas. Inspired by the marker sketches and graffiti on the walls, the font perfectly complements Doodle illustrations. It speaks to a young audience and looks a bit crazy with stretched Ascenders and Descenders. At the same time, the font is elegant and will work well for invitations, greetings, clothing brands and jewelry. The main feature of the font is a smart Contextual Alternates that substitute different versions of letters depending on its position in the word (at the beginning, middle, and the end of a word), which makes the writing more natural. View PDF Specimen: https://michaelrafailyk.com/typeface/specimen/WildLoops.pdf Contextual Alternates: ACDEFGHIJKMRSUWZabcdefghjlmnqrstvwxyzАДЕЁЗІЇКЛМНСШЩЯгдеёжзклмнстухцщьΑΕΖΗΙΚΛΜΞΥΆΈΉΪϲÀÁÂÃÄÅĄĂĀẢẠẮẰẲẴẶẤẦẨẪẬȦĎĐÐÈÉÊËĚĒĖẺẼẾỀỂỄƐĞǦĠÌÍÎÏĮĪĨỈỊİṂŘŔŠŚȘŽŹŻçğģǧġņṇřŕŗşṣýỳÿỷỹỵžźżЈјЅѕўӯ123456789. Stylistic Alternates: ABCDEFGHIJKLMNQRSUVWXZabcdefghjklmnqrstvwxyzАВДЕЁЗІЇКЛМНСТШЩЯгдеёжзклмнстухцщьΑΕΖΗΙΚΛΜΞΥΆΈΉΪκϲÀÁÂÃÄÅĄĂĀẢẠẮẰẲẴẶẤẦẨẪẬȦĎĐÐÈÉÊËĚĒĖẺẼẾỀỂỄƐĞǦĠÌÍÎÏĮĪĨỈỊİṂŘŔŠŚȘŽŹŻçğģǧġņṇřŕŗşṣýỳÿỷỹỵžźżЈјЅѕўӯ123456789&. Ligatures: jj ll. Superscript, Subscript, Fractions: ⁰¹²³⁴⁵⁶⁷⁸⁹ ₀₁₂₃₄₅₆₇₈₉ ½ ¼ ¾. Glyph count: 994. Languages count: 104. Languages: Afar, Afrikaans, Albanian, Asturian, Azerbaijani (Latin), Basque, Belarusian, Bislama, Bosnian, Breton, Bulgarian, Catalan, Chamorro, Chewa (Latin), Croatian (Latin), Cornish, Corsican, Czech, Danish, Dinka, Dutch, English, Erzya, Estonian, Faroese, Finnish, French, Frisian, Friulian, Fula, Gaelic (Scottish), Galician, German, Greek, Greenlandic, Guarani, Hausa (Latin), Hungarian, Icelandic, Igbo (Latin), Indonesian, Irish, Italian, Karelian, Kashubian, Kinyarwanda (Ruanda), Kirundi (Rundi), Kumyk, Kurdish (Latin), Ladin, Latvian, Lithuanian, Luxembourgian, Macedonian, Malagasy (Latin), Malay (Latin), Maltese, Maori, Marshallese, Moksha, Mongolian (Cyrillic), Northern Sotho, Norwegian, Occitan, Oromo (Afan, Galla), Papiamentu, Polish, Portuguese, Quechua, Rhaeto-Romance, Romani (Latin), Romanian, Russian, Rusyn, Sami, Samoan, Sardinian, Serbian, Shona, Slovak, Slovene, Somali, Sorbian, Spanish, Swahili (Kiswahili), Swedish, Tagalog, Tatar (Cyrillic, Latin), Tongan, Tsonga, Tswana, Turkish, Turkmen (Latin), Ukrainian, Ulithian, Uzbek (Latin, Cyrillic), Venda, Vietnamese, Walloon, Welsh, Wolof (Latin), Xhosa, Yapese, Yoruba (Latin), Zulu. The promo images used illustrations from the city walls of Groningen and Wrocław, photos of Cottonbro, Karolina Grabowska, Marlene Leppänen, Zhugewala from Pexels, and photos of Kevin Grieve, Liwei Zhang, Nathan Dumlao from Unsplash.

If you have a dream to create an awesome designs or projects? Whatever your project it is-then we've got what you want. Really Gold, the gold combination between script and uppercase display font. The display font is fun, playful, readable and has a youthful touch that make it up to date while the script shows the simple but yet elegant style. As extras you will get 15 illustrations to maximize your design. Features: Ligatures Stylistic Sets Swashes Multilingual Supports Uppercase and lowercase PUA Encoded Numerals and Punctuation It is best to be apply on your branding, logos, social media quotes, stickers, posters, wall art, merchandise, social media, and many more. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. If you have any further questions, don't hesitate to contact us. Happy Designing.

From 1958 to 1964, one of ABC-TV’s popular shows was the detective series “77 Sunset Strip”. Based in Los Angeles, the fictional detective agency was located next door to Dino’s Lodge, (partly owned by Dean Martin and actually located at 8532 Sunset). It was originally known as the Alpine Lodge. The adjacent building where Stuart Bailey and Jeff Spencer’s private detective service was located in fact housed a popular modeling agency. The ‘77’ address did not exist outside of the realm of the series. However, a wonderful sign with Art Deco-influenced lettering graced the set (on the wall of the office foyer) saying “Bailey & Spencer Private Investigators Suites 101-102”. A screen capture of this sign served as the working model for Private Eye JNL, which is available in both regular and oblique versions.

Need that perfect statement fonts for your designs? Hello Mango knows how to make your designs go from good to be ultra good. It is harmonious uppercase display and script font duo. The display font is beautifully designed and add a distinctive touch wherever they are used. On the other hand, the script style expresses elegant and modern look. In this package, you can also get 15 illustrations as special extra. Features: Ligatures Stylistic Sets Swashes Multilingual Supports Uppercase and lowercase PUA Encoded Numerals and Punctuation This font would looks great on your branding, logos, social media quotes, stickers, posters, wall art, merchandise, social media, and many more. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. If you have any further questions, don't hesitate to contact us. Happy Designing.

Duct tape is one of the most versatile adhesive materials known today. From fixing the bumper of your car that keeps falling off, to creating a sturdy wallet. From alternative wrapping to sticking a friend to the wall, Duct tape is there. And it will stay there. It will stick to anything and hold for a very darn long time too! The cloth-backed tape was invented some time during World War II, and also proved itself useful as a base material for lettering. VLNL Duct was originally designed by DBXL as a logo for temporary Amsterdam restaurant BAUT. DBXL imagined an owner taping the name on the window of his shop using Duct tape. The font was used for all communication of the restaurant. Duct is a sturdy, rough all-caps typeface that will stick to anything.

From time to time at Tipo Pèpel we like to play like children and get our hands dirty with whatever implement that can be used to mark or draw on the walls, even if the grown-ups don’t like it. And this is more or less what happened with “Trepa” (catalan for “stencil”), a typeface with a fresh and uninhibited appearance, inspired by commercial signs and the 1950’s French art movement “Graphie Latine”. Far removed from the straight lines of vector art, “Trepa” has the necessary roughness to make this class of font stand out and what’s more it has an extensive range of latin characters covering more than 200 languages, and a pair of complementary texture fonts which further multiply its creative possibilities. If you want to protest with elegance, “Trepa” is your best choice.

Hey there, cats and kittens! Are you tired of the same old fonts cramping your style? Well, look no further than Hickertown - The Cat's Pajamas of Retro Comical Fonts! Hickertown will transport you straight to the Roaring Twenties, where flappers and dapper gents ruled the scene! 🍸✨ It's the bee's knees for all your design needs! These fonts are the real McCoy, capturing the essence of the speakeasy era. Your designs will be the talk of the town! Whether you're jazzing up your posters, covers, websites, social media, logo, branding, or invitations, Hickertown Fonts will add that authentic touch of yesteryear. Your projects will be the duckiest thing since sliced bread! Packed up with many Ligatures and Stylistic Alternates to elevate your design experience furthermore. Don't be a flat tire. Get Hickertown now and let the good times roll!

Column Sans, talking about space efficiency. The character set that condensed can maximize the use of limited space without losing good legibility aspects. The typeface is very appropriate to be used as a text in a small column widths, display text, caption, title, author credit on the film, etc. Column Sans is available in OpenType format in the three weights Light, Regular, and Bold, whereby there are corresponding italics for all variants. In the same narrow italic versions, the "a" has a closed form while the "f" has a descender. Besides of standard ligature, this typeface is also equipped with some additional ligature and deligature like "fr", "tt", "cb", "ch", "ck" and so on as well as three "stylistic ligature": "the", "Mr" and "Mrs". Please find more information about the OpenType Manual of this typeface on the gallery page (pdf) if possible.

It's just downed a Cortado in one gulp, it's shaved the sides of its head and its grown a magnificent beard groomed with the very best beard oils. Turn around and you'll find that it has illustrated today's specials in chalk on the wall sized blackboard behind the espresso machines it's Quigglesmith! Penned by Comicraft's very own Chattanooga Barista, Sarah Hedrick, with a foam art finale by Swell John Roshell, it's sure to dye its hair purple by the weekend. Quigglesmith is as variable in its weights as your soy/almond/oat/hazelnut milk choices at the coffee bar, and is sure to bring customers back for more. Have a Biscotti on us. Quigglesmith contains an alternate version of each upper and lowercase letter which automatically cycle for a natural, hand-drawn appearance. Each weight contains 538 glyphs and supports 220 languages.

"It is hard to believe, but they won't be able to give up on us" The story of this font has started with a little suitcase actually. These characters were trying to do something for minimela kitchen which it named.After that, they looked that they was wanting to be that font beautiful writings written with it, belonging to it, special to it and reminding it to everybody. These cute monsters that have shaped themselves were a piece of a whole, of a little whole. They were totally believing to beautiful and long ways that have being waited them. They have given a sincere promise they will continue with little steps on that ways. "It is hard to believe, but they won't be able to give up on us" while telling this, we were totally talking about that

Zulu-Ndebele Pattern is the first ever font to be based solely on the traditional decorative patterns of the Zulu and Ndebele tribes of Southern Africa. The designer has lived in KwaZulu (Place of the Zulu), for over 50 years and has made a life-long study of traditional Zulu beadwork and carving, and of Ndebele wall decoration. There are 52 pattern units that may be combined in many ways to create borders, backgrounds and an unlimited number of designs. The pattern units correspond to the upper and lower case letters. The reason that the Zulu and Ndebele patterns have been grouped together is that the true tribal areas are contiguous and the there has been much artistic cross-fertilization between the two cultures. Many of the patterns that are used by the two tribes are identical.

Toronto Subway is based on the lettering originally used for station identification and signs by the Toronto Transit Commission (TTC) in the Toronto, Canada, subway system. The first subway line opened in 1954. However, the original lettering remains unique. The lettering on the original signage consists only of uppercase characters and a few bits of punctuation in two weights: Regular and Bold, introduced in 2004. The Toronto Subway fonts were developed from rubbings of the lettering etched into station walls and photographs of painted signs. The overall style of the lettering is very mechanical, almost naive, yet still having a certain amount of elegance. This style was followed as much as possible in creating the extra lowercase, punctuation and other special characters. The Toronto Subway family was expanded in 2014 with the addition of the Light and Black weights.

Introducing a retro grotesque called "Stengazeta". The name means "wall newspaper" - this is very popular in USSR genre of handmade artwork that is actually a mix of newspaper and poster. During the Soviet era you could find it everywhere - in factories, schools, research labs, and even in army and police. Sometimes it was a kind of official propaganda, but often just a way of expressing of creativity of co-workers. The letterforms are bold and grotesque with strong handmade feeling. It has Extended Eastern Europe Cyrillic and some of Extended Eastern Europe Latin letters. "Stengazeta" created for titles, poster design, web design, branding and packaging works, illustrations, badges and other typography works. ST-Stengazeta supports languages: Belarusian, Bosnian, Bulgarian, Croatian, Czech, Danish, English, Russian, Serbian, Slovenian, Spanish, Ukrainian, and probably others ) WHAT YOU GET Uppercase, numbers, punctuation, international characters.

About the Product Minty Foxs layered Font Minty Foxs is a layered fonts that appear with various styles such as Extrude, Engrave, Shadown and outline version, This font comes with an bold and shadow effects. this font to complement your perfect vintage design or Retro! a collection of letters inspired by retro 70s typographic designs with original handwriting. perfect for branding, logos, stickers, posters, vintage designs, screen printing on t-shirt, wall art and more! Minty Foxs includes: Stylistic Alternates, Ligatures & Stylistic Sets. You can choose an alternative style, Stylistic Sets per letter and Glyphs. By using Glyph in software programs like Photoshop, Illustrator and CorelDraw X version. You can also access this in many other programs by using your character map (Windows) or font book (Mac). Let's play with "Mint Foxs" for the beauty of your next design project.

Stevia is a font family designed by Carlos Fabian Camargo Guerrero. Stevia is a sweet font family created to design logos, cards, posters, book covers, blogs, packaging, walls, etc. Stevia is useful to differentiate your designs and stimulate your imagination through 5 fonts drawn with an apparent handmade lettering look. Stevia dingbats has more than 250 special monolineal icons to accompany Stevia Script Black (600 glyphs), Stevia Script Light (470 glyphs), Stevia Subtitles Bold (300 glyphs) and Stevia Subtitles Light (300 glyphs) in quotes, legends and short writings. That’s why you'll get a lot of alternative letters in uppercase, lowercase and opentype numbers as well as ligatures and flourishes ideal for beginning, middle and end of word. In summary Stevia is great for communicating naturalness and freshness in designs that need to be outside conventional typographic norms.

The old Norse legend of Thorben Odinson is a cautionary tale. And this typeface, like the nebulous kingdom he ruled, is something of a cloudy concoction. Thorben the typeface is something of an inspiration-hybrid, pulling aspects from multiple sources and combining them into a typeface that strangely seems to work (or not – depending on your point of view). What started as a redrawing of some old carvings (on a castle wall in deepest, darkest Suffolk), is now something entirely different. Part Nouveau curves and Celtic script, topped with a few sprinkles of modernism, darkness and some quirky ideas – Thorben absorbs it all, creating a display face that feels antiquated and current at the same time. Each style also comes pre-loaded with a handful of pictograms and icons perfect for adorning your designs with extra Thorben-ness.

Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely "less is more age" to the contemporary basic style "Less, but better age", we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a contemporary, sharp, and neutral atmosphere, and geometric rounded bowls and counters create a nice rhythm. Golden Decades consists of 8 weights and their matching Italics for a wide range of usages. Farther, Golden Decades is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Golden Decades covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase "a" has OpenType stylistic alternate for advanced typography.

Stone and steel FS Benjamin is a flared serif typeface designed by Stuart de Rozario. Consisting of 12 styles ranging from Light, Book, Regular, Medium, SemiBold and Bold with Italics it has clear, delicate letterforms, punctuated with brutal chiselled angles. With a pure and crafted feel to the forms the typeface has traditional roots but has been designed to work in a contemporary setting. Archetypal proportions in terms of x-height to cap height and ascender to descender ratio, allow the typeface to feel familiar and be legible in all platforms. Delicate brutalism Inspired by the contrasts of London and named after Big Ben, FS Benjamin was designed by Stuart de Rozario and founder, Jason Smith. Walking around London Jason was inspired by the juxtaposition of the old and the new. Glass and steel architecture can often be found amongst traditional signage and coats of arms seen around the City. These surroundings sparked an idea to create a modern design based on an alphabet that would traditionally be carved from stone. “Much of the typography we see today is so similar. I thought what if we created a typeface with traditional roots but modernised it to sit amongst the punk and noise of the streets of London? Old with new. Business with busyness. This is what London is all about.” Jason Smith

In 1968, Adrian Frutiger was commissioned to develop a sign and directional system for the new Charles de Gaulle Airport in Paris. Though everyone thought he would want to use his successful Univers font family, Frutiger decided instead to make a new sans serif typeface that would be suitable for the specific legibility requirements of airport signage: easy recognition from the distances and angles of driving and walking. The resulting font was in accord with the modern architecture of the airport. In 1976, he expanded and completed the family for D. Stempel AG in conjunction with Linotype, and it was named Frutiger. The Frutiger™ family is neither strictly geometric nor humanistic in construction; its forms are designed so that each individual character is quickly and easily recognized. Such distinctness makes it good for signage and display work. Although it was originally intended for the large scale of an airport, the full family has a warmth and subtlety that have, in recent years, made it popular for the smaller scale of body text in magazines and booklets. The family has 14 weights and 14 companion fonts with Central European characters and accents. Another 14 Cyrillic companion fonts are available as well. See also the new revised version Frutiger Next from the Linotype Platinum Collection. Featured in: Best Fonts for Logos