A set of plastic pin-back letters served as the model for Monthly Meeting JNL. Pin-back letters were primarily used on cork bulletin boards for changeable notices and announcements.

Being a lefty makes it challenging to write in cursive. Unlike righthanders who pull the pencil across the page, lefties must push the pencil as they write. As a result, the letterforms created by pushing instead of pulling the implement are different from each other. The lefty’s cursive script is seen here in Yellabelly, the fontified version of Chank Diesel’s left-handed handwriting. This one’s named after a cowardly cowboy.

Svelte is condensed serif family. Its consist of upright styles from Regular to ExtraBold. Fit for display, short text, and stacked typesetting. Its contain 394 glyphs with broad latin language coverage.

Geozone is a font made for Headlines and Display, yet it includes a full set of punctuation and additional characters. A robotic, electronic, circuit board, geometric design that is very bold and blocky.

Carla Pro is a lively, legible, and partly joining broad-nib script font. I named it after a favourite colleague, in my hot-metal time, who set on the Linotype next to mine.

Broad, tightly-spaced verticals make Bullhorn hard to ignore. Perfect for headlines and product names, this font is designed to fill space. Two weights and loads of variable characters give Bullhorn incredible versatility and charm.

Penny Pincher is here to deliver a great fun and fancy at a super value. Penny Pincher is perfect for childrens books, cereal boxes and board games. Makes you wish you were a kid again.

Digital Stitch is the embroidery of digital era. This font is a blend of pixel stylization of traditional cross-stitch embroidery and stylization of printed circuit boards. There is a big collection of ornaments in the symbols set.

This typeface reproduces letters written with a broad-nib pen casually by hand. The pen direction is close to vertical. Designed to create captions for illustrations, especially children's books, as well as for inscriptions in balloons of comics.

Bring your scrapbook page to life with unique journaling and titles made possible with this cool italic font. It'll add instant flavor to posters, signs, bulletin boards, and word art that call for an old-fashioned, antiqued flair.

Jacaranda JNL is a casual and fun font—resembling lettering made with the broad side of a chisel-tipped marker. Perfect for anything that is relaxed and not-too-serious, it is flexible and versatile for many ad projects.

Chalky Spritely and full of personality, FS Sammy is a hand-drawn font with a chalky texture, available in one weight only. Give Sammy a run in branding, packaging or billboard advertising for a fresh, informal, honest personality. Calligraphic Too many script fonts have a rushed and thrown-together feel about them. It’s a deceptively complex feat to achieve forms that hold together neatly in text yet still have the breezy, natural air of real handwriting. That’s FS Sammy: considered and crafted. Pencil FS Sammy was originally drawn for a drinks manufacturer by Fontsmith’s calligrapher, Sehmi Satwinder, who made handwritten impressions with a large soft pencil on textured watercolour paper. The digital interpretation of Sehmi’s letters was pushed to its limits and, after a lot of experimentation, a balanced alphabet was achieved. Texture and spirit FS Sammy’s success and uniqueness within the script font category is down to its versatility. In the large text of billboard advertising or headlines, all of its texture comes to life, and small, on menus or booklets, it conveys all of the spirit and personality of a considered piece of handwriting.

Cloverdale JNL is another addition to Jeff Levine's revivals of classic wood type fonts from the 1800s. Bold, broad and in the "cowboy" style, this typeface goes well with projects featuring the Old West, Victorian times or old-fashioned nostalgia.

KIGELIA is a stylish display serif font inspired by fashion magazines and romance. It is great for short headlines and titles, but it looks great in advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design and modern and vintage design.

Ginko is a capitals only display font with an obvious Asian influence. The characters are formed with short tapered strokes, reminiscent of those produced by a broad pen. An ideal face for signage, menus, advertising, wherever an Asian feel is required.

Howdy pardner, stick 'em up! Sharp Shooter is a ruff rider that won't take no guff. He'll shoot first and send a 'get well' card later. This font makes a whimsical webfont, best for board games and awesome for apps!

Piacere is a spacious, full of air typeface with broad letters and wide serifs. Design of serifs inspired by the sound waves of pleasant classical music. In musical terms, piacere means pleasure, so type with pleasure, or “Digita con Piacere”!

Realitas is an experimental display font designed and published by Eko Bimantara in August 2022. This typeface deeply explores letterforms beyond common boundaries and creates new possibilities in letter structure. It has more than 300 glyphs which covered broad latin languages.

Being one of the most popular font style; Neo Grotesk, Hando offers a wide range of usage possibilities. It's low x-height and variety of light size options make it a good choice for reading, it's tenuous white spaces in the counter letterforms make it legible enough to be recognized remotely. It's curve tensions on the circular letterforms gave a futuristic impression. It's sleek and simple strokes make it perfect for a broad range design purposes. Hando consist of 10 syles from Hairline to Black with each matching oblique. Contain more than 440 glyphs that support a broad latin languages. Also some Opentype features e.g. stylistic alternates, variation of figures, e.t.c

Altone was created in a pursue of regularity and conventional geometric sans serif typeface which tend to be easy to receive by it's reader, broad usage possibility, shown a simple, bold and strong personality. The letterforms are more likely associated with Grotesk rather than the original classical Bauhaus style, formed in moderate and proportional width, flat apex, closed aperture with straight cuts stroke ends. Consist of 9 weight from Thin to Heavy with each matching Obliques. Contain several OpenType features: Stylistic Alternates, Figures Variation (fraction, tabular lining, numerator, denominator), and also covered broad latin languages. Provided also variable fonts in two styles; Upright and Oblique

Railyard Stencil JNL is a stencil variant of Decal JNL that was set aside for a long time in a forgotten work folder. It's broad strokes and sharp serifs emulate the vintage look of old railway cars and other earlier forms of transportation.

The Flowrite typeface combines timeless elegance with modern flair. It offers six weights in both regular and italic, alongside a stylish script in modern calligraphy. Designed for broad appeal, Flowrite supports 87 languages, perfect for global communication in branding, editorial, and design.

A set of old die-cut cardboard letters and numbers used by teachers directly on bulletin boards or for tracing was the inspiration for Classroom JNL. In turn, these letters take their cue from typefaces such as Franklin and earlier wood type designs.

Ductus is a five weight typeface that is both ancient and contemporary. Drawing on various sources such as rustic capitals, Naskh arabic calligraphy, and black-letter, Ductus is a reflection on how the broad-nib pen can be relevant for today’s designer.

Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print, text, signage, branding and web design work. Kyrial Sans Pro offers lots of OpenType goodness and broad language support.