A serif font with shadow - done with a steady, but yet shaky hand. Make some catchy headlines with Tied To A Stick. Throw in some different colors for the stroke, the letters and the shadow and make it really look like something homemade! I would use this font for for my next handmade craft project - and I advice you to do the same! :) Comes with ligatures which substitutes double letters!

Porker was an experiment in making a barely readable but very simple and very bold typeface with no curves. It is caps only with some of the letters on the lower-case keys giving alternate versions. Include are three variants, a tall version, a striped version, and a randomized version. The striped version can be placed in a layer above the regular version to give two-colored letters.

P22 Cigno is a new digitization of the 1950s Italian typeface by Aldo Novarese for the Nebiolo foundry. This semi-formal script has a definite mid-century European flavor suitable for menus, invitations and poster work. Along with the accurate rendition of the regular weight, designer Colin Kahn has added a lighter companion font for another variation on Cigno. Both fonts feature a full Western European character set.

Trilight is a result of my fascination (obsession?) with how the appearance of a typeface can impact on the tactile as well as visual sense to strengthen and guide its imapct. It consists of simple block characters with a triple highlight to give the effect of dimension. The Trilight family consists of both highlighted and solid characters to provide a two color display without the need to convert characters to outline.

Mikhaloo is a bold, playful, and fun display font. Whether you use it for cartoon-related designs, children's games, or just any creation that requires a lovely touch, this font will be an amazing choice, especially when combined with bright colors. Use it to make your ideas more realistic and create spectacular designs! This font is PUA encoded which means you can access all the beautiful glyphs with ease!

I love learning new words. I stumbled upon the term Gingerline after I named an older font Gamboge. Like Gamboge, Gingerline is a name for a shade of orange - the color of ripe kumquats to be precise. Didn’t know that! Gingerline font is a handmade calligraphy font; nice and even, thick and thin and quite elegant if I may say so. Comes with an abundance of diacritics as well.

The mischievous elves crowding the keys on Santa's Little Keyboard might not make Santa's work easier (even though they're supposed to!), but they'll certainly help you and your kids put together greetings and decorations for the holidays. Lovingly illustrated by 'Lilou', Santa's Little Helpers will liven up cards and letters alike -- or just print them out for your kids to color while they're trying to get to sleep on Christmas Eve!!

Alphonse Mucha is a decorative display font in the Art Nouveau style which originated over a century ago. The font is extrapolated from just nine capital letters in Mucha's 1913 concert poster for the cellist Zdeňka Černý. Letters and numerals are consistently top-heavy, imbuing text with a graceful uniformity and evenness of type color. A full repertoire of Latin Extended-A characters is contained within the font.

Simple Christmas is a bold, playful, and fun display font. Whether you use it for cartoon-related designs, children's games, or just any creation that requires a lovely touch, this font will be an amazing choice, especially when combined with bright colors. Use it to make your ideas more realistic and create spectacular designs! This font is PUA encoded which means you can access all the beautiful glyphs with ease!

Introducing Peacy – Psychedelic Font Playful and Vibrant Typography Peacy Psychedelic Font, the ultimate psychedelic font, radiates fun and cheerfulness with its lively shapes and vibrant colors. Each letter dances with its unique personality, creating a dynamic visual experience. Reggae-Inspired Vibes Infused with the spirit of reggae music, Peacy captures freedom and positivity. Its flowing curves and wavy lines mirror the rhythmic melodies and laid-back vibes of reggae culture.

Stephen Chick, of In Your Typeface Productions (IYTP) foundry, has created this rather prickly type design. Although for display, it is surprisingly legible at smaller point sizes. There is an Inline version, and also an Inline Extra version, which has only the inner contours of the Inline itself, which can be combined with the Regular to create cool two-color effects. The extended glyph set supports Central Europe.

Created by Italian graphic designer and illustrator Lorenzo Lalatta, Orchestra brings a whimsical yet elegant spin to Latin typography. Every letterform is cleverly adapted from the shape of a musical instrument or musician. Mr. Lalatta has even disguised himself as the bullet glyph. Perfect for use as initial letters or in special invitations, these caricatures allow for delightful color embellishment as well. Don't be shy about wielding this baton!

Seasons Greetings is intended to bring Christmas cheer. It has a very limited character set, with all the letters being lower-case. One set of letters is white on black Christmas balls, while the other is black on white Christmas balls. The lower-case letters can be layered on top of the upper-case letters to give bi-colored lettering. The letters on the Christmas ornaments are from the typeface Cuthbert.

Billabong has its origins in the handlettered 40s and 50s script headings that seem to have endured especially in signage when style doesn't matter too much. Unlike today’s scripts Billabong is tightly spaced and Opentype font features allow for a myriad of ligatures to improve fit and evenness of color. Users can select their choice of strokes, ornaments and ending flourishes for added emphasis and style. Download comprehensive User Guide here.

KD Hachure is a display, geometric font with layering possibilities. Combine the two layers to achieve different color combinations or use them separately to achieve a completely different look. Kerning is optimized so that all latin letters are connected. With the default leading 120%, descenders connect with the top of accents. Set the leading to 100% manually if you want to connect descenders with the top of uppercase or ascender letters.

64-SRC is a condensed monospace font inspired by 1960s IBM Selectric type seen on HAL’s telemetric displays in 2001: A Space Odyssey. It is characterized by unique "double-space" alternates for the widest characters such as “w” and “m”. These alternates maximize legibility, improve the rhythm of readability and keep typographic color even. As a result 64-SRC is as well suited for extensive copy as it is display type.

Note: Neue Aachen is an updated and expanded version of Aachen featuring 18 fonts! The Aachen™ typeface design is a thick slab serif created by Alan Meeks at Letraset, type directed by Colin Brignall. Aachen only comes in two weights: medium and bold. This strong typeface features sharp outlines, stubby serifs and heavy strokes for use in headlines, posters, signage, apparel and other display uses (24 point size and above).

The sixteen styles of Giza bring back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’ specimen of 1845, the triumphant introduction of this thunderous style. The truly unforgettable “Nine” weights were designed for ultimate emphasis in posters, and do their most effective work in the very largest of sizes.

PiPi is named after a happy Italian cat with a remarkable pattern, color and attitude. Designed by Andre Toet in 2011. Every letter is a different expression in itself although it has an identical base. It gives a joyful feeling to use this font in all your designs whether they be graphic or digital. M E O O O W ! Concept/Art Direction/Design: André Toet © 2017

Cerulean comes from the Latin word caeruleus, meaning dark blue. I have always liked this color, so I decided to name a font after it. Cerulean Blue is a handmade brush font family, consisting of a nice handwritten font and a caps font. Both fonts come with their Italics. Cerulean Blue can be used for just about any design, but product packaging and book covers come to mind.

Boldoni is like a caricature: it brings with itself exaggerated elements of the modern typefaces, that has as main names Giambattista Bodoni and François-Ambroise Didot. Boldoni takes to the limit its width and serifs, causing a ultra fat type feeling, and its styles causes a monochromatic effect that remember the colors Black, Gray and White. Boldoni is good for titles, initials, drop caps, lettering, posters and vertical writing.

This comical styled Jester Script font was created to suit various design applications within the typeface market and is aimed at people looking for a clown styled brush script typeface that is very unconventional indeed. Designed and produced by Paul O'Connell of POCT, it is a distinct styled font script, loosely drawn with irregular rounded edges and curves to create a free flowing handwritten font that will appeal to everyone.

Introducing Rugfish, a playful chunky font with a cheerful and slightly infantile mood. This eclectic font is specially designed for vivid and eye-catching headers and allows you to do some crazy tricks with it like multi-colored letters or filling with patterns. Perfect for logo/emblem design, package design, etc. Also, it works really well if you are designing any kind of product for kids. Have fun using it!

Hand lettered, the title on the sheet music for a 1940s hit song "Ti-Pi-Tin" inspired Guadalajara JNL. The melody and original Spanish lyrics were written by Maria Grever, one of Mexico's first successful female composers, with English lyrics supplied by Raymond Leveen. This decorative and fun type face brings to mind fiestas South of the border, and emanates the charm of Mexico's music, dance and colorful costumes.

Hello, Introducing our newest font Slack 01, Slack 01 has a character with a fun, happy, colorful, and very modern style, this is good news for those of you who are thinking of ideas and making something great, and Slack 01 is the answer for that all, with vector illustration support that you will get for free, so what are you waiting for, get Slack 01 right away

With it’s origins in a hand-lettered headline about money managers, Bankster is an alphabet meant to evoke the feelings of currency or financial documents. Multiple styles facilitate the perfectly registered layering of components in a variety of color combinations to enhance impact and provide an enriched dimensional experience. It not be for everyone but, it's a perfect solution for the designer who has no patience for boring type treatments.

Based on a letterpress typeface using the same name, FDI Mainzer Initialen is a carefully crafted set of German blackletter initials using three colors per style. 10 palettes are available as individual styles and can be used in design applications such as Photoshop, Illustrator, InDesign and Affinity Designer. Make sure your operating system and apps already support OpenType SVG fonts before buying a license for FDI Mainzer Initialen.

ZILETTI POP is a font used by Girolamo Ziletti in Venice in mid/late 1500. A typographic caracter characterized by a Venetian style cage with slight geometrical imperfections but with a great perceptual level. This is a multilayered variant with a wide range of possibility in variations in terms of end results. With the use of the color your artworks will have news optical effects. Ideal for Covers, Posters, Logos…

It is complicated to find an aesthetically charming font in a professional look. The thing is that a wrong font choice can damage your projects. For that reason, Honey Ponds is here for your needs. Honey Ponds is a simple display font in a plain, yet interesting, professional design. To create a better display and to be legible, the font’s form or geometry is presented in a simple style without many details. Additionally, this font provides you a clipart as a bonus. You can enjoy the available features here as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Honey Ponds fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The Delima font family has something of the Clarendon or Ionic influence but is distinguished by a lighter serif treatment. The contrast between thick and thin strokes is not pronounced, weight stress is vertical. Delima's serifs are short but strong, allowing close letter spacing to give good economy. Lowercase x-height is very generous, internal counters are open. This combines to give Delima excellent legibility in small sizes and an overall even colour when set in text. Delima works well for magazines, periodicals and display work in advertising, flyers and catalogues.

Urbane is a versatile all-purpose sans-serif family of six weights plus italics. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Perfect for headlines and running text, it is clear, classic and authoritative. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

I am not really a creature of habit, but when I start working on a new font, I make myself a cup of coffee first. I guess you can call that a habit, so I decided to name this font Force Of Habit. Force Of Habit is a nice brush font - made with a cheap pencil that I borrowed from the kids’ colouring box and my trusted (and seemingly ever flowing) Chinese ink. Force Of Habit comes with extensive language support, some alternates and - quite possibly - a faint smell of freshly roasted coffee..

Centuria is a sanserif humanistic family. Unlike many sanserif fonts, Centuria has modulated strokes and a moderate x-height. Centuria has a contemporary design with a soul of early grotesque fonts. Its slightly condensed letterforms and its short descenders allow a considerable amount of text per column. Centuria is very readable at small sizes! It is suitable for use in: newsletters, magazines, newspapers or just for any simple editorial application. Works very well in continuous text, short paragraphs or headlines. Provides a balanced and friendly texture. Match very well with Century.

Soerabaja is the old Dutch spelling of Surabaya, an important trading port city in East Java (Indonesia). This all caps art deco font was based on old colonial posters I found, plus a sprinkling of my imagination. It seems I have a weak spot for Art Deco fonts named after Indonesian cities - partly because the country has always interested me and partly because my wife’s family is from Indonesia. Soerabaja is quite an elegant font, so use it for your book titles, restaurant menus and whatever else you can come up with.

Fruitos is a funky font family with loads of interlocking ligatures. Fruitos is great for packaging, posters or any display use. Fruitos is divided into two families: Fruitos R (regular) is bouncy and has wider “serifs” whereas Fruitos S (straight) makes clear blocks and has straight forms. Both versions have a standard fill version, an Inline version and a Line version that can be used together with the standard version for colourful inline. Fruitos also has an underlined Titling Alternates for every basic character. Try Titling Alternates to spice up your words!

Vow is an incredibly stylised font, strutting its stuff on the typography catwalk. Vow does everything to excess, even when cutting down: where it’s curvy, it’s very curvy, but where it’s thin, it’s thin. Vow’s regular weight has a certain boldness at text size, but its ultra-thin alternative is much better used at larger sizes, managing to take up very little space even when scaled up. Using a mix of the two creates a subtle emphasis, especially when coloured, which helps to create stunning messages in elegant ways.

I do groceries a couple of times a week. When I am shopping for food, I always read the ingredients list; I don’t want too much sugar, nor palm oil, trans fats or a lot of E numbers. It used to be quite hard finding products that didn’t contain artificial flavours or colouring, but it is getting better. Artificial Flavour is an anti-ode to the time we couldn’t get enough of the stuff - it is a handmade, all caps font which comes with extensive language support and a sweet set of alternates.

In the advertising industry, I was often asked to supply the art directors with ideas for a san serif type design that was not the standard Helvetica or Univers. They wanted a fresh new approach, something with generous proportion, like Avant Garde perhaps, but not as uniform in proportions. A font that would lend itself well to wide and long columns of text with lots of leading. So, I rolled up my sleeves and designed a font that meet all their criteria. Contax is the new 'Univers' for the 21st century.

Inspired by and tribute to arcade game logos in 80s and 90s. Clonoid can give futuristic, sci-fi and mechanical impression by its geometric framework but its rounded bowls and semi-rounded edges can make natural and soft impression too. And its orthodox letterform make it possible to use this font for all uses. Clonoid family consists of 12 styles, 6 weights (ExtraLight, Light, Regular, SemiBold, Bold and Black) & italics and it’s available in OpenType format. We released 4 big Sci-Fi families in 2013. Check it out! Clonoid Controller Geom Graphic Space Colony

Hesperides is based on samples of Colonial period calligraphy. Rather than being directly derived from any one sample, some common characteristics have been emphasized to give it a more coherent and distinctive look, with the accentuated single-looped strokes on many of the characters suggesting a fully flourished style, but showing a bit of restraint. The ultimate effect is really striking, in the tradition of our Queensland and Allegheny fonts, but even more distinctive. The full version includes alternate versions of many of the key characters designed to reduce loop interference and add variety.