Linotype Bariton is part of the Take Type Library, chosen from contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. Designer Alexei Chekulayev designed his font in one weight to mirror the Zeitgeist of the early 1930s. The characters of this extremely bold font are based on the form of a rectangle though its rounded edges soften its look a bit. Linotype Bariton should be used only in larger point sizes in headlines which should really catch the eye.

Humanist 531 is the Bitstream version of Syntax (Stempel, 1968) by Hans Eduard Meier. A humanist sans serif typeface with an optically even thickness of the line which interprets a humanist old style type of the Renaissance. Its vertical strokes are inclined to the right by one degree. Serves well in text and display typography. Cyrillic version was developed at ParaType in 1999 by Isay Slutsker and Manvel Shmavonyan and was awarded Diplomae at Kirillitsa'99 and "bukva:raz!" type design contests.

The source of inspiration for Klaver Monogram is a delightfully elegant initial letterset adorned with clover tipped flourishes from a vintage embroidery publication. Originally intended to adorn handkerchiefs and other linens, this digital revival opens it up to a whole new realm of possibilities. This is one of many monogram designs from the late 1800's to early 1900’s that is loaded with panache. Download and view the MFC Klaver Monogram Guidebook if you would like to learn a little more.

Nantua is inspired by the Russian Constructivism from the early 1920s. Artists like Aleksandr Rodchenko used typography as forms. Nantua can be used with that very same principal. It's a very geometrical display font with hard edges. Used in big sizes it is very 'in your face'. Used in small sizes it tends to work like a compact background pattern. With very small inner forms, Nantua needs to be used in big sizes to be legible. It's preferably seen on posters or flyers.

Meninas are the new comprehensive collection of innovative craft alphabets and ornaments researched in rare cross-stitch booklets from 1850 to 1930. This alphabet and ornaments series was entirely designed by hand, without use of auto-tracing, by Iza W, from Intellecta Design. Keep your eyes wide-open, because we will launch more amazing alphabets in this collection. “Menina” means “Girl” in Portuguese. Menina Poderosa is a Powerful Girl. See too her sister fonts: Menina Formosa , Menina Carinhosa , Menina Espinhosa , Menina Graciosa Ornaments .

It is the point that creates the expression from the writer via the pen unto the paper. The artist guides the point in unique ways to not only communicate, but also to make the resulting expression unique. The point can take the form of a quill or a marker or a pencil or chalk or a fountain pen or a chisel or a brush. What's so funny about that? Maybe that's the point:) Pointe is loose, fun and informal lending itself ideally to Advertising, Packaging design, Invitations and Scrapbooking. Pointe is available in Postscript, Truetype and Opentype for Macs and PCs

If you thought you heard someone callin' your name just now, you might have caught the firm but soft spoken tones of Comicraft's classy balloon lettering font, HushHush. Created in the style of the newspaper strips of the 30s and 40s, HushHush captures the slick movements of the skilled hand letterers of that era. Gracing the pages of Jeph Loeb and Jim Lee's chart-topping BATMAN storyline -- which by a staggering coincidence was also called "Hush" -- these characters have brought to life the words of Two Face, The Joker, Scarecrow, Catwoman, Batman and Robin -- from every whisper to every scream.

This font is for parents and educators that want to easily be able to print out the alphabet in order to have their child or student then trace them. This eliminates the need for creating the dotted lines by hand and lets the user type out exactly what letters they need instead of relying on pre-made charts. The font is upper and lowercase letters and numbers only - no punctuation. Comes in Regular and Guides (get both for the same price as one) which draws guidelines with the letters. Best when used at a large point size.

The Bitstream version of Letter Gothic designed by Roger Robertson in 1956-62 for IBM electric typewriter. It is a condensed, monospaced font resembling a typewriter face, suitable for tabular material. Primarily used for slide presentations and for word processing applications, Letter Gothic is very helpful for printing out software source listing, for informal office communications and for tabular charts where alignment of columns is important. Besides, being a clear and easy-to-read font, Letter Gothic is popular now for display and advertising matters. Cyrillic version was developed for ParaType in 2000 by Gayaneh Bagdasaryan.

Mofid Mahdi is a distinctive, bold Arabic display face, suitable for heading and titling work in Arabic newspaper and magazine composition. In this typeface the rounded internal counters and dots contrast with the angular and more robust outlines of the letterforms to give a decorative, harlequin-like appearance. The design was originally developed for use in dry-transfer format, and was first produced as a digital font by Linotype-Hell Ltd. in the early 1980s. Initially a simplified face, with its inherent limited range of letterforms, Mofid Mahdi was enhanced during the late 1980s by the introduction of medial letterforms to improve character spacing and balance. The recent advent of OpenType has led to the release of Mofid Mahdi. This OpenType font includes Latin glyphs from Memphis Extra Bold, allowing users to set text in both most Western European and Arabic languages without switching between fonts. Mofid Mahdi incorporates the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. The font also includes tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

In the October 31, 1920 edition of Wid's Daily (the predecessor to The Film Daily), a block of ad copy from a 1920 film called "Down Home" had the text printed in such a fluent pen-lettered style that a bit of a shortcut was used at the beginning of the design process for this typeface. Normally, font inspirations are redrawn [and not by simply using auto-trace] except under specialized circumstances like this one where that feature is a help, rather than a replacement for the creative process. The entire block of text copy was auto-traced, then the necessary letters were selected from the available wording and cleaned up to remove any sharp points and irregular curves in an effort to make the end results as close to the original and unusual hand-drawn text. From there the missing characters needed to produce a finished type font were created utilizing the standard methods of drawing and font construction. The end results turned out very well. Using the film's title as its namesake, this design is now available digitally as Down Home JNL in both regular and oblique versions.

Finally, a font that’s ready for your pixel adventures. Johto is a hand-crafted, pixelated font that captures the excitement of 1990s Tokyo for today’s developers, designers, and video-game makers. We all love the pixelated games we played as kids. Now, as programmers, video makers, and creators of side projects that make our hearts pound with passion, there is nothing more satisfying than imagining ourselves in the shoes of the people that inspired us. We want to feel like we're right back there in the excitement of 1990s Tokyo, as an artist or engineer. Johto was created because of our disappointment with the pixel fonts we found online. And for people like us, who care deeply about the quality of our work - especially the work we do for ourselves - we realized we needed a high-quality pixel font to give our work the look it deserves. With over six hundred characters plus support for dozens of languages, including Japanese, tons of fun hand-crafted ligatures to get the look right, Johto is an authentic nostalgia trip. It has all those missing details you didn't notice, but your brain did.

Proudly Present The Fright House - Classic Horror Type, created by ikiiko. Inspired by classic horror movie posters, The Fright House, with its retro appeal and traditional serif styling, revives the spirit of horror from the 1970s. The nostalgia and appeal of a past of dread is captured by this typeface, which pays homage to the typefaces that covered horror novels, movie posters, and spooky magazines during that time. The Fright House is a classic elongated condensed serif typeface with a timeless elegance inspired by 1970s fonts. With a precisely defined serif that gives it a sharp and unsettling feel. Each character has graceful contours and precise proportions, seamlessly blending vintage design with the thrilling charm of suspense. This typeface is perfect for an vintage poster, movie title, classic stuff, magazine layout, book cover, and also good for quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Ligature (Bonus) Multilingual Support Works on PC & Mac Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

In 1980, Peter Malutzki, Heidi Hübner-Prochotta and Manfred Prochotta founded the FlugBlatt-Presse and began producing broadsheets, which they called FlugBlätter and which also gave their press its name. They were mostly woodcuts or linocuts, combined with hand-set typography. When they finished the series in 1984 there were 67 FlugBlätter. During a Frankfurt Book Fair in the 1980s the collector Rob Saunders acquired FlugBlatt No. 37 along with other prints. Later they became part Letterform Archive, a non-profit museum and special collection library in San Francisco, which Rob Saunders founded in 2014. In 2021, Letterform Archive posted the FlugBlatt No. 37 on social media, where type designer Lena Schmidt saw it, immediately fell in love with it, and developed the plan to bring it into the digital world. After contacting Peter Malutzki – who is still working as a book artist today – and in close consultation with him, Schmidt translated the letterforms into a font series, Malutzki Initials. The three fonts can be used for black (single-color) text using the Regular style, or for multicolor text by applying different colors to the Letter Layer and Figure Layer styles.

Praxis™ was designed in 1976 by Gerard Unger for the German technology corporation Dr.-Ing Rudolf Hell. Praxis is the sans serif counterpart to Demos, another early digital type designed by Unger, who is an accomplished Dutch typographer and teacher. Praxis and Demos share important characteristics, such as open counters, a tall x-height, and blunt stroke terminations. Both faces have very little thick/thin variation, which facilitates smooth linear enlargement and reduction. And like Demos, Praxis is a flexible and legible typeface that works well in small point sizes and on low-quality paper (office documents, newsletters, newspapers, etc.). The word "Praxis" comes from Greek, and means "a practical application." In the late 1990s, Demos and Praxis, along with Univers 57, were selected as the official typefaces of the German Government. More info. In 1990, Linotype AG merged with Dr.-Ing Rudolf Hell GmbH, forming the Linotype-Hell AG (today Linotype GmbH). Since then, Linotype has been the official source of all fonts that were originally designed for the Hell Corporation. Linotype has also improved the typefaces using new technologies, including OpenType."

Sweet Gothic is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century.  Sweet Gothic Light is closely based on lettering from an engravers pattern from the early 1900s that was used for tracing letterforms with the engraving machine (pantograph) to make steel engraving plates. The design is related to many similar engravers gothics developed in the early 1900s, but as each engraving house created by hand their own patterns for popular styles of the time, there is variation among the models. Sweet Gothic offers contrast in stroke weight and its unique personality. The bolder weights are new designs, based on the characteristics of the Light. A serif variant (Sweet Gothic Serif) has also been developed to expand the usefulness of the family, offering an alternative to Copperplate Gothic. As such, most of the fonts are new designs, yet may seem familiar and ubiquitous given their model. The fonts offer two sizes of figures and monetary symbols: one set is intended for use with upper- and lowercase settings; the second set is the same height as the small caps.

Soprani is a unique typeface inspired by a plaque found in New Zealand dating from the 1920s. The design was contemporized and brought 100 years into the future. The serifs are dramatically flared at the end of the stems, while in the middle, they contract. This leads to a unique shimmering effect that draws the eye and catches your user's attention. This typeface meets the demand for unique serif types that are both eye-catching and delicate. It’s a display face that's ideal for very contemporary work. This typeface has plenty of alternates and has a full complement of OpenType features. The 1920s inspire the design, with a bit of art nouveau and arts and crafts, yet the typeface is designed to meet contemporary design requirements. It has a unique elegance and the letterforms are condensed more than most. Soprani is suggested for table books, menus, and various promotional materials, newspapers, television, motion pictures and other media. There is a wide range of widths and weights available, from the thin, which is delicate and graceful, to a bold and robust black. Production assistance by Lucas Azevedo and ikern.

Sweet Gothic Serif is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century. It is a serif variant of Sweet Gothic. Sweet Gothic Light (without serifs) is closely based on lettering from an engravers pattern from the early 1900s that was used for tracing letterforms with the engraving machine (pantograph) to make steel engraving plates. The design is related to many similar engravers gothics developed in the early 1900s, but as each engraving house created by hand their own patterns for popular styles of the time, there is variation among the models. Sweet Gothic offers contrast in stroke weight and its unique personality. The bolder weights are new designs, based on the characteristics of the Light. Sweet Gothic Serif has been developed to expand the usefulness of the Sweet Gothics, offering an alternative to Copperplate Gothic. As such, most of the fonts are new designs, yet may seem familiar and ubiquitous given their model. The fonts offer two sizes of figures and monetary symbols: one set is intended for use with upper- and lowercase settings; the second set is the same height as the small caps.

I have a notation that the summer of 1994, when I worked with Kalix, was a warm one. I had no special typeface in mind when drawing the characters of Kalix, but many typefaces contributed to it, e.g. my own Omnibus from which I borrowed the looks of the smal case g. I think it is a lovely typeface whose use is mainly for books and magazines. Kalix is the name of a northern Swedish town situated along a river called Kalixälven. Its name is of sami origin, *káles, meaning cold. There comes the connection to the warm summer of 1994! But even the Latin word for chalice, calix, has something to do with my choice of name. Kalix was released in 1994.

Schnorr is a family of three fonts drawn by a German designer, Peter Schnorr. Schnorr Dekorativ is one of the less frequently seen of the alphabets he designed and one of the few for which he designed as lower case. Like many of the alphabets of the period, Schnorr Dekorativ is a delicate design. To provide a little more presence, we have added a DEMIBOLD version. Included in both Schnorr Dekorativ and Schnorr Demibold are an ornament of Schnorr’s design, seven T-ligatures and an alternate lower case t. 123=Ta, 125=Te, 135=Th, 137=Ornament, 167=Ti, 172=To, 188=Tr, 190=Tu and 177=alternate t. Schnorr’s design for the lower case t is unusual and not readily recognized. The alternate may be used to improve readability. Schnorr Initialen was designed as an upper case only design and as such is quite popular. It is often seen under the name of Odessa. Our font is a fresh scan and is paired with our Schnorr Demibold to provide a compatible lower case, along with all the rest of the auxiliary characters. Schnorr Initialen includes all the extras supplied with Schnorr Dekorativ and Schnorr Demibold: 123=Ta, 125=Te, 135=Th, 137=Ornament, 167=Ti, 172=To, 188=Tr, 190=Tu and 177=alternate t. In addition, Schnorr Initialen also includes an alternate uppercase I (172) and five lotus ornaments (123, 125, 167, 188 and 190).

Simplo: the ‘Italian Futura’. Simplo is a geometric sans serif typeface, built in sixteen styles. It is a tribute to the 1930s typeface Semplicità, designed by Nebiolo’s Alessandro Butti. Although many details of Simplo differ from Semplicità, it preserves the spirit of the original. Simplo is ideal for use in display sizes. It is also quite legible in text, and is well suited for graphic design and corporate identity design. Simplo has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. The most notable characteristics of this typeface are the ‘t’ and the ‘f’. The ‘t’ is the culmination of simplicity: a vertical line with just a simple right-side crossbar. The ‘f’ also has just a right-side crossbar, and is really tall: it reaches both the highest and lowest vertical position of the typeface. The top of the distinctive ‘s’, is much narrower than its bottom. The ‘a’, ‘b’, ‘d’, ‘g’, ‘p’, ‘q’, and ‘u’ are spurless, and show a family resemblance with Hans Reichel’s 1990s typeface Dax. However, these letters are rounder and more geometric than Dax’s counterparts, because of Dax’s higher x-height and narrower design. In Paul Shaw’s Imprint article about typefaces that have been overlooked and/or underappreciated, “Overlooked Typefaces”, he concluded his discussion of Semplicità as follows: “These idiosyncrasies suggest that Semplicità might find a warm reception today, given the current love affair with Gotham, Neutraface and Proxima—and the resurgence of ITC Avant-Garde Gothic.” Free demo font available. For more information about Simplo, download the PDF Specimen Manual.

The joy of pure geometry, revisited. Geometric typefaces are a staple in every typographer’s toolbox since the 1920s. It was a time when iconic faces such as Futura, Erbar, and Kabel appeared on the scene and turned the world of type upside-down. Inspired by those early giants as well as later epigones with a legacy of their own (such as 1970’s Avant Garde Gothic), Flink is the Identity Letters take on this genre, characterized by a clean and focused appearance. With neat shapes and the look of pure geometry, Flink adapts to a vast range of applications and topics, from the fine print in contract to website body copy to logo design to billboard-size slogans. Its x-height is considerably larger than in classic geometric sans-serif fonts; its proportions are harmonized as opposed to strictly constructed. This makes for a more contemporary look, setting it apart from the classics. To further reduce the rigidity of a purely geometric composition, you can replace some letters with more humanist alternates, such as a, g, j, etc. This font family comes along in 8 weights from Thin to Black. Each weight consists of an Upright and Italic version. There are more than 750 characters per style, including two stylistic sets that offer variations to the look and feel of Flink, making it even more versatile. Plenty of additional Open Type Features like ligatures, case sensitive forms, old-style figures, and symbols make Flink a valuable tool for the discerning typographer. Flink is the reimagination of a classic genre, designed to suit the needs of our time. ––––– Please note: There is an upgraded Version available: Flink Neue

Ryman Gothic is inspired by American Wood Types and Gothic Typefaces, mainly in the work of Edwin Allen and Morris Fuller Benton. The result is a hybrid combining gothic proportions with the contrast of wood types. While drawing consonants guided by gothic proportions, vowels were designed slightly wider, making them not only more legible when it comes to long text designs, but also more attractive. Ryman Gothic comes in 8 weights plus its matching italics, ranging from Thin to Heavy. Each weight includes extended language support (Latin + Cyrillic + Greek), ligatures, arrows and more.

What exactly is a pretty song? To tell you the truth, I have no idea! My taste of music ranges from classical music to heavy metal, from hip hop to jazz - and even soundtracks like Flash Gordon, Merry X-mas Mr Lawrence and Tommy. But font-wise, I know what a Pretty Song is! It's this organic looking, handmade text font - suitable for many things, such as books for kids, organic products, posters ... whatever design that needs a fresh and jumpy boost! BTW, the names was inspired by another favourite artist, Nirvana!

Siren Script takes its cue from BB&S's Stationers Semiscript (metal, 1899) and its countless imitations/inspirations from throughout the 20th century, particularly a variety of uncredited film faces from the 1960s. What makes this kind of script stand out in the genre is its mixing of flourished majuscules with mostly subdued, traditional minuscules. The result is a balance between formal and informal lettering, as if the letterer is applying his or her learned art without going into full-throttle calligraphy. The message is clearly and gracefully delivered, and the artistic endeavor is fully appreciated without causing coronaries. The Siren Script family comes in four full fonts, and a fifth one that contains alternates, ending letters, and some ligatures. Siren Script Pro combines all five fonts into a single one of over 880 characters, which includes programming for push-button stylistic alternates, class-based kerning, and other glyph palette conveniences.

Gothic Round was first introduced as wood type by the George Nesbitt Co. in 1838. The font is a softened variation of a standard heavy Gothic typeface. The style evokes a much more recent history of the 1960s and 70s and can be seen in such places as donut shops and on children's toys as well as inspiration for such fonts as VAG Rounded. Gothic Round has not previously been available as a digital font until now. The font was digitized by Miguel Sousa from a wide variety of historical sources, including visits to the Cary Collection at RIT (Rochester, NY), WNY Book Arts Center (Buffalo, NY) and the Hamilton Wood Type Museum (Two Rivers, WI). The result is a very solid and contemporary font with a 175 year history. For more information about this release, check out the Hamilton Wood Type Foundry website .

Myla makes it easier to convey the message in your designs. Use its eastern, old soviet inspired style for awesome display, labeling, clothing, movie screen, posters, movie titles, gigs, album covers, logos, and much more. It comes in 3 styles: Regular, Bold and Black, in 2 variations of regular and italic. Inspired by eastern and soviet traditions, hardworking people and 1960s, Myla is ideal for retro and vintage projects, from clear to rough looking designs. Myla features: Stylistic alternatives Ligatures International characters (Multi-lingual) Punctuation symbols OpenType Features Multilanguage Support: English, Albanian, Danish, Dutch, Estonian, Croatian, Bosnian, Slovenian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanish, Swedish with a lot of other languages; see the Full Character List. Note: To access the extra alternate letters, you will need to use the glyphs panel. Many design programs offer this ability, including Adobe Photoshop CC 2015 , Adobe Illustrator, Adobe Indesign.

Mind Explorer - Psychedelic Font. Mind Explorer is a psychedelic style font. This font is inspired by vintage albums and posters from 1960s music bands. The classic, fun and groovy impression is very visible. But in this font I combine several variations such as the ligature. It makes this font even more unique and different. Euphoria Party is also great for any kind of display purpose from album, cover,poster, label, tshirt, apparel, signage, quote, logo, greeting card,logotype and many more. This font is also support multi language. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Feast your eyes on Paiute, the sultry script that'll have your design looking hotter than a Vegas summer! This font is so seductive, it'll make your audience swoon harder than when Elvis was at the Sands. The exaggerated top stroke and sharply slanted terminals give Paiute a look that's straight out of the vintage Vegas scene. It's like the Rat Pack meets Marilyn Monroe in a smoky casino bar. Whether you're designing a magazine cover, book cover, or movie poster, Paiute is the perfect choice for that extra touch of va-va-voom. It's like sprinkling glitter on your design - except it won't get stuck in your hair. So why settle for boring fonts when you can make your project stand out like a sequined jumpsuit? Let Paiute help you bring that authentic 1960s Vegas vibe to your marketing. Your audience will be shouting "Viva Las Paiute" in no time!

Balter Serif is a hand-drawn layered typeface family inspired by sign painting, 1960’s movie posters and jazz album lettering. It can look fresh and modern or exquisitely vintage. Combine upper, lowercase and alternates to create a handmade custom lettered look, then layer the styles using colors to add value and depth to your designs ! Balter Serif works perfectly in short headlines. It is suitable to create a wide range of projects from posters to branding, logos, packaging, magazines and more. Features Uppercase & Small caps Numbers & Symbols International Glyphs 60 Alternates & swashes 70 Ligatures 30 Letter combinations Quick tip for layered fonts in Adobe Illustrator : Click and drag out a text frame to start (don’t just click with the cursor on the page). Then select the stacked text frames, go to Type in the menu bar > Area Type Options > Offset: First Baseline and select “Fixed”.

Inspired by the hand-lettered sound effects found in comic books, Dave West takes a three-dimensional deep dive into the genre with his extensive onomatopoeic alphabet originally designed for Photo-Lettering, Inc. The sonorous voice of Kerpow’s caps captures “cartoon” brilliantly, while the accompanying lowercase provides options for broader applications. Turn to Kerpow for eye-catching children’s book covers, fast casual restaurant marketing, or family fun centers, and…BAM!…all eyes will be on your design. Originally drawn in the late 1960s, Kerpow was digitized by Allen Mercer in 2011. Please note that the shaded version of the typeface is composed by layering the Regular font and a separate Drop Shadow font. Some assembly required. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Discover Blipzoid: a one-of-a-kind typeface that fuses the elegance of art deco with the futuristic allure of 1960s sci-fi. This compact display font offers a captivating blend of sleek geometric shapes, striking contrast, and magnetic ink-inspired characters, creating a truly unique visual experience. Step into a world where high-fashion meets pulp sci-fi, where the luxurious essence of art deco converges with the daring imagination of vintage science fiction. Blipzoid's distinct letterforms effortlessly adapt to your project's context, delivering an otherworldly ambiance or an air of sophistication reminiscent of haute-couture fashion. Embrace the dual nature of Blipzoid in your next project, and let it transport your message to a realm of opulence and enigmatic futurism. Elevate your designs with this extraordinary typeface that seamlessly melds Carnaby Street's 1960s mod aesthetic with the mysterious allure of uncharted galaxies. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Maori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venda, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

After the popular successes of Exocet and Mason, Emigre has once again teamed up with Jonathan Barnbrook to bring you his latest venture into type land. Priori is a logical progression from Mason, a typeface he designed around ten years ago. Where Mason was designed purely for display purposes and featured only caps, Priori includes lower case, companion serif and sans serif versions, alternates and, according to its creator, is shooting for text face status - a bold claim from a designer who loves to wear his influences on his sleeve and who has little use for typography that aspires to be "neutral" or "transparent." Like many of Barnbrook's typeface designs, Priori is based on his interest in British typography of the early 20th century. It is inspired by the work of famous British typographers, such as Eric Gill and Edward Johnston. But it also embraces all of the signage and lettering that Barnbrook observes in the streets, cathedrals, and public buildings of his London neighborhood. This mixing of native influences with a contemporary pop culture intent is what gives Barnbrook's types a distinct and unique flavor. Like its creator, Priori is a one of a kind.

After the popular successes of Exocet and Mason, Emigre has once again teamed up with Jonathan Barnbrook to bring you his latest venture into type land. Priori is a logical progression from Mason, a typeface he designed around ten years ago. Where Mason was designed purely for display purposes and featured only caps, Priori includes lower case, companion serif and sans serif versions, alternates and, according to its creator, is shooting for text face status - a bold claim from a designer who loves to wear his influences on his sleeve and who has little use for typography that aspires to be "neutral" or "transparent." Like many of Barnbrook's typeface designs, Priori is based on his interest in British typography of the early 20th century. It is inspired by the work of famous British typographers, such as Eric Gill and Edward Johnston. But it also embraces all of the signage and lettering that Barnbrook observes in the streets, cathedrals, and public buildings of his London neighborhood. This mixing of native influences with a contemporary pop culture intent is what gives Barnbrook's types a distinct and unique flavor. Like its creator, Priori is a one of a kind.