Proudly Presenting, Manlychalk A Script Chalk Font. Manlychalk is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Manlychalk also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Chalkvibes A Handwritten Chalk Font. Chalkvibes is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Chalkvibes also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Pennychalk A Script Chalk Font. Pennychalk is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Pennychalk also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Karara Shadow, a complete font set and additional font style of Karara. The word Karara means patience & steady. The style is achieved by practicing and studying the modern techniques to deliver high-end professional font. This specific font had a tint of wall chalking & texture. Carefully engraved and stenciled to delivery clean cuts and design.

Proudly Presenting, Worldchalk A Script Chalk Font. Worldchalk is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Worldchalk also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Present, Gradechalky A Tall Chalk Font. Gradechalky is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Gradechalky also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Onlychalk A Handmade Chalk Font Onlychalk is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Onlychalk also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Fado is a calligraphic typeface based on the broad nib calligraphy. It has a lot of alternates, ligatures, initial and final forms. The font has 3 sets of length and complexity of ascenders and descenders. It allows the user to chose the style: simple, with more complicated forms, with a lot of flourishes, and even mix all 3 styles.

In the 1930s, it was popular to take day-trips by train to the seaside in the British Isles. Many posters were designed by the various regions to advertise these excursions; it is from one of these posters that Inverness was created.

Bolda Display is a a-z lowercase display font in two styles; regular and outline. Lowercase is regular and uppercase is outline. Inspired by the 1970’s tennis, dart and ping pong fashion. Perfect for headlines, logos and everything above the body.

Friedhof family is inspired by a tombstone lettering dated from about 1900. Beside the solid, fat style, it contains handtooled and shadowed (Geist + Deko) variations, as well as narrowed & lowercase styles. Note: Very complex, shadowed fonts may not work on slow machines!

Vocalist JNL is a bit of a novelty Art Deco typeface based on hand lettering from some 1940s sheet music. Using the classic "thick and thin" style of the day, a number of letters and numbers have wedges cut out of their designs.

A simplified blackletter designed by Peter Behrens, architect and graphic artist who came into prominence around 1900. Issued by Rudhard's Typefoundry, Offenbach A. M., this face was typical of many in the Jugendstil period. Its squarish look works well in Craftsman period layouts.

Thin, elegant and thoroughly Art Deco is the thick-and-thin (slightly flared) alphabet found on page 31 of Samuel Welo’s 1930 instructional book “Lettering Practical and Foreign”. Redrawn digitally as Evening Dress JNL, it is available in both regular and oblique versions.

A 1940s Australian song folio featuring tunes performed by singer-actress Deanna Durbin had her name hand lettered in an interesting Art Deco style sans. This became the basis for Song Folio JNL, capturing all the nuances of the original in digital form.

The brand marking on a vintage wooden shipping case for bottles of Mission Naturally Good Orange Soda inspired Beverage Stencil JNL, which is available in both regular and oblique versions. Mission was a popular soda in California from about 1929 through 1970.

Syntax was developed by Hans Eduard Meier in 1968 and presented by the font foundry D. Stempel AG. Its figures are based on Old Face characters but have a distinctive, modern design. The inclination to the right lends the font a dynamic feel.

Blast into the past with Atomic DooDads, a set of 1950’s and 60’s-era dingbats. Baby boomers to late bloomers will enjoy this set of playful glyphs. Go get yourself a cup-a-joe and design the heck out of something.

A quirky semiscript, derived from lettering in an 1930 ad for the beauty salon of Kathleen Mary Quinlan on New York's Fifth Avenue. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

An offbeat typeface inspired by the titling of the 1969 Pink Panther cartoon starring the Aardvark, "Technology, Phooey". It contains an alternate H and T, as well as a handful of ligature swap outs for doubles like EE OO SS TT, etc.

The hand lettered title on the 1940 sheet music for "Pledge to the Flag" is a stencil design with wider rounded letters (such as the C, G and O). It is now available as Stencil Product JNL in both regular and oblique versions.

The hand lettered screen credits for the 1940 film “The Proud Valley” feature a bold, hand lettered sans serif type design with strong Art Deco influences. This is now available as Paducah JNL, which is available in both regular and oblique versions.

Eckmore is a modern psychedelic variation of the Art Nouveau font Eckmann. It is inspired by 1970s concert posters of The Filmore in the San Francisco Bay Area. Its casual vibe is perfect for everything from retro fashion marketing to toy packaging.

The 1920s Art Nouveau movement spawned a number of beautiful hand lettered pieces of sheet music from that era. Attractive and narrow, the characters found on the title page of one such piece of music was the inspiration for Easy Money JNL.

Dolmen font from Max Salzmann revives the look of the 1920s and suggests all the glamour and culture of the jazz age. Dolmen can be used in all capital or upper and lower case settings and gives any work an Art Deco look.

This charming little number is based on a rubber-stamp alphabet set, sold in the early 1900s under the name "Perfection", which suits it well. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

The free form hand lettering from the titles and credits of the 1964 French film comedy “Le Gendarme de Saint-Tropez” [“The Policeman from Saint-Tropez”] was the basis for Off Duty JNL – which is available in both regular and oblique versions.

Compliment is a script design which is obviously based on H. Matheis' typeface designed for Ludwig & Mayer in 1965.Ralph M. Unger redrew and digitized this font in 2004. His work is based on artwork taken from old East German font catalogues.

Comic Opera JNL (and its oblique version) is a wide, bold sans serif type design with an Art Deco influence based on a 1930s namesake poster from the WPA (Works Progress Administration) advertising a performance put on by the Federal Music Project.

National Parks JNL was based on a 1930s WPA (Works Progress Administration) poster where the word "National Parks" was hand lettered in an unusual and eclectic Art Deco style. Bold and non-conformist, the typeface is available in both regular and oblique versions.

Neon Extra Condensed was designed by Giulio da Milano and released in 1935. This all-capital typeface is similar to designs released in the early 1990s. The Neon Extra Condensed font is good as a headline face for magazines and book covers.

The name and design inspiration for Theater Bar JNL comes from an image of an old bar with an overhead neon sign in very stylized sans serif lettering (most likely from the 1940s) and is available in both regular and oblique versions.

Designed at American Type Founders in 1930-33 by Morris F. Benton. An all-capital sans serif featuring squared-off letters with rounded corners. For use in advertising and display typography. Cyrillic version was created at ParaType by Tagir Safayev in 1997.

Inspired by the images on some EBay auctions, Jeff Levine sketched out and revived this early 1900s serif design used on some French sign letters. Named for a friend in the graphics industry, this font captures the charm of the Art Nouveau period.

Erich Heckel (1883 - 1970) was a German painter and printmaker. He was a founding member of Die Brücke (The Bridge), a group of German expressionists. Heckel font somewhat resembles the loose (and messy) handwriting Erich Heckel used in some of his drafts.

The poster for the 1930 film “Show Girl in Hollywood” had the title hand lettered in a squared Art Deco style with some angled cross strokes. This became the basis for Dancing Girl JNL, which is available in both regular and oblique versions.

Federal Streamliner was inspired by lettering seen on the side of a 1950s/60s era train. It speaks of the designs of the 'streamline' era and is ideal for retro projects invoking the 30s, 50s or 60s needing a simple distinctive display face.

A 1920s magazine featuring behind-the-scenes stories about the motion picture industry had its name [“Shadowland”] lettered in an Art Nouveau sans serif style. This has been recreated digitally as Movie Nouveau JNL, and is available in both regular and oblique versions.

Stencil Deco JNL was an experimental modification of Jeff Levine's Cardboard Cutouts JNL font, originally designed from an authentic stencil source circa the 1950s. This version is a fusion of the Art-Deco style and a modern, trendy approach to the stroke weights.