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  1. Dractura by Aerotype, $29.00
    Dractura is based on a fifteenth century German fraktur typeface.
  2. Dracena by Aerotype, $29.00
    Dracena is based on a sixteenth century German fraktur typeface.
  3. Pipa by Canada Type, $24.95
    Originally made for a health food store chain we cannot name, Pipa is the embodiment of organic display typography. Although it draws inspiration from some cold type ideas, like the uncredited Atlantis from VGC and a couple of older photo-lettering faces, its overall expression is right in line with what has become today's vernacular in integrity organic display packaging. Pipa's construct approaches the thick-and-thin idea from a rarely used perspective, where the flow in form contrast naturally seeps out from within each stroke, while minimizing the amount of strokes helps the totality of the setting come positively alive. This is bead and lava lamp psychedelia for the 21st century. Pipa comes with plenty of alternates, including some very cool unicase variations, and extended Latin language support.
  4. Civolis by Furiosum, $-
    Civolis is a small and modest humanist sans family. Accompanied by a friendly italic, wide latin language support, oldstyle figures and ligatures, it is ready for a wide array of applications.
  5. Rossika by ParaType, $25.00
    Rossika is a four-style typeface designed by Oleg Karpinsky in 2002-2004 for the ParaType company. The general design and some letterforms were borrowed from antique Russian typefaces of XV-XVIII centuries. For example, the upper Cyrillic N has a diagonal stem, a tail of Ц character is attached in the center unlike major contemporary designs. Some characters have alternatives. There are several Latin and Cyrillic ligatures. Rossika is intended for logos, headlines and short text blocks: posters, calendars, post cards, diplomas, certificates and the like.
  6. Smith-Premier Typewriter by Intellecta Design, $20.90
    Smith-Premier Typewriter is a typewriter font design, great for mimicking the sloppy ink effect of older machines.
  7. Marisco by estudioCrop, $19.90
    Marisco is Portuguese for shellfish. The font arose from the forms of classic tattoo types, especially those of mid-twentieth-century sailors, but it also has something of a nineteenth-century poster type flavor to it. Its main application is display type and poster design.
  8. P22 Founders by IHOF, $24.95
    Based on turn-of-the-century advertising type. A condensed, fat-faced display font with a touch of the medieval. The influence of art nouveau is also present in the high-waisted caps and flowing lines, putting the face into the early 20th century.
  9. Volta by Linotype, $29.99
    Volta is a robust typeface from the 1950s. A revisit to styles that were en vogue at the turn of the century, Bauer type foundry designers Walter Baum and Konrad Bauer designed this type family in1955. The form of Volta's letters are similar to those in New Transitional Serif typefaces, like Cheltenham and Century. Developed after the Didone (i.e., Bodoni) style types, New Transitional Serifs speak more to the zeitgeist of the late 19th Cntury, and were typographic adaptations to it's newer technologies. Already in the period of mass production, typographers and printers at the dawn of the 20th Century had to cope with larger print runs on cheaper materials. The robust letterforms of New Transitional Serifs were designed to compensate for this, but they were also ingenious little inventions in their own right. Form the beginning, the new, peculiar forms of New Transitional Serif letters were adopted for use by advertisers. Their robustness also allowed them to be used in virtually all sizes. Volta was designed especially with advertising display usage in mind. The x-height of Volta's letters is higher than average for serif faces. It is recommended that Volta be used exclusively for shorter tracks of text, above 12 point. Headlines look dashing set in Volta. Four different font styles are available for the Volta typeface: Regular, Medium, Medium Italic, and Bold."
  10. Egyptian by Wooden Type Fonts, $15.00
    The most popular of the Egyptian styles of the 19th century.
  11. Public Works JNL by Jeff Levine, $29.00
    Public Works JNL emulates the hand-made lettering found on older signs printed by silk screen for local governments.
  12. Artistik by Monotype, $29.99
    Artistik, a late nineteenth-century face, is reminiscent of Asian calligraphy, and has the appeal of the turn-of-the-century Art Nouveau are. Based on brush-drawn letters, the Artistik font looks good in many display situations. Use the Artistik font on packaging, posters and signs.
  13. Kashi by Naghi Naghachian, $64.00
    Kashi is the Persian word for tile. This font is inspired from building decorations of 16th and 17th centuries in Iran. It is extremely legible even in very small size. Kasha design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Kasha was developed for multiple languages and writing conventions. Kashi supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.
  14. American West by FontMesa, $20.00
    Inspired by an old document from the New York and Western Railroad, American West brings the olden days to mind.
  15. Petroglyph by ParaType, $25.00
    PT Petroglyph™ was designed by Ekaterina Kulagina and licensed by ParaType in 2002. The type was created on the basis of petroglyphs (rock-carvings) that are known in 77 countries. They remained in a form of geometrical drawings in the caves of North Spain and France. Scientists claim that the radial spread-out of circles or center-pointed circles that are usually depicted show the development of solar symbolism at that period of time. We know for sure that such mysterious signs as drawings carved on rocks already existed 40 centuries ago.
  16. Eleusis by TEKNIKE, $55.00
    Eleusis is a sans serif monospace display font. The typeface has a distinct style inspired by a combination of Naval, Industrial, Mid-Century Modern and ancient sacred geometry, designed to be bold and easy to read. The Eleusis name is derived from the legendary town (Ancient Greek: Ἐλευσίς), home of the Eleusinian Mysteries and birthplace of the great tragedian Aeschylus for its past and present. Contemporary Eleusis is one of the main industrial centers of Greece with refineries and shipbuilding. Eleusis is great for display work, quotes, invitations, posters, titles and headings.
  17. Koren Rashi MF by Masterfont, $59.00
    Rashi script or Sephardic script based on 15th-century Sephardic semi cursive handwriting.
  18. Mandragora by Scriptorium, $12.00
    Mandragora is a set of 16th century decorative initials with a floral theme.
  19. Playbill by Bitstream, $29.99
    Robert Harling’s 1938 revival of this nineteenth century form, designed for Stephenson Blake.
  20. Altemus Arabesques by Altemus Creative, $11.00
    A collection of 174 calligraphic designs derived from early 20th Century European arabesques.
  21. Cheap Pine by HVD Fonts, $25.00
    Cheap Pine™ is a tribute to the wood type of the eighteenth century and nineteenth century. You can use Cheap Pine Sans & Cheap Pine Shadow together to influence the color of the shadows. The font contains arrows, hands, stars and other special glyphs available through the OpenType ligatures feature.
  22. Replete Sans by Sudtipos, $49.00
    Sudtipos’ new sans serif font Replete is inspired by the mixture of aesthetics and philosophies found on the streets of metropolitan cities the world over. Buildings constructed throughout the twentieth century, including those made in the Art Deco style or influenced by the Bauhaus’s gospel, stand side-by-side as symbols of their time. Typography is one factor that bonds these vistas, and simultaneously further complexifies them. Art deco letters appear on storefronts and signage in Europe’s oldest cities and as remnants of the Golden Age of economic expansion for Latin America. Typography, like architecture, sometimes coexists in perfect harmony, and other times in ideological opposition. But it is these juxtapositions in places such as Shanghai, New York, London, Buenos Aires and Tokyo that shape each city’s identity. Replete is inspired by this mixture. We wanted to create a useful modern sans serif family – a set of 7 weights with playful geometric alternates – that allows you to combine characters including wide-width and filled letterforms. Replete is apt for long texts, and equally, for instances where letterforms can stand together like a cityscape. Replete means full, packed and abounding … it is a sans, it is grotesque, it is geometric and it is Deco. Replete is a new family that has a little of everything we like, equipped with everything you need to design anything you want.
  23. Geometric Slabserif 712 by ParaType, $30.00
    The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs. Rockwell is a prime example of this twentieth-century approach. It seems to be a simple Constructivist geometric sans with strong square slab serifs added to. Angular terminals make its sturdy design particular sparkling. It is a strong face for headlines and posters, and is legible in very short text blocks. Cyrillic version was developed at ParaType in 2000 by Isay Slutsker and Manvel Shmavonyan.
  24. Cobalt 27 by Lee Iley, $29.00
    A typeface based on early Constructivism Design and Early 20th Century Type form the Modernist Movement. Cap Height for the font has been extended to represent early 20th century typography more closely, while rounded shoulders add a contemporary, modern feel, allowing the design to bridge both centuries. Cobalt Bold works best for headers and titles, while Cobalt Medium and Regular lend themselves to body text. Cobalt Text has smaller Cap Heights, Ascenders, and Descenders, and has been designed where smaller leadings in a body of copy is needed.
  25. LHF Ambrosia by Letterhead Fonts, $39.00
    An old turn-of-the-century style commonly used on billheads, letterheads, certificates, etc.
  26. Hebrew Frank Tanach by Samtype, $189.00
    This is The Classic font of XX century. Based in a typeface created by
  27. Clarendon 618 by Wooden Type Fonts, $20.00
    One of the classic Clarendon fonts, always useful, originally created in the 19th century.
  28. Hoyts German Cologne by Coffee Bin Fonts, $20.00
    This font was inspired by lettering found on old tradecards from the 19th century.
  29. Caslon 540 by Bitstream, $29.99
    William Caslon’s design as made regular by ATF at the beginning of this century.
  30. Devilish by Celebrity Fontz, $24.99
    Devilish is a digital revival of 2 decorative lettering sets. The uppercase letters are based on characters from the end of the 18th century, and the lowercase letters are based on characters from the 19th century. The letters are made up of light-hearted devilish figures engaged in playful and mischievous activities.
  31. Bodoni by Bitstream, $29.99
    Morris Fuller Benton started the Bodoni revival with this version for ATF in the early years of the 20th century. We consider it the first accurate revival of a historical face for general use. Sturdy and a little mechanical in the 19th century tradition, this is the Bodoni series familiar to us all.
  32. Fraktur by Bitstream, $29.99
    The standard German Fraktur textface of the last century, principally used today for mathematical setting.
  33. Clarendon Extended by Wooden Type Fonts, $15.00
    A revival of one of the popular American Clarendon wooden types of the 19th century.
  34. Letterhead by Coffee Bin Fonts, $20.00
    This font family was inspired by lettering found on old letterheads from the 19th century.
  35. Tellumo by Monotype, $52.99
    Tellumo, a new humanist geometric sans serif typeface, has all the attributes you need for a workhorse sans with a few surprising details. It has moderate proportions, a low stroke contrast, open apertures, and an x-height that makes it drive with ease in running text. A modest range of six weights, from Thin to ExtraBold, make it versatile without being overwhelming. The lightest and heaviest weights are best saved for headlines and subheads. It features a set of swash caps that can add magnitude and sparkle to short headlines, making it excel in packaging designs. Tellumo feels at home with Mid-century Modern and Art Deco aesthetics. It looks precise, tidy, and welcoming for architecture and home goods. It looks clean, fresh and modern for beauty and wellness, or elegant and approachable for fashion. It has a balance of clarity and personality, suitable for branding and advertising of all kinds, print & digital design alike. Tellumo radiates warmth, charm, and joyfulness from its geometric foundation.
  36. Milroy Upright SG by Spiece Graphics, $39.00
    As a beautiful yet eccentric unconnected script, Milroy Upright SG Regular can be a refreshing alternative to the formal upright scripts seen on so many anniversary and wedding announcements today. This nineteenth century classic was designed by Max Rosenow and Julius Schmol for Barnhart Brothers & Spindler in 1895. Milroy Upright was originally known as Oliphant. It was later renamed Advertisers Upright Script in 1925. This new version, Milroy Upright, contains many new alternative characters including a modified cap X and cap Z, a two-story lowercase g, and a matching set of oldstyle figures. Milroy Upright SG Regular is now available in the OpenType format. Some new characters have been added to this OpenType version including stylistic alternates, discretionary ligatures, and oldstye figures. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.
  37. Tellumo Variable by Monotype, $313.99
    Tellumo, a new humanist geometric sans serif typeface, has all the attributes you need for a workhorse sans with a few surprising details. It has moderate proportions, a low stroke contrast, open apertures, and an x-height that makes it drive with ease in running text. A modest range of six weights, from Thin to ExtraBold, make it versatile without being overwhelming. The lightest and heaviest weights are best saved for headlines and subheads. It features a set of swash caps that can add magnitude and sparkle to short headlines, making it excel in packaging designs. Tellumo feels at home with Mid-century Modern and Art Deco aesthetics. It looks precise, tidy, and welcoming for architecture and home goods. It looks clean, fresh and modern for beauty and wellness, or elegant and approachable for fashion. It has a balance of clarity and personality, suitable for branding and advertising of all kinds, print & digital design alike. Tellumo radiates warmth, charm, and joyfulness from its geometric foundation.
  38. ALS Dulsinea by Art. Lebedev Studio, $63.00
    Decorative font based on XIX century Cyrillic handwriting. Dulsinea is a handwriting-based font, that is why most of the letters are tied to each other. Such handwriting is often seen in documents dated 2nd half of the XIX century. Its special features are rounded lengthy movements and unusual for present days sequence of strokes.
  39. Starfire by MADType, $29.00
    Starfire is a retro styled geometric sans-serif family with roots in mid-century graphic design.
  40. The Youth’s Companion by Coffee Bin Fonts, $20.00
    This font was inspired by lettering found on an old newsprint periodical from the 19th century.
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