Poligon is a large family of geometric sans serif fonts. It is inspired by classic typefaces from the geometric-sans genre, like Futura and Avant Garde Gothic, whose shapes were constructed from circles and straight lines. Every character has been crafted to give it a distinct and individual feel. The family is an excellent choice for both corporate design and editorial design projects because of its range of weights, as well as its legibility in text. The typeface family ships in two different formats. Depending on your preference, you can install the typeface as two Variable Fonts or use the family’s eight static OpenType font files instead. Those weights run from Thin to Black. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Fonts have vastly greater control over the stroke width in their upright and italic texts. The weight axes in Poligon’s Variable Fonts allow users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. But even the static fonts satisfy the need for flexibility, creating harmonious variations of texture and emphasis. Despite their rigid geometry, the fonts have a playful air to them. That playfulness and uniqueness can be dialed up by applying stylistic alternates via the fonts’ four Stylistic Sets. The first of these replaces “G”, “M”, and “&” with alternate, more outgoing shapes. Stylistic Set 2 has an alternate “ß”; Stylistic Set 3 has a “Q” with a longer tail and another “G”. Stylistic Set 3 has alternates for “A”, “K“, “Q”, “R”, “S”, “Y”, and “Z”.

CA Normal is a typeface aiming for beauty without ostensible effects, merely relying on clarity and well balanced proportions. True beauty is not to be found in perfect geometry, so slight irregularities and inconsequences are spread throughout the typographic image. That’s perfection through imperfection. CA Normal merges influences from European grotesques and American gothics, breeding an experimental mongrel. The underlying concept stays in the background, giving the design a great self-evidence. Although it is doubtful if there can be such thing as neutrality, CA Normal comes pretty close to what people mean when speaking of a neutral font. Nevertheless it’s not faceless, anonymous or confound able. It’s just that the charm comes from subtle details rather than obvious design features. As good text typefaces must not be too smooth nor too agitated, CA Normal is smuggling little uneven details into the typographic image, that keep the readers eye awake. The well crafted oblique follows the grotesque tradition which knows no individually drawn italics. A rather unexpected addition is the reverse oblique, a style mainly used for maps. Under the classic surface lies a modern well equipped font, featuring small caps, a Central European character set and numerals in all kinds of flavors. Numerous ligatures round up the overall impression. By default CA Normal will set numbers as proportional lining figures. But if you prefer oldstyle figures, or tabular figures, just use the OpenType functions of your layout program. These allow access to the small caps as well, which feature a complete central European character set, brackets, punctuation and lining figures in small caps height.

The joy of pure geometry, revisited. Geometric typefaces are a staple in every typographer’s toolbox since the 1920s. It was a time when iconic faces such as Futura, Erbar, and Kabel appeared on the scene and turned the world of type upside-down. Inspired by those early giants as well as later epigones with a legacy of their own (such as 1970’s Avant Garde Gothic), Flink is the Identity Letters take on this genre, characterized by a clean and focused appearance. With neat shapes and the look of pure geometry, Flink adapts to a vast range of applications and topics, from the fine print in contract to website body copy to logo design to billboard-size slogans. Its x-height is considerably larger than in classic geometric sans-serif fonts; its proportions are harmonized as opposed to strictly constructed. This makes for a more contemporary look, setting it apart from the classics. To further reduce the rigidity of a purely geometric composition, you can replace some letters with more humanist alternates, such as a, g, j, etc. This font family comes along in 8 weights from Thin to Black. Each weight consists of an Upright and Italic version. There are more than 750 characters per style, including two stylistic sets that offer variations to the look and feel of Flink, making it even more versatile. Plenty of additional Open Type Features like ligatures, case sensitive forms, old-style figures, and symbols make Flink a valuable tool for the discerning typographer. Flink is the reimagination of a classic genre, designed to suit the needs of our time. ––––– Please note: There is an upgraded Version available: Flink Neue

This elegant monoline script is based on a typeface called "Médicis" from a Deberny and Peignot catalog, circa 1920. Graceful but robust, it is equally suited for invitations, announcements and headlines. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Happy to introduce you Medieval initials set made of twisted beast, lions, birds and spiral pattern. Ornamental type for history identity, ethnic prints, tribal posters, etc. It's not a color font! You can color glyphs yourself and use bright version. If you have any questions or issues, please contact me: kaer.pro@gmail.com Best, Roman.

This stately typeface takes its inspiration from Erbar Medieval, designed by Jakob Erbar for the Ludwig & Mayer foundry of Frankfurt am Main, released in 1914. Equally at home in headlines or text blocks, this face is both elegant and inviting. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Garuda typeface, featuring the shape and style based on "Garuda Pancasila", the state symbol of the Republic of Indonesia. Garuda is a mythical bird in the Javanese puppet stories, is very similar to the eagle. At the typeface we can find more ligatures beside than the standard. Within Garuda at least encoded 792 glyphs per weight onto major codepage: win 1252, 1250, 1254, 1257 including Mac OS Roman. It is containing more OpenType features such as swash, contextual alternate, stylistic, figures/number, and a few bit ornaments. The typeface has a pretty good readability and legibility even in small sizes. So it is useful for short texts (text length? Whom fear) for print and screen material. Usage on headlines, posters, titles, or something like that, can utilize ornament lines as a sweetener. Please find more information about the OpenType Manual of this typeface on the gallery page (pdf).

I was inspired by the letters of the mythical “Ideales” tobacco package, designed in 1936 in Barcelona by Carlos Vives, director of the designers studio of the Rieusset graphical industry. We have also studied other geometrical models from the 1920s, to be highlighted among them the alphabet drawn by Cornelis André Vlaanderen at Amsterdam in 1928, which would have been very probably the inspiration for the famous tobacco package. Eutopia has been born with the aim to be useful for the current graphic communications. For that purpose almost 400 glyphs have been designed and more than 2200 kerning pairs have been defined. The multiple diacritic signs have been prepared to allow a multilingual use in most of the languages based on Latin alphabet. The OpenType features have been used to get alternate characters of “A” and “g”, and also ligatures, lowercase numbers and other typographic refinements.

Angelline Script Font! If you are needing a touch of casual chic calligraphy for your designs, this font was created for you! Angellyne was built with OpenType features and includes beginning and ending swashes, alternate characters for both lowercase and uppercase letters, loads of different swash alternates for lowercase letters, numbers, punctuation, alternates, ligatures and it also supports other languages :) with many glyphs! Accessing the swashes / opentype features / glyphs: This font works best in a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CS, or Adobe Photoshop CC. You can access the swashes and alternates from the 'Glyphs Panel' in these programs. More Questions? Here are some (potential) answers! You are not permitted to resell this font in any way. Multilingual Support is included for Western European Languages Also, the sans-serif font used in the preview images is Gotham :) Cheers!

Introducing the love script Paris Helen! If you are needing a touch of casual chic calligraphy for your designs, this font was created for you! What's Included: Paris Helen (OTF) Paris Helen Slant (OTF) Paris Helen was built with OpenType features and includes beginning and ending swashes alternate characters for both lowercase letters, when combine it would be love letters (without space), numbers, punctuation and these also supports other languages :) Accessing the swashes / opentype features / glyphs: This font works best in a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CS, or Adobe Photoshop CC. You can access the swashes and alternates from the 'Glyphs Panel' in these programs. More Questions? Here are some (potential) answers! You are not permitted to resell this font in any way. Multilingual Support is included for Western European Languages Also, the sans-serif font used in the preview images is Gotham :) Cheers!

Oliver Quin, a beautiful and stylish low italic script handwriting font. Oliver Quin offers a harmonious pen movement for a diversity of design projects, including logos and branding, wedding designs, social media posts, advertisements, poster, watermark photography, and more.

Introducing by Essentials Studio Proudly Present, Kingsroad Kingsroad Is a A Modern Retro Script Font With 100+ Alternate Kingsroad is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Fork Brush inspired by realistic dry brush. all-caps font was hand-drawn with a real acrylic ink, Fork Brush offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Razkes Brush is a cool urban style font. Its elegant and cool look makes it the perfect choice for logos, branding, invitations, stationery, wedding designs, social media posts, and so much more. Features : Numbers and punctuation Multilingual PUA encoded

Negentherophy is a natural signature font to beautify your designs with its natural charm, suitable to create gorgeous wedding invitation, beautiful social media post, business card and other beautiful projects. It also contains ligature to add more natural charm.

Gostend is a handwritten script font with a natural texture. It has a thin calligraphy look making it perfect for branding and digital designs. Use this font for logos, social media, websites, blogs, Instagram, business cards, branding, and more!

Bhunders - a fun handwritten typeface. With this font, you can use it for book and magazine cover, social media, headline, logo, crafts, merchandise, digital products, and more. This font available in Uppercase, Lowercase, Number, Symbol and also multilingual accent.

Proudly Presenting, Zaniola Lavolce Font. Zaniola Lavolce is a Modern Callihgraphfont that is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This font includes TTF and multilingual support.

Pretty Animal is a handwritten font, this font Is perfect for logo, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. Pretty Animal comes with uppercase and lowercase letters, multilingual symbols, numerals, punctuation.

Backrush combines attractive curves with a fresh urban edge; delivering a stylish hand-brushed look which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise and social media posts.

White Mellow is a modern, fun script font, created by using an authentic handwritten pen. Clean and a little bit quirky, this font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Introducing The Smell After Rain by Tlatous Type. The smell after rain is a Modern Handwritten Font. this font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

A clean handwritten font. Confas come with stylish swashes, and ligature. This font also come with multilingual support. Confas is suitable for your creative design needs such as product packaging, merchandise, social media design, T-shirts, Logotype, and more.

Yullietta is a modern signature font. It is perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, special events and more. This font also includes ligatures and multi-lingual support.

Marnilla Signature is a beautiful, elegant, yet casual and simple script font, featuring a natural look & feel. It has beautiful swashes and ligatures and it’s perfect for logos, wedding invitations, posters, social media posts, signatures, quotes, and much more!

Barbara Calligraphy is a beautiful script font. It has a classy, elegant, and modern look which can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and every other design in need of a handwritten touch.

Introducing by Essentials Studio Proudly Present, GOMUNO GOMUNO Is a A Cute Handwritten Font With 3 Style Font GOMUNO is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Dutchly is a modern, handwritten, signature font. It is perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, special events and more. Dutchly includes 140+ Ligatures and multi-lingual support.

Rollingstand Brush Stroke Font is a modern handwritten font with quick-drying strokes. It is perfect for photography, watermarks, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events, and much more.

Introducing by Essentials Studio Proudly Present, Monstra Guthen Monstra Guthen Is a A Modern Groovy Display Font Monstra Guthen is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Leky Calgria is elegant serif font with beautiful and luxury touch good for gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, logo, branding and much more. Complete with ligatures alternates regular italic icon kerning multilingual support

Hamuna is a great font for your project. Hamuna is a simple, casual and elegant script featuring a natural look in its ligatures and beautiful swashes. It is perfect for logos, posters, social media posts, signatures and much more!

Dalychious - Beauty Monoscript Font is a monoscript font. I'ts Perfect for logo, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. This font include Ligatures and also Multilingual support.

Delight Cookies is a handwritten font, this font Is perfect for logo, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. Delight Cookies comes with uppercase and lowercase letters, multilingual symbols, numerals, punctuation.

Displace Serif is a continuation of my Displace fonts. Adding serifs allows you to see the font in a new way. There is a more pronounced charm of Italian monumental fonts, but in an expressive way. The appearance of the serifs allowed the font to move to the antiqua class, but this is purely a formal matter. The proportion of serifs changes markedly from weight to weight, allowing the font to retain its decorative character. In the Light drawing the serifs are barely visible and delicate, while in the Black they are in superposition. The font is catchy, noticeable, which makes it suitable for graphics requiring instantaneous spectator emotions. Displace Serif is suitable for editorial design, as despite the modern image it retains the classic concept.

Monospaced become very popular among graphic designers. Nevertheless, I’ve noticed that in most cases that designers use monospaced typefaces is not because of their particular features caused by the strict rules of design — all characters share the same advanced width — rather because of it’s ‘electronic derived’ appearance. So, I decided to create a typeface that keeps the characteristics that, in my opinion attract designers to this particular sort of types, but deliberately break the main rule: characters do not share the same width — but they they look like they do! Characters are better balanced compared to truly monospaced types, giving more even typographic color while used in text setting. One weight might enough to please electronic type lovers. Designed in 2000.

While Walking along the shore of our Main Port to Europe in Rotterdam, The Netherlands, my 14 year old son Jules first hardly dared to step in the mud for he was wearing his brand new sneakers. Concentrating in where he put his feet, he noticed he made a character! The FootPrint-Regular was born! The FootPrint-Regular is a powerful header-typeface, but funny enough it's usable as small copy too! Blaze your Trail! Anything you can imagine on Police investigations, Bloodhound Thrillers, Trails, Tracks and Traces, anything about Outdoor Stores, Tracking or even maybe Pedestrian Clubs, or things like Survival Sports, Walking Events or Hiking Gear; Blaze'm your FootPrint-Regular Trail on all Banners, Blimps, Ads and Doormats!

An elegant, stylish and easy-to-use typeface. Just as a nice hat makes you look good, Cagliari brings beauty to your designs—through the traditional flavor of Didone faces, and the simplicity of Modern and neo-Grotesk fonts. The font is based on the "Queulat" design yet features a higher contrast, between thick and thin strokes, which makes it look simple and suitable for a wider range of uses. Due to an abrupt contrast in stroke weight, Cagliari is more noticeable on terminals and teardrop terminals compared to Queulat. The Neogrotesk-style shapes add a minimalist touch to the font with thoughtful attention to detail. Cagliari is the ideal choice for fashion magazines, Italian-author books and logotypes for prestigious brands.

As the most classic and traditional style pack of the Fonts Café, the Ottanio family take a place of honor in the list of the Fonts Café handmade Vintage style fonts. Clearly born for being noticed, the boldness and the almost imperceptible, but present to the eyes of subconscious mind, irregularities of the Ottanio Family has been well balanced to create a set of handmade Serif fonts that can be used as “jack of all trades” where traditions, origins and a touch of Vintage style are required. From the integrity of the Ottanio Regular, the stronger style of the Shaded version and the scraped look of the Stamp option, the whole Ottanio Pack will be the perpetual solution always useful to have on hand!

With this charismatic new type system, the possibilities are as large as your vision behind them. Achieve the impact you're looking for by layering the different fonts and colorations for a custom, hand-drawn look that likes to be noticed. Play around with the potential. Create effects such as realistic 3D looks by adding centerlines, dotted centerlines, and shadow variations. Inspired by the affable look of vintage handmade signage, the Aviano Sans Layers spacing accommodates these shadows and other features well with its generous width and helps you hit your message home. Try mixing it with the other members of the Aviano Hyperfamily, too. There are lots of funky options for you to explore. See what you can create with Aviano Sans Layers!