Qipao is a display monospace handwriting font. The typeface is a distinct hand drawn font using a felt marker. The Qipao name is derived from the traditional Chinese dress that Manchu women wore in China in the 17th century and became known as the qipao (旗袍), meaning “banner gown”. Qipao is great for display work, invitations, writing, architecture, posters, logos and headings.

La tipografía Nahualli, esta basada en los escritos castellanos del Códice Méndoza del siglo XVI. Aunque no es un estilo claro, la caligrafía aporta un estilo perfecto para documentos historicos. The Nahualli typography is based on the Castilian writings of the Méndoza Codex of the 16th century. Although it is not a clear style, calligraphy provides a perfect style for historical documents.

Frederick Cody, as known as Buffalo Bill, and his renowned travelling Western Circus are now celebrated through the creation of the Buffalo Circus and the Buffalo Western type fonts, both developed quite in the spirit of the stirring wood type fonts from the 19th century. All characters are fully hand traced and vectorized and provided with appealing glyphs and cool catchwords.

Zanderley was inspired by a small, almost random sample from a turn-of-the-last- century calligrapher’s instructional manual. It’s a bit Roman, mixed with a little blackletter and a lot of random decorative fun.The family consists of two typefaces- Zanderley regular is a heavy, friendly an d fun display face. They are well complimented by Zanderley initials. Try them out soon!

Fabrikat Normal is a geometric typeface which is based on 20th century German engineers’ typefaces. It is optimised for small sizes and long texts, but due to its constructed architecture it also works in headlines or display use. You can combine Fabrikat Normal with the more straight and space saving Fabrikat Kompakt or the reduced to the max Fabrikat Mono.

Ballard Ave is inspired by old vintage signage found in Ballard, Washington, an old neighborhood of Seattle. Ballard Avenue is a protected historical district filled with turn of the century brick buildings that have been converted into quaint shops and independent businesses. This alphabet is based on the antique signage that still exists on the sides of many of these buildings.

Based on Morris Fuller Benton's 1905 oeuvre American Extra Condensed, this titling face packs a lot of information into very little horizontal space. Its champfered corners give the font an industrial feel which remains fresh even after more than a century. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Lithuanian, Moldovan and Romanian.

Index is a sans serif font which gives an impression of both movement and harmony. The soft, round forms of this font give it an almost ornamental feel. The influence of American advertisement and poster typefaces of the turn of the 20th century is apparent. Index can be used as a headline or text font in small or larger point sizes.

The inspiration for this typeface—originally called Elefanta—enjoyed popularity stateside in the late nineteenth century, an import from the Karl Brendler & Söhne foundry of Vienna. Its graceful yet playful elegance makes it suited for a wide range of projects where projecting warmth is desirable. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Caslon1821 is a revived "Italian" typeface of foundry Caslon & Livermore, 1821. The typeface quickly extended across Europe and America. It came to Russia and became very popular from France in the 30s of the XIX century. It's Cyrillic versions were offered by typefoundries of Revillion and Co., Pluchard, Semen, etc. In our version we also added support for Hebrew (with vowels).

The Penman fonts are partially based on the 19th century penmanship of one of the designer’s ancestors, and originally created for a personal mailing with an “old-times tradition” flavor. The fonts are lightly pair-kerned, in order to control punctuation and numeral spacing. Auto-kerning should be turned on, and tracking should be checked to make sure all characters join well.

Handmade Caslon JNL is a somewhat imperfect version of one of the many Caslon faces in use during the late 19th and early 20th centuries. Based on vintage source material, Handmade Caslon JNL is the right typeface for projects reflecting antiquity, a hand-made look or where slightly imperfect lettering adds a bit of the "real world" to the message.

An early 20th-Century French lettering book displayed at an online image sharing site stood out with a hand-lettered version of a classic Victorian font. The lettering - a spur serif top and a split serif (or "Western-style") bottom is the basis for Jeff Levine's Les Folies JNL. All of the nuances and idiosyncracies of hand-lettering are left intact.

Here’s a warm, casual text font based on an early twentieth century work by lettering artist Elizabeth Colwell, released by American Type Founders in 1923. For this update, all four fonts have been completely redrawn, and many new characters have been added. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

The Penman fonts are partially based on the 19th century penmanship of one of the designer’s ancestors, and originally created for a personal mailing with an “old-times tradition” flavor. The fonts are lightly pair-kerned, in order to control punctuation and numeral spacing. Auto-kerning should be turned on, and tracking should be checked to make sure all characters join well.

Frederick Cody, as known as Buffalo Bill, and his renowned travelling Western Circus are now celebrated through the creation of the Buffalo Circus and the Buffalo Western type fonts, both developed quite in the spirit of the stirring wood type fonts from the 19th century. All characters are fully hand traced and vectorized and provided with appealing glyphs and cool catchwords.

This font is actually two different fonts. The uppercase mimics the typeface used once upon a time in Teletypes, and the lowercase is patterned after the face used during the first half of the twentieth century by Western Union for their telegrams. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Snell Roundhand Script was designed in 1965 by Matthew Carter. Conception and design were both based on the 18th century round hand scripts. The font has an elegant and festive feel and its capitals can also be used as initials mixed with other alphabets. Snell Roundhand Script is well-suited to middle length texts and headlines. Featured in: Best Fonts for Logos

Quantour is a geometric monospaced display sans typeface which has a distinct style and is inspired by the Mid-Century Modern era. The Quantour name is a combination of the Latin 'quantum' meaning "unit of something" and the French 'tour' which means "to turn". Quantour is recommended for luxury brands, logos, fashion, cinema, architecture, invitations, display work, posters and headings.

My font takes inspiration from repeating firearms of the mid- to late 18th Century; their sleek and elegant appearance contrasts with their rigidity and simplicity are what I attempted to implement within the font itself. I imagined the font being used for logos, titles and other forms of large text as the font looks best when its finer details can be made out.

Printers Plant Ornaments was inspired by the decorative motifs used to fill in page space that have been around since moveable type printing commenced in the 15th century. All the ornaments are representations of plants. There is an assortment of 47 ornaments located under the character set keys. Under their respective shift + character set keys are the same 47 ornaments flopped.

Type books and lettering manuals of the 1900s were resplendent with examples of chamfered type faces, as this was a popular and simple style of lettering that was easy to reproduce with little effort. Poster Chamfer JNL is one such example taken from one of these turn-of-the-century publications that exemplifies the style as a condensed version of the letters.

Howdy is a modern French Clarendon revival typeface inspired by late 19th-century woodblock type and sign painting. Its ties to the American West evoke a distinctive western and retro flair. It was designed with flexibility in mind. Intended for use as a display type, its reverse contrast forms make an impact from tall or wide headlines and anything in between.

Introducing "Victorian Decade" a dimensional letters with artistic devices of optical illusionism and forced perspective from 19th century. Forged with opentype features give you easiest way to access all 250 alternate characters, discretionary ligature, swash and ligature. It is possible to combine and options to create label designs, headlines, logotypes, signage, posters, greeting cards, letterheads, t-shirts and much more.

Preta, portuguese for a very pure kind of black, has its name very related to its concept: I wanted to make the fattest/darkest script ever. People who follow my work may notice its forms are very related to works of my past (1) but this time the challenge was to be very cautious with the white spaces between letters. Not only I followed some rules and ductus of the copperplate style of calligraphy but also I took a lot of inspiration in posters of the early Art Nouveau (specially in Alfred Roller of the Vienna Secession) where letters forms looked like black squares if not looked from a close distance. With Preta, I wanted to achieve that same idea of “darkness” and thanks to the always welcomed question -what if?- the font grew a lot. The result is a very fat font, that looks delicious. Due to possible customer needs, I designed Preta Small, so it can be used in smaller sizes. Preta Ao Sol (which literally means under the sun!) is a style with those lovely tiny details to give the sensation of bright. Preta Ao Sol Solo was made to be used as a layered font with Preta. Finally, Preta Capitals serves as a company for Preta. Hope you enjoy the font as much as I did when designing it: The fact that it’s full of alternates, swashes, ligatures and swirls makes it really pleasurable at the moment of using it. Give it a try and dance with Preta! TIPS For better results, use Preta with the ‘standard ligatures’ feature activated. NOTES (1) Beatle in 2014. Seventies in 2015.

Acton is a deceptively simple, grid-based design. Though derived from a 2 by 3 arrangement of blocks, it uses white spaces to allow for more complex shapes – for example as the R – where the underlying 3 by 5 arrangement is apparent. It also departs from this strict grid-based logic for characters such as the the T, L, f and r, whose cross-bars are shorter than they would otherwise be in order to promote optical evenness. No elegant solution could be found for the V, which in geometric fonts can appear very similar to the U, lacking as it does the cross-bar that can differentiate a square A from the capital form of the n. However, the resultant diagonal retroactively proved useful on the lower-case e and a, characters that otherwise would have more uninteresting design solutions.

Back to the past when the old building and the beauty of a old store decorated by distinctive signage. With a clear feels of authentic historical value and the today's needs must be balanced in order to create the nostalgic feels. Introducing an authentic touch based on old fashioned signage developed into the wood type feels, and it's called Dealers. Dealers is a development of the classic taste wood type to form a solid blocked shapes, modern serifs, and with all caps based characters and slightly condensed. With specific characteristics, dealers font is intended for coffee shops, stores, restaurant menu that you want to create the impression of a classic and harmonious. With the addition of catchwords in the OpenType features, allowing you to be more creative to meet the requirements on the design you create.

Jubilant is an extended, geometric, curveless sans serif font. The font is ideal for headlines, titles, branding or small blocks of text.

FG Carola is bold and easy to read; the lowercase has an even appearance, so it looks really neat in block text.

Noteworthy is an all caps, bold, contemporary, sans serif font. It is ideal for headlines, titles, branding and small blocks of text.

Astral Night - A Blackletter Typeface is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Astral Night with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Candlebright is a gothic calligraphy font with 345 glyphs, including stylistic alternates, swashes, ligatures, and a set of matching ornaments. Candlebright's smooth lines and round corners make it warmer than the average blackletter font, and it can be used for both vintage-inspired and modern designs. Candlebright works particularly well in logotype designs, or as a display font in editorial or website designs. The set of matching ornaments is perfect to add a touch of elegance to any design, and you can use it to achieve eye-catching social media and promotional designs.

Stinky Slime - Dripping Halloween Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Stinky Slime with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Vamps Crime - Halloween Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Vamps Crime with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Diorite is modern face built on classical letterforms -- but left with a bit of residual roughness. Some might call Diorite forthright, others brutal. (It reminded the designer of the dark, hard igneous rock of the same name, treasured by the ancient Egyptians for statuary.) The typeface has a relatively chunky, four-style family; the italics are true cancellaresca corsiva, also writ heavy. "The cancellaresca is of course a Gothic design," notes the designer. "Just use a broader pen, and you'll see!" Has four styles: regular, bold, cursive, and cursive bold.

San Marco is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. San Marco was designed by Karlgeorg Hoefer and brings to mind the style of the Italian Gothic found on the cathedrals of Milan and Florence as well as on the facade of St. Mark’s Cathedral in Venice. Its highly stylized characters make San Marco a good choice for extravagant typography.

Introducing Bartley, a striking blackletter font that merges tradition with a modern edge. This exquisite typeface is meticulously crafted to bring a touch of Gothic elegance to your designs. An Original typeface that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Modern Sweet Retro that contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Wild Inferno - Blackletter Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Wild Inferno with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

A cast iron plaque from Bristol Temple Meads Station serves as inspiration for this antique font. The plaque commemorates the design contribution of Isambard Kingdom Brunel, who in March 1833 at only 27 was appointed chief engineer of the Great Western Railway, the line that links London to Bristol. This helped establish Brunel as one of the world’s leading engineers. Impressive achievements along the route include viaducts at Hanwell and Chippenham, Maidenhead Bridge, Box Tunnel and Bristol Temple Meads Station. Ironbridge evokes industrial heritage, gothic spookiness or eroded heavy metal.

Dacttelyons is a blackletter typeface inspired by gothic era, and this typeface perfect for people looking for vintage with dark feel. Dacttelyons suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, packaging .etc ADDITIONAL INFORMATION For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. simply email me to : hastohst@gmail.com We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Cheers 🍻