This font was inspired by lettering found on old tradecards and drugstore ads from the 19th century.

One of the classic display types of the 19th century, an Egyptian with bracketed serifs. Quite bold.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display.

This is almost a necessity if you are doing reproductions of mid-19th century posters and playbills.

A dinner is not complete without a fine appetizer. Whatever you dinner will be, CA Negroni is the perfect introduction. Delivered in three flavors, Normal (Light + Black + Fill), Inline and Round. Versatility is proved by the extensive language support, covering whole Central Europe. CA Negroni is the well aged and improved version of a typographic classic: in the beginning of the 20th century, type in advertising was mostly drawn by hand. A master of this art and pioneer in logo-design was Wilhelm Deffke (1187–1950). CA Negroni is inspired by his kind of bold and solid letterings, picking up some of the charming details while leaving away other that might have a disturbing effect on the general look. Two stylistic sets let you choose between a more serious or a more playful look.

Some years ago I had my first contact with a grotesque typeface, when handling a sample catalog of typographic specimens from the age of phototypesetting. The style eventually settled in my memory waiting for the work of time. Behind its apparent neutrality, there is a complex balance game, that almost leads to the basic principles of design which deliver such power to the grotesque style. Stevie Sans is the answer to the action of time. A bridge that allows the designer to go into the past, while being in the present and looking towards the future. It is what it’s expected from a grotesque designed in the 21st century. With 7 roman styles ranging from thin to black, support to many languages and essential opentype features, Stevie Sans is the ideal choice for your project.

Partially inspired by the mid XIX century german condensed serif typefaces –and a clear connection to Italian classics– Magari extrapolates that idea of fusion to a new level, getting a unique variable font file, or 9 specific weights. With that in hand the user is able to find the perfect match for any design. From an ultra compressed thin to an extended black style, Magari is a perfect font for display use. It’s jazzy vibes and wide range of weights make it incredibly perform in advertising, packaging or editorial design, assuring great impact whether it’s thin and tall, or big and bold. The addition of three kinds of endings for the lowercase –from a serif to two tailed strokes– and two different swash sets for the capitals, Magari lets the user play with infinite results.

Tudor Perpendicular is Greater Albion's seasonal Black letter release (not that we rule out the possibility of non-seasonal ones...) for 2012. As the name suggests, it is a design which emphasises, and yes, exaggerates for effect, the perpendicular up and down nature of Black Letter typefaces. There's no particular historical basis for this one - straight out of our own minds, just as a lot of Black letter 'revivals' have been over the years. Come and visit 'Ye Olde' world today...

Letterpress Studio -Crafted Vintage Goods Letterpress Studio includes following • 7 fonts - a textured and clean version of each • Ornaments • Catchwords • 25 Logo Templates Letterpress Studios core is seven fonts - textured and clean version of each. Fonts are designed in same proportions and work great together. Here’s a short introduction to the fonts: • Letterpress Script -A connected script with lot’s of OpenType features • Letterpress Script Bold -Bold version of Letterpress Script • Letterpress Condensed -A condensed sans-serif typeface with swash uppercase characters on • Letterpress Gothic -A sans-serif typeface with swash uppercase characters • Letterpress Sans -An extended sans-serif typeface with swash uppercase characters • Letterpress Wood -A woodcut style serif typeface with swash uppercase characters • Letterpress Black -A black woodcut style serif typeface with swash uppercase characters • Letterpress Ornaments -A set of pictograms, ornaments, borders and badges (OTF, AI & PDF) • Letterpress Catchwords -A set of over 100 woodcut-style catchwords (OTF, AI & PDF) All fonts have West European, Central European, Baltic, Turkish and Romanian character sets. Fonts come in OTF format. TTF are also available but OpenType features won’t work with them. Letterpress Templates -25 templates (AI) Letterpress Templates is a set of 25 ready made compositions with font pairings, shapes, ornaments and ready made 2-4 color schemes for each. Templates can be used as such or as a starting point for your own project. Download Letterpress Templates here.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

Lard Pro Regular is an extreme contrasted extra black typeface designed for usage at larger sizes. Lard Pro Bold is an extra black typeface designed for usage at larger sizes. They contain extended Latin, Cyrillic and Greek alphabets to support a very wide range of languages.

HERENGRACHT (Patricians' Canal or Lord’s Canal) is the first of the three major canals in the city centre of Amsterdam. The canal is named after the heren regeerders who governed the city in the 16th and 17th century. The most fashionable part is called the Golden Bend, with many double wide mansions, inner gardens and coach houses on Keizersgracht. Former bureau of André Toet (SO)Design was situated there for over 32 years, it was about time to name one of our fonts to: HERENGRACHT. Concept/Art Direction/Design: André Toet © 2017

Longbow BB is an unconventional gothic/blackletter typeface with a hefty compliment of European characters. The Opentype version has autoligatures to make any two adjacent, duplicate letters or numbers look slightly different for a more hand-lettered look.

Based on gnostic studies of indecipherable Lovecraftian mausoleum inscriptions conducted in hidden colonnaded antechambers, Saintbride has an architectural and stone-carved heritage that makes it suitable for Gothic romances, metal CD covers, biker gang tattoos and wedding invitations.

Parquillian is a calligraphic display face with good legibility. It is based on a hand using elements of Italic, Gothic and Fraktur, developed for creating wedding certificates. It has numerous ligatures and alternates with subtle yet elegant swashes.

Godhong is a typeface inspired from gothic and rebel style. The Godhong typeface includes a full set of uppercase and lowercase letters as well as multi-lingual and currency support, numerals, punctuations, alternates, ligatures and some extra glyphs.

This is a revival of a Wagner & Schmidt font, released in the first quarter of the 20th century.

A revival of one of the popular wooden type fonts of the 19th century, extra bold, slab Antique.

A set of authentic 18th century Belgian printers ornaments provided the reference for this creepy group of glyphs.

A highly decorative set of capitals suggesting nineteenth century forms, designed by Louis Minott for VGC in 1965.

This font family is based on original Roman capitals created by Ludovico Vicentino Arrighi in the 16th century.

Another variation of the many Clarendons created in the 19th century and there are probably more out there.

One of the classic display types of the 19th century, a slab font, suitable for text and display.

Hello, Friends! Introducing Ravenholm -a new modern gothic font family. Font looks amazing as single words and as full text blocks. It has support for many languages as: Czech, Danish and Norwegian, Deutsch, English, Espanol, French, Italiano, Magyar, Nederlands, Portuguese, Finnish, Swedish, Turkish, Russian etc. Ravenholm font family cast: - Ravenholm Color (color OTF font) - Ravenholm Bold - Ravenholm Inline - Ravenholm Thin - Ravenhol Slant WARNING #1 Color fonts are pretty new technology - they currently show up in Photoshop CC 2017+, Illustrator CC 2018 and some Mac apps. Learn more about color font support on third-party apps here: https://www.colorfonts.wtf/ Enjoy it on your best projects! For any help regarding this font, please feel free to contact me through my profile page and I’ll be glad to offer support. Thanks for buying!

Dysanian is Hand Drawn Sans Font with a natural style and dramatic movement.is a Authentic Font that is written casually and quickly. Dysanian is has 4 style Normal,Italic,Black and Black Italic styles is perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Monosketch is a hand-drawn font inspired by monospaced fonts like Andale Mono. Monosketch Layer and Monosketch Black can be used together by layering Monosketch Layer above a differently colored Monosketch Black. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

ABKAD is a display font with a gothic style made with a more modern touch, perfect for your design projects such as merchandise, posters, book headlines, logos, etc. ABKAD is equipped with uppercase, numbers, punctuation, multilingual and unique alternate

No. 508 is a chunky, friendly, modulated gothic font. Strokes have a gentle inward curve at the median, with the tops and bottoms of the letters slightly wider. The face was introduced by William H. Page & Company in 1890.

Designed to Swiss principles by Alessandro Butti and Aldo Novarese for Nebiolo in 1952 as an improvement on the squared-off Bank Gothic capitals. The design was revisited by the same designers ten years later; Eurostile was the result.

This is a headline typeface created by imagining the appearance of waves in a square glass tube. It is a typeface that adds a wave shape to the gothic style in a full square module. HU BlueoceanKR includes Korean.

The Ancient South Arabian script (Old South Arabian 𐩣𐩯𐩬𐩵 ms3nd; modern Arabic: الْمُسْنَد musnad) branched from the Proto-Sinaitic script in about the 9th century BCE. It was used for writing the Old South Arabian languages Sabaic, Qatabanic, Hadramautic, Minaean, and Hasaitic, and the Ethiopic language Ge'ez in Dʿmt. The earliest inscriptions in the script date to the 9th century BCE in Yemen. There are no letters for vowels, which are marked by matres lectionis. Its mature form was reached around 800 BCE, and its use continued until the 6th century CE, including Ancient North Arabian inscriptions in variants of the alphabet, when it was displaced by the Arabic alphabet In Ethiopia and Eritrea, it evolved later into the Ge'ez script, which, with added symbols throughout the centuries, has been used to write Amharic, Tigrinya and Tigre, as well as other languages (including various Semitic, Cushitic, and Nilo-Saharan languages).

Are you ready to bring some dark and edgy vibes to your designs? Look no further than the Hellfire Flames | death metal font! With its black fire-inspired design and brutal form, this font is perfect for adding a touch of darkness to your work. Hellfire Flames is a death metal font that embodies the essence of infernal power and brutal energy. The font's letters take the shape of black flames, with a raw and aggressive design that will leave a lasting impression. The font includes both uppercase and lowercase letters, as well as a range of symbols, numerals, and foreign language support, making it a versatile tool for any project. Hellfire Flames also offers an array of extraordinary and unique death metal ornaments. These intricate designs are perfect for adding a touch of dark ambiance to your project, and are sure to impress any fans of the genre. Hellfire Flames is perfect for anyone looking to add a touch of darkness and aggression to their design projects. It's especially well-suited for projects related to death metal, black metal, gothic, horror, and other genres of heavy music. This font is also great for creating logos, album covers, merchandise, and other graphics that need a raw and intense look. Its unique death metal ornaments make it a great choice for adding an extra level of detail and flair to your designs. So why settle for boring fonts when you can unleash the power of darkness with the Hellfire Flames? Get ready to create designs that are truly unforgettable and take your work to the next level! ——— Hellfire Flames features: A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +238 Total Glyphs +50 Death Metal Ornaments and Splatter included! ———

Authentic and historical Brazilian lettering typeface from early Portuguese community newspapers on Brazil; first years of the 20th Century.