The long and frustrating search for a dynamic, monoline script drew our attention to the lack of such a typeface. This prompted us to create our very own, Terital, named after the 1960s Italian overcoat advertisement that was the original reference point for its 2003 creation. Fearing the odd all-caps script setting, we cheekily designed Terital as a lowercase set. This limitation was revised in the 2011 version. Beautiful swash capitals were also added.

Hitterlove is a retro, bold script font that will bring you back to the 60s – 80s. This typeface has an extrude version, so you can create a retro effect with ease. This typeface is perfect for logos, invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make-up, stationery, novels, labels, or other advertising purposes. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

With initial thoughts of creating something tubular, I had in the back of my mind the kind of contemporary chrome furniture that became ubiquitous throughout the 60s and that concept remained with me throughout the development process. The font-styling idea worked out very well in this case, resulting in plenty of optional character variations for my chosen theme, most of which are included in both styles of light and bold character sets.

Give your typography designs a touch of retro style with Malistia! Introducing the trending font The Malistia, a bold retro script that will take you back to the 70s. comes with the Extrude version. So you don't need extra effort to create the extrude effect. Features include: Alternative Style, Swash, Collection of styles and multilingual support. You can choose alternative replacements with various Glyph variants. Very suitable for logos, t-shirts, posters, branding, etc.

Hello I'm back with a new product, this is Benalline Signature, this is a classic Calligraphy style font, vintage and retro but still looks elegant, luxurious and beautiful. Benalline Signature is a little different from some of the existing fonts, I made a slightly different shape and added an alternative character with a more decorative shape and also I added a special Ornament and swash made especially for the Benalline Signature. Thank you!

Fifteen hundred years from now, a man will be selected to go back in time to prevent a catastrophic event which turned his world into a dystopia. Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself. Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert. He described himself to journalists as nothing more than "a Good Samaritan", and has continued to help his fellow man in Astro City ever since. John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busiek's Astro City dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! It's kinda the same thing really. See the families related to Samaritan Tall: Samaritan &

Guilloches were – in the old days – used to make the falsification of banknotes more difficult. The engraving of these intricate lines was done by a highly specialized mechanical machine, which was operated by an equally highly specialized engraving artist. Once the settings for a specific curve were changed back to zero it was very difficult, if not impossible to set them back to the old design. I have designed a useful set of Guilloches that join to form ribbons that create a kind of op-art 3d effect. Under the keys A-U and a-u you find joining pieces. Under the keys V-Z and v-z I placed start- and endpieces. 0-4 are different lenght straight extensions and 5-9 are not quite so straight extensions. All other keys are corner pieces that can be used as stand-alones or put in rows to make for superb decoration. With a little bit of experimentation and maybe colored overlays you can achieve super-phantastic designs. Your elegant type designer Gert Wiescher.

A little more flower and a little less power, please. Fun, friendly, fashionable, and feminine to a fault, Jojo takes display typography to a whole new level, where eyes can’t help but appreciate the day and the design at hand. It takes a graphic designer very little imagination to see these letters on posters, book covers, clothes, and craft paraphernalia. Or how about a sign over a bakery? A music sleeve? A romantic comedy titling? Cosmetics products? Pretty much anywhere! Jojo takes its name from a Beatles song about getting back to where we once belonged. It also takes most of its shapes from vintage photo-setting days, when an art nouveau typeface called Spring, by B. Jacquet, was putting happy times back where they belonged, which was everywhere. The original photo-setting face came in just 26 letters and 10 numerals. This digital retooling optimizes the original forms and expands on them, for a full character set of over 430 glyphs, including ligatures and stylistic alternates, and support for the majority of Latin languages.

Palms & Chill is a laid-back and stylish script font that effortlessly captures the essence of tropical vibes and relaxation. With its fluid strokes and casual letterforms, this font transports your designs to a sun-soaked paradise, making it the perfect choice for projects that exude a carefree and easygoing aesthetic. Inspired by the leisurely swaying of palm trees and the warmth of a tropical breeze, Palm & Chill is an invitation to infuse your designs with a touch of coastal charm. Its versatility makes it suitable for a range of applications, from beach party invitations to vacation-themed branding and social media graphics. The breezy, handwritten quality of Palm & Chill adds a personal touch to your designs, making them feel approachable and inviting. Whether you're creating logos for beachside cafes or designing laid-back apparel, this font brings a sense of relaxed sophistication to your projects. Embrace the chill vibes of Palm & Chill script font and let your creativity flow as you craft designs that transport your audience to a world where every day feels like a beach day."

INTRODUCTION When I started the first Selfie back in 2014 I was aware that I was designing something innovative at some point, because at that time there were not too many, (if any) fonts which rescued so many calligraphy features being at the same time a monolinear sans. I took inspiration from the galerías’ neon signs of my home city, Buenos Aires, and incorporated the logic and ductus of the spencerian style. The result was a very versatile font with many ligatures, swashes and a friendly look. But… I wasn’t cognizant of how successful the font would become! Selfie is maybe the font of my library that I see the most when I finally go out, (type-designers tend to be their entire lives glued to a screen), when I travel, and also the font that I mostly get emails about, asking for little tweaks, new capitals, new swashes. Selfie was used by several renowned clients, became part of many ‘top fonts of the year’ lists and was published in many magazines and books about type-design. These recognitions were, at the same time, cuddles for me and my Selfie and functioned as a driving force in 2020 to start this project which I called Selfie Neue. THE FONT "Selfie for everything" Selfie Neue, because it’s totally new: All its glyphs were re-drawn, all the proportions changed for better, and the old and somehow naive forms of the first Selfie were redesigned. Selfie Neue is now a family of many members (you can choose between a Rounded or a Sharp look), from Thin to Black, and from Short to Tall (because I noticed the feel of the font changed notoriously when altering its proportions). It also includes swashy Caps, which will serve as a perfect match for the lowercase and some incredibly cute icons/dingbats (designed by the talented Melissa Cronenbold) which, as you see in the posters, make the font even more attractive and easy to use. You'll find tons of alternates per glyph. It's impossible to get tired with Selfie! Like it happened with the old Selfie, Selfie Neue Rounded was thought for a really wide range of uses. Magazines, Book-covers, digital media, restaurants, logos, clothing, etc. Hey! The font is also a VF (Variable Font)! So you can have fun with its two axes: x-height and weight, in applications that support them. Let me take a New Selfie! TECHNICAL If you plan to print Selfie Neue VF (Rounded or Sharp), please remember to convert it to outlines first. The majority of the posters above have the "contextual" alternates activated, and this makes the capitals a little smaller. I'd recommend deactivating it if you plan to use Selfie for just one word. Use the font always with the "fi" feature activated so everything ligatures properly. The slant of the font is 24,7 degrees, so if you plan to have its stems vertical, you may use Selfie with that rotation in mind. THANKS FOR READING

In its heyday, the Starlight Room of the Waldorf-Astoria in New York City quite frequently printed lunch and dinner menus for not only their rotating bill of fare, but also for special events held there. The 1937 Electrolux (Eastern) Appreciation Banquet has its own menu cover, and the lettering was in a simple, yet Art-Deco influenced condensed block design with squared features. This simple and quirky typeface has been digitally redrawn as Sales Convention JNL, and is available in both regular and oblique versions.

Densa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a condensed sans serif typeface with some unconventional display endings. Its condensed design makes it very effective for space economizing and its display features make it a very interesting option for display usages such as logos, packaging and posters. It has been conceived to be most suitable for headlines and short length text blocks. Densa consists of 8 styles. Each containing small caps and glyph coverage for several languages.

Maybe I should have named this font “Communist Block”. But it also works well for Colonial-style tavern signs. It’s square, geometric and rigid, and is the perfect thing for totalitarian themes. The family consists of three fonts: Kolega (“Comrade” in Polish), Kolega Tall, and Kolega Podrobska (Fake Comrade). Kolega and Kolega Tall are fully charactered with U.S., European, Greek and Cyrillic glyphs. The latter font is meant to use in English only; although it contains many accents and character variations, they mean nothing. It’s a joke.

SS Vortax is a space-age themed display sans featuring broad strokes and tight spacing. This close relative of Galaxus features imposing Capitals with some sharp slants in the Italic version. It’s designed to cover horizontal blocks effortlessly. Most characters have curves on the exterior with right angles on the interior. This dynamic contrast makes it a great choice for a video game/app, toy packaging, or sports logo. SS Vortax is equipped with European accents for international support. Please check glyph maps for all supported characters.

Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”. The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions. A blank space to place between words is available on both the solid bar and broken bar keystrokes.

Tecnica font family has been designed for Graviton Font Foundry by Pablo Balcells. It is a modular, geometric, sans serif typeface with a slightly condensed design and subtle rounded angles. It has been conceived to be most suitable for all sized headlines, as well as short and middle length text blocks. The standard styles give texts a classic appearence while alternate styles give texts a playfull one. Tecnica consists of 4 styles, 2 weights plus alternates, each containing small caps and glyph coverage for several languages.

Naftera font family has been designed for Graviton Font Foundry by Pablo Balcells in 2019. It is a mechanical, geometric sans serif typeface with display swashed characters and soft rounded endings that provide a strong but refined aesthetic. Naftera has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks. Naftera consists of 10 styles, 8 of which containing small caps and huge glyph coverage for several languages. The 2 Stencil styles are free.

Telephone Extended is a geometric semi-slab family with block serifs positioned to assist wordflow. The typeface evolved from an italic wordmark designed in 1966 for the British GPO by the Banks & Miles agency to publicize all-figure telephone dialling (all-number calling), and the new fonts retain that italic spirit, even in the upright romans. The squarish glyphs, with a mix of rounded and angular corners, have a post-modern feel suggesting technological advance, innovation and vitality. A normal width family, Telephone, is also available.

Bullish is a clean, contemporary, geometric font family. There are 12 fonts in the Bullish family, Light, Medium and Bold. Each with a lower case, small caps, lower case oblique and small caps oblique. The small caps versions have small caps in place of the lower case alphabets. The lower case and small caps versions have the same uppercase alphabet, numbers, punctuation, symbols and miscellaneous characters. The Bullish fonts are ideal for headlines, titles, branding, small blocks of text or wherever a fresh font is desirable.

Telephone is a geometric semi-slab family with block serifs positioned to assist wordflow. The typeface evolved from an italic wordmark designed in 1966 for the British GPO by the Banks & Miles agency to publicize all-figure telephone dialling (all-number calling), and the new fonts retain that italic spirit, even in the upright romans. The squarish glyphs, with a mix of rounded and angular corners, have a post-modern feel suggesting technological advance, innovation and vitality. A wide version, Telephone Extended, is also available.

The font was intended primarily to have a stronger body. It has a simple geometrical surface. This font has a strong personality, that makes it perfect for use in headline sizes but means it also works gracefully within text blocks. Finalists Round Slab is carefully crafted and a unique slab serif. Use for websites, print, motion graphics, logo design, packaging design, t-shirts and more. **UPDATES:** -16 Agust 2021: New version 2.0 Variable Font -28 January 2022: Some bug fixes You can enjoy using it.

Hadriel is a beautiful light handwritten font with a unique feel and looks stunning. This fantastic handwritten font is best suited for headlines of all sizes, as well as for blocks of text. Whether it’s for web, print, moving images, or anything else. It will add a luxury spark to any design project! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Stylish, elegant, and alluring, Sekhmet got its name from the lion-headed war goddess of ancient Egypt. And the typeface does possess a kind of feline, forward-directed energy - a result of its calligraphic detailing combined with a very slight slope in the roman. Sekhmet is essentially a display face; still, it's as carefully crafted as any of the designer's text fonts and so also works well in reasonably large text blocks, especially at larger point sizes. Comes with a book-weight roman and calligraphic italic.

The symbols in ITC TotSpots include everything from a child's life, except maybe the mess. In this font you'll find diaper pins, alphabet blocks, teddy bears, and even an inchworm-everything a digital baby would need. Polish-Canadian designer Victor Gad has specialized in editorial illustration, and also has extensive experience in poster design. These illustrations maintain his original sketchbook quality, despite being digital renderings. ITC TotSpots offers a clear, new style of symbols, which might be the perfect fit for your next project!

Transitional serif font inspired by the italian’s lettering tradition, in particular by the street sign letters you can find around Florence. All elements are designed to be elegant and easy-to-read, even in a long blocks of text. -- The HT Fera Text is freely inspired by the typographical tradition of Florence's municipality and its streets. Letters shape, contrasts, junctions, stems, teardrops, they are all the result of careful research carried out on the Dante's streets, redesigned in a contemporary mood. -- hype-type.com / kidstudio.it

Leo Slab is a clean, contemporary slab-serif font. It's bold extended design makes it a perfect choice for headline and larger text block use. Extremely readable for a strong impact! Leo Ornate is a decorative companion to Leo Slab. With it's detailed inlines and linear drop shadow, Leo Ornate is ideally suited for use on headlines, display titles, logos, as well as a variety of other applications. Bold, extended and robust, this font is sure to make a strong impact in your next design.

Zootype –the first original single font– was designed in 1997 by Victor Garcia of Argentina and as a winner of Linotype's Second International Type Design Contest is included in the TakeType Library. The three additional family styles –Zootype Air, Zootype Land, Zootype Water– were added in 1999. In the words of the designer, the design concept is meant to display the funny, happy joy of animal nature.’ Animal heads peek into the block forms of the letters, giving the font a unique whimsical character.

Whitehaven is the spirit of the Art Deco movement made into a very solid and blocky Sans Serif font. The name owes its inspiration to Whitehaven Mansions, a block of flats where that greatest of 1930s detectives, Hercule Poirot lived. Use this to make bold statements, to give posters and designs a taste of thee 30s, and wherever you want to be clear and definitive. Whitehaven is offered in two widths and a range of embossed and engraved styles for flexibility in design work.

Sovba is an amiable rounded sans-serif inspired by handwriting. Sovba is useful for a look that is uniquely casual, fresh and smooth. Sovba simplifies character forms down to their basic characteristics, and has a strong, silky smooth forward motion. Sovba includes more traditional optional alternates for a number of characters, including the ëEí and ëF,í OpenType alternate characters, old style figures and small caps. Sovba is a fine choice when you require a versatile upright oblique for logotypes, headlines or short blocks of text.

A handwritten ”font for technicians“ from ca. 1900. Very geometrical, rigid forms borrowed from the typical characteristics of Jugendstil / Art Nouveau. This script is found in an old magazine which was issued sometime in the years shortly before WWI. The original copy, produced by means of a galvanized plate, is just 7 centimeters wide. It served as the model for technical professions in which, at that time, the captions of drawings were still done by hand. ingoFonts has not only digitized this beautiful typeface, we have also extended it to a whole family. In »Maier’s Alte Nr. 8« special attention was given to ensure the ”uneven“ edges, typical of handwritten script, remained effectively noticeable even in the digitized form. As a result, this ”technical“ font retains a handmade touch, while »Maier’s Neue Nr. 8« is the clean version with exact contours. The Art Nouveau forms, which are characteristic for the period of origin around the turn of the century around 1900, look especially pretty. The high degree of abstraction also seems strange in Maier's No. 8, especially when the age of the original is known. It is generally assumed that it was not until the Bauhaus in the late 1920s that such "modern" typefaces were created. Maier's No. 8 is a generation older! So many of today's supposedly "ultramodern" typefaces look quite old in comparison. In addition to the original two weights, Light and Bold, the Maiers Neue Nr. 8 got a regular and a extra-bold weight. Furthermore, the Neue is also available in italics. Although this is only a slanted version, unlike common practice, it is inclined to the left. Maier’s Nr. 8 Pro is suitable for all European languages. It includes ”Latin Extended-A,“ for Central and Eastern Europe incl. Turkish, and even Cyrillic and Greek, too. The font includes several stylistic alternates as well as a number of ligatures.

Mindful that Hiragino Sans (Kaku Gothic) would be used in conjunction with Hiragino Serif (Mincho), SCREEN developed a font that anticipated today’s world where most people do their reading on displays and yet still has an orthodox letterform that does not blur when printed on paper. In short, our goal with this font was to create a new concept that responds to the demands of today’s times. This font offers weight variations from W0 to W9 and is extremely versatile. This makes it well-suited to all visual expression media including paper, metallic textures, resins, cloth, television, movies, broadcasting, websites, and electronic displays. One of the design’s strongpoints is that it elides serif on the right side of each stroke, thus delivering more spacious counters and a comfortable appearance. Thanks to this, the typeface not only delivers a contemporary, lively impression same as Latin sans serif typefaces, but also heightens the natural continuity and readability of text whether it is set vertically or horizontally. As a result, it makes it possible to bring a strong appealing power to text. Without a doubt, this is typeface that above else embodies the role of Sans Serif.

“Blackduck” font is a typical Gothic, usually named “Blackletter” . This typeface was born with the name of “Textur” and developed from Carolingian cursive. It was used in the middle age as sacred script, became increasingly narrower, his vertical lines were emphasized and his strokes very compacted to save space. Along the time the early German print typefaces derived in others styles that were more readable such as Schwabacher and Fraktur, very popular in Germany and sometimes associated to the identity of the country. The font "Blackduck" was inspired mixing carefully the last two “Blackletters”. We try to joine some characteristics of both to reach good legibility without loosing the strong impact and powerfulness of the shapes. Some minuscules like the “o” “c” “e” “d” are rounded on both sides, while both strokes join in an angle at the top and at the bottom. Some other lower cases are formed by an angular and rounded stroke. This font contains a full set of OpenType features; swashes, stylistics alternates, old style figures (Arabic numeral were carefully shape integrated), ligatures and some extras ornaments were added to help in your design. "Blackduck" includes diacritic signs for Central European languages.

Meet Pawl, an affordable 48-font squarish sans family with a little grotesque in him! Oh, you may think you’ve got him pegged at first glance, but he’ll surprise you with his versatility. AND he's just been totally refurbished from top to bottom and boy, did he need it! Pawl lives in the same visual landscape as fantastic modular superfamilies like Eurostile, Agency, Geogrotesque, Barlow, and even the great American Gothics. Unlike those faces, though, he's nimble enough to switch between looks effortlessly. Pawl is energetic, aggressive, strident, and structural. Depending on how you use him, his voice can be retro, futuristic, industrial, or sleek. He can be sober or splashy, techy or oldschool. Use his alternate characters and stylistic sets to create looks ranging from Streamline Moderne to Futurism to Brutalism to Swiss. He works from small paragraphs all the way up to monumental signage. This guy is smart and useful, with a lotta looks! How many times have you needed multiple weights, styles, and widths for your hierarchy, but standard type families were either shockingly expensive or couldn't deliver? Pawl delivers. Give him a shot!

A Monogram is a lettering character made up of the main letters of a name and sometimes all of them. It is a kind of design which dates from the earliest times of our history. It is a distinctive mark that everyone could have themselves, to apply to documents and many purposes. The signatures of ancient Kings were Monograms. Today this brand, for the people of taste, must have the cachet of this era or the evocative feelings of ancient times. Our predecessors knew how to create it by using the capital that preceded Gothic and the other characters. The Vintage Monograms collection contain hundreds of ready to use in alarge of shape of the letters, with styles from Victorian, to Art Nouveau and to mediaeval like in the old manuscripts. Ready to use fonts, Vintage Monograms collection is a classic that features elegant and intricate monograms perfect for branding and personalization. Its ornate designs evoke the timeless style of vintage logos and can be used to add a touch of sophistication to invitations, stationery, and packaging. Monogram brings an air of refinement and exclusivity to any project.

Halcyon is a post-geometric typeface made up of 16 fonts across 8 weights. Each weight contains an upright with a corresponding true italic. Halcyon's design builds on the foundations of classic typefaces such as Futura, Gill Sans and ITC Avant Garde Gothic, by mixing their geometric structure with more modern humanist qualities and attributes. The result is a friendly and approachable personality with a sophisticated and serious edge. Halcyon feels familiar, but unique, playful but not asinine. The versatility of its character makes Halcyon a reliable choice for any design decision. With a large variety of weights, and a whole host of Open Type features, Halcyon can adapt to fit the tone of your communications. The lighter weights present a more refined and formal voice, while the heavier, oversized weights grow more exuberant. It's large x-height and open apertures increase it's legibility, making it perfect for setting large display headlines or small sized, long form text. Halcyon is a multilingual family with hundreds of accented characters, and allows for customisable characters through diacritic combinations. All European languages are already covered, alongside many more within the Latin alphabet.

The German designer Karin Huschka created the fonts Linotype Authentic™ (1999), Chineze Dragon™ (2002) and Picture Yourself™ (2003, with Peter Huschka). The text font Linotype Authentic is part of the TakeType Library, chosen from the entries of the 1999 International Digital Type Design Contest.