Cortada is the name we gave to this display font that replaces Cortada Classic. After long discussions, Laura Meseguer gave birth to this brand new form. Cortada comes now in OpenType format in order to allow a wider range of characters, including Central European character set.

This is a classic font. You can use to any kind of book or text.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to books. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

A playfull fancy sanserif typeface in 16 fonts Parisine Plus was designed in 1999 as an informal version of Parisine. A reaction to the subjective functionalism of Parisine. In fact, when Parisine try to express neutrality (a typeface is never neutral), Parisine Plus has fun with contrasts and not-so-obvious additions for a sans family. Parisine Plus is a precursor in the way it offers many ligatures and strange forms we generally find more in serif typefaces families that express historical connotations. The various Parisine Plus typeface subfamilies Parisine Plus is organised in various weight subsets, from the original family Parisine Plus (4 compatible fonts), Parisine Plus Gris featuring lighter versions of the usual Regular and Bold (4 compatible fonts), Parisine Plus Claire featuring extra light weights (4 compatible fonts), to Parisine Plus Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord (4 compatible fonts). About Parisine Parisine helps Parisians catch the right bus Parisine Plus and its fancy type effects Observateur du design star of 2007

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser. Designers: Sami Artur Mandelbaum Publisher: Samtype MyFonts debut: Jan 17, 2022

Slab Serif version of the Bulldog family. Hunter family lends itself to on-screen use for web design - the letterforms being legible and robust at small sizes.

The Astronef Super borrows from the charm of retro-futuristic universes. Without concessions, and even radical, the Astronef Super, declined in three styles, pushes the weight limits as far as possible systematically while preserving a unique design. Using the Astronef Super in large size is a real pleasure, it is a very identifiable typeface family, recognizable immediately. Undeniably, choosing the Astronef Super in your designs is not insignificant. This typeface used in large sizes will strengthen your graphic identities. Background The Astronef Super could be considered as the “Spin-off” of the Astronef currently being designed, that will offer an important variation of styles. Of course the Astronef, is wiser in his drawing, it places himself in the tradition of the Univers more than the Helvetica. Genesis and the creative process The idea for an Astronef Super comes from an excerpt from a 60s TV show which shows a logo in the background with a very bold S and this super thin in the middle. The Astronef is already modular in its design. The brief then becomes simple for the Super: accentuate the strongest weights of the Astronef by minimizing the counterform that will remain constant for the three styles. It is the mass effect that maintains the overall cohesion of the Astronef Super family.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used for Posters to books. The readability of this font is amazing. This font has modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Secca Art recovers some of the expressive forms of early art nouveau and art deco grotesques — not copying it, but carefully adapting it for today. Secca Art is based on the Secca typeface family and is full interchangeable. Both are equal in weights, widths and word spacing, so you can decide to give your layout a more expressive or serious look. If you need Italic styles just use the Italics from Secca .

This is a modern font inspired in Avant Garde Gothic Latin font. There are 8 ligatures and You can type the Nekudot in them This font is for logos, covers and small texts This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Oksana Text is the demure version of Oksana, with shorted serifs, higher contrast, more slender proportions. In six weights from Thin to Black and with the real italic, this typeface is suitable for longer text with rich typography.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used for Posters to books. The readability of this font is amazing. This font has modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

A sanserif with human touch in 6 fonts Angie Sans is a low contrast incised sans serif sharing some similarities with Optima by Hermann Zapf and Pascal by José Mendoza, both created at the end of the 50’s. The later, feature an italic not published by the initial foundry who launched Pascal. Angie Sans follow same path with its italic based on Chancery forms from the Renaissance, narrower than the roman shapes. With its capitals based on Roman proportions, lowercases featuring open counters, strong horizontals, Angie Sans is a legible typeface. The manual gesture is present in Angie Sans, which offer the plastic qualities such as warmth, craftmanship and humanity. Angie Sans is an Incised Garalde who works well for display as text settings. Available in 6 series, with matching italics, Angie Sans will work well in design projects where delicate and human touch is required. Angie Sans Morisawa Awards 1990

楷書と草書の中間的な筆法の書体です。 字体を崩しすぎず、読みやすくなるようデザインしています。

This is The Classic font of the XX century.

Beautiful font, good for posters, books, and folders. This is a complete font with all Nikud and also Shevana, Kamatz Katan, Dagesh Chazak, and Holam chaser.

Elegance flows through Couturier Poster soul. The new cousin of early launched Couturier, brings higher contrast and an extended family, perfect for big sizes. Inspired by the didones from the 18th century, its design its heavily influenced by contemporary ideas makes it suitable to use for almost anything you can think of. Equipped with swashes, ligatures, small caps and alternates, this typography is very versatile and allows you to set a big range of compositions with discretion or personality. Couturier Poster comes in six weights and matching true italics, from thin to black. It's a good choice to pair with Couturier for smaller sizes and Couturier Poster for the big titles. It has a set of 1248 characters that cover more than 200 languages derived from latin.

Senja Mentari is elegant modern calligraphy font inspired by delicate inky hand lettering, gorgeous wedding calligraphy and trending minimal branding designs. This beautiful font is for those who are needing of elegance and stylish for their designs and particularly well suited for wedding invitations, cards and feminine branding. I have wanted to create such combination a long time and can’t believe that it is here. I’m super excited and hope you’ll estimate it too. Now all you need for perfect wedding invitation design is in one product. I think this decision will help you to save your time! What's included? More than 100 beautiful swashes in this font Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual Support : à á â ã ä å æ ç è é ê ë ì í î ï ñ ò ó ô õ ö ø ù ú û ü ý ÿ š fl fi ž œ ı ç ø š ž æ œ À Á Â Ã Ä Å Æ È É Ê Ë Ì Í Î Ï Ñ Ò Ó Ô Õ Ö Ø Œ Ù Ú Û Ü Ý Ÿ Š Š ŽŁ Ð Ç

*About the Product* **Centrio Typeface** Retro with an artistic touch elegant modern yet vintage the as well as a unique blend of ligatures a letter, so that the authors compose it with a and little swirly embedding, so that a modern font is formed and ready to make a statement by adding elegant and unique flair to your next design project. **Centrio Typeface** can be used for various purposes such as Magazine Title, Poster, Logo, T-Shirt, Sub Title, Business cards, Magazines, Book Covers, Wedding Invitations,Templates Instagram Story Post, Greeting Cards, Quotes, etc. These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. You can access these in more basic design programs but you will need to use your character map or font book Come on..let's style and pamper your next design with **Centrio Typeface**

The Centurion is a gothic blackletter. It feels classic and artistic. Add this beautiful font to each of your creative ideas and notice how it makes them stand out! The Centurion is perfect for Band logos & branding, product designs, label, product, movie, book tittle, product packaging, t’shirt design

A version of Futura, but very bold, ideal for modern advertising.

19th Century American Initials is a collection of beautiful Art Deco letters surrounded by swelling, sinuous, stylized natural forms of flowers, scrolls, spirals, rosettes, waves, and rain drops. This curvy artistic font Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Perfect for starting off the beginning of paragraphs in artistic publications, storybooks, fairy tales, and texts conveying the feel of the Art Deco period.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

The Century Old Style family was modeled on Century Expanded, which had been cut in 1900. Similar weights and proportions were maintained, but the letter shapes were made more elegant by the introduction of a number of old style characteristics. The Century Old Style family is a useful text design that offers good legibility and economy.

Under the commission of the American Century Magazine"", Linn Boyd Benton designed a new text typeface in 1894 with a design typical of the Neorenaissance movement in typography. Morris Fuller Benton produced various interpretations of this font for American Typefounders and the companies Linotype, Intertype and Monotype quickly took up the typeface. New Century Schoolbook font is a very legible font, fairly narrow and with relatively little stroke contrast. This font is from Morris F. Benton and appeared in 1915.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Century Old Style Pro is one of the fonts of the SoftMaker font library.

Enthra Centro script is an elegant combination of a script . It is slender, feminine and classy, while still maintaining a friendly feel. Enthra Centro script is versatile and will work perfectly for e-commerce brands, wedding boutiques, initial name cards or any business that wants to appear upscale and chic. With its many varian stylistic character Enthra Centro script is perfect for creating original and functional designs. It has extensive language support and alternates, stylistic sets that add visual interest to every letter. You can use the Enthra Centro script for high-end logotypes and magazine headlines, but let’s not forget greeting cards, invitations, posters, ads and the various web and screen usages. The overall feel of the font is elegant, sophisticated with a touch of informal and it is ideal if you want to convey a sense of class and style.

Centar Sans is a simple, modern, universal, powerful, invisible but not characterless, sans serif family. The family is designed for identities & corporate projects. Its wide range of styles covers lots of possibilities of use, from headlines to texts. It supports a lot of languages including cyrillic and comes along with 19 OpenType features - Small Caps, ligatures, alternates and many more. Regular styles are FREE! Extended detail here. or here.

Venture Point is a modern signature script font. With upright consist mono-line stroke, fun character. To give you an extra creative work. Venture Point font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Venture Point font. Cheers, Maulana Creative

Conture Script is a classic script typeface with a thin contour. This high-quality font is drawn and created by Måns Grebäck during 2017. With its hundreds of glyphs, Conture Script supports a very wide range of languages.

Introducing, Center Voyage - a Sans Serif typeface. This type of font perfectly made to be applied especially in headlines which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.