HWDP is heavy letterpress type. HWDP has two style: bold and bold italic. This type looks great in headlines and longer text. CHEERS!

Hand selected from multiple sources, the 60+ glyphs of Antique Borders & Corners 2 can be mixed and matched to make authentic 18th and 19th century borders of any length. Flip the orientation for 'bottom' borders with the shift key.

Pullman is based on turn-of-the-century lettering reminiscent of the signage on some luxury Pullman-style train cars of that period. It is a heavy script font with a lot of character and an authoritative, elegant look.

The Circularis family includes 8 styles and weights - eight uprights with eight italics. Circularis is characterized by the nice and smooth unordinary circle geometric contruction inspired at last century, nice readability, low price and finaly many variation of useful.

Based on some script in the 19th century. Inky texture gives realistic handwriting appearance. Smooth writing feeling creates antiqued and nostalgic atmosphere. There are two other script designed by in the same concept. -Daisy Lau -Lily Wang -Pansy Bo

Hand selected from multiple sources, the 60+ glyphs of Antique Borders & Corners 1 can be mixed and matched to make authentic 18th and 19th century borders of any length. Flip the orientation for 'bottom' borders with the shift key.

Yasashii is an art deco font based on Japanese designs for cosmetic packaging and posters used from the end of the 19th century to the early 20th. When you prefer more geometric letter form, please try our Diamond Ring.

Some pleasant Art Nouveau spurred serif hand lettering was found on the cover of a 1902 issue of “The Century Magazine”. This is now the digital typeface Nouveau Heading JNL, and is available in both regular and oblique versions.

Mi Amor is a fully cursive monoline handwriting script font. Contains Western and Central European accents.

Randolph is a popular font family from Jukebox done in an old fashioned copperplate etching style that harkens back to the days of old leather-bound shop ledgers and hand painted window signs. The large and wide letterforms of Randolph make a bold statement that will add solidity and impact to any design. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Inspired by the old style of letters used for signs or signs in the 60s era, Retrosey was born with two main styles; Retrosey One (Bold) and Retrosey Two (Inline). Born with the old spirit and evoking new styles from the past. Retrosey is able to fulfill your desire to feel the era again. Make it in your style with happiness! You can use Retrosey for the needs of making signs, signpainting, advertisements, price lists in stores, menu lists, posters, movie titles, book covers, main text in titles, clothing designs, or whatever you want by returning to the 60s era.

Savu is a hand-lettering font in four styles: regular, bold, condensed and condensed bold. It is recommended for use as a display typeface.

The Tomcat Bold is a playful display font. It comes in a regular and bold style which will give your design a fun touch.

Here’s a typeface with a stance as big as Texas. It’s based on Vincent Pacella’s 1960s oeuvre for Photo-Lettering, Inc. called Pacella Vega Extended 10, and named for a county in Central Texas, home of Possum Kingdom Lake. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

This loopy offering is patterned after a typeface from the 1888 specimen book from the Central Type Foundry of St. Louis, called simply "Spiral". The ragged contours on the original face have been smoothed out, but it still is an attention-getter. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Country Western Script is a new font based on the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh & Wells. This version includes Greek, Cyrillic, Central and Eastern European characters sets. Keeping with the original theme from 1859, Fill fonts are available for the Ornamented and Open faced versions of this font. Greek, Cyrillic, Central and Eastern European characters sets are supported in the Windows TrueType and OpenType formats. The Windows and Mac Type1 versions of this font do not support Greek, Cryillic, Central and Eastern European characters sets.

Edgar No. 9 is an original design by Alex Kaczun. Edgar No. 9 is a derivative work based on his Big Boy typeface series. It was designed specifically for display headlines, logotype, branding and similar applications. Primarily a display, this extremely versatile font has generous proportions, large counters and loose fitting which also allow the font to work well across a wide range of text sizes. Edgar No. 9 is a heavy baroque slab serif and although it shares the underling skeleton of 'Big Boy', it is a much more compact in overall proportions and spacing. A handsome bold headline font that works well in text as well as display sizes—ideally suited for publications and advertising. Alex plans to expand the font series to include a large range of weights along with corresponding italics numbering 1 thru 9, as well as, true small capitals and old style figures. Distressed version(s) will also be available in upcoming releases. Stay tuned, more to come soon. The large Pro font character set supports most Central European and many Eastern European languages.variations to expand this 'hip' new font series. Groovin' baby.

Miss Mable is a high-quality, well-proportioned contemporary typeface with variations in thick and thin strokes that contains a hint of previous decades. I wanted to create enough weights and widths to make the typeface suitable for a wide range of uses where a soft, stylish, and friendly look is appropriate. The Miss Mable type family consists of 44 fonts. The family encompasses seven weights across three widths in Roman and italics plus variable versions. Each font contains a complete set of characters for Western and Central European languages. In addition, OpenType features include dynamic fractions, alternate glyphs, ligatures, plus proportional, tabular, and old-style numerals. These high-quality fonts are fully compatible with Windows, Macintosh, and Linux. Also for sale are two Miss Mable variable fonts that include all Roman and italic glyphs of every width and weight plus everything in between. For example, if you need something slightly bolder than bold and a little wider than semi-condensed, the variable fonts make that possible without distortion. Variable technology is new, however. All modern web browsers support variable fonts, but support for most desktop software is still spotty.

Mancave SRF is the perfect font for the ultimate party Neanderthal. Holding court in his den with a case of beer, wide screen TV and all of his sports buddies, he is safe and secure in his lair. Bold, brash and angular, this typeface was designed for Stella Roberts fonts by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Barnhart Bros. and Spindler called this Faust Text when they introduced it in 1898. A quarter of a century later, they brought back a number of obsolete faces and renamed them. This one became Missal Text in their 1923 catalog.