Based on L&C Hairline, this family of faces is weighted to achieve stroke consistency in a variety of sizes. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Parquillian is a calligraphic display face with good legibility. It is based on a hand using elements of Italic, Gothic and Fraktur, developed for creating wedding certificates. It has numerous ligatures and alternates with subtle yet elegant swashes.

Tuscan Extended, from the William H. Page 1872 specimen book, provided the pattern for this unusual in-your-face face. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Here's a charming little face from the 1896 American Type Founders specimen book. Its naïvete will add warmth to any project it graces. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

That she blows! Another disco-era delight, this typeface is based on an Affolter and Gschwind release called Moby Dick. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This typeface reproduces letters written with a broad-nib pen casually by hand. The pen direction is close to vertical. Designed to create captions for illustrations, especially children's books, as well as for inscriptions in balloons of comics.

Amandez is a modern serif font with an elegant and professional shape. This font is equipped with uppercase, lowercase, numerals, punctuations, and multilingual support. It is suitable for logos, banners, branding, mugs, ornaments, weddings, holidays, certificates, and more.

Circula is a simplified geometric display typeface based on circles. It contains capitals and small capitals only (no lower case), basic symbols, superior and inferior numbers and common fractions. It supports Eastern European, Baltic and Turkish character sets.

Spargo is inspired by 20s and 30s American typefaces, often seen on share certificates and other securities. Spargo is offered in six all capitals display typefaces. Bring a touch of inter-war America to your next design project!

An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.

Horse Tank, an admittedly wacky offering from Fotostar, provided the pattern for this friendly little face, full of retro charm. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

A great variable font with fun ligatures. Symbols are stretched vertically like a baguette. It is perfect for eye-catching signs, posters, headers, product packaging, book cover, logotype, apparel design and etc. Display font Extended latin & Cyrillic 599 Glyphs

Gala72 font consist of 72 calligraphic greetings letterings for different event. These letterings are original and handwritten. This font makes it possible to use high quality calligraphy in your projects - greeting cards, certificates, invitation cards, letters of commendation etc.

The face exudes Edwardian elegance, based on a 1905 release from American Type Founders called Meriontype. It's evocative of simpler times. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Fat, wide and friendly—that describes this offering from the Miller and Richards foundy of Glasgow to a tee. Use it in good health. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Congratulatory 2.0 font consist of 36 calligraphic greetings letterings for different event. Letterings are original and handwritten. This font makes it possible to use high quality calligraphy in your projects - greeting cards, certificates, invitation cards, letters of commendation etc.

A clean, classic woodtype face from the William H. Page Company, as fresh today as it was over 120 years ago. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Engineer is a new, completely redesigned and improved version of my font TechnicznaPomoc, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Chamfer, released by Barhart Brothers & Spindler in the late nineteenth century, provided the pattern for this simple, elegant headline face. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Here’s a classic face from Dutch master type designer Sjoerd H. de Roos. Use it where timeless elegance is the goal. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Amidst the pages of the 1946 foreign-printed "100 Alphabets Publicitaires" ("100 Advertising Alphabets") was an example of a beautiful vertical script type design with a somewhat calligraphic look. This became the work model for Script Spot Initials JNL.

"Amalestha" is a beautiful and cute handwritten font. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. Very suitable for weddings, invitations, engagements, certificates, stickers, banners, posters, prints, branding, logos, Christmas, Halloween, Valentine's, lovely, and others.

Originally issued as Apollo by the Central Type Foundry of Saint Louis, this face evokes the glamor of late Victorian era. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Here's a hipster face that evokes the Beat era, taking its name from Louis Nye's catchphrase on "The Steve Allen Show." Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

In 1905, artist and illustrator Will Bradley devised the pattern for this charming face. A little bit quirky and a whole lot of fun. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Congratulatory New Year and Christmas font consist of 36 calligraphic greetings letterings. Letterings are original and handwritten. This font makes it possible to use high quality calligraphy in your projects - greeting cards, certificates, invitation cards, letters of commendation etc.

A revival and major expansion of a 1926 Ludwig Wagner Schriftgiesserei typeface called Titanic, Lexington is the ultimate art deco expression of the high times of signage and theater during the first half of the twentieth century. Big feminine caps and cozy direct minuscules make for a unique combination rarely found in other deco faces. Topped off with the humorous and quite suave tall and pointy ascenders and descenders of the alternates, Lexington makes for a versatile and uniquely eye-catching display face beneficial to poster art, book covers, classy menus, product packaging and music paraphernalia. The original specimen Hans van Maanen worked from showed the majuscules, minuscules, figures, and 4 alternates of some ascending minuscules. This new digital version includes all of the above, plus many more additions: - Plenty more alternates, for some caps as well as for all the ascending and descending lowercase. - Three different size variations for the comma and the period. - Oldstyle figures. - A full complement of accented characters to support more Latin-based languages than ever, including Baltic, Celtic, Turkish, and Central/Eastern European languages. - A Handtooled style variation that covers both the main character set and the alternates. Lexington was named after Manhattan's Lexington Avenue, home of the some of the most famous and polished art deco architecture of the 1920s and 1930s. Lexington and Lexington Handtooled come in all popular font formats. The OpenType versions combine their respective alternates with the main character sets, for ease of use within OpenType-savvy applications.

Welcome to Jillsville, the charming slab-serif typeface that will give your message a delicate and sympathetic tone. With its lovely curls and unusual design, Jillsville stands out from the crowd and offers a contemporary and unique touch to your design. One of the most striking features of Jillsville is its slab-serif design, which adds a touch of boldness and solidity to your text while still maintaining a delicate touch. Whether you’re creating a logo, a title, or a piece of body text, Jillsville’s distinct and eye-catching design will help your message stand out. In addition to its elegant design, Jillsville also offers a wide range of symbols and numerals, including mathematical symbols, fractions, numeric ordinals, and monetary symbols. This makes it a versatile and practical choice for a variety of design projects. With seven weights and italics to choose from, Jillsville offers plenty of flexibility and options for your design. Whether you’re looking for a bold and impactful headline or a softer and more delicate body text, Jillsville has the perfect weight and style for your needs. Overall, Jillsville is a must-have slab-serif for any designer looking for a contemporary and unique typeface. Its charming design and practical features make it an ideal choice for a variety of design projects, from branding and marketing to editorial and web design. Try Jillsville today and see how it can take your designs to the next level. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Hand lettering on the Art Deco-era sheet music for a song entitled "Rosemary" was the model for this delicate monoline design called Deco Hotel JNL.

Mixing the vertical to horizontal stroke weight ratio of a sans-serif font while adding serifs is the idea that inspired this face. The result is a typeface with unique display features that is also quite readable at text sizes.

Secesja Pro is a new, completely redesigned and improved version of my font Secesja, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

You can pack a lot of letters into a single line with this face, originally released as Clarendon XX Condensed in 1859. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Gotyk Nr7 is a new, completely redesigned and improved version of my font Gotyk Poszarpany, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Pacific Northwest Letters is a fun, handwritten font by Cultivated Mind. Pacific Northwest has been carefully hand painted and comes in two styles (Regular/Rough). This font includes a set of lower case letters and Pacific Northwest hand painted Labels B.

Tappatarap font. 559 glyph, 80+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Central Europe, Turkish, Baltic, Romanian, Euro, West European diacritics Please test your alphabet. If you have any issues, please let me know through email turalalisoy@gmail.com.

Another Dan X. Solo find, prosaically named Earth, provided the pattern for this family of futuristic fonts with a strong retro vibe. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

P22 Basala was created using straight horizontal and vertical lines, but with large rounded corners to create an unconventional softness for a bold face. The naming of the font reflects this juxtaposition: Basara= Basala= (in Japanese) free and unrestrained, unconventional.

Speedball pen master Ross George presented this face as D-nib Display. Its wide stance and quaint attitude make for some unavoidable whimsy. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Oksana Sans Condensed is designed for tight-fitting text. It has six weights from Thin to Heavy. Supports Western, Central, Baltic Latin and European Cyrillic codepages. Old-style digits, some ligatures, alternative characters and Ukrainian hryvnia sign are also included.