Introducing a conceptual script font: Asia Impact. It's a brush handwritten typeface inspired by asian traditional calligraphy. Each letter has two shapes versions for uppercase and lowercase characters. It works both in horizontal and vertical orientation. Asia Impact is perfect for tattoo design and authentic eastern lettering.

Mevada SRF and its oblique partner are a remix of the Ray Larabie design Devama SRF, another exclusive from Stella Roberts Fonts. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Ruddy is a display sans serif type family. It has a playful and mischievous presence. Exaggerated geometry and varied vertical character stem placement contribute to its animated appearance. Ruddy comes in 4 weights with matching italics. OpenType features include Contextual Alternates, Tabular Figures, Fractions, Numerators and Denominators.

Nowie Vremena is a sequel to a previously released Vremena Grotesk, a sans serif typeface, inspired by Arial’s apalling combination of grubby tidiness. The sequel travels back in time and explores Arial’s elder brothers and some 19th century sans serifs, through initial concept of hectic neutrality.

Suarez is a handwritten, fully connected script with ligatures to help with flow and readability. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Express yourself in ink with tattoo-inspired Stay True™. Available as a set or individually, Stay True and companion font Stay True Open deliver your message with an edgy attitude. Pro versions of both fonts extend the character set to support Eastern European and Baltic languages.

Polina (previously named Dobra) is a handmade, layered type family which includes several textures and shadows. Different font types can be created using various combinations of Polina fonts and colors. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Here's a refined version of Grange, released by Edinburgh's Miller & Richards foundry just around the turn of the twentieth century. A bit quirky with a lot of warmth. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Houschka Rounded is the companion family to Houschka Pro, featuring CE, Baltic, Turkish & Cyrillic language support plus small caps, stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka Rounded may be a softer & cuter sans serif than her big sister but she's equally versatile.

Procent is an all-caps, handwritten font with two variations for each letter. Procent can be used for scrapbooks, greeting cards, invitations, announcements, signs, menus, restaurant themes and more... Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

A literary font FS Neruda takes its name from Chilean poet Pablo Neruda, described as “the greatest poet of the 20th century in any language”. As such, it’s a font that references the very best literary typeface traditions. Smart, sharp and classical, FS Neruda bridges the gap between the classical and the offbeat. This font started life in the world of newspapers and books and is the perfect storytelling typeface for savvy, inquiring readers whether in printed journals, hard news, short online missives or poetry. Idiosyncratic precision FS Neruda is clear and legible in body text, while also being a space-saver fitting in more characters on each line than the typefaces that inspired it. In larger sizes it becomes a different beast – livelier, quirkier, but no less sharp. This is a truly classic typeface designed with long text setting in mind, thanks to its large x-heights, and short ascenders and descenders. FS Neruda mixes suave, sharp confidence with a sense of fragility and quirkiness. It’s knowledgeable, informative and idiosyncratic; one for readers and enquiring minds. Subtle weight modifications The construction and details of the letterforms differ across each of the five weights, with each cut separately to evoke different flavours: Thin is typewriter-like, Light is classy, Regular is canonical, Bold is robust, Black is magazine-esque. FS Neruda also boasts a radiant italic companion, a wide set of small caps, lower and uppercase ligatures, case punctuation and spacing, four sets of figures, and some ageless typographic symbols such as manicules, fleurons and teardrop crosses. Suggestive simplicity “The key to success in the current type design landscape is to design a typeface which looks conventional at text sizes but has a few small, suggestive touches visible at bigger sizes that make it distinct,” says designer Pedro Arilla. “Another thing we wanted to achieve with this typeface is simplicity.” FS Neruda is available in ten carefully crafted styles: it’s designed to work perfectly at text sizes, but still glows as a display typeface.

Calamity Wayne is a reverse-contrast slab serif, inspired by the ‘wild west’ French Clarendons (aka Italians or Egyptians) of the late-1800s. Despite the idiosyncrasies that make it ideal for display and headline uses, it is also surprisingly legible in text settings. Calamity Wayne supports Latin, Cyrillic and Greek, and is available in OTF and TTF formats. Acknowledgement: I am very grateful to David Jonathan Ross (https://djr.com) for his support and encouragement.

It don't mean a thing if it ain't got that swing, and it's easy to get into the swing of things with this bouncy little number, based on another offering by the irrepressible Ross George. Bright, bouncy and a little sassy, Nellie Kay will save the day, no matter what the occasion. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Camp is a rough-hewn, woodsy font that gives new meaning to logging on to your computer. With engraving-like, hand-rendered details, it harkens back to frontier days and simpler times. Whether gliding across a placid lake or trekking through untarnished nature, Camp will let you see the forest among the trees. A family of 5 fonts gives you the option of printing a single color outline w/drop shadow or up to four different colors using the shadow, fill, ends and outline variants.

The 1930s, 40s and 50s contribute many elegant and clean font families to the design canon. Plebia—the plain font—is Greater Albion's homage to that elegant design canon. The basic design is offered in a range of decorative forms chosen to preserve this basic simplicity: shadowed, outline and a subtle semi-serif. Use this font in signposts, labels and posters, anything that needs to get its message across with impact regardless of visual distance. Bring back the spirit of the middle years of the last decade.

Faithful Fly is an alphabet of capital letters designed by David Sagorski in 1994. Vital and dynamic, the figures of Faithful Fly dance across the base line. Zigzag strokes and energetic forms define this frolicsome font. Little ovals decorate the figures in different places. A marked contrast between finer and stronger strokes can be seen in all characters and builds the foundation of the unmistakable image of this font. Faithful Fly's fresh, young look makes this font perfect for comics, cartoons and trend magazines.

De Ruyter font was inspired by old and new. Old beautiful calligraphy and blackletter fonts used across the ages and new clean, simple sans-serif style fonts which may be use in many types of modern media. This typeface include 438 glyphs which cover 98% of Latin Plus languages and 94% of Latin Plus diacritics. De Ruyter include regular and italic version which will perfect works in any branding, logos, magazines, films projects, badges and headlines. The font is distributed in TrueType format including kerning.

Waverly CF combines the tone and flow of art deco with updated, clean letterforms and a modernized construction. Variation in letter width creates a pleasant rhythm perfect for artwork and logos. Waverly CF offers wide language support across Latin and Cyrillic glyphs, and includes a host of swashes and alternate letterforms. Waverly CF is an expressive display typeface and pairs well with simple, elegant serifs like Artifex CF and Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Notre Dame is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Notre Dame was designed by Karlgeorg Hoefer, who was inspired by the structure of forms once used mainly for liturgical purposes. Digital techniques made it possible to add Gothic ornaments and borders to the font, perfect for designing anything which should have a late Gothic feel.

Amitié is another typeface design by Ralph M. Unger. With its French origin already hinted at in the name, Amitié comes across as friendly and lively. This design reflects Unger’s interest and love in classical, expressive type with the right sense of style. Amitié is very readable at small sizes, but it can be used as well in headline sizes, e.g. for book title and the like. As usual for URW++ fonts, Amitié is supplied with the full range of Latin glyphs including those for Eastern Europe.

Flowing like warm honey, Mielle® CF is a playful cursive script perfect for logos, signage, and posters. Automatic ligatures and contextual letters flow across Mielle's six weights. Mielle® CF pairs well with simple, elegant typefaces that won’t compete for visual attention, such as Artifex CF and Artifex Hand CF. Please note that some contextual glyphs may not appear in the generated previews, but will work correctly in the full typeface. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Discover Bergins – Grotesque Sans Serif Modern Aesthetic Initially, Bergins captivates with its modern grotesque aesthetic. Designed meticulously, it embodies a fresh and contemporary vibe, ensuring visual appeal and innovation in design. Clarity and Precision Additionally, clarity reigns in its design. Every stroke and curve in Bergins speaks precision, offering optimal readability across various platforms and sizes, facilitating diverse applications. Versatility Unleashed Moreover, Bergins exhibits remarkable versatility. It seamlessly integrates with a multitude of design layouts, from digital platforms to printed materials, enhancing adaptability and usability.

Leroy is a font family of 5 members designed from geometrizing Roman and Gothic skeletons. Its purpose is to provide optimal reading of titles and paragraphs with strong mechanical flavor. Because of this, its variables are designed to sort information in media such as labels, signs and industrial atmosphere packaging related with the Soviet Union’s fonts in 1920. This idea matured white horizontal lines superimposed on alphabets drawn with an ancient architectural team known as “Leroy K & E Controlled Lettering System”. Then that evolved into a family concept unifying its proportion to the same X height for its members, resulting in a versatile type system. Therefore, Regular and Bold variables have low contrast between thick and thin strokes. Its upstream and downstream are extremely short, generating a suitable interline that clogs the vertical area. Its overall width equal to its X height, supports its tight spacing that compacts the horizontal area. Therefore, the variant with black caliber has plenty of contrast between thick and thin strokes. The light variable has a “blind” effect radiating light halos, ideal to propose hierarchies and combinations with orthogonal projection. In that sense, Leroy’s modular character reminds constructivist ideology merged with typographical variants suitable for graphic design with geometric look. To achieve this, I studied the softening of forms and counter blocks into a typographical system specially designed for composing useful information to attract attention. In that sense, the dingbats were obtained through a careful process of research and testings done with drawings that provided full and empty visual strategies that with the passage of time helped to forge the major decisions of a metamorphosis from industrial tools, birds and humans from pictogram mixing various genres.

Meet my new font Halbrein – a romantic delicate script font with its poetic flow, which simulates natural handwriting. Halbrein comes with uppercase, lowercase, standard punctuation and special letters for most European languages.

Almerita is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Beatlove is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards or any other design that may need a romantic, personalized touch!

Nathaly is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Medieval Knots font family has Regular and Colored styles. It inspired by Celtic knots initials and lines. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/w6n0zmga231xng1/MedievalKnots-Test.otf?dl=0 ) to check your app & system.* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman. Thank you!

I have improved and added diacritics to this elegant alphabet, and generally cleaned it up to a professional standard. It is well suited to logos, menus, invitations and other things wanting a touch of elegance. Nick Curtis says: "I came across this particular treatment for swash caps in an old book on letterhead design. The original had been handlettered, but I though it might be convenient to have a ready-made font to accomplish the same effect, and here it is. As an extra added feature, the “§” sign is an ampersand with a long tail." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Thai family has 4 fonts in total. It spans four weights from light to bold. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity.

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Vietnamese family has 4 fonts in total. It spans four weights from light to bold. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity.

My Beloved is a delicate and flowing handwritten font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

I want the font to have a vitality of life, Visually, the details are beautiful, long and fashionable, low-key and elegant, quiet and delicate, with the aesthetic feeling of fashion, not aggressive.

Hello Mellinda is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Juliane is a thin lettered and delicate script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

The Pacific Sans and the Pacific Serif originated from the Pacific Standard, a space effective type face, especially designed for poster lettering. The implementation of serif strokes in the Pacific Serif and the contrast in vertical and horizontal strokes in the Pacific Sans, gave these fonts a distinct elegance.

The Pacific Sans and the Pacific Serif originated from the Pacific Standard, a space effective type face, especially designed for poster lettering. The implementation of serif strokes in the Pacific Serif and the contrast in vertical and horizontal strokes in the Pacific Sans, gave these fonts a distinct elegance.

Vivaldi was designed by Friedrich Peter. Generous, intricate initial caps combine with a more reserved lowercase to create a beautiful script font. Vivaldi's letterforms incorporate an elegant mixture of calligraphic and copperplate elements. It is ideal for invitations, announcements, certificates, or other work requiring a distinctive, formal appearance.

'Lenbach' is a revival which was inspired by a late-19th century German font design. It comes with both Western and Central European characters, as well as Baltic, Romanian and Turkish characters. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.

P22 Allyson is based on an old metal font by Barnhart Bros. & Spindler named Hazel Script. This font is perfect for elegant invitations and certificates and has been expanded to meet the needs of today's computer user to include a full character set. Allyson Pro contains OpenType features.