Oliva & Oliva Italic are two strong and funky display fonts. Influences came from typefaces like Futura Black by Paul Renner and Motter Ombra by Othmar Motter, but also Stilla by François Boltana and Allegro by Hans Bohn lay on the desk. All these ingredients were mixed to a new and contemporary type experience and packed in proper OpenType files Oliva & Oliva Italic are OpenType Pro, featuring full Western, Central European, Baltic, Turkish and also Cyrillic language support. They contain ligatures, superior numerals, and a stylish set of decorative ornaments and arrows.

Swissra is an Arabic typeface that was inspired from Swiss graphic design. The motivation behind the typeface was to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Swissra also aspires to tribute the experience of Swiss graphic design and pass it on to the Arabic graphic design scene. Swissra features sharply cut terminals, which are either horizontal or vertical. It also features closed apretures and a high x-height. It comes with eight weights, that range from thin to black.

SoftMaker’s Tioga Script Pro typeface was designed in 1956, but feels as fresh as if it had been created yesterday. An informal script typeface that comes in three different weights. Tioga Script Pro contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Atrium, designed by Alex Jacque, is a strong, linear, geometric sans-serif display typeface based off century-old pen art by W.E. Dennis. Atrium's stubbornly geometric letterforms are set off with a few softening flourishes on a few glyphs. It's sharp corners, straight verticals and horizontals make Atrium pack some punch when used in headlines, pull quotes, and logotypes. Atrium was released in 2012 in OpenType format and comes in three different weights: light, regular, and bold, with a regular and oblique version of each for a total of 6 styles in the family.

Inspired by the first Swiss banknotes, Fiducia is a four weight display typeface. Linked through a common theme, this family is a collection of four styles of typography, Serif, Modern, Slab and Sans. Connected through common vertical proportions, the styles can be combined and mixed to create diverse layouts. These four styles include a range of Opentype features, they all share a range of numerals and each weight equally features its own additional option, for example adding a titling style in the Serif weight or Small capitals in the Sans.

Nauticus Sans is a hand-drawn, all caps, sans serif family. It features 4 different font weights: Thin, Regular, Bold and Bold Press. Every lowercase letter has three variations. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect. Nauticus Script is a handwritten, fully connected script with ligatures and contextual alternates to help with flow and readability. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The Delima font family has something of the Clarendon or Ionic influence but is distinguished by a lighter serif treatment. The contrast between thick and thin strokes is not pronounced, weight stress is vertical. Delima's serifs are short but strong, allowing close letter spacing to give good economy. Lowercase x-height is very generous, internal counters are open. This combines to give Delima excellent legibility in small sizes and an overall even colour when set in text. Delima works well for magazines, periodicals and display work in advertising, flyers and catalogues.

This script font was inspired by the “Ronde” French script. It was in use from 1700s to 1900s (until 1960s in special circumstances) for registers, legal documents and texts, certificates, labels and other documents that must be particularly legible. Today in France, it is still being used for menus, advertising, and labels. The present version is a late 19th Century pattern. This font supports very strong enlargements as well as small sizes. When printed, it remains perfectly legible and elegant from 9/11 pts even if using an ordinary inkjet printer.

Introducing Edmont is a vertical high and tall typeface that's great for headlines. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Alphaluxe is a distinctive new typeface from Wesley Poole of Hawai’i. This vertical script packs a velvet punch. It compels attention like the best of the futuristic Moderne scripts from the 1930s, (refined by the 1950s) with none of the bulk. The shapes are strong, their rendering light. Fortunately, Mr. Poole can't break his addiction to elegance and sophistication. It's a classy alphabet. but not self-conscious or stereotypical. Contributing mightily to this effort is Rod Cavazos (Psy/Ops, San Francisco). Among today's typefaces, Alphaluxe is a rare achievement.

Galaxus is an edgy display font defined by its tight spacing, sleekness, and short descenders. Curvature is limited throughout the character set with straightened lines dominating the interior. Traditional diagonals in capitals like M, N, W and Y are given the straight treatment to maintain vertical emphasis. This styling along with the contrast between thick and thin make for a unique look. Galaxus would work well in a logo, on sports apparel, or in a video game. This family is equipped with Basic Latin, Extended Latin, diacritics, punctuation, kerning, and comes in 4 versions.

Her father named her Estella Dawn, or morning star. She truly shines bright, for as the owner of Stella Roberts Fonts, she has dedicated part of her net profits to helping her siblings pay for their medication; they both suffer from Cystic Fibrosis and diabetes. Calm in spirit, loyal to friends and family, nurturing and caring-- Stella has been a friend of Jeff Levine's for years. His Estella JNL font was dedicated to her, as is this other namesake font, Morningstar JNL. The design is a cross between retro-techno and a slight calligraphic touch.

Northwoods Rough is a handwritten sans serif collection by Cultivated Mind. This collection includes 30 handwritten rough sans serif fonts. Northwoods Rough comes in three rough versions (Rough/Rougher/Roughest). Choose between light, italic or bolder versions for designing. Test out the FREE Northwoods Demo before you buy. Northwoods Rough Demo is for testing only. Northwoods supports most of Central European and Eastern European languages. Use Northwoods Rough for packaging designs, products, signage, books and magazines. Fonts are designed by Cindy Kinash and posters by featured Behance designer, Mustafa Akülker.

This rough font was inspired by a Russian Cyrillic hand of the 1350s “Russkaja Pravda” (a Russian text of common Laws). As a Pro font, it supports Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish specific characters, as well as Old Russian glyphs, including many which fell out of use in the 1700s, except in religious texts — in all over 136 Russian glyphs. The upper and lower case have the same form and almost same size, like in the original texts, which had only one size and style.

Staehle Graphia Script was designed by Professor Walter Stähle in the 1960s. It is a very vertical font in the style of the printing on private correspondence in the 19th century. The elegant and sweeping capitals of Linotype Staehle Graphia Script are particularly well-suited to the beginning of passages or lines while the capitals of Linotype Staehle Graphia are better for longer texts. Both should be used with a relatively small line width. The lyricism and liveliness displayed by the font makes it the perfect choice for artistic texts such as poems.

Foundry Flek and Foundry Plek are created on the same dot matrix grid system. Each family includes: light, regular, medium and bold weights – with a selection of dot patterns that can extend the grid vertically and horizontally. The underlying matrix common to each weight allows experimentation with overlays, and mixing weights produces varying effects. Foundry Plek used conventionally works well for serious correspondence, with a 'typewriter font' effect. Foundry Flek has an integral dot matrix grid as a background. With these two fonts a whole new graphic language can be explored.

Heraklion letters are drawn with their gravity in the metric vertical – instead of resting on a baseline, they dance acrobatically on a string. This allows for a more drastic variation among the glyphs, which no longer have a fixed x-height. In order to create a simplistic and mathematic character, shapes are constrained to circles and straigh lines. The design principles result in a playful expressive set that is surprisingly clear. “A choreography where the individual actors freedom of expression is enclosed in foundational rules that create interconnectivity and belonging.”

Stipa willington is a classic font I built it with my relaxed hands with the design of a classic font but having a modern element in it. It makes it particularly suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, in fact for any design work that requires a clasik, formal or luxury. Try Stipa willington, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Introducing our latest display typeface called RESIDUAL is a Strong Bold Display Font, Cool and Strong with can make your logotype become more interesting. Best Vintage font and multilingual support. inspired by the decorative arts and architecture movement. RESIDUAL fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more. It’s perfect for labels, quotes, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs,and window art.

Bell is a facsimile of the typeface cut originally for John Bell by Richard Austin in 1788~ using as a basis the matrices in the possession of Stephenson Blake & Co. Used in Bells newspaper~ The Oracle~ it was regarded by Stanley Morison as the first English Modern face. Although inspired by French punchcutters of the time~ with a vertical stress and fine hairlines~ Bell is less severe than the French models and is now classified as Transitional. Essentially a text face~ the Bell font family can be used for books~ magazines~ long articles~ etc.

Alter Biom is eclectic sans-serif inspired by many type styles from calligraphy and blackletter to modernism. It will work great as titles and headlines, short display-textlines on book covers, magazines, packaging or posters. On the web this type must be used in large point sizes for best legibility. It supports Latin Extended-A (Western, Central Europe, Baltic, Turkish) and Cyrillic encoding languages and contain minimal set of opentype features – lining digits, case sensitive punctuation, small-numeric forms and scripted fractions. Fully functional Demo style is distributed free for non-commercial using.

Mansdefia is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of Italian women and ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Desirable Calligraphy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Lucian Bernhard designed this typeface for American Type Founders in 1929. Bernhard Fashion sports tall ascenders, stylish embellishments, and much taller than normal capitals that drop below the baseline. This extra light typeface radiates elegance and lightness. SoftMaker’s Bernhard Fashion Pro typeface comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

TWO LAYERED FONT: Be sure to get both the FRONT and the BACK! Maintaining simultaneous shades of whimsy and versatility is no simple feat, but the meticulously constructed Stately Gothic accomplishes just that, elegantly. Stately Gothic is a redrawn version of Grit Gothic. The strong vertical character of this stacking/layered typeface make it an ideal solution for use where legibility matters most: posters, logos, book and album covers, and so on. It is part of Grit History Series B along with Heirloom Artcraft, Worn Gothic, Grit Sans, and Grit Gothic.

Journal Sans Old School is a new, modernized digital version of the widely popular Journal Sans. The new typeface preserves the character of the geometric sans from the famous “Science and Life” magazine of the 1960s. The weight of the basic styles corresponds to the Journal Sans regular and bold from the Soviet linotype catalogs. Also, the original vertical proportions and character forms match the original. Cyrillic Alternates, Greek language support expand the range of font’s usage. Journal Sans Old School was designed by Natalia Vasilyeva and released by Paratype in 2019.

The six typefaces of the Kyhota group all have an “Old West” look to them. KyhotaOne has very thick slab serifs compared to KyhotaTwo. KyhotaBarbed is more condensed than either and has little barbs on the verticals, something that was a feature of a number of nineteenth century typefaces in this style. KyhotaFezdaz is condensed, without barbs, and with the slab serifs replaced with a flare serif. KyhotaBigBottom and KyhotaBigTop play with the weighting of the serifs, with one (either top or bottom) very thin and the other very thick.

Gerbera is a new sans-serif with a distinct personality that fuses geometric and organic elements. It is at once hip and quaint, clear yet idiosyncratic, restrained but sensual. Its deliberately varied classical capital proportions and geometric structure are balanced by slightly reversed stress and pinched terminals on curved strokes. This versatile font comes in five weights with their italics and offers a variety of Open Type features, including small caps, alternate characters and punctuation, five sets of figures, and CE, Baltic, and Cyrillic support. Designed by Gayaneh Bagdasaryan & Vyacheslav Kirilenko, 2014-2022.

Garamond Nova Pro is one of the fonts of the SoftMaker font library. It is a modern interpretation of the classic Garamond style. SoftMaker’s Garamond Nova Pro typeface family contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Rosselina is a handwritten, fully connected script with ligatures and contextual alternates to help with flow and readability. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Every lowercase letter has at least two variations. To get the alternate glyph just add "+" before the letter in any OpenType savvy application or manually choose the character from Glyph Palette. When you type uppercase letters they will change to Small Caps. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

A blackletter font tending towards the gothic which was released by Klingspor, Offenbach am Main, in 1937. Claudius can be used for clerical as well as for secular purposes and shows a strong character of its own. The original esthetic atrocities of placing the dieresis within the letters A and O - due to former German industry standards - were abolished. Allow the font's beauty spread by giving it enough leading between the lines. This font contains various useful ligatures, and by activating the Ordinals feature and typing 'N', 'o' and period you get an oldstyle numbersign.

Gatlik Saphir is a classic font, I built it with my relaxed hands, designing a classic font but having a modern element in it, which makes it particularly suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, in fact for any design work that requires a clasik, formal or luxury. Try Gatlik Saphir, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Thank you for purchase!

Say hello to the new Magallanes Condensed Family, a contemporary neo-humanist sans serif font designed by Daniel Hernández. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. It comes with 8 styles, from Ultra Light to Black, each with its true italics. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc. Languages supported include Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin.

Robert E. Smith designed this typeface for American Type Founders in 1942. Brush Script is perfect for display work where an informal, handwritten style is desired, for example in signage and on posters. SoftMaker’s Brush Script Pro typeface comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Salda; It is a modern sans serif family that blends old and new generation sans serif fonts in the same body. It has a wide usage area with its light narrow structure, sharp and clean lines, humanist touches. It provides clean and smooth visuals in vertical screens, mobile applications and block texts. With two different x heights (xL-xS), the body offers richness in text and headings. It consists of a total of 40 styles. Ideal for all kinds of editorial design, packaging, corporate identity, brand, application, web and desktop.

Tupã is a Brazilian indigienous god of thunder. This typeface is a geometric Sans Serif based on vertical and diagonal strokes. The heavy weights are great for impact layouts and the light weights are perfect to make sutil and strong messages. Tupã has a wide character set, including Cyrillic, with Small Caps, Ligatures, regular and tabular numbers and a lot of alternates. This Font is great for tight leading, including when diacritics are involved, there are alternates and case sensitives symbols to make all blocked. And yes!, there's a Variable Font too.

Foundry Plek and Foundry Flek are created on the same dot matrix grid system. Each family includes: light, regular, medium and bold weights – with a selection of dot patterns that can extend the grid vertically and horizontally. The underlying matrix common to each weight allows experimentation with overlays, and mixing weights produces varying effects. Foundry Plek used conventionally works well for serious correspondence, with a 'typewriter font' effect. Foundry Flek has an integral dot matrix grid as a background. With these two fonts a whole new graphic language can be explored.

Frakto is a two-weight family of calligraphic Fraktur-style typefaces designed by Julius de Goede. One of the main categories of Blackletter typefaces, Fraktur was developed around 1517, and was used throughout Germany and Northern Europe well into the 20th century. With Frakto, Julius de Goede has re-applied the written element of the script back into the Fraktur style, rejuvenating and reinvigorating it for 21st century display use. Frakto is the perfect fit for certificates and newsletter headlines. We recommended using it in point sizes from 12-pt on up.

Bamberforth is a new take on the type of lettering that was often seen on Railway timetables, share certificates and anything else that needed a distinctive heading in the mid-19th Century. This sort of thing was used on both sides of the Atlantic and can carry us back to another time. Bamberforth aims to give a modern clarity to a style of lettering that, in all other particulars, harks straight back to Victorian times. Bamberforth is ideal for giving anything a 19th century feel-especially posters, book headings, dust jackets and invitations.

Big Jim Roberts was my dad. A dedicated family man who taught us about faith, values and love is missed by our family. Jim just about did it all. He was a military man, a police officer, a power company engineer and a photographer. This typeface (which is comprised of a bold lower-case alphabet) has a 70s retro feel. Jim might have like it. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

La Route is inspired by my other font Modern Times. La Route works great in any branding, films, magazines, header, logos, badge, packaging, headline, poster, t-shirt/apparel. La Route gives you options to explore a whole host of applications and give a real modern feel to any project. 965 glyph, 100+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Greek, Georgian, Central Europe, Turkish, Baltic, Romanian, Euro, West European diacritics Please test your alphabet. If you have any issues please let me know through email turalalisoy@gmail.com.