Medina Gothic is a three-weight sans serif inspired by Latin American moderne. It was designed in response to the 2002, Altos de Chavon design conference in The Dominican Republic, which celebrated utilitarian driven gestures in graphic design. "There’s a rigor to Medina Gothic that takes care of all sorts of tenets of a hard-working, highly legible, objective font. But at the same time, it’s human. All the curved terminals and open counter forms make for a sort of kindness. For all the discipline, it doesn’t sacrifice its friendliness." – William Morrisey, Professor of Typography, Parsons The New School for Design.

Centrale Sans Condensed is not just a "squished" version of our Centrale Sans family, it's designed as a stand alone typeface with the family characteristics in mind. It bears all the qualities of the normal width being even friendlier because of the closer relation it has with the humanist model. The condensed width is with 15% narrower than its normal sibling, which makes it precious space-saving tool. Centrale Sans Condensed also have 9 weights from Hairline to Extra Bold plus their matching italics. It includes Some OpenType features like discretional ligatures, tabular figures and stylistic alternatives.

Since 2017, I have been improving my font creating skills. In the same year, I went through my father's notes and decided to make a font with his handwriting style. I completed the initial version with a lower number of glyphs in 2018. It supported only basic Latin, Turkish, and Azerbaijani alphabets. On the 15th of January 2021, my dad will turn 60. I am planning to finalize the updated version of the Father font by then. 584 glyph, 100+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Central Europe, Turkish, Romanian, Euro, West European diacritics

The rounded Serif with edges. Olivia Serif got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.

Hallie Thompson is a pair of font that brings the modern and elegant feel in the same time. The serif combined with the natural hand writing script with signature style are the perfect match for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. Features : 2 fonts (serif and script font) uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing an elegant bouncy font that every strike the shape brings the vibes of beauty, pretty, elegant, and aesthetic. Aesthetica font comes with several of alternates, so you can switch on for the swashes, stylistic alternate, alternate, initial and terminal form (SS01-SS02). This font is perfect for logo font, branding, greeting card, cut files for quote, silhouette font design, monogram font, and etc. The packages and features Aesthetica font PUA encoded Multilingual support for 17 languages If you have any questions about technical support and others, don't hesitate to drop me a message. Have a nice day, stay safe and healthy.

The overthinkers is a semi script hand lettering font for all of your hand lettering designs! With two sets of uppercase glyphs, three sets of lowercase and over 230 ligatures no two words will be same! So your designs will truly look hand lettered. With so much choice be careful not to overthink your designs ;). This font is perfect on it’s own or you may like to use it with your existing hand lettering fonts. Go ahead and try it out - it’ll compliment any design! It’s perfect for merchandise and food packaging, book designs, logos and much more.

Introducing ZALOGA Display Serif Font. ZALOGA is a serif font that gives modern touch on your design. It looks so good for fashion brand logo. With different style of shape, ZALOGA will make it easier for you to use various design functions, be it for logos, typography, magazine, fashion, branding, advertising, and more. Need to test words in this font? Just type the box below, and see what it looks like For more information on accessing alternative flying machines, you can see this link (http://adobe.ly/1m1fn4Y) Thanks, stay safe and healthy, and have a nice day.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Rachele is a mono line based script thin font. Inspired on the cute “Italian Bella Scrittura” handwriting but influenced by Spencerian. Ornaments and ligatures make this hand more expressive offering round stroke endings and a flowing shape. Rachele is a big family, its stroke expand into extra light till medium and passing through a calligraphic/ribbon effect. At the same time the width varies, that’s make this script even more flexible, from Ultra Condensed to Super Extended. Enjoy it. Check out also Check out also ‘Mentha’ based on Rachele’s skeleton. We recommend to combine Rachele with: Turquoise

Introducing Noricks, the handy bold serif typeface. Designed with satisfying large serif, and inspired by the newspaper headline and classy fashion logos. In this font, you can find strong and mild looks at the same time that makes Noricks can be used for many purposes. Work perfectly for logo, headline, title, or any design which needs emphasis from typography. Noricks is more complete with ligatures and a lot of special characters that you can apply and get the classy looks. What you’ll get : Uppercase Lowercase Numbers & symbols Punctuation Stylistic alternates Stylistic set Ligatures Accented characters Enjoy!

Urbane Condensed is an addition to the popular Urbane series, a versatile all-purpose sans-serif family of six weights plus italics. Perfect for headlines and running text, it is clear, classic and authoritative. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

Urbane Rounded is a curved, friendly version of Urbane, a versatile all-purpose sans-serif family of six weights plus italics. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Perfect for headlines and running text, it is clear, classic and authoritative. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

Andes Rounded, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed versions, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Our latest fonts that save beauty in every word order you write with this font. made by paying attention to detailed geometric and paying attention to the perspective of the eye when reading the text using this font, so we made this font design to appear harmonious and comfortable to read. use this font to create a perfect design. This font is very suitable as text with displays for various kinds of branding, advertisements, posters, banners, packaging, news headlines, magazines, websites, logo design, banners, social media design and of course you can use a lot more.

The Fast Hand set was inspired by casual, neat hand lettering. They are casual and informal and ideal for use in conveying these qualities. They are excellent for casual text and at large sizes an effective casual display font. Both fonts have the same uppercase alphabet, numbers, punctuation, accented characters, symbols, and miscellaneous characters. As their names imply Fast Hand Lower Case has a lowercase alphabet while Fast Hand Small Caps has small caps in place of the lowercase alphabet. Fast Hand Lower Case and Fast Hand Small Caps are sold as a set priced at $20.

Greater Albion Has been toying with thoughts of a “unicase” typeface for a while. On the other hand we’ve always wondered just what practical use they are. It is also a while since we’ve introduced a ‘handwritten’ design. Therefore, It struck us that one answer was something ‘hand-lettered’. These days many people do write in a sort of informal unicase don’t they? But, at the same time, we wanted it to have a little character. So here it is, a bit calligraphic, with a touch of black-letter and a cunning mix of upper- and lower-case forms Uncia Black!

Mr Jones was originally conceived as a family for print design consisting of a sans and a headline. The lowercase are wide for legibility at small sizes while the caps are narrower to save space and keep an even balance of negative space when used in body copy. The overall widths of certain characters have been adjusted to almost extremes to keep an even balance of white space around each letter. He works well in body copy, but will need decreased tracking for larger settings. He comes with small caps; proportional, oldstyle, and tabular figures and discretionary ligatures.

Tsanger Yunhei was designed and published by Tsanger. Tsanger Yunhei contains 8 styles and family package options. The designer has made unique treatment on the shape and structure of the pen, based on the Chinese calligraphy style and writing, which makes it easier to identify under the same size of the font and group reading effect better. Tsanger Yunhei is more in line with the aesthetic habits of Chinese characters getting the reading an easy task. This font adopts GB 2312—1980 standard, with a total of 6763 Chinese characters, matching Latin letters, Greek letters, Hiragana, Katakana, Russian Cyrillic letters, etc.

Kinn is an industrial san-serif typeface with an essence of squared structure inspired by a futuristic look. Kinn is robust but portray a friendly touch with a little roundness to its shape, it can also be very formal when it needs to but it is flexible and fun to use at the same time. Its wide proportion makes it ideally suited a wide range of modern applications and variety of usage from heavy display, headlines or even text. Kinn comes in 9 consecutive weights, each weight accompany with italics. Equipped with Alternates, Ligatures and 10 Cryptocurrency signs.

Linoblox is a sans and ornaments font family made using hand-carved linoleum, based on my Bloxhall art deco font. This collection has a quirky handmade look, but can also be used in retro and vintage designs, such as collages. The fonts have a realistic ink stamp texture that will look great in logos, notes and quotes, social media posts, and branding and packaging. Linoblox includes: Linoblox font in three variations: regular, jumpy and underlined An ornaments font, with doodles, swashes, smudges and frames (Please note: this is the same set of ornaments as the Notes From Home serif font)

Carle is a display font family with regular and colored styles. 3D style letters are based on impossible isometric shapes. Perfect for childish labels, illusion company, birthday posters etc. What you will get: Colored, regular and shadow styles Uppercase only (lowercase glyphs are same) Numbers and symbols Please feel free to request to add characters you need: kaer.pro@gmail.com You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, QuarkXPress since 2018, Pixelmator, Sketch, Affinity Designer Since macOS 10.14 Mojave, Paint.NET Windows only. Please note that the Canva do not support color fonts!

Corner Deli is a layered script & sans pack inspired by American commercial sign culture. Corner Deli has three base fonts and four layer options for each + there is a set of extra end swashes for Corner Deli script and layers for them too. Corner Deli is easy to use, just write the same text with different layer-fonts and colors and stack them on top of each other: check the gallery for more detailed instructions. Corner Deli is a great family for any display use, especially for branding, packaging, menus & posters from print to online and it works stunning even without the layers.

Beeching is a family of six typefaces designed to combine extreme legibility with a hint of retrospective character. It is inspired by the lettering used in the Leslie Green designed stations of the London Underground and is as up to date today as it was the day those stations opened. The Beeching faces (Regular, Bold, Small Capitals, Small Capitals Bold, Shadowed and Small Capitals Shadowed) are ideal for use in large scale signage that needs to be seen over long distances. We feel the family provides a clear demonstration that traditional details, such as serifs and ligatures serve to enhance legibility.

Neue Frutiger Vietnamese''' was developed by a team of designers and font engineers from the Monotype Studio under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Vietnamese embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

MVB Gryphius is a digitization of uncommon type from an era normally associated with the work of Nicolas Jenson. Produced by Otto Trace, the fonts come from types used by Sebastian Gryphius in Lyon in the early 16th century. The italic appears in a book from 1524 and the roman and small caps appear with the same italic in another book printed by Gryphius in 1541. Retaining the rough contours and uneven texture of its source, MVB Gryphius is best used at text sizes from 12- to 15-point, but its old world character can work in display settings too.

This font is for parents and educators that want to easily be able to print out the alphabet in order to have their child or student then trace them. This eliminates the need for creating the dotted lines by hand and lets the user type out exactly what letters they need instead of relying on pre-made charts. The font is upper and lowercase letters and numbers only - no punctuation. Comes in Regular and Guides (get both for the same price as one) which draws guidelines with the letters. Best when used at a large point size.

Hurme Geometric Sans No.4 includes seven weights with true Small Caps, obliques and swash alternates. Uppercase swash alternates can be automatically applied to all characters or just to first and last characters of each word. Please see the specimen PDF for complete overview of the typeface and its features. Alternate characters and other Opentype features make for a versatile family that can be adjusted for specific needs. Hurme Geometric Sans is a series of font families all with distinctive qualities and features but share the same basic construction and proportions. See also the other Hurme Geometric Sans families.

New Eurostile! A redesigned Eurostile font, Astor font, was created inspired of one of most used fonts in the world. Idea was to make new, contemporary design of old Eurostile font which was created 1962. by designer Aldo Novarese. Main characteristics and features of Astor font are: beautiful design and contemporary font. May be used like display font, cargo font, OCR font. Most of glyphs have same thickness and high modularity in combining 2 or more glyphs. Good for architect’s projects, labeling, making environmental typography installations, for use of some interior or exterior designs, furniture designs etc.

With the lowercases of Festivo Letters Font Family, Festivo LC comes with new sketches, new shadows and also ornaments. Festivo LC Font Family is a handmade layered font which includes several textures and shadows. Different font types can be created using various combinations of Festivo LC Fonts and colors. The kernings and the metrics of Festivo LC Fonts are not the same as Festivo Letters' kernings and metrics. It is advised not to use them together. The various possibilities of the Festivo Font Family allows you to create a lot of great works such as posters, magazines, printings, t-shirts etc.

Introducing Wakatobi, our newest font creation that exudes power and beauty through its condensed sans serif display. With a distinctive character and unique form, Wakatobi is a formidable typeface designed to captivate attention. Ideal for magazine spreads, covers, and posters in large print, this massive font is tailored for titles and wide spaces. Specifically crafted for covers and posters, Wakatobi ensures it doesn't go unnoticed, making a bold impact without compromising style or legibility. Whether in large-scale designs or smaller point sizes, Wakatobi stands out, delivering a visual punch that resonates with both impact and elegance.

An industrial strength slab-serif typeface which performs equally well with headlines as well as longer text. It differs from the stiff almost mechanical structure of other slabs, by introducing distinct letterforms in characters like ‘f’, ‘r’ and managing at the same time to combine effectively the typeface’s round parts with deep cuts and sharp inner corners, which add an interesting character to this otherwise contemporary series. PF Synch Pro consists of 4 fonts from black to regular. It is loaded with 3 special OpenType features and offers multilingual support for all European languages including Greek and Cyrillic.

Glitter Girl is a naive but romantic and flirty face with fragments of tinsel in its hair. Here's a font with a fresh attitude dressed in frilly flowing flower child fabrics sparkling with sequins. If you're looking for a light feminine aesthetic to grace your chic fashionista blog or livejournal, give it a little Glitter Girl Gossip, a safe text with long legs that will treat your thoughts with a twinkle and a touch of magic. These chic, cozy, clean, warm and fuzzy fonts are BFF -- Best Fonts for Facebook statements you want to share with your social network!

Scirocco is a hot and humid wind that blows from the Sahara over to France and Italy. It crosses the mediterranean sea and carries lots of fine desert dust with it. Once it hits the coast of Provençe one can feel it grinding ones teeth and see it as fine dust covering every car. It makes people go nuts! Scirocco, the typeface has that same hot moving character and the finer hairlines giving it a kind of Arabic touch. If you use it too much, it will make you go nuts. Your pretty crazy Gert Wiescher

Presenting originally designed decorative font named Kaipara. The main goal of this font is a pattern that flows between the characters. Each letter has six variations that switches automatically to create a solid pattern feeling. Check out that "context alternates" OpenType feature is activated to achieve neccessery result. Also a simple supporting font is available here. Note: Please note that full pattern effect is working only with english alphabet and numbers. All other characters has only one variation. Note: Check out that all of your letters has the same case (lowercase or uppercase) to make the effect work properly.

Constructivist flavor typography goes pro enters the digital era with Delaware Pro AOE. Delaware Pro AOE is the revival and elaboration of a limited lettering specimen from a series of old loose book pages. What began as just Capitals & Lowercase was expanded to a rich pro glyphset including numerals, punctuation, small caps, small caps scaled figures, unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, and an expanded language glyph set. From titling to nightclub posters, fashion spreads to stencil play, the Constructivist Era is built up and out, waiting for you to put it to use.

Calypso I (Italian) draws its inspiration from type founders' plentiful show-off-letters, which were typical on title pages and lithographs in the early 19th century. It borrows luscious details from these but inherits a stiff modern backbone from its parent, Calypso E (Egyptian). Within the Calypso type family all fonts share the same dimensions and work together consistently. Calypso I supports many languages and includes, for example, four sets of basic numerals, circled numbers, alternative characters, case sensitive forms and dingbats. Give it a go on drop caps and headlines or even set short paragraphs with it. It loves colour and effects.

Triplepass is a narrow grotesque with 3 styles: normal, with cut corners and a stencil shape. The font has a retro character, contains both humanistic rounded designs and modern smooth alternatives. The font is suitable for logos, large headlines, posters, signs, prints, font compositions, as well as for sports-related layouts where clear numbers and space savings are needed. Triplepass contains extended Latin, Cyrillic, fractions, ligatures and two icons of a basketball. It contains OpenType features: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs including the rouble sign.

Bang was designed by David Sagorski in 1993 as a playful font of spirals. It consists of two capital alphabets which can be combined like the usual capitals and small caps, although both have the same height. They differ from one another only in the decorative forms which adorn them and the highly decorated characters of one set are complemented by the slightly more reserved characters of the second. Serious this font is not, rather, with its circles and spirals, Bang is best in point sizes 12 and larger and is meant for short texts and headlines.

Xotor is a double styled typeface family destined for use in titling and headlines. The main style, the Triline weight, is a modular typeface composed of three strokes and is best used in large sizes. For smaller bodies of text, the second Regular style is based on the same letter construction but in a simple, solid stroke. Both weights can either be used individually or combined to add extra effect to any layout. With an extended Latin language support, Xotor covers most Latin based scripts and equally features a range of Opentype features, from ligatures, alternative letters or different styles of numerals.