Going back in time, Locomotype presents Bradia, a classic style font that brings out a vintage and old-fashioned feel. Available in three weights: Light, Regular and Bold. Discrectionary Ligatures feature is also included to enhance some letter pairs when applied to typographic designs. Bradia is a stylish and versatile typeface perfectly suitable for a wide range of applications, especially headlines and short lines of text, posters, packaging, logotype, in both print and digital media.

Kinsey is inspired by traditional typewriter font styles. Although now largely consigned to history, the bulbous slab serifs and soft curves of typewriter fonts have left a lasting legacy; they’re paradoxically easy on the eye, yet utilitarian and business-like. Kinsey offers a modern take on this classic style and is available in a full family of five weights and includes a ‘proper’ italic with modified characters for an easy, flowing style.

There are times when a customer might look over a dingbat font and like a few of the images because they suit a particular need, but hesitates on purchasing the font because enough of those images isn't available. For all of the lovers of vintage letterpress cartoon cuts, Cartoon Cavalcade JNL collects sixty two assorted images from many of the Jeff Levine Fonts dingbat collections and places them within one singular file.

Karben 105 Stencil is a contemporary stencil font. The stencil breaks in the letters are applied in a way that is sensitive to the forms of the character in pursuit of a more elegant stencil. Karben 105 Stencil is available in a family of three weights. Karben 105 Stencil is closely related to Karben 105 and Karben 205 . All of the Karben fonts feature an extended character set, including accented characters for Central European languages.

Chola Boba is a friendly font with an innocent and youthful look. This font has best for a lot of print, digital, and net designs. Chola Boba is a font it really is best for any layout project. It is available in nine unique weights with a contented sans serif style. This font will make your textual content readable & without problems recognizable for your audience. So move ahead, use Chola Boba in your subsequent project!

Chairdrobe is minimalistic typeface with a contemporary, urban style. It feels pure, raw and a bit dirty. You can use it as display type as well as in longer text. Try to space it up. It looks super tight with a lot of spacing! Chairdrobe is a sans-serif, condensed typeface. Available in 3 different variations – Normal, Rounded and Grunge. It features upper and lowercase letters and up to 7 Weights and Italics.

Xanakee is a curvacious bubbly fun font, with equal parts pleasant approachableness and a swaggerish strut. Xanakee features large, leisurely curves controlled by the consistency of the monoline stroke. All with a friendly, human voice and confident gait. OpenType versions have a few special features, like some smallcaps and some fanciful swash figures. Purchase it from MyFonts and you'll get TrueType format in your download as well. Also available as web type, too, of course.

RainCity is a beautiful contemporary sans-serif font with delicate curves. Inspired by the movement of raindrops on the street, we created this font to evoke the excitement of a rainy day in Paris. Using this font will give you an elegant, dynamic, and unique image. RainCity is suitable for a variety of design work such as branding, poster design, and editorial design. It is a display font available in two weights, Regular and Bold.

Conifer is a blocky geometric sans serif font that adheres to strict grid rules in order to define its corner angles. Its seemingly rigid form is tempered by the soft, rounded corners, and fine notched details present at acute angles in the glyphs. Available in a clean solid and a varied, textured rough. The result is a rugged, retro, typeface that is at home in fashion lookbooks and wood-carved park signage alike.

“The Auto Show” is the title of an early 1900s pieces of sheet music proving that America has had a fascination with cars since the earliest days of the automotive industry. The song sheet’s title was hand lettered in a casual Art Nouveau style which has been re-drawn digitally as Nouveau Auto JNL, and is available in both regular and oblique versions… and what’s better than a nouveau auto (a new car)?

Beriot is a sans serif whose basics are condensed in Regular (Normal) weight, getting a lot of form inspiration from the topic also known as Steile Futura which is a letterform that Paul Renner himself explored in the mid-1950s, where shapes are constructed with little stress on modular squares but there are changes in certain parts so they become less modular. The Beriot family is available in 42 weights with matching slanted cuts, divided into 3 subfamilies: Condensed, Normal and Expanded. Each has been designed for a range of text sizes each, and already variable, allowing you to choose and make your own type of weight you like. OpenType Features are available in each of these font styles, including alternative characters, different numbers set and case-sensitive and there are additional symbols that make it the perfect choice for professional types of branding, digital design and editorial.

During the last ten years of his life, Hans Eduard Meier (dec. July 17, 2014), together with Max Schläpfer, developed an innovative concept of a new Swiss Schulschrift (handwriting script for schools) called ABC Basisschrift®. His life’s work is crowned by the fact that now, since the fall of 2014, and beginning in Lucerne, this new didactic will replace the old Schnürlischrift in Switzerland. In contrast with the Schnürlischrift, the idea is to guide a child in three steps to learning a personal handwriting. ABC Schule 1 is for the first grade, ABC 2 starts to introduce the first connections and ABC 4 Ligaturen is designed with many ligatures to serve as a good example for handwriting. ABC Schule is also available with ruling and for visually impaired students.This version of the Basisschrift®, available from here, is the original version by Hans Meier.

Alphaluxe is a distinctive new typeface from Wesley Poole of Hawai’i. This vertical script packs a velvet punch. It compels attention like the best of the futuristic Moderne scripts from the 1930s, (refined by the 1950s) with none of the bulk. The shapes are strong, their rendering light. Fortunately, Mr. Poole can't break his addiction to elegance and sophistication. It's a classy alphabet. but not self-conscious or stereotypical. Contributing mightily to this effort is Rod Cavazos (Psy/Ops, San Francisco). Among today's typefaces, Alphaluxe is a rare achievement.

In 1905 the Parisian typefounders Peignot & Cie. issued their Série 16. This clear roman with a large x-height and an italics soon enjoyed a great popularity. Coen Hofmann’s drawings made for the Seizième follow the original Peignot Série 16 as close as possible. The regular font has the original small caps, while all members of the family are enhanced, next to the ranging ones, with old style figures. Also superior and inferior figures are available. The original series did not have a bold version. This was, however, carefully drawn for this digital rendition. The Série 16 and its versions for the composing machines were much used for the type setting of scientific publications. That is why a comprehensive set of mathematical and sundry characters are added to the Seizième fonts. Next to the accented characters for the several West and East European languages the Seizième was also enhanced with a Cyrillic, also available in regular, italic and bold versions.

Conceived as a slab serif companion to the Absentia Sans family, this typeface complements its sibling with charisma and style. Built on the same geometric framework, they combine and harmonize gracefully. Yet Absentia Slab stands on its own as a novel alternative to conventional options. Anchored by blocky serifs, it presents an appearance of stability and steadiness. Its audacious design integrates unique features such as vertical terminals in glyphs ‘a’, ‘e’ and ‘6’. To make optimal use of available space, one-sided serifs (and in some cases, simple strokes without any serifs) help maintain an airy, uncluttered footprint as seen in letters ‘m’, ‘E’ and ‘N’. This forward-looking typeface is well suited for a variety of projects: understated yet spirited, technical yet welcoming. It has a modernist appeal, while reminiscent of XIXth Century woodblock lettering. Designed by Daniel Robichaud, Absentia Slab is available in ten weights with matching italics and two variable fonts.

As a beautiful yet eccentric unconnected script, Milroy Upright SG Regular can be a refreshing alternative to the formal upright scripts seen on so many anniversary and wedding announcements today. This nineteenth century classic was designed by Max Rosenow and Julius Schmol for Barnhart Brothers & Spindler in 1895. Milroy Upright was originally known as Oliphant. It was later renamed Advertisers Upright Script in 1925. This new version, Milroy Upright, contains many new alternative characters including a modified cap X and cap Z, a two-story lowercase g, and a matching set of oldstyle figures. Milroy Upright SG Regular is now available in the OpenType format. Some new characters have been added to this OpenType version including stylistic alternates, discretionary ligatures, and oldstye figures. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Just as the camera adds weight to human faces, serifs can add weight to typographic faces. Rod McDonald trimmed and adjusted his new Egyptian Slate design as it emerged from its sans serif predecessor, the Slate typeface family. Slate is a great sans serif design, and the addition of his Egyptian Slate to your typeface library will make it even more versatile. Egyptian Slate is a solid and stylish slab serif design that will look superb in the spotlight of your choosing. Available in six weights – from a svelte light to a commanding black – each upright member of the Egyptian Slate family has a complementary italic. Egyptian Slate fonts are available as either OpenType Std or OpenType Pro fonts; the later options offers an extended character set that supports most Central European and many Eastern European languages. Egyptian Slate™ font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Logos, Best Fonts for Websites

Now is a great time to dust off your old motor scooter and take a ride along the Italian Riviera. Let’s head to the flower city of San Remo, Italy - the namesake for this versatile, 1950s style script. Try San Remo on your next brochure or flyer project. You may want to consider using it to create a special logo or icon for your personal stationery. It’s perfect for any job that requires linked or connected letters. And for your convenience, this dashing design sports a variety of alternate characters plus lining and old style figures. San Remo Casual is also available as an OpenType font. It contains lining and oldstyle figures, prebuilt fractions, stylistic alternates, and a wide assortment of f-ligatures, plus more. These advanced features currently work in Adobe Creative Suite InDesign and Illustrator. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades. Ciao!

New versions available of our FP København font family: København C. C for Condensed, C for City.

Since better (larger) text samples were available for Thomas Versalien, this font is closer to it's original.

Typetonic is great display face for anything related to design, art or technology. Available in Crossplatform Opentype.

At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.

Whitley is a handwritten signature font package with a personal charm. With a style that I feel is the first time being blended with a different brush so it has a natural hand. It includes Whitley Alt weights which have alternative characters, both with capital letters and small that is completely new. Ligatures are available for some lowercase letters (more natural double letters). This can be accessed through software with different devices or glyph panels, e.g. Photoshop / Illustrator.

Based on the popular Talbot Type Kamerik 105 , this Cyrillic variation is now available for the first time. Kamerik 105 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The Kamerik 105 Cyrillic family comprises of five weights.

MisterMustard is a chubby art deco style font, not thin or elegant, but plump and jolly. The font is available in two styles regular and italic. While it was designed to be playful, this font has both an uppercase and a lower case, so it works for practically everything (maybe not a headstone or obituary). It’s loaded with extra foreign glyphs so it gives you plenty of options. Buy. Install. Enjoy.

The 1939 sheet music for “Sea Dreams” had its title hand lettered in an unusual Art Deco style that employed many unusual character shapes and widths within the font design. A teardrop-shaped ‘D’, a slightly off-kilter ‘S’ and a number of other interesting variations became the model for Seahawk JNL, which is available in both regular and oblique versions. The term “Seahawk” is another name for an Osprey.

Kinghorn 105 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary look. It's intended mainly as a display font, but it's even strokes mean it remains legible even at smaller sizes. It's also available with some character variations as Kinghorn 205.

Willy small but fine is a typeface with a wink. This display font is based on existing piquant form from the immediate vicinity. It is sexy, if you have an eye for. But it also should not be taken too seriously, especially because it has a humorous slant. The font has its origins in an art project. It is now made available for design around festifals, parties, invitations, etc.

A circa-1920s book on lettering entitled "Book of Alphabets" by Regan Publishing displayed an example of a Grotesk typeface (a popular style of sans serif of the time). This design was re-drawn digitally as Not So Grotesk JNL and is available in four varieties - regular, oblique, condensed and condensed oblique. Not So Grotesk JNL is the perfect companion font family to use alongside Simply Grotesk JNL.

One of the text fonts showcased within the pages of the John Ryan Foundry (Baltimore, MD) specimen book from 1894 is a squared type face with rounded corners called “Geometric”. The original design has been updated slightly by substituting straight lines for the inner corner curves to add a small contemporary touch to a classic alphabet from the 19th century. Business Letter JNL is available in both regular and oblique versions.

Forest Trophy - Classic Display Font comes with a rough texture that gives a natural and vintage impression, suitable for the needs of outdoor apparel, merchandise, event posters, movies, etc Features: Uppercase and lowercase letters Multilingual, numerals, and punctuation Available in 3 styles: Clean, Rounded & Textured Style Note: the design in the preview images is not included If you have any questions feel free to drop me a message Thank You!

Eastern family, sans serif fonts designed with a vintage print look. Rounded edges and imperfections were added to the characters to give a vintage vibe. The font family also works great for creating quotes, title, and still legible in a bunch of text. For those looking for some peculiar characters, available on Blind and Rusty texture versions as well. Add some Ornament to complete your vintage print look.

The Theo Ballmer font family is based on Theo’s design ideas which were completed by his son Theo Ballmer (Thierry’s father), and digitized by Thierry, with the help of URW++ and their Ikarus technology. Theo Ballmer is available in 3 x 5 variants: condensed, regular, expanded each in 5 weights. Theo Ballmer is a masterpiece, which fills a historical gap and provides a real font family from the Bauhaus era.

Kinghorn 205 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary look. It's intended mainly as a display font, but it's even strokes mean it remains legible even at smaller sizes. It's also available with some character variations as Kinghorn 105.

Ceratyn - Experimental Typeface A Experimental typeface or Psychedelic Font Font from Ragamkata. Get lost in the trippy, mesmerizing world of Gilest: a psychedelic font that bends reality and challenges your perception of typographyand have outline version. This font has several alternatives available in it, suitable for creating logo designs, badges, web fonts, magazines and others. With a very strong font character, it will make your design different and more attractive.

Currently the only serif font from the Quadraat foundry. Cervina is characterized by a sharp lettering like the edge of the Hörnli or knife blades as well as closed forms in lowercases plus a stylistic set of square numerals. Cervina is a typeface specifically designed for big volumes of text but also for titles of books, newspapers, magazines, posters. Variable format available on request. Supports all latin languages

Based on a letterpress typeface using the same name, FDI Mainzer Initialen is a carefully crafted set of German blackletter initials using three colors per style. 10 palettes are available as individual styles and can be used in design applications such as Photoshop, Illustrator, InDesign and Affinity Designer. Make sure your operating system and apps already support OpenType SVG fonts before buying a license for FDI Mainzer Initialen.

Here is a profoundly delicate and graceful design that has its roots in art deco fashion. This elegant typeface is based on an old 1930s lettering style popularized by Carl Holmes in his wonderful book on the subject. Somewhat condensed with a very tall lowercase, Panorama carries itself beautifully. It is similar to such classics as Stellar and Optima with stems flaring slightly at the ends. Panorama has a great number of alternate capital, small capital, and lowercase characters including two sets of alternate figures. Panorama, Panorama Alts, and Panorama SC are also available in the OpenType Std format. Some new characters have been added to these OpenType versions. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Sheridan Gothic, also known as Grant Antique, is a quaint design produced in the late nineteenth century. Its proportions are in keeping with extra condensed faces of the times. Its uppercase letters are quite narrow. Its lowercase letters are equally narrow and tall. This pleasant and enduring design contains a touch of novelty, too. Swelled terminal flourishes on such characters as C, J, S, c, e, r, and s help add interest and warmth to what is basically a friendly old soul. Sheridan Gothic is now available in the OpenType Std format. Some new stylistic alternates have been added to this OpenType version. Advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.