Shelf is a humanistic sans-serif font of cool and solid character. Its frugal, clean and organic drawing as well as its name were inspired by the ice shelf landscape. Shelf was designed as a universal tool for creating a coherent information and navigation systems with accompanying publications, such as visual identity of exhibitions including catalogues. It is suggested to set long texts in Roman and Italic, while the best combination for a wayfinding system is Roman and Oblique. Every weight, therefore, contains Roman, Italic and Oblique versions. The variety of over 1500 glyphs constitutes a rich set of Latin script characters. Shelf includes small caps, a broad set of figures, a wide set of alternative style variants, arrows and a number of OpenType features.

There's something satisfying about tweaking to perfection a typeface based on the particular style of lettering applied to a particular kind of paper by a particular human hand. One day, in pursuit of this curious sense of satisfaction, I sat down with a porous pad of lined note paper and printed out the alphabet with a ballpoint pen. I found particularly interesting the bulbous ends of the strokes where the ink soaked in. I couldn't help myself: I drew out the rest of the character set, scanned, hand-traced, and -- as with all 3IP font designs -- manipulated every glyph to an obsessive degree. Named it Cedar Street, after a favorite address of mine. Full release has a single medium weight with a thorough character set.

At home we have a wood stove. Last year, I bought a whole bunch of tree trunks, which I cut up with a chainsaw and then chopped with my Swedish axe. In Holland we have a saying that firewood keeps you warm three times: when you cut the tree, when you chop the wood and when you burn it in the stove. Our stove is rather small, so it is not exactly a blazing furnace, but I liked the name because it seems to fit this font. Blazing Furnace was made with ink and a brush. It is a bit messy and rough, but it comes with multilingual support and a nice set of alternates for the lower case letters.

I present to you Dubbo, a new retro serif! Dubbo is a fashionable font that is both retro and bold. Its thick curves give it a 70s groovy vibe, while the serifs bring it back to traditional. Dubbo fits right in with those retro mood boards and vintage logos. It includes a distinct lower and uppercase, as well as numbers, punctuation, and multilingual letters. The Ligature and Alternate fonts are sure to come in handy for whatever your imagination can conjure up! 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates & Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Them Bones is a hand-drawn, spooky, ghost pirate, cartoon font for Halloween. Them Bones is a hand-drawn and spooky font made from the remains of ancient skeletons and ghostly pirate ships. It has a fun, light-hearted design inspired by campfire tales, Saturday morning cartoons, kids adventure movies and vintage comic books. This unique all-caps font comes in two flavours - a novelty design that’s drawn to appear like old bones, and a clean, versatile alternative that works great on it’s own or as contrasting characters. Each of these come with a hand-drawn outlined version with their imperfections intact for an authentic inky look. It’s a great choice for light-hearted Halloween designs or adventure stories with a fun, gruesome edge!

Aabak is a sumptuous modern typeface family. The high contrast, super elegant, didone like shapes were infused with a little fluidity from 60’s psychedelic lettering, the results is a contemporary face that screams freshness. It is ideal for branding, advertising, headlines, posters, movie titles, and much more! This design deliberately sabotages a lot of white space to have that compressed punchy look. The tear drop terminals and the melting serifs create a surprisingly superb combo. Sharp joints were smoothen to convey a warm and subtle feeling. Aabak comprises a total of 18 styles, 6 weights in 3 different cuts: Upright, Italic and Swash. The Swash styles have also a terminal forms feature that gives that extra lush feel. Have fun playing with it!

Teip, designed by Alex Jacque in 2014, is a layerable geometric typeface system. Teip developed as a typographic exploration of overlapping tape where a over/under, foreground/background interplay would be a stylistic motif throughout. For the most part, the uppercase characters have a vertical stress in the foreground, while lowercase have the horizontal stressed in the foreground. Because this is a unicase typeface, upper and lower case glyphs can be mixed for a more random feel in the shape of individual words and the flow of sentences. In Teip, glyph widths and kerning are the same across all styles and weights. This opens up the ability to easily layer one style on top of another to create a large number of color and stylistic combinations.

A Stylish Condensed Sans Boilermaker began as a digitization of a film typeface from LetterGraphics dubbed Flair G100. From this origin, it has evolved to a much more robust character set than its original. From the inclusion of original unicase and lowercase alternates to the addition of a Russian language expansion, Boilermaker really shines. See the 4th graphic for a comprehensive character map preview. Boilermaker is loaded with features to give you plenty of customisation options: - Stylistic Alternates feature for Unicase & Lowercase alternates. - Russian language coverage. - A Full set of Inferiors and Superiors for Limitless Fractions - Tabular and Proportional figure sets Approx. 602 Character Glyph Set: Boilermaker comes with a glyphset that includes standard & punctuation, international language support, unicase & lowercase alternates, alternate numeral styles, subscript and superscript.

Marquee is a hand drawn lowercase font with a vintage marquee sign feel.

A modern touch to a Biblical oriented font. High legibility as text font.

A wide, square font, ZygoSE fits perfectly into a clean, dynamic design piece.

This is a modern, ultra-thick Bodoni font with a lot of swashes.

A new font with a large impact for words that shall be remember.

This font is based on a simple sketch made during a phone call.

A legible and very functional comic book font, with a slightly crunchy edge.

A soft serif for any type application; packs a good punch; great look.

Ikewund is a font with a peculiar creepy feeling. Great for header designs.

Mandragora is a set of 16th century decorative initials with a floral theme.

Maze is a modern font created from a single line with no interruption.

Black Mass is a black-letter / tattoo structure with a slight progressive edge.

Cider is based on a logo I made for a Finnish cider brand.

20 kopeek is sans serif font with a slight touch of a steampunk.

bb-book contrasted is a display and contrasted version of bb-book A .

A stamped, eroded font with the texture of a real rubber stamped image.

a revival of a classic wood type font, in many family variations provided

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

Since its initial release in 1989, Trajan has risen to international popularity as a distinctive and versatile display typeface. First released as a Roman, and later a contemporary and stylish sans.

Simultaneously futuristic and retro, Retron is perfectly named. Retron is a partially connected script - or is it a connected sans? Either way, it's a strange, unique combination that works surprisingly well.

This whimsical font family is a hand-crafted, youthful sans-serif font with three weights and two cute sister fonts...a shadow version and a "showy" version with curls and flourishes.

Sweet, charming and full of authenticity: Harleyquin is a one-of-a-kind typeface with a personal feel. Use titling to give different letter effects, making your project even more elegant!

Never Settle is a bold and powerful handwritten font with a cool vibe. It will turn any design idea into a true standout! NEVER SETTLE to give the best to you!

Auro is a friendly, rounded sans serif that was created as a contemporary typeface solution for branding, editorial use or any other application that requires legibility with a touch of personality.

Another of my hand drawn originals now digitized. It started out as a very bold, decorative initial capital letter - a 'font within a font' - but got extended to the full alphabet.

Re-drawn from a screen capture of a vintage newspaper front page, Late Breaking News JNL is a traditional sans serif that's perfect for headlines, titling and other forms of announcements.

Soli, based on an architect's handwriting is a fun, modern script face with a very complete character set. Can be used for journaling, scrapbooking, or anywhere a handmade touch is needed.

Thick Goth is a slightly degraded sans serif - a block design with a heavy feel. The zip files contain both OTF and TTF versions of the font - install one version only.

Weely Honey is a funny, bold and cute display font with a unique twist. Get inspired by its unique feel, and turn to add a lovely charm to any crafts project

Originally designed by DeLittle of York of England, this face conveys a casual quality with contrasting strokes, rounded forms, and serifs with a brush-like quality. A lovely decorative display font.

Since its initial release in 1989, Trajan has risen to international popularity as a distinctive and versatile display typeface. First released as a Roman, and later a contemporary and stylish sans.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.