Callina is a new modern & fresh script in handwriting style. This font will make your design look elegant, natural and stylish. Callina handwritten font is perfect for any awesome projects such as photography, watermark, signature, quote design, social media posts, advertisements, logos, branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events or any project that needs a handwriting taste.

Inspired by Ernö Goldfinger's east London tower block of the same name, II Balfron is an imposing, all caps, one-weight typeface. Brutalist in form, the characters embody the principles of the distinctive 27-storey concrete profile with unexpected angles set within a rigid, structural grid. Much like Goldfinger's humanist, utopian housing ideals, the font is best viewed at large scale.

Introducing a vintage typeface Cheer inside. This font has a classic style with additional decorative ghlyphs. Using OpenType stylistic alternates you can replace the first uppercase and the last lowercase letters. Also an additional swashes and few ligatures are available. Cheer inside has a west european support, check out the screenshot with all characters. Thank you and have a nice day!

This font style is commonly seen in traditional tattoo artist portfolios all over the world. Inspired by graffiti seen in bathroom stalls, taco stand tables, public transportation windows, and brick walls in the suburbs of East LA. This font will go great on a banner for a tattoo design, and even on a t-shirt design for all your urban clothing lines.

Welcome to the cosmic dance of typography with Groove Galaxy, a captivating and thrilling rounded vintage typeface that swirls you into a time warp of retro charm reminiscent of the beloved 1970s. Just like stars twinkling in the night sky, each letter of Groove Galaxy emanates a mesmerizing aura, pulling you into a captivating journey through the groovy days of the past.

Tshikona is casual and vigorous font with a taste of African spice. Although creating an impression of handwritten informality, Tshikona is a carefully crafted font, making it easy to use in any display setting, either for headings or as an informal body font. The line of the letters is reminiscent of the angular, dry branches of trees in the African veldt.

This font was called differently when I started out building it, but after a long and insightful conversation with a good friend, I decided to call it Nebulous Promise. Nebulous Promise was made using a broken satay skewer (I like using those!) and Chinese ink. It comes with a full set of alternates for the lower case letters and extensive language support.

Vankours is a freestyle brush font, created with expressive brush strokes, keeping the details and give an eye-catchy combination between the uppercase and small caps, also complete with alternates. Vankours is perfect for many themes such as urban, thriller, sporty, vibrant, and youth taste! Good choice to use this font for Logo, Merchandise, Brand imagery, Apparel, Packaging, Simple quotes, and many more!

A vintage look label font named "Pirate Bay".Typeface includes five styles plus aged version, for sample look at 4th preview. This font will good viewed on any retro design like poster, t-shirt, label, logo etc. For using effects layers: - Type your text in Regular. - Copy that and paste at the same position. - Change the style to Effects, Shadow or Texture.

Derailer’s eclectic character set is comprised mainly of disparate sans serif characters that claim to play well together. OpenType users also benefit from 52 ligature features that automatically substitute a unique pairing of letters when any upper or lower case character is keyed twice in a row. Derailer Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

Forged to be as imposing as a Norse horde ready to stampede into battle, Works great in all caps which it was initially designed to. I designed the lowercase characters to match really well with each other and the uppercase, so it works well in title case. Plus it has a great set of looking numbers and loads of extras.

Trisquare is an Experimental Display Typeface, which is inspired by the strokes of the Fraktur alphabet but developed through the composition of triangular and square shapes. It has a particular ancient soul with a digital taste but is not monospaced. Trisquare is good to use for Branding, Signage, Packaging, Advertising, Headlines, Magazines, Book titles, or everything you want to use it for.

The Tanseek™ Sans family provides interactive and print designers with a suite of powerful and versatile communication tools. Square shoulders, open counters and distinctive character shapes also ensure high levels of legibility. Designed by Dave Farey and Richard Dawson, the lower case has a subtle calligraphic emphasis, creating an inviting rhythm and typographic flow when letters combine into words and sentences.

Dutch type designer Donald Beekman created this display FontFont in 2007. The family contains 4 weights and is ideally suited for advertising and packaging, logo, branding and creative industries, music and nightlife as well as sports. FF Atomium provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, and super- and subscript characters. It comes with proportional lining figures.

This set of four fonts, organized as a font family, consists of toy train cars with letters on them. Upper and lower cases have different typefaces on them, so there are eight different type styles available. Some of the letters on the cars are from Salloon, TiredOfCourier, Glitzy, Qwatick, and PhederFrack. To add variety using more cars without letters, use the XLaserTrain font.

Magnitudo is a very amazing handwritten font. This font is equipped with many choices of styles (alternative A-z forms), making it easier for design workers to determine the form of writing according to their desired tastes. This font also features an international accent to be used in several countries at once.I hope you are interested in my work. Thank you...

Informe is a modern monospaced typeface. Built with strong letter shapes, and industrial taste. This typeface was designed to read well in small and large sizes. Informe is suitable for digital interface, simple coding, label, editorial, tickets, and more. Available in 4 styles that you can use for the headline, subheadline, tagline, and body text. Equipped with some alternates and multilingual support.

Fredam Theory is a Retro bold script with Groovy style, unique design taste and combine with classic retro style of the 80s, trendy, vintage, and sporty. The Fredam Theory is perfect for retro lovers, besides this font is also perfect if used for brands such as: barbershop, motorcycle club, clothing, logo brand, coffee shop, shoe brands, hipster and many more.

Coronard is another of Greater Albion's explorations of 'Evolutionary' type. In this case we imagine a transition from Blackletter to Roman forms. Coronard shows that posited transition in all its simple calligraphic splendor, providing a beautifully legible face for invitations and certificates, as well as for lettering and signage that needs to be readable but to have a gothic flair.

Rigton is a low-contrast contemporary display typeface, by applying rigid characters and comedy touch as an identity. This family consist of 6 weights with corresponding italics plus variable font, amounting 13 individual fonts style. The characters set contains complete punctuation, curency signs with several alternates characters, supported by powerful opentype features like ligatures, stylistic alternates, ordinals, fractions, case-sesitive, and numerals figures.

Melange is my new serif font inspired by the good old past, but it still has a strong modern appearance. The font includes stylish alternate upper and lowercase characters. And that is why it's perfect match for logotypes, branding, wedding monograms and invitations, blog headlines, posters and much more. Font is available for Western European, Central European and South Eastern European Languages.

Shania Quinton is a unique signature script font crafted very carefully. Shania Quinton is perfect use for a logo for branding, typography design, product packaging, invitation, quotes, t-shirt design, label poster, special events and anything that need handwriting taste. Feature : - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

From original samples of Rudolf Koch's Maximilian, Gothicus and Gothicus Alternate have Fraktur style captials, Gothicus Roman has Roman capitals. All three have the same lower case which includes three swash characters for g, s and t, available as discretionary ligatures in OpenType versions, and manually otherwise. All include two authentic ornaments, also penned by Koch. Gothicus Roman has three additional floret ornaments.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for film and tv, music and nightlife as well as poster and billboards. FF Beekman Square provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

This font has 2 styles in one keyboard layout! There is a solid style, and an outline style. The capital letters match the small-case. The capitals are all solid letters, while the small-case are the same, but an outline version. Same with your numbers, there is 2 styles (Outlined hollow numbers, or press shift and a number to get it's matching solid version). Common punctuation marks, brackets, etc., are included too, in both styles (There's even a hexagonal euro and dollar sign). To make these characters easier to find, repeats are spread throughout your alternate keys. The two styles can be used together, nicely complimenting each other. Hive Mind is NOT appropriate for important business presentations, lengthy novels, or anything you want to be an easy read. Use this font anywhere you want to create a funky look or need to be cryptic... Have fun with it!

Boutiera is an upright and soft vintage script with a modern twist. Its main characteristics are bouncy baseline, round forms and bumpy stems. These qualities gives Boutiera its casual, friendly and handmade looks. It has three weights to give contrast and options to your typographic elements and designs. Boutiera has two sets of Upper cases; Slightly swashy and more basic one. The more basic set can be used in all caps. Boutiera has positional alternate characters; Initial forms to letters like r, s, x and z. And final forms to all lower cases. Those final forms have a shortened upstroke to give more balanced and harmonized look. You can use these easily by enabling Contextual Aternates from OpenType menu. It also has alternate versions of letters t and s. You can use Boutiera on logos, packages, on titles or wherever you need a friendly and lively font.

Eclectotype's continuing battle against whitespace continues full cream ahead with Duckie, and fat-bottomed script that packs a whole lotta weight into the softest of punches. The forms feel familiar, like they're straight from funky disco album covers, but this is a 100% original face. Don't let its retro charm dissuade you from taking it for a spin in more contemporary settings; it might just surprise you! Now for the features bit: OpenType features include ligatures, swashes, contextual alternates and stylistic sets. The stylistic sets are 1. swap the script r swap to a normal r, 2. swap the script upper case i to a more familiar seriffed version, 3. the number four changes to an open form, and lastly, 4. loopy ascenders in the lower case close in and lose the hole. You should not use this in all caps settings. Pretty please.

Black Tie is an art-deco font with the smooth sophistication of retro design. It is very readable and can be used at all sizes. It functions well as a display font and creates attention-attracting headers and subheaders. Black Tie comes in two styles: 1. Black Tie Regular: in which the caps and lower case have different baselines. Black Tie Regular is better for sub-heads and display. 2. Black Tie Baseline: in which all characters share a common baseline. This style is better for body text and smaller sizes. Fully professional, Black Tie contains a full character set Ñ Upper and Lower case, all numerals, punctuation, symbols and accented characters. It is suitable for layout work in all major European languages Ñ Spanish, Portuguese, German, French, Swedish and Italian (to name a few). The characters are spaced for readability and have been carefully kerned.

Introducing a vintage look label font named "Whisky Trail". All available characters you can see at the screenshot. This font have 7 styles - Regular, Full, Shadow, Light, Shadow FX, Light FX and Print. This font will good viewed on any retro design like poster, t-shirt, label, logo etc. For using effect layer: Type your text in Regular. Copy that and paste at the same position. Change the style to Light FX or Shadow FX. After that you can choose different colors for Regular font and Shadow or Light effects. For the catchwords type the word with space before and after word (for sample ' with ', or ' with2 ' for alternate view of catchword), 'Discretionary Ligatures' on the 'OpenType' tab must be turned on. Or paste it from 'Glyphs' tab in any place on your text. This in Illustrator. In Photoshop 'Discretionary Ligatures' you can find in the menu Type - OpenType. Thank you!

Thanks for checking out Faith and Glory! These 2 hand-painted brush fonts are designed to perfectly combine with one another and allow you to create beautiful rustic typography with a personal touch. Ideal for; Logos, printed quotes, invitations, image overlays, greeting cards, product packaging, text headers, & whatever else your imagination holds! Faith and Glory One Is a script font which includes upper & lowercase characters, punctuation, numerals, and multilingual support. Alternates are available for several lower case characters, these are accessible by turning on 'Stylistic Alternates', or via any software with a Glyphs panel. Faith and Glory Two is a condensed brushed font containing uppercase only characters, punctuation, numerals, and multilingual support are also included. Alternates are available for key characters, you can access these simply by switching between upper & lower case glyphs within the 2 fonts (e.g. typing 'A' and 'a' will give you 2 alternate characters).

Amigo was designed by Arthur Baker in 1989 and consists of a single weight. Its basic forms are based on Venetian old face types, as can be seen for example in the slightly slanted cross stroke of the lower case e. But Baker also gave his figures eccentric contours, for example, a marked stroke contrast which gives the look of having been written with a broad-tipped pen, and the change in stroke is by no means regular in the lower case characters. The heavier upper parts become thinner as they progress downward, in contrast to the tendency of most text typefaces. The eccentricity of the forms give the characters a lively almost comic look and is best highlighted in large point sizes. However, Amigo is also legible in point sizes as small as 10 and well-suited for middle length texts and headlines.

Before the Great War, there were great posters. Posters of elegance and grandeur. Posters calling people to the pleasures of sunny southern France and to the perfections of northern Italy’s dolce vita. Le Havre, based on a poster by AM Cassandre, was one of my first typefaces that took inspiration from this genre. Now, the golden memories of years past are the inspiration for insigne design’s new Gineso Titling as well. Gineso revives the retro forms of past poster design with its newly crafted sense of humanity, which is amplified by a great variety of texture options. While the new forms are perfect for posters, this titling font is also ideal for bringing the charm of pre-war Southern Europe to a new bottle of wine, to fine foods and beverages, and to high-end logotypes. For the grandeur and elegance you need in your titling, look to Gineso Titling.

The 1928 logotype for Sertal Toiletries consisted of a stylized woman's head, a very snaky S, and five fine, fat deco caps spelling out the rest of the brand name. From these five clues, designer Nick Curtis divined the rules" of the typeface and drew a complete alphabet, including a lower case. The result: ITC Scram Gravy. The finished product could be described as Bodoni on steroids. Tight curls in characters like the 'm,' 'r' and 'y' soften the lower case and give the design a light-hearted flavor. ITC Scram Gravy takes its name from one of many running gags in the screwball comic strip "Smokey Stover," which had folks alternately splitting their sides and scratching their heads from 1935 to 1973. Those familiar with Bill Holman's strip will recall Smokey's car, the Foomobile, and one of his famous nonsense declarations: "No foo-ling, that scram gravy ain't wavy.""

My son’s name is Ata Caner Yüksel. After building this character, I wanted to honor him by using his name for this font. I think it fully reflects the character I created in my mind. Ata Rounded, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family, with eight weights plus matching italics, was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding, and signage, as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-sensitive forms, classes and features, small caps from letter cases, fractions, superior, inferior, denominator, numerator, old-style figures, stylistic alternates; just one touch easy In all graphic programs. You can enjoy using it.

The most notable characteristic of this typeface is that it has a compact and regular shape that is slightly condensed but fluidly connected. Its glyphs emulate the look of handwritten, inked characters. Their exuberant graphic strokes and sharp edges maintain the influences of printed types produced by mechanical processes. Unlike most of the italic type of today, the capital letters are as high as the ascending lower-case letters. The brush script style (Originally designed in 1942 by Robert E. Smith for the ATF) inspired many contemporary and beautiful typefaces, such as Wisdom Script, Mission Script, Marketing Script, Motion Picture, Thirsty Script, Lauren Script, Deftone Stylus and many others. This font has more than 700 glyphs, Central European languages support, including Open Type features, swashes, and contextual stylistic alternates. It also includes old-style figures, discretional and standard ligatures, is case-sensitive and has a set of tails and ornaments.

Woven is a geometrical typeface based on a simple tessellation or tiling pattern. The template for the letters has both vertical and horizontal symmetry and the tiling pattern has four-fold rotational symmetry. Variations of this pattern are popular with quilters and most have a woven look to them. To fit the letters into the template results in some distorted letters but it is the pattern that matters, not the individual elements of that pattern. With proper spacing, a block of text will fit together both horizontally and vertically. Woven is intended to be used with alternating letter sets and the OpenType feature of contextual alternatives does this automatically in applications that support it. The upper-case could be used alone but it unlikely that the lower-case characters could be used by themselves. The typeface is hard to read and would make a challenging font for word-search puzzles.

This font is mainly inspired from the engraved characters of a German Map depicting Germany's roads and parts of surrounding lands, edited in Berlin probably in the end of 1700's. The engraver was Carl Jaeck or Jaek (1763-1808). The Map was bought by the French napoleonic general Louis Pierre Delosme (1768-1828) probably during the Napolenic campaign against Germany, circa 1805 or at least 1806, his sole staying in Germany. The font (with two styles, Normal and Italic)is containing standard ligatures and a few alternative characters. It is a "small eye" or "Small x-eight" font, as the Maps' characters are most often very small (some Italic lower cases of the map are 1mm hight, upper cases 2mm) The standard English characters set is completed with accented or specific characters for Western (Including Celtic) and Central European, Baltic, Eastern Europe and Turkish languages.

My son’s name is Ata Caner Yüksel. After building this typeface, I decided to honor it with my son’s name. I think I fully reflects the character I created in my mind. Ata typefamily, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family has eight weights plus matching italics was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding and signage as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures, Stylistic Alternates in just one touch easy In all graphic programs. You will enjoy using it.

The name “Bicyclette” was chosen because this typeface is all about balance and elegance. The idea was to create a highly contrasted sans-serif family carefully balanced between gentle curves and sharp angles, with large capitals opposing uncommonly short lower case, through six distinctive weights. The letters are wide, and the capitals pop up in headlines while the lower case leaves a lot of white space between the text lines because of its small x-height. The edges are rounded (but not so much for the family to be called rounded), just enough to make the text feel slightly softer, gentler, while retaining some of that technical sans sharpness. The Bicyclette character set supports Western and Central European languages, and includes an extended set of monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

An intoxicating blend of rare flavours is what makes the new transitional typeface Wermut (German for vermouth) resemble its alcoholic namesake. Bitter and thorny at first glance, it proceeds to surprise the palate with a complicated taste that leaves a pleasant aftertaste. Wermut may not be taken in hastily, but needs to be thoughtfully enjoyed at a measured pace. Its dark colour, compressed, spring-like, shapes, well-built proportions, and agreeable letterforms all look safe enough until one is jolted to encounter the clipped serifs that lend the page an unexpectedly edgy appearance. The font comes in two weights with an extended character set in Latin and Cyrillic scripts supporting 66 languages. A product of slow, careful distillation, this infusion of multiple ingredients comes together to form a unique mature taste which will be appreciated by true connoisseurs of typographic cocktails. Desined by Gayaneh Bagdasaryan and Vyacheslav Kirilenko.