Janet Murphy designed ITC Wild West Pi in 1997. A symbol font containing all of the cowboy-like pictograms one could ever need, ITC Wild West Pi includes such symbols as a ten-gallon hat, horseshoes, revolvers, and steer skulls.

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Britania Ligatura, a Ligature Addict Display Font Coming to you with 170+ stunning alternate and ligature to create a perfectly fashionable, beautiful, fancy, and elegant design. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 B.2 a.2 b.2 etc. so you don't need special software. For special ligature you can use combination like a.n a.m u.b d.h etc To get results like the preview just type B.4r.ita.ni.2a.2 Liga.tur.a Thanks for checking out my font. I really hope you enjoy using it!

AltraTwo is a complete redraw of a family based on a tracing of a clip art font from an old printed book. The AltraTwo family adds italic, black, and black italic. I liked the gentle calligraphic look. Consider it a sans serif with style. This is a typical NuevoDeco OpenType pro font with caps, lowercase, small caps, lining, oldstyle, and small cap figures, numerators, denominators, fractions, swashes, and so on. There aren't many unusal ligatures for this one, though. It does have the Latin 2 character set or what Adobe calls CE, Central European characters. Altra has been my preferred header face for sevral years. it also works very well for body copy. I usually use it for my contrasting tip and quote paragraphs with Bergsland Pro as my normal body copy.

Gilway is a playful, rounded display with tons of personality. This versatile typeface is inspired by the earliest examples of rounded types from the 19th century, such as Caslon Rounded (1836) and Schmale Runde Grotesk (1885). Gilway has a distinctive hand-lettered feel because of its subtle variances, which make it powerful and impactful yet incredibly friendly. Layered options allow you to combine the various styles, and a unique Opentype feature makes your letters dance! To take full advantage of Gilway's features, please download this one-sheet pdf file. Please take a look at this video demo to see Gilway family in action ! Gilway’s design is suited for a wide range of uses, including headlines, displays, packaging and logotypes.

Kaweah is a sharp, condensed, serif typeface with wide language support and strong historical roots. The original inspiration for this typeface comes from text in the museum collection of Kings Canyon National Park. It is designed to be used in titles and subheads.

Inspired by the calligraphic poster art of Santa Fe's Randall Hasson, Personal Message JNL is part calligraphic, part cartoon lettering. A light, casual and friendly design, Personal Message JNL can be applied to many different print or web projects with equally attractive results.

Introducing Goïa™, a variable sans serif typeface available in 2 styles: A first one, very readable with a touch of originality, ideal for body text and a second one "Display", more impactful with a more assertive originality. Both styles are available in a variable or static version (9 weights + italics) with many alternates divided into 3 stylistic sets. Whether you are working on a branding project, an editorial project or any other graphic project, Goïa™ is the perfect choice for a modern and elegant look with a touch of personality.

HYPOP is a strong and condensed sans serif font family with a nostalgic vibe. Combining retro and minimalist elements resulted in an elegant design. The different weights give you a lot of options when it comes to choosing the right typographic color for your project. 5 Weights (Thin, Light, Regular, Medium, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures glyphs Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Le Blanc is a strong and condensed sans serif font family with a retro vibe. Combining vintage and minimalist elements resulted in an elegant design. The different weights give you a lot of options when it comes to choosing the right typographic color for your project. 5 Weights (Thin, Light, Regular, Medium, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures glyphs Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Titular is a condensed Sans Serif typeface that works well with headings, subheadings, newspapers, magazines as well as with logotypes, brands and posters. This typeface revives the spirit of old Woodtypes, but adding a contemporary flavour and Latin American seasoning. The family comes with 2 subfamilies: one regular and one alternative. Just like many of our faces, every subfamily includes 7 weights plus italics. Titular is a Latinotype’s typeface designed by Bruno Jara, and produced and supervised by Latinotype Team. Latinotype Team comprises: Luciano Vergara, Daniel Hernández, Bruno Jara, César Araya and Rodrigo Fuenzalida.

Haido is a new contemporary grotesk typeface influenced by post-modernism style. This typeface is has very neutral look, thus making this new typefaces has versatility for use in all kinds of modern design. Haido comes with 18 Styles including 9 Weight, italic and variables font. The small detail of inktrap in this typeface, making Haido is has high legibility in small size and very useful especially for printing needs. And last but not least, Haido has several alternates characters, ligatures and covered more than 100 languages including 2 script latin and cryllic.

“Mayari" is an elegant and expressive display typeface that is inspired by the characteristic and vibes of female warrior in Filipino Mythology named: Mayari. Mayari is the “goddess of moon”. This typeface holds the perfect balance of expressiveness as a display whilst also holds well of being a body type. This typeface is best used when you want to express elegance, class and sophistication in your designs. *This font includes letters, numbers, multi-language, and all essential marks needed. * Two(2) weights are currently available for this typeface: Regular and Italic

Asgaria is a serif font family with an elegant and classy look. Each letter is designed with natural and beautiful curves. These fonts are tailor-made for luxury themed projects, from bold magazine images, to wedding invitations, branding, poster designs, logos, business cards and more. If you're involved in a project that requires beautiful, professional writing, this font is perfect to help you get it done. The Asgaria font features open, ligature and alternative types that are packaged in 2 fonts: Regular, and Italic. Asgaria fonts include uppercase, lowercase, numbers, punctuation marks and multilingual support.

Introducing Fielke - Decorative Type, created by ikiiko. Fielke is elegant type with a beautiful decorative shape. This type is crafted with the touch of craftmanship. Fielke also clean have a ton of stylistic alternatives to choose. This typeface is perfect for an elegant logo, interior magazine, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What's included? 2 Weight : Regular & Italic Number & Punctuation Alternates Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

CARISTHA - the bouncy script - Caristha is great for branding, web design, product tag, wedding card, wedding invitation, logo, quotes, and more it comes in 2 styles of swash. Very easy to access ( You can see on presentation pictures) underscore+underscore+lowercase for titling swash v.1 lowercase+underscore+underscore for ending swash v.1 underscore+underscore+two+lowercase for titling swash v.2 lowercase+underscore+underscore+two for ending swash v.2 Features: Uppercase Lowercase 2 styles of swash (all lowercase) Numeral Multilingual Support Ligatures PUA encoded

Inspired by calligraphic styles from 15th century Italy, master Swedish typographer Bo Berndal designed the Byngve font family. With four styles-Regular, Italic, Bold, and Bold Italic-Byngve proudly shows its process: Berndal wrote out the entire family by hand before digitizing it and converting its beauty into a typeface. Byngve is most suited for advertising uses, and for greeting cards. The name Byngve comes from Bo Berndal's two Christian names: Bo Yngve. He just put the two names together and it formed Byngve"."

Telephone Extended is a geometric semi-slab family with block serifs positioned to assist wordflow. The typeface evolved from an italic wordmark designed in 1966 for the British GPO by the Banks & Miles agency to publicize all-figure telephone dialling (all-number calling), and the new fonts retain that italic spirit, even in the upright romans. The squarish glyphs, with a mix of rounded and angular corners, have a post-modern feel suggesting technological advance, innovation and vitality. A normal width family, Telephone, is also available.

Telephone is a geometric semi-slab family with block serifs positioned to assist wordflow. The typeface evolved from an italic wordmark designed in 1966 for the British GPO by the Banks & Miles agency to publicize all-figure telephone dialling (all-number calling), and the new fonts retain that italic spirit, even in the upright romans. The squarish glyphs, with a mix of rounded and angular corners, have a post-modern feel suggesting technological advance, innovation and vitality. A wide version, Telephone Extended, is also available.

A 1930s-era sign lettering template set manufactured for the National Carbon Company by Wrico (The Wright-Regan Instrument Company) yielded the familiar lettering that comprises Zoning Department JNL. This rounded-end typestyle was also widely used on architectural drawings, signage, blueprints and the like.

Corporative Soft is the slightly rounded-edged version of Corporative. This font has a marked personality and distinctive traits, which makes it suitable to be used at large text sizes. At the same time, the smooth transition from straight to curved lines gives the font a more friendly feel. This display typeface is the perfect choice for logos, posters, signs, branding, packaging and so on! Corporative Soft comes with Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative Soft provides users with a wide range of characters, weights and widths for every project. By combining different variants, designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Corporative Soft was created by LatinotypeTeam and developed by Javier Quintana, Eli Hernández and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernández.

The first typeface developed by Latinotype Team. Corporative is a semi serif font that has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes.Since it is a condensed font, it can also be used in smaller sizes. Corporative and Corporative Sans come with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants,designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team nowcomprises: Javier Quintana, César Araya, Bruno Jara, Luciano Vergara and DanielHernández. Corporative was created by Latinotype Team and developed by Javier Quintana and César Araya, under the supervision of Luciano Vergara, Miguel Hernández and Daniel Hernández.

Corporative Sans typeface is developed by Latinotype Team. Corporative Sans is the new version of Corporative. This font has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes. Since it is a condensed font, it can also be used in smaller sizes. Corporative comes with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants, designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team now comprises: Rodrigo Fuenzalida, César Araya, Bruno Jara, Luciano Vergara and Daniel Hernández. Corporative was created by Latinotype Team and developed by Javier Quintana, Rodrigo Fuenzalida and César Araya, under the supervision of Luciano Vergara and Daniel Hernández.

QUALITYPE + VARIABLE FONT FAMILY "QualiTYPE" font extends its use by providing weights from "Thin" to "Black". Natural curves, ridges, and curved bodies grow in character as the font gains weight. "Qualitype" is an exciting serif font with contemporary twists. It has a distinctive sound that preserves the simplicity and elegance of classic "serif" fonts with a fresh, stylish rework. Her personality is bold and fills the space without shouting, she looks elegant and confident. The low X-height provides a great amount of visibility at all weights and is optically corrected for better readability. In the process of working on "Qualitype" we wanted to expand the functionality of the typeface a bit more, so after a few tries two different fonts were born: "Old", "Neo" and "italics" versions. "Qualitype" is perfect for use in magazines, in the fashion industry, in the branding of premium goods and services. "Qualitype" is quite versatile and suitable for use both in headings and in text arrays. In addition, we have done manual hinting in the typeface, and now it can be used with a clear conscience in the web and applications. “Quality” typeface consists of 56 styles: 2 style, 2 Shining, 7 weights and italics. Each typeface style consists of 860+ glyphs (except for the decoratives). “Qualitype” supports over 80+ languages. A variant version of the basic styles has been prepared for the most demanding users. Using the variability slider, you can adjust and select the individual thickness regardless of the current weight distribution. An important clarification - not all programs support variable technologies yet, you can check the support status here: https://v-fonts.com/support/. OPENTYPE FEATURES aalt, dnom, onum, pnum, tnum, lnum, numr, frac, zero, sing, sups, subs, case, c2sc, smack, salt, hist, titl, holing, dig, liga, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, kern FEATURE SUMMARY: - 4 Axes: 2 Style: Old and Neo. 7 weights: Thin, Light, Book, Regular, Medium, Bold and Black. 2 Shining: Dark and Lamp. Matching italics (12º) for all weights and style . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (a, d, g, m, n, p, q, r, u, y). - Unlimeted fractions. - 24 Dingbats. - Extended language support. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

Badlooking Brush, the ugly duckling modern script font. Coming with 52 alternates, 9 stunning swash and super easy to use alternates. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 R.2 a.2 h.2 etc so you don't need a special software. To get results like the preview just type Badloo.2king B.2ru.2sh

The Garamond family tree has many branches. There are probably more different typefaces bearing the name Garamond than the name of any other type designer. Not only did the punchcutter Claude Garamond set a standard for elegance and excellence in type founding in 16th-century Paris, but a successor, Jean Jannon, some eighty years later, cut typefaces inspired by Garamond that later came to bear Garamond’s name. Revivals of both designs have been popular and various over the course of the last 100 years. When ATF Garamond was designed in 1917, it was one of the first revivals of a truly classic typeface. Based on Jannon’s types, which had been preserved in the French Imprimerie Nationale as the “caractères de l’Université,” ATF Garamond brought distinctive elegance and liveliness to text type for books and display type for advertising. It was both the inspiration and the model for many of the later “Garamond” revivals, notably Linotype’s very popular Garamond No. 3. ATF Garamond was released ca. 1918, first in Roman and Italic, drawn by Morris Fuller Benton, the head of the American Type Founders design department. In 1922, Thomas M. Cleland designed a set of swash italics and ornaments for the typeface. The Bold and Bold Italic were released in 1920 and 1923, respectively. The new digital ATF Garamond expands upon this legacy, while bringing back some of the robustness of metal type and letterpress printing that is sometimes lost in digital adaptations. The graceful, almost lacy form of some of the letters is complemented by a solid, sturdy outline that holds up in text even at small sizes. The 18 fonts comprise three optical sizes (Subhead, Text, Micro) and three weights, including a new Medium weight that did not exist in metal. ATF Garamond also includes unusual alternates and swash characters from the original metal typeface. The character of ATF Garamond is lively, reflecting the spirit of the French Renaissance as interpreted in the 1920s. Its Roman has more verve than later old-style faces like Caslon, and its Italic is outright sprightly, yet remarkably readable.

Less is More. This stencilled version takes away some of Didonesque’s structure while adding another level of distinguished style and supreme elegance. The Elegante fonts epitomise the style required for high-end fashion and beauty applications with their crisp curves combined with tapered serifs and terminals – instantly creating a polished and fashionable aesthetic. Didonesque Stencil was designed for large display purposes, branding, corporate identities, headlines, advertising, wedding invitations and the like. Of particular note are the minimal ball terminals which are available by activating Stylistic Set 2 – they’re perfect for adding that extra bit of magic to your typographic designs. Key Features: • 4 Stencil weights in Roman and Italic styles • 4 Stencil Elegante weights in Roman and Italic styles • 4 weights in Condensed style • Small Caps, Petite Caps, Alternates, Ligatures and Contextual Alternates • Full European character set (Latin only) • 780 glyphs per font.

Pragma ND is a sans serif typeface with calligraphic features. Its vital rhythm facilitates the reading of long texts. It also has an “authentic” italic imitating the movement of handwriting. Its high legibility makes it an ideal typeface for long texts in analog and digital contexts. Pragma is a Trademark of BauerTypes SL

Inspired by logotype of the Paris Resort and Casino in Las Vegas comes the Paradiso typeface, complete with an unusual array of leaning and unusually large capitals versus a petite lowercase that have a loosely drawn feel. Definitely a typeface with capitals to be used in moderation!

‘My Darling’ is a stunning new typeface by Alex Kaczun. Inspired by the Didone shapes, ‘My Darling’ incorporates some Didot, a little Caslon, a splash of Scotch and a pinch of old Times. This unique display, with its high-contrast strokes is playful, formal and just a bit ‘sexy’. The swash capital terminals and lively curves, give this design a unique and distinctive look. It works well as a headline font, and because it was designed with generous counters, proportions and spacing—works equally well over a large range of text point sizes. My Darlings' character set supports most Central European and many Eastern European languages. Alex hopes to add many style variations, along with alternate glyph sets and weights to further enhance this offering. Stay tuned!

Munchies is a reverse contrast slab-serif font family. Inspired by the volume and size of 19th century wood letterpress blocks and the Italian Caslon language. Munchies has 12 variants, from Heavy to Thin, with opentype options in a set consisting of uppercase, lowercase, small caps, ligatures, and alternate letters (A, M, N, V, W, &, Arrows, *). Munchies is divided into two subfamilies: Normal and Display. The Normal style has an appearance reminiscent of Western posters with a “measured” contrast. While the Display style takes the contrast to the extreme. Both styles are also available in Variable version. The inverted contrast makes it an interesting and striking looking typeface that stands out in any context. Perfect for headlines, bold branding, or animation like kinetic typeface.

1776 Independence was designed inspired mainly from the Caslon typeface used by John Dunlap in the night of 1776 July 4th in Philadelphia to print the first 200 sheets of the Congress' Declaration of Independence establishing the United States of America. I just added accented letters and a few others, with respect for the original design. A render sheet,enclosed with font file, help to identify them on keyboard. It can be used as web-site titles, posters and fliers, editing ancient texts, menus or greeting cards as a very decorative font... This font supports as easily enlargement or small size, remaining clear and easy to read from 8 or 9 points to 72 and over. It gives a smart look especially to prints.

The Parliament typeface was designed by Jonathan Hoefler beginning in 1995. A burlesque typeface in the Regency Blackletter style, Parliament was inspired by the ‘Four-line Pica Black No. 1’ typeface of William Caslon Jr (1821), whose enigmatic design for the letters E, G, I, N, V and Y hinted at a broader ambition to modernize the arcane shapes of the gothic alphabet’s capital letters. Parliament completes this project for the first time by including two sets of alphabets, one archaic and one modern, along with a third set of ‘small caps’ that restores to the blackletter the versatility of Roman type. Parliament was first used for the 1998 ATypI Conference in Lyon, and was published by Hoefler&Co in 2022.

"A capital titling face with numerals, erroneously labelled in Figgins specimen book of 1817 as an 'antique' or roman. With a very bold, nearly monoline construction and squared serifs as thick as the main stroke, this type surpassed even the fat face style in blackness, it was popularised by the advent of handbills and early advertising posters, which needed bold type styles to project commercial messages from a distance. A sign-writer friend of mine theorises that the Egyptian style originated with the North African campaigns (hence Egyptian) of Napoleon Bonaparte, and the type historian Ruari McLean also suggests that the Egyptian style originated with signwriters 'block' letters, just like the prototypical (and contemporary) sans serif of Caslon IV." (Ben Archer)