Twenties nostalgic oldstyle revival supervised by F.H. Pierpont at Monotype with echoes of Jenson, Caslon, and Goudy.

Replay is a pure hymn to the classic typeface Caslon originally made by William Caslon (1692–1766). The typeface that bears his name, was made between 1720 and 1726. In 1739 he founded the Caslon Foundry which later become a property of Stephenson, Blake & Co., but remained an independent foundry until 1937. The typeface have been popular ever since it was made and still stand proud as a classic text face. MRF made detailed research, including versions from Adobe and Justin Howes. The end result is leaning more towards the original. Some minor »imperfections« are also incorporated in order to make the typeface more lively and old fashioned.

There is not much I can tell about Isolde. It is a plain typeface, rather wide and with dominant serifs. Its italics are more slanted than usual. In fact only Caslon's italic can compete about that. Its width makes it more suitable for decorations than for larger amounts of text. The name comes from the medieval tale about Tristan and Isolde. Isolde was released in 1993.

Condensed Sans-Serif font family 7 widths with corresponding italics 2 free fonts (Aureola regular & italic) OpenType features

The impulse behind André Maaßen’s design of the Anno typeface was the design of a New Year’s card for the year 2000 (Anno 2000). His desire to create the perfect printed image developed into a family with four styles: Anno 1, Anno 1 Italic, Anno 2, and Anno 2 Italic. Anno 1 and its Italic are semi-classicist typefaces, with a high degree of stroke contrast, while Anno 2 and its Italic are semi-grotesks, with less stroke contrast. Both Anno 1 and Anno 2 are sans serifs typefaces, but they each offer a new interpretation of the genre. The Anno typeface may be used in a number of applications and sizes. And it is naturally suitable for New Year’s greetings and other cards, of course!