Teramo™ is daring, sharp and dynamic. Its personality is derived from asymmetry and movement. It is a contemporary serif family full of modern design elements playing with proportions of works of XV and XVI century masters such as Francesco Griffo or Claude Garamond. The family features four optical sizes. Display sizes feature extreme stroke contrast and are intended for fashion, lifestyle, cosmetics, magazine, business, hi-tech and advertising use. Text styles are created for all kinds of body copy — long and short paragraphs, books and websites in any modern design context. They are crafted to be elegant and legible, featuring more generous spacing and scrupulous kerning. Display weights are designed as modern, extraordinary variations on didone style. Teramo’s letterforms are merging classical proportions and precise, contemporary details such as asymmetric serifs, sharp edges and unconventional glyph shapes. Another important factor constituating Teramo’s personality is an angled axis, unusual for didone families and giving the typeface much more organic and dynamic feel. Teramo features a lively true italics strongly related to cursive handwriting. The italic styles imply movement, energy and fluency, introducing a new color to paragraph text, as well as being a powerful and interesting standalone display type. The family introduces additional titling letter variations for headlines and display uses, such as sharp and modern lowercase “y” or uppercase alternates for better all caps typography. Teramo consists of 56 fonts in 4 optical sizes - 28 uprights and their corresponding true italics + 2 variable fonts. It has extended language support as well as broad number of OpenType features, such as case sensitive forms, standard and discretionary ligatures, titling alternates, contextual alternates, lining, oldstyle figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

This is my addition to a long line of traditional gothic typefaces. As you can probably tell, PG Gothique is inspired by classics such as Trade Gothic, News Gothic, Franklin Gothic, Alternate Gothic, and Gothic Gothic. Well, maybe not the last one... But Paulo, we have all those already, why would we want to add PG Gothique to our collection? This typeface has many subtle design nuances that differentiates itself from its historical influences. Also, this is possibly the most comprehensive Latin gothic font family released to date. It has 99 fonts that cover pretty much every style you could ever need, and if you do require more, this family is available as a single variable font that covers all the weights and widths in between. PG Gothique is designed to handle a multitude of applications, from branding projects, to titles, body text, user interfaces, and film poster credits. This type family has a style that will suit the purpose. There are 99 fonts in this family, ranging from Thin to Ultra weights across six widths in both roman and italic*. Activate Stylistic Set 1 and you will get the alternate slab serif-style capital “I” that offers improved legibility when placed adjacent to a lowercase “l”. PG Gothique has an extensive character set that covers every Latin European language. If you would prefer PG Gothique as a single variable font, please choose PG Gothique Variable. Test drive PG Gothique today – both the Regular and Italic fonts are offered as a free download. See full details and hi-res examples at https://paulogoode.com/pg-gothique Key features: 9 Weights 6 Widths 99 Fonts Small Caps Old Style Figures European Language Support (Latin) 600+ Glyphs per font *Compressed weights do not include italics.

Aure Zeritha emotes the unassuming charm of fairytale romance. The modestly adorned forms of this decorative serif font engage the reader with a subtext of innocence. Zeritha brings an ingenuous romance to text and titles and a guileless promise of adventure to astrological expressions and chartwheels. The breadth of typographic textures revealed in its bold and italic forms is given depth by the charm of its small-caps and the delight of its curly alternates. Zeritha is an original design developed by Aurora Isaac, first released in the LP glyphset in 2011. After more than a decade in development, 2018 marks the release of the CJ and KB glyphsets, available in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. Aure Zeritha stands its own as a text font, but for extended text, try pairing Zeritha with its distant cousin, Aure Declare. Use Zeritha where the fairytale romance is needed; use Declare for tight text and practical contrast. Give Aure Zeritha a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Apud Display is the perfect companion for Apud. With its refined high contrast and sharpness, Apud Display has the vitality and rigor of modern typefaces, every time you need your display setting to shine.

Hello. Welcome to the Foundry "REN FONT"! I am a Japanese font artist, and this is my first challenge at a full-fledged Latin fonts. The typeface name is “Amabile (Adorable, прекрасный, Αρκετά/Αξιολάτρευτο)”. It means “lovely” in music terms. The design feature reflects the feature of Japanese typeface “Waon”, as the depending latin characters of which this typeface is designed. “Amabile” briefly expresses the basic concept of Waon, to “Express a music with typeface”. The non-Japanese characters in the Japanese font are basically composed with Latin, Cyrillic, and Greek. In addition to these 3 types of characters, “Amabile” have the capability of 87 languages by extending character types so called “W1G”, which consists of Latin supplements, Cyrillic supplements, Greek supplements, Latin extensions. We no longer offer free Regular weights for OpenType. こんにちは。ファウンドリー "REN FONT" へようこそ！ 私は日本人のフォント作家ですが、初めて本格的な欧文フォントに挑戦しました。 この書体の名前は「Amabile（アマービレ）」。音楽用語で「愛らしく」という意味があります。 「和音」の従属欧文として制作された性格上、当然ながら「和音」の特長を反映したデザインになっています。 「和音」の基本コンセプトである「文字で音楽を表現する」を、最も端的に文字通り「表現」しているのがこの「Amabile」です。 ほとんどの和文書体の従属欧文は Latin, Cyrillic, Greek の３種類が基本です。「Amabile」はこの３種類に Latin 補助、Cyrillic 補助、Greek 補助、Latin 拡張などを加えた、いわゆるW1Gの規格にプラスアルファし、87か国言語を表現できる多言語フォントに生まれ変わりました。 グリフ形状は、比較的自由にデザイン表現が可能な Latin 以外は「Amabile」の特徴を残しつつ、ネイティブの形状を壊さない、ぎりぎりの選択を施してあります。 OpenType の Regular ウェイトの無料提供は終了しました。

Basel Neue is the complete redesign of BaselSans ITD font, the first typeface of Isaco Type foundry, launched in 2009. As with the predecessor version, Basel Neue is a legible and discrete typeface, a sans serif with thickness variation and humanistic touch. The family consists of 8 styles, 4 weights plus their respective italic versions. Download the “OT Features” pdf to know and take advantage of all font features as best as possible (in OpenType-savvy applications)! You can also view all symbols in the glyph panel of your program, or in Character Map tool (Win) or Character Viewer/Palette (Mac). 1) Basel Neue has ligatures strategically chosen. Herbert S. Zim, in the book “Codes and secret writing”, elected the most common letter pairs of English, that in the Basel Neue became discretionary ligatures. And, of course, it also has standard ligatures. 2) It’s a fun typeface. Basel Neue has a set of emoticons and fun symbols that can be activated by discretionary ligatures. Type “:-)” and a smileface appears. Type “8-)” and a smiley with glasses appears. Type “ ”, “ ” and “ ” and a telephone, star and heart appears. Or “ ”... and a graceful corresponding symbol will appear. 3) Basel Neue contains lots of useful glyphs and features. All versions have 12 recycling symbols, 7 to different types of plastic, and over 30 currency symbols. It also has fractions, old style-, lining-, tabular numbers and other OpenType features. 4) It has an organized and large character set. The fonts have extended character set to support CE, Baltic, Turkish as well as Western European languages. If you work with languages ​​like Catalan, German, Croatian, Romanian, Dutch, Turkish, for example, the font will use the correct ligatures or characters used in these languages. 5) It’s rigorously tested. Basel Neue is available in OpenType PS e TT flavors and each version undergoes a battery of tests, with a systematic review of nodes, curves, spacing and internal data. This eliminates the possibility of errors in the font.

Acarau is a 6 fonts display typeface with high reverse contrast—since from Roman capitals and calligraphy, usually Latin alphabet letters have thiner horizontal steams and thicker verticals, these features being optical or visual—quite adequate for logos, headlines and posters. Moreover, the style of the typeface is inspired by Italics form factor: lowercase letters having less strokes to make their shapes; A has one story; E has one stroke shape, such as K, G, Y and Z; F has a descent. To give it more calligraphic feeling, there is contrast for uppercases as well, this is very perceived by the diagonal letters like A, K, M, N, V, W, X, Y and Z. J also has a descent. Q and R have natural swashes, but they have alternates in case the costumer want to go for more usual forms—including accent marked letters. Acarau is a 12 months project, the contrast for uppercases were increasing as the process was made. In the middle it is found suitable blend the letter shapes with the history of Brazilian music from the 70’s and 80’s, since the font has a tropical, warm, spicy and nostalgic feeling. Songs from bands and singers that emerged on Rio de Janeiro like Paralamas do Sucesso, Cazuza, Lulu Santos and Kid Abelha bring the beach accent and rhythm that this font has. OpenType features complement the set, which has Multi-Lingual support for a comprehensive Latin set, including Vietnamese—meaning more than 640 glyphs: Case-Sensitive forms, so symbols can properly align to uppercase letters; Ligatures, to better reading for z_y and L_I, and style for s_s, w_w_w; also for ease arrows and punctuation typing; Stylistic Set 1: two story a—including accent marked letters; Stylistic Set 2: two story g—including accent marked letters; Stylistic Set 3: diagonal (usual) z—including accent marked letters; Stylistic Set 4: flower i and j dots; Contextual alternates; Terminal forms, for R and Q; Ordinals.

Sebino Soft family is a rounded version of Sebino. It is a neutral sans-serif type family with 9 weights, from thin to black, with corresponding italics. Sebino Soft has a large x-height with open apertures which make texts more legible at small sizes. Each font includes OpenType Features such as Proportional Figures, Tabular Figures, Numerator, Superscript, Subscript, Case-Sensitive, Denominators, Scientific Inferiors, Ordinals, Ligatures and Fractions. Sebino Soft will make your artworks better with its clean & clear shapes.

Danish type designer Per Jørgensen created this serif FontFont in 2007. The family has 5 weights, ranging from Regular to Bold (including italics) and is ideally suited for book text, festive occasions as well as editorial and publishing. FF Holmen provides advanced typographical support with features such as ligatures, small capitals, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

A classic-modern sans serif appearing in two forms — ”standard“ and a ”stylistic alternate“ with uncial script-orientated characters which give the font a completely different ”look.“ Faber Sans is a sans serif in the classic-modern style of type creations of the early 20th century — godfathered by Futura from Paul Renner and Gill Sans from Eric Gill. Unlike classic sans serifs, Faber Sans includes a ”true“ italic. Faber Sans Pro will perfectly pair with the accompnying Roman Faber Serif Pro.

Introducing our new exploration Neue Yokarto, another vintage-inspired font pairing between Script and Slab Serif, with the additional effects Normal and Spurs, including italic styles. Developed from various references such as vintage signage, logos, badges, and old-fashioned graphics, Neue Yokarto is an all-caps font, meticulously crafted with a highly ornamental taste. Neue Yokarto is perfect for various display purposes. You can use this font for posters, labels, logos, signboards, T-shirts, book covers, decorations, merchandise, and more!

ITC Atelier Sans began as one of Curtis's renovations. His goal was to create a monoline design with Art Deco “sensibilities,” but without the geometric precision and relatively small x-height of faces like Futura or Kabel. Gentle curves and suggestions of serifs create a crisp, clean and open face that is at once sleek, sensuous and still affable. Available as a two-weight family with complementary italics, ITC Atelier Sans is another successful and usable revival from Nick Curtis.

ABC Idea is a contemporary geometric sans full of opentype features in Regular, Bold and very "fast" Italic. The design is an experimental fusion or mix between Humanist, Geometric and Grotesque models. The fine drawing in all letters and signs has precise ink traps to highlight contrast jus like lettering and calligraphy does, then ABC Idea re-creates this exquisite graphic details into the digital world. Designed by Miguel H. Montoya Fonts in Use Images by letargo.cl Magazine. Art Direction by studioprado.cl

Kahlo Rounded is a new version that plays hipster style with a Latin flavor. It was inspired by the strong influence of Mexican decorative elements as you can see in the set of ornaments and patterns. Kahlo Rounded has four weights and italics, initial capital letters, some alternate characters and ending. It works well for magazine headlines, posters, logos, cosmetics packaging, advertising etc. Salud! Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.

Behance Biofolio Ultimate is geometric Grotesk typeface exploration proportion and simplicity in typeface, Inspired by the elegant plainness seen in many of the less common 20th centuries sans Comes in 10 weights matching Italics —20 fonts in all, Biofolio Ultimate supports around 150 languages in the Latin based languages, Designed with multiple OpenType features, such as powerful stylistic alternates, case-sensitive forms, contextual and stylistic alternates. The standard numerals set encompasses tabular figures and symbols, superiors and inferiors, numerators and denominators, plus fractions.

Espander is a rough brush script font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. Espander has two Espander Regular and Espander Italic letters, complete with uppercase and lowercase letters, as well as multi-language support, numbers, punctuation. also provide some ligatures and extra swash. Mail Support: If you have any question, please contact : greatstudio92@gmail.com

Spoon is a fresh and contemporary sans-serif that can be used in wide range of project. Its skeleton of letterform is geometrically-based and minimal but the body was designed with a touch of humanistic outlines as though they were handwritten. This not only make the font clean, legible and functional, but also make it possible to give natural, friendly and soft impressions. Spoon comes in seven weights with matching italics and includes diacritics for most European in each weight.

Since I designed Mommie you can see a lot of script typefaces with big contrast for big sizes. With Narziss I created a roman interpretation with the very expressive Swirls version. Glenda is again an italic script like Mommie. In the Regular the characters join and it looks like a neatly written sprencerian handwriting. But like Narziss it has got a Swirls version too. Every glyph and swirl is carefully designed to work in every connection. Use Glenda at only very large sizes.

It's nice when a font provides old style figures, small caps and alternate letters. But what to do if my typesetting program doesn't support Open Type features? The solution may be old-fashioned, but it's effective: the variants are placed in separate font families: Standard, Old Style Figures (OSF), and Small Caps (SC). Any word processor can handle it. As a special feature, my OSF fonts also contain alternative letters such as a looped g or descenders in the italic f.

Sometimes you may be picky about your choices: What’s for dinner? Where are we going for vacation? Vanilla or chocolate? Which font suits this product the best? The answers are many, but on that last question, the answer could be Picky Action - because of the super clean and smooth letters, that goes well with anything that needs a fresh, legible and loose look (without being to loose!) I have added a Regular, Italic and rounded versions of these two. Enjoy!

Visoko is a playful, geometric typeface inspired by post-modern fonts designed by Mecanorma from the 80s. This typeface has been designed on a grid of 7×6 squares but the goal was to create variations from the grid to give the character a destructured aspect. VISOKO is available in two styles : regular and italic and only in uppercase. It has aspects of Laser shapes and proportions but has modern additions that make it ideal for industrial brands and modern titles.

Marvaloha is based on the handwriting of an Advertising creative director. The casual but powerful strokes he uses for sketching are also visible in his writing. The Marvaloha font family consists of the original Marvaloha Regular and a Bold version. Both have matching Italics. All four styles have double letter ligatures and a set of symbols and catchwords to give your design some extra power. You will need an Open Type Savvy Application to get the most out of Marvaloha.

Yet another san serif typeface, Yassitf is a generic sans, a font meant to blend in rather than stand out. It has little contrast and is almost monoline. It includes three widths: condensed, narrow, and regular. The widths have four to six weights: ultra thin, thin, light, plain, bold, and extra bold. Further, each width and weight combination has both upright and italics styles. The thirty fonts in the family contain several open-type features, including both proportional and tabular (monospaced) numbers.

Buche - a brief introduction Buche is a contemporary serif font designed for logo and brand design. It exudes an air of affluence and sophistication, despite its curvy appearance. The ligature fonts will come in handy for whatever your imagination can think up! 6 Weights & 2 Styles (Regular & Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Dark Crow is a true brush script font, hand-painted in 2020. Its top quality design with multiple ligatures combined make the lettering truly realistic. Use it for a poster, a product headline or in any context where you need an original, dynamic and eye-catching phrase. Provided as upright and italic, and as a bonus a swash font. It has an extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Yotin is a contemporary half-serif inspired by summer days vibe. Vibrant, round with a little bit of contrast makes the design of Yotin unique, friendly and flexible at the same time, suitable for text, headlines, display and other design needs such as layouts, branding and anything in between. Yotin is here to serve your creativities. Yotin comes in 9 weights from Thin to Black, each equipped with Italic plus many OpenType features; tabular numerals, inferiors & superiors, numerators & denominators, fractions, ligatures etc.

ITC Cheltenham font in its present form is the work of designer Tony Stan. Originally designed by architect Bertram Goodhue, it was expanded by Morris Fuller Benton and completed by Stan in 1975 with a larger x-height and improved italic details. ITC Cheltenham font is an example of an up-to-date yet classic typeface. In 1993 Ed Benguiat added the Handtooled weights to this family. ITC Cheltenham® font field guide including best practices, font pairings and alternatives.

Dexa Pro is now available on variable version. The family was designed by Ceyhun Birinci in 2020 with an inspiration to create a contemporary super family with inspiration from classic sans serif families. It's a workhorse family consisting of condensed, narrow, normal and expanded widths. Each width has a wide weight range from thin to black, along with their true italic counterparts. With more than 770 glyphs per font, It offers a ton of language support from all the Latin languages to Cyrillic.

Hockeynight Sans with its round corners is the smoothest sports-font you will find. Its the helvetica under the college fonts. Spice it up and mix some of the alternative glyphs in! Hockeynight comes in 7 Weights and each one available as an Italic. Use it big and bold on your sports-poster, space it up to get that dirty look or use some alternate glyphs for your logodesign. Look out for the Brush Versions and the Slab Version of Hockeynight

Magdelin is a minimal yet warm gothic sans with normal and alternate families. At its core, the design has simple forms and low contrast, yet it takes some qualities from the humanist class with its calligraphy or cursive-inspired details found in the italics and the bowl shapes of characters like b and d. The small x-height, longer ascenders and descenders, and semi-condensed proportions give it a bit of a vintage or classic feel while still appearing contemporary and modern.

The futuristic forms of Neo® Sans are captured beautifully in this fine Arabic accompaniment from Patrick Giasson. The subtly futuristic forms of Neo Sans are carried through to the Arabic with aplomb, making these fonts an ideal companion to the Latin in both text and display settings.Neo Sans Arabic is available in six weights, from the airy Light, through to the heavy-hitting Ultra – all with companion italics. Ideal for multilingual projects, but just as accomplished on its own.

Danish type designer Jan Maack created this display and sans FontFont in 2008. The family has 18 weights, ranging from Light to Bold in Condensed, Normal, Expanded, and Extra Expanded (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF Cube provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with tabular oldstyle and tabular lining figures.

Whichit contains typefaces designed with a hexagonal motif. The opposite sides of the hexagon are parallel but two of them are longer than the other four. It does not have reflective symmetry so flipping it over a vertical line returns a different appearance. One of these appearances is the basis for WhichIt and the other for WhichItTwo. Each has three weights and each weight has an italic style. The result is a quirky sans-serif family of a dozen faces.

Faffin Sans epitomizes enduring modernity in typography, radiating both style and individuality. Drawing inspiration from the impartiality of Swiss Type design, this font is meticulously fashioned with contemporary, distinctive shapes and curves. It provides impeccable visual uniformity for branding and communication endeavors. Comprising more than 550 glyphs, Faffin Sans incorporates stylistic sets, OpenType features, Tabular Figures, and Discretionary Ligatures. Faffin Sans, extends support to all Latin Extended languages and encompasses a versatile range with 6 weights and their corresponding italics.

Albemarle is a distinctive text font based on hand lettered text from the turn of the century. It's designed to work well at text sizes, but to have some of the flair and personality of a calligraphic font. The result is both attractive and readable and doesn't look much like any other text font. We've been working on expanding the Albemarle family so that it now includes not just Albemarle, but also three swash variations and a new italic version of the font.

Raspberie is a special font that was designed carefully with love and passion for a classic and retro design theme. You can play with this font for a large scoop of media such as poster design, graphic design, logotype, packaging design, branding, and whatever you want. Contains more than 300 glyphs, 98 stylistic alternates, and 23 ligatures to produce a retro look and playful design. Comes in 2 styles, regular and italic. FONT FEATURES Additional Accents 66 Languages Kerning Alternates Ligatures

This series of faces was designed initially by Morris Fuller Benton, circa 1900. The design is a refinement of Taylor Gothic from 1897. It features a sans serif thick and thin design with angular stems. Pre-dating art deco, this design feels quaint, yet it still has a touch of modernism. Frederic Goudy designed a bold version of Globe Gothic in 1905 for ATF. The Bold and Bold Italic digital versions have been added to the LTC library in early 2007.

Bebas Kai is free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. We have another Bebas edition called Bebas Neue and there are some derived, rounded fonts such as Bebas Neue SemiRounded and Bebas Neue Rounded. Bebas Neue Pro has lowercases and Italics. When you need more impact for titling, please try Dharma Gothic and Rama Gothic. When you need body-text font matching with this Bebas family, please try our Bio Sans font family.

LeadSheet Pen font is my handwriting emulation of an Engraving font style. It is a handwritten text font witch can be used with any word processing program for text and display use, print and web projects, CAD, Headlines, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! The set comes with 12 weights in Light, Normal, Heavy Small-Caps and Expanded each with Italic version.

Mosaic Melodies is a stylish serif font that seamlessly blends timeless charm with modern flair. Its meticulously crafted letterforms offer an elegant twist on traditional serifs, creating a captivating visual appeal. The font's high contrast strokes convey a dynamic flow, and its accompanying italic version adds a touch of graceful variation. Whether for magazines, websites, or branding, Mosaic Melodies brings a sophisticated yet contemporary touch to any design, making it an ideal choice for those seeking a balance between classic and stylish typography.