A typeface is a tool. Sure, there are frilly fonts that are more art than craft, showy faces that exist merely to call attention to themselves. But, in the end, any functional typeface worth its salt lives to serve one thing first: the text, the content. Everything else—the fashion of the moment, the allure of individual words and letters—is secondary. MVB Solitaire™ epitomizes this universal typographic mandate. As a tempered sans serif somewhere between a humanist and a gothic, MVB Solitaire captures a 21st-century neutrality. But practical doesn’t have to mean banal. MVB Solitaire has a soul. While some “neutral” type is dead the moment the ink hits the page, MVB Solitaire delivers text that feels lively, contemporary, relevant. Readers will not tire of this type. Behind the useful exterior is an arsenal of thoughtful technical features. It’s no surprise that this family’s creator, Mark van Bronkhorst, was first a graphic designer before becoming a type designer. Mark built all the goodies into MVB Solitaire that he would appreciate as a user: case-sensitive punctuation; alternate forms that can be invoked individually or together; oldstyle and lining figures in both tabular and proportional widths; slightly shorter lining figures that don’t stand out in running text, but also cap-height figures for all-cap settings; and the ability to speak nearly any Latin-based language. MVB Solitaire aspires to be the sort of workhorse that a designer keeps installed on their system at all times. It is a family bound to have a permanent spot in the font menu, always at the ready for projects (those most common of all) where the typography mustn’t mask the message. It has that quality that all truly useful typefaces have: the capacity to get the job done without getting in the way.

JT Olifer is family font of Jolicia Type designed by Laire Banyu Sandi Pawenang in October 2021, JT Olifer inspired by Modern Typography developed by us in our perspective, with a typeface detail in every corner we make more rounded, and give an inktrap accent to make unique impression special in every glyph, we really consider about aspect legibility, therefore we make family font amount 40 to assist the selection according to visual needs. Font type of JT Olifer contains several nuances that combain aesthetic, contemporary and modern, furthermore we make some alternates glyph that have a friendly and subtle impression, for example ‘f’ the alternate of this name our font we designed is more circular and smooth. JT Olifer has a total of 465 letters with regular, slanted and condensed styles support in 90 languages : Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch Embu English Esperanto Estonian Faroese Filipino Finnish French Friulian GalicianGanda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalaallisut Kalenjin Kamba Kikuyu Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Meru Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Walser Zulu

Last year I went to visit a friend in Tuscany. One day he took me to meet his neighbor, a nice old man; Mr. Giulio. After giving us a tour of his small vineyard, he insisted us to try his production: a delicious Vernaccia! When his wife left the bottle containing the gold liquid on the table, I fell in love with the label: it was handwritten by herself, as if to highlight the "homemade" feature. As a tribute to this beautiful and hardworking couple, I asked permission to be inspired to make a typeface ... and here goes! The family Font Vernaccia... Vernaccia is a type family of four fonts: Regular, Bold, Condensed and Condensed Italic. Is a modern and casual calligraphy family font.
As an exclusively Open Type release, with 759 glyphs and 45 ornaments, it has several special alternatives for all letters with lots of possibility and an infinity of combinations. Most of the ornaments can be used alone, but really were especially designed to combine with the different glyphs. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, several swashes and stylistics alternates for each letter, catchwords, tails that can be added to the beginning or end of each letter, ornaments, and much more. These lovely fonts have already an extended character set to support Western European languages. Vernaccia was made to make your project more beautiful and attractive! Have fun with it!

Sheet music from the 1911 stage production of the comic opera “The Enchantress” featured the hand lettered names of both the star and composer in a monoline Art Nouveau style. This sans serif type design is now available as Theater Nouveau JNL in both regular and oblique versions.

Dom Casual and Dom Diagonal are a set of informal script typefaces that look like brush writing. They were designed by Peter Dombrezian for American Type Founders in 1952 and were an immediate success. Use these typefaces to create a friendly, informal look in signs, advertising, and invitations.

Wood Clarendon JNL is based on Hamilton Clarendon Condensed (circa 1899) and is available in both regular and oblique versions. The design of this typeface retains many of the charming (but slight) design irregularities often found within pantograph-cut wood type from the 1800s through the early 1900s.

A piece of vintage British sheet music from 1941 entitled “That Lovely Week-End” featured the song’s name in a bold Art Deco sans serif with rounded edges. This lettering design is now the digital type face Weekend Plans JNL, which is available in both regular and oblique versions.

Churchward Legible is an extensive typeface family designed by New Zealand type designer Joseph Churchward. A geometric sans serif, it is, as its name boasts, highly legible and readable on screen as well as in print. The family includes five weights from Light to Extra Bold, with companion italics.

Ordax is a condensed display sans-serif type family. Simple, clean and modern, it was designed to assert reliability and gravitas to the content. It is particularly suitable for projects that demand simplicity and space economy. Details include four weights with matching italics, 447 characters and the Opentype features.

Spring Fashion JNL was modeled after an example of hand lettering from an old book displayed on an online auction. Rendered in lower case only with basic punctuation, this type design was made specifically for headlines. Its light, airy personality adds charm to simple ad copy or titles.

Teen Years JNL was inspired by the hand lettered name for the Joyce Records label (circa 1956) which first recorded the New York doo-wop group The Crests (of “16 Candles” fame). The type design is a block sans serif, and is available in both regular and oblique versions.

Shelton is a Typeface with an eroded, printed look. The letters seem to be from different alphabets to support the wood type feeling. Every letter has an alternate character. Shelton has wide language support and also contains arrows and other special glyphs available through the OpenType contextual alternates feature.

American type designer Paul H. Neville created this display FontFont in 1995. The family contains 2 weights: Condensed and Black and is ideally suited for editorial and publishing and poster and billboards. FF Extra provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Leon is a modern wide sans serif type family in Hebrew and Latin. It comes in four styles to match any design need - Headers in Black or Thin to long text in regular and Bold. Includes full Hebrew support including punctuation. Designed in Tel Aviv by Ben Nathan, 2021.

Albion’s Very Old Masthead is inspired by traditional newspaper mastheads. A heavy Black Letter which brooks no argument, and can be emphatic and refined (emphatically refined?) at the same time. Very Old Masthead has been deliberately weather to suggest that it has been set with timeworn, well-used, type.

Auto license plates in the United Kingdom are made with a typeface originally designed by (and named for) Charles Wright and must meet strict criteria as to type height, weight and spacing. A bold sans serif design; British Vehicle JNL is available in both regular and oblique versions.

Based on the fin-de-siècle Helios Reklameschrift of the Klinkhardt foundry, Leipzig, Affiche preserves the beautiful art nouveau character of its hot-metal forerunner and was carefully extended to make it multilingual. For more historical authenticity, you can use the long s by typing [alt] and [b].

Novelty Nouveau JNL gets its name from its source of inspiration – the cover of a 1919 piece of sheet music for the novelty tune “America Never Took Water (And America Never Will)” This Art Nouveau condensed sans serif type design is available in both regular and oblique versions.

Sheet music for the 1923 tune "I'm Sitting Pretty (In A Pretty Little City)" had the main part of the title hand lettered in an Art Nouveau condensed Roman type design which became the inspiration for Sitting Pretty JNL. The typeface is available in both regular and oblique versions.

Magma is a rare sans serif typeface family designed explicitly for use in both text and display applications. Starting with this design foundation, Sumner Stone refined the design and added a large suite of international characters to create Magma II, a type family with even more depth and versatility.

With twelve different weights CaseStudy No1 is a new flexible type family that has a condensed technical style. Its different stroke thicknesses offer a wide variety for magazines, books, advertising, etc. For each weight the designers Jakob and Meißner have also made additional alternative letterforms, logos and symbols.

The movie poster for the 1934 comedy/crime drama “Jimmy the Gent” (starring James Cagney) featured the title hand lettered in an ultra-bold Art Deco sans serif style. This type design has been turned into Social Club JNL, and is available in both regular and oblique versions.

Tomarik is a vibrant hand-drawn type collection and a playful addition to any creative depository. Assembled with the "pick-and-mix" idea in mind, it offers a great variety of flavour and zest. Tomarik features nine distinctive weights and includes OpenType features such as fractions, inferiors and superiors.

Chamber of Commerce JNL is loosely based on a type style used for some rubber stamp letters and numbers from a vintage child's printing set. Originally a cast shadow design, Jeff Levine felt the lettering merited a direct treatment in both regular and oblique styles without the shadow effect.

Gianmani Fillet is a sans serif type contemporary designed by Gianmani Yuttapum in 2022. Inspired by the simplicity of the geometric, it is sharp and easy to read, suited to branding and corporate identity, wayfinding, editorial, delicate headlines, digital environments, signage, print, advertising, packaging, text application, and logos.

Yalla was inspired during a trip Mateusz Machalski took to Cairo (Egypt). The vast array of strong Arabic headline type, geometric forms working in interesting ways and contrasting with smooth, calligraphic details fed the design. Due to the same proportions and heights, Yalla works great together with Afronaut.

Ebura is a funny and fashionable sansserif (or semi-serif?) type. Extended Latin, extended figures and SmallCaps are supported in OpenType. OpenType features: Ebura contains 740 Glyhps Standard Ligatures Discretionary Ligatures Denominators Ordinals Scientific Features Superscript Slashed Zero Small Capitals Old Style & Lining Figures Proportional Numerals & Tabular Figures

Mafra, the debut typeface by Pedro Leal, a type family suited both for editorial and corporate design, available in five weights, ranging from Light to Black with matching italics. Mafra is a contemporary typeface with plenty of style, asymmetrical and very dynamic serifs, and pleasant openness and balance.

Play like a child with letter forms, fill the gaps of a stencil with a ballpoint pen and work this to generate a digital type. Régua (Ruler, in Portuguese) is the result of a typographical joke with the upper cases made by Buggy, a Brazilian typographer, in 1998.

British type designer Neville Brody created this display FontFont in 1994. The family has 5 weights, and is ideally suited for music and nightlife and poster and billboards. FF Autotrace provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

A 1927 travel poster for visiting what was then Palestine and Near East was hand lettered in an early Art Deco thick-and-thin type face. The lettering was redrawn digitally, and is now available as the aptly-named Travel Poster JNL, in both regular and oblique versions.

The WPA (Works Progress Administration) posters on file at the Library of Congress have been a treasure trove of classic hand-lettered type designs. Summer Program JNL is based on one such poster offering free arts and crafts classes in New York City sponsored by the Federal Art Project.

Tally Text Light is an early photolettering type, sometime in the 1940s, when words were hand assembled from individual film positives of the letters, then re-photographed. We made the bold face version of Tally Text Light by optical trickery long before the computer came into general use.

British type designer Rian Hughes created this display FontFont in 1994. The family contains 3 weights and is ideally suited for advertising and packaging and poster and billboards. FF Knobcheese provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Pleatures is a psychedelic typeface with riotous shape that great to make your design vibing. It can be used to create almost all types of design projects like print materials. Just use your imagination and your project will become more alive and look great than ever with this typeface.

German type designer Vivien Palloks created this display FontFont in 1998. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for festive occasions. FF Kurt provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family contains 2 weights: Regular and Italic and is ideally suited for music and nightlife and poster and billboards. FF Totem provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Kaminari-Kun is a typeface that has a very strong and unique impact. With its iconic saw-toothed design, characters can fit into each other and can be associated to create an modern and electric design. Applicable for any type of graphic design, especially for posters and logotypes.