Palembang is the second largest city on the Indonesian island of Sumatra. It is also one of the oldest cities in Indonesie and used to be the capital of the powerful Buddhist Kingdom of Srivijaya. After finishing Semarang and Semarang Kolonial fonts, I sort of stayed in the Indonesian mood and named this font Palembang. It is a narrow, tall, all caps Art Deco typeface and would be most suited for headlines, cards, headers and luxury packaging. Palembang comes with royal language support.

Is it royal, or is it dandyish? Either way it's sure to catch the eye. Prepare for titling figures any movie executive would be jealous of using. Do you write sci-fi, fantasy, costume, or cult; or is your announcement for an off-beat wedding? Lectori Salutem Sans offers salutations to the reader, and an edge. Lectori Salutem Sans is the sans serif counterpart of the Lectori Salutem font. A postmodern font with slightly romantic features, cut off at the stem.

This is a well-built, functional (all caps) typeface, which is very modern in character. The use of diagonal corners in this angular typeface is inspired by the pennant numbers on British Royal Navy warships, which adds an military quality to this typeface. The gaps, which form the Stencil divisions, follow pre-established horizontal and vertical lines, they help to achieve both geometric and proportional harmony. The direction of the gaps is always at a right angle to the stroke.

Afternoon Edition JNL is another classic typeface (with Caslon influence) re-drawn from screen captures of vintage newspaper headlines. The font joins Final Edition JNL, Evening Paper JNL and Morning Paper JNL as a mini-collection of type styles used to grab a reader's attention in the 1930s, 1940s and 1950s.

Largelake is a bold logotype script typeface. Drawn and created by Mans Greback in 2021, this lettering has a colourful character and confidence. It has the appearance of a classic restaurant or hotel sign, or logo for a casino or sports event. Use multiple underscores to make swashes of different styles and lengths. Example: Fisher____ (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers, ensuring it works great for big cats and small businesses.

Hello Aluyeaholics! Glamour Bouquet, a magnificent wadding handwritten font. It's was inspired by a royal wedding that just took place in our town. Uniting the two empires of the two major cities of our country. Coming with 140+ stunning and super easy to use alternates and ligatures. Super Easy to Use alternates - You can easily call alternates using special combination like a.2 k.3 b.4 t.h c.c etc. To get results like the preview just type g.7l.8amour.3 b.6ouquet.2

Dubbel Zout in Dutch means ‘Double Salt’. I admit, it sounds better in Dutch… Dubbel Zout is a kind of licorice which we (in Holland) love! Not many people actually like it, but I know of one addict in Denmark, who eats it by the bagful. Dubbel Zout is a ‘crayon-ish’ font - all caps, different upper and lower glyphs that you can mix and a royal assortment of diacritics. It may be an acquired taste, but once you get used to it, you’re hooked!

This font is mainly inspired from the engraved characters of the small book known as “Operina”, or “The method and rules for writing cursive letters or chancery script” from the famous calligrapher Ludovico Vicentino Arrighi, published in Roma in 1522 and signed with simplicity “Ludovico Vicentino”. The font contains a large set of standard ligatures and alternative characters: two lower cases, four sets of standard capitals, long s and variants, titlings, each feature easy to use with OTF managing software. It is a pro font, containing Baltic, Eastern, Central, Western European and Turkish diacritics.

WT Hilton is a font family of royal script that inspired from the Spencerian era in 1840. The strokes are graceful and rhythmic, and letterforms are characterized by flowing loops and flourishes. WT Hilton consists of four styles that variables from the Monoline to the thicker one called Hilton Fancy, each style are stands on its own character. With 100+ language support, WT Hilton is well-suited for any project such as prints, branding, magazine, headline, poster, packaging, weddings, headline, movie, title, logos, branding, invitations, quotes, social media, websites, magazine and so much more.

Languedoc is a former province of France. Most of its territory lies in what is now the Occitanie region. My family and I love camping there and I figured I’d name a font after it! Languedoc is a beautiful and useful typeface: it is a handmade serif that is a bit rough around the edges, but very legible and fun to use. Because of its legibility, you could use it for texts, product packaging, cook books and whatever else you fancy. Comes with a royal amount of diacritics.

An eye-pleasing collection of 31 Woodland Doodles. Illustrations of 11 trees--traditional and contemporary. A branch, animals, cabin, acorn, flower, leaves, mushrooms, bird’s nest, pine cone and birds on a branch. Coordinating nicely with Lake Vacation Doodles or Farm Doodles .

TELEPATH Telepath by Coniglio Type, first appeared in 1998. It is now in opentype .otf as of 2021. Telepath is a master sampling of a Royal office typewriter of industrial strength provided by the Miller Furniture store, of Dunkirk, New York. It had a baseline set of numbers to make accounting practices easy and line up nicely on the statements. (No gentile old fashioned numerical ascenders and descenders.) Yet, for a a rather old and stolid machine, it was very luxurious and built to definitely take the test of time. Cudo's for Royal Typewriter Company, is all I can say. The set of images were very carefully gathered and has fallen into the preferred category for a typewriter font that has it all. The font has exceptional value as a text font -and- a display font. It contains a great deal of graphic information and doesn't spike at higher sizes. Telepath presents a strikingly handsome typewriter font with a uniquely intuitive difference. Unlike the original source material—scans of monospaced typewriter copy, every font is painstakingly hand kerned for your most demanding copy fitting work in justified or casually ragged settings for print or the web. All Coniglio Type fonts are 100% embeddable. It will get you there.

Developed by Andrea Tartarelli as an extension to Calvino typefamily, Marcovaldo is a heavy condensed wedge serif, optimized for display design. The high contrast and rich texture of the old style letterforms marry digital aesthetics in a typeface that is at the same time impactful and refined, with its nod to the Elzevir and DeVinne tradition.

Albion’s Marker No.1, as the name suggests is the first in a series of ‘Marker Pen’ typefaces- merging good type design practice with deliberately casual and hand-drawn letter forms. Inspired by the great classic typefaces such as Bembo and Caslon, the design of Marker No.1 offers a unique blend of legibility and relaxed randomness.

Here's a great old face from the H. W. Caslon foundry in London; a real workhorse. The lowercase is eminently readable, so you can set entire paragraphs to good effect. We don't recommend it for setting all caps, but we did take time to kern it well; so you won't get a jumble of ovelapping letters if you do.

Jaggers is a handwritten typeface based on the letterforms Caslon. It may be hard to see the resemblance between these two since Jaggers is such a unique font. Its casual appearance is charming and easy to read. Jaggers has an expanded character set including European letters and symbols! This font is definitely one of Victory"s best.

Gordis is a letter to display ideal for situations humorous and tender, based on rounded shapes that weigh about their weight. It comes in three versions combined Open Type, which can be used in layers for special effects. Gordis was awarded at the third biennial TL08 Tipos Latinos. Put an end to those boring headlines, use Gordis!

Linotype Auferstehung is part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German designer Johannes Plass was influenced by historic broken letter faces, particularly Caslon Gotisch, although the rounded corners give the font a handwritten look. Linotype Auferstehung is particularly good for headlines in larger point sizes.

Adlery is a brush typeface designed by Cosimo Lorenzo Pancini for display use. It has a handmade feel and it’s optimized for maximum readability at medium sizes. The typeface comes in three styles: Basic, Swash and Blockletter Uppercase and has a double set of lowercase alphabets that alternate in writing, so that no double letters are the same.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

An inky script font written by a madman from the cabin deep in the forest. Moonshine Script has a regular set of uppercase and lowercase script letters but also condensed capital letters that you can access by switching SmallCaps on and writing with CAPS.

Overland Trail JNL is Jeff Levine Fonts’ interpretation of “Italian”, first introduced in 1821 by the Caslon & Catherwood Type Foundry. Unique and somewhat similar to Faux Pas JNL with its eccentric stroke weights (opposite what is considered normal for serif fonts), the typeface features a design most associated with the Old West. Overland Trail JNL is available in both regular and oblique versions.

Caslon1821 is a revived "Italian" typeface of foundry Caslon & Livermore, 1821. The typeface quickly extended across Europe and America. It came to Russia and became very popular from France in the 30s of the XIX century. It's Cyrillic versions were offered by typefoundries of Revillion and Co., Pluchard, Semen, etc. In our version we also added support for Hebrew (with vowels).

Antipasto is a geometric sans serif font designed by Cosimo Lorenzo Pancini. The original family of three weights has been revised and expanded in 2017 with Antipasto Pro that now includes cyrillic and greek characters, open type features (small caps and old style numerals), six new weights from the hairline to the extrabold and an icons set in 8 weights.

🏆 Selected for Tipos Latinos 6. 🏆 Selected for the 12th Biennial of Brazilian Graphic Design. 🏆 Typographica Favorite Typefaces of 2015. Garibaldi is a text typeface based on humanist calligraphy. It has an organic look and feel, while preserves the traditional construction of roman typography. It all started with a desire to learn more about the origin of the strokes on humanist typefaces. To accomplish that, Garibaldi features a 20° axis, medium contrast based on translation and expansion, asymmetric serifs, and terminals related to the broad nib stroke. Garibaldi Regular was nominated for Tipos Latinos 2014. Since then, the family was expanded with more weights and matching italics, making it a solid choice for setting books, magazines and documents. Among many OpenType features, each font contains small caps, ligatures and contextual alternates, totalling more than 750 glyphs and supporting at least 80 languages.

Royalana is a modern royal font with a minimalist factor. A complete font set containing all the important glyphs. Royalana has been inspired by the very minimalist and compact designs in trend to deliver a new look and yet keeping the professional outlook of any design or print. Royalana font set includes; Royalana Light, Royalana Light Italic, Royalana Regular, Royalana Italic, Royalana Bold, Royalana Bold Italic, Royalana Extra Bold & Royalana Extra Bold Italic. Kufic Studio is a platform that provides professional and high-quality designs & fonts to fill the gap that has been missing in the market.

Scaryfemita – Classic Elegant Copperplate Calligraphy Script Font – Beauty Classic Luxury Royal Font Scaryfemita comes with glyph variations such as Ligature, Alternate, and Swash. You can combine it to make a perfect typography design. It is perfect for your upcoming projects such as luxury logo and branding, classy editorial design, woman’s magazines, cosmetic brands, fashion promotional, art gallery branding, museum, boutique branding, stationery design, blog design, modern advertising design, card invitation, art quote, home decor, book/cover title, special events and any more. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Welmock is a display/decorative font based on a vintage royal fantasy font with modified ornaments that make it look prettier. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Zygon Regular is a shape changing, unicase display font inspired by British cultures and transcultural theory. Zygon Regular was inspired by the 2012 Royal Diamond Jubilee and the notion that the Jubilee, as a multicultural event, would feature celebrations inclusive of all cultures. The typeface is based on the Panjabi syllabary alphabet (Gurmukhi script) combined with the Latin alphabet. Zygon Regular contains a set of stylistic alternates as well as a range of standard and discretionary ligatures. These are accessible in applications that support OpenType features. Zygon Regular is especially suitable as a headline font for designs seeking a cultural edge.

Feast your eyes on Paiute, the sultry script that'll have your design looking hotter than a Vegas summer! This font is so seductive, it'll make your audience swoon harder than when Elvis was at the Sands. The exaggerated top stroke and sharply slanted terminals give Paiute a look that's straight out of the vintage Vegas scene. It's like the Rat Pack meets Marilyn Monroe in a smoky casino bar. Whether you're designing a magazine cover, book cover, or movie poster, Paiute is the perfect choice for that extra touch of va-va-voom. It's like sprinkling glitter on your design - except it won't get stuck in your hair. So why settle for boring fonts when you can make your project stand out like a sequined jumpsuit? Let Paiute help you bring that authentic 1960s Vegas vibe to your marketing. Your audience will be shouting "Viva Las Paiute" in no time!

Café Brasil is a font designed to represent coffee, especially for use in packaging, brand titles, logos and menus. Based on the shape of a coffee bean, Café Brasil has delicate details and ligatures that represent the liquid, foam and steam of a good cup of coffee. In March 2014, Café Brasil was chosen to be part of the main exhibition at the “Tipos Latinos 2014”.

Sacred Geo is a Dingbat font, containing the basic principles of geometry, perpendiculars, bisections, partitions of angles, curves joints aligned and asymmetric, thus the construction of the main spirals, construction of polygons as a square, rhombus, pentagon, hexagon, octagon and how to combine them into ornamental shapes. Discover the magical world of sacred geometry. Winner in the TL2012 International Biennial of LatinAmerican Typography, Tipos Latinos.

Based on William Caslon’s design (c1720) which was itself based on Dutch Baroque typefaces. The old saying “when in doubt, use Caslon.” can now be updated ... “use RM Almanack instead!” Includes: Western European, Central European, Baltic & Turkish sets Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Here’s a fresh take on a classic, Caslon Black Swash by Ed Benguiat. Big, bold and beautiful, it’s a natural choice for distinctive and attractive headlines. Several alternate lowercase characters are included in the font, in place of some math operators. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

CUMBANCHERA, inspired by the old albums cover art of Latino music. Cumbanchera reminds of the iconic, classic, and recognized musical theme «El Cumbanchero» composed by Rafael Hernández Marín «El Jibarito». CUMBANCHERA can be used mainly in titles, display and short texts. Supports East Europe languages. Includes standard and discretionary ligatures, alternative style of upper and lowercase, fractions, numerators and denominators, and other OpenType features.