The namesake for this type design was the dust jacket for the 1926 book “Revelry”. A classic Art Deco thick-and-thin design, Revelry Deco JNL is available in both regular and oblique versions.

Rearviewmirror (no space) is a Pearl Jam song and it happens to be my favourite! Rearview Mirror is a handmade tall & thin font. It comes in a regular and bold style with their italics.

A vintage brass stencil used for marking oil drum lids for the Standard Oil Company of Kentucky served as the model for Refinery Stencil JNL, which is available in both regular and oblique versions.

Lüdickital is a handwriting script design. Lüdicke wasn´t satisfied with existing scripts which he though of too stylish and uneven. He simply digitized his own handwriting and developed a regular and a bold.

Here's my new experiment, Second Song. This font breaks the boundaries even more. Now the inscription looks as authentic as possible. Includes: Regular Script Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures

The hand lettered title for the 1890s book called “The Octopus” featured extra bold Art Nouveau lettering with rounded serifs. This is now available as Headline Nouveau JNL in both regular and oblique versions.

Resiliency font family offers 6 font; 3 weight in regular and italic that provides a variety of looks and possible combinations. Resiliency offers great looks on esports themed designs and other sports in general.

Seventeen Winter is a cute and fashionable font duo with signature and regular touch it was created to help you designing makes gorgeous logos, posters, wedding invitations, blog posts, social media, apparel and more!

Foda Slab is a powerful Arabic slab typeface that has two styles : Regular and Hollow. With 886 glyphs Foda Slab has many ligatures which makes it suitable for headlines and other different graphic contexts.

Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with features.

The Butterfly Brand [from the UK] manufactured some lettering stencils (circa the 1950s) with a distinctively British look and feel. These inspired Lancashire Stencil JNL, which is available in both regular and oblique versions.

Slab Compact JNL was based on the printed title found on the box cover of a 1950s-era word games set called “Lex-O-Grams” and is available in both regular and oblique versions.

Family Deco JNL was inspired by the bold Art Deco hand lettering of the movie credits for the 1936 Laurel and Hardy comedy “Our Relations”, and is available in both regular and oblique versions.

Road Repair JNL is a bold (hand lettered) sans serif stencil font based on the opening credits from the 1954 film “Drive a Crooked Road” – and is available in both regular and oblique versions.

Paper Cutout Pro is a playful typeface inspired by paper letterforms cutout by scissors. It's imperfect letters create the feel of an authentic hand-cut school project. It comes in regular and round versions.

Twas brillig and the slithy toves did gyre and gimble in the wabe. All mimsy were the borogoves and the mome raths outgrabe. Nuff Said! Features: Two weights (Regular & Bold) with alternate uppercase characters.

Stallman is a Display font family containing 100 Fonts (Regular, Oblique and Variables). It's a perfect font for titles There are also 6 OpenType features (Numerator; Denominator; Fraction; Case Sensitive; Ordinals; Access All Alternates)

Boldatin font family, a slab display typeface with different styles (regular, slanted, condensed, condensed slanted) with total of 24 fonts and 6 weight that suit for your project like signage, poster, banner, flyer, etc.

Tralee Font family consist of 2 styles, regular with outline and bold filled with background colour. Originally designed for packaging typography, also would be suitable for titles, headlines, greeting cards, adverts, books and more.

Positive Feature is a handmade, layered font. All layers come with contextual alternates, which means you have 4 different versions of each lowercase letter to play around with. What's cool about the two layer versions is that they mix in a lovely way! Try typing your text with layer 1, copy/paste layer 2 on top in a different color - perhaps even alter the transparency a bit...and all of a sudden a nice effect sees the light of day!

Introducing, Handstory, a simple handwritten script! Handstory is handwritten brush script that you can use both lowercase & uppercase separately and still looking great. You can use this font for any purposes such as a logotype, branding, and suitable for quotes. This font is so versatile, you can combine it wit your fonts collections. Handstory also contain ligature and underline. You can access the underline from opentype feature, just type underscore + number(1-3) for example: st_1ory. This font also support multilingual.

HU Blueocean is a headline typeface created by imagining waves in a square glass tube. It iis designed to be used in various environments by adding decorative elements, the swaying form of waves, to the Gothic style of a full square module. There is 1 weight of HU Blueocean : Black Features : Uppercase & lowercase Numbers and punctuation Multilanguage (Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin, Dutch, Afrikaans, Basic Greek, Basic Cyrillic, Mathematical Operators) 882 Glyphs

Introducing, Daily Spark, handwritten font duo Daily Spark is a package of two fonts including Bold Sans and Script that will compliment each other. You can use this font for any occasions such as a branding, merchandise, etc. With handmade feels, this font is suitable for quote. For additional, this font also contains underline that you can access from ligature and type underscore + number (1-3) in the middle of the text, for example : Sp_2ark. This font also support multilingual.

Gothic is a stylized script style, with a wide selection of characters. A bold script font that looks cool. Gothic is perfect for branding projects. You can access swash by changing numbers 0-9 -Features of fonts Lowercase, Uppercase, Numbers & Punctuation, Lowercase alternatives, swash variant ligature Stylistic set 1 (for the end of the word) Stylistic set 2 (for the middle of the word) Stylistic set 3 (for the beginning of the word) Stylistic set 4 (for the end of the word) multilanguage

Herald Banner is the newest (as at January 2017) of Greater Albion’s ‘Banner’ or ‘Masthead' typeface. It tales the form of letters on a long heraldic banner twined about a central mace. It is offered in two forms- a conventional monochrome typeface and a set of eight interrelated typefaces designated ‘Colour’ 1 through to ‘Colour 8’. These (and indeed the monochrome face) have identical metrics and can be overlaid to produce multi-coloured lettering with the bare minimum of effort.

Sholaria designed to be a clean and luxurious display script font. Inspired by vintage copperplate style. Carefully made for the best 'flow' result. Came with seamless connection each others . Ton of 'necessary' swash alternates to playing with, around 400 glyphs total. This font will suitable for your any project. Branding, quotes, headlines, romantic letters and many more. Little note, you could access the end swash by check the number 1 and 2 alternate or just find it via glyph table.

🏆 Selected for Tipos Latinos 8. 🏆 Selected for the 12th Biennial of Brazilian Graphic Design. Malva was designed to perform as a branding element, providing a clean look for visual identities and publications. It brings a touch of friendliness to the communication without compromising the professional look every brand strives for. Legibility was one of the top concerns during the development of Malva, so we took special care to differentiate the naturally ambiguous characters I, i, l and 1.

Introducing Historya; A sweet handwritten font! Bold and cheerful fonts are guaranteed to beautify your designs and products. What's Included: Historya comes with a single font file that includes uppercase, lowercase, numbers, punctuation, and multilingual support. Historya also has alternative letters in each uppercase and lowercase and has a swash that you can access in alternative numbers 1-9. That's it! I hope you enjoy it. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Saturday Lunchtime Font is a delightful combination of handwritten sans serif in uppercase and charming script in lowercase. Crafted with a cute and playful vibe, this font is perfect for creating logos for children's brands or adding a touch of whimsy to quotes. Its versatility allows you to use either the uppercase or lowercase alone, and you can activate swashes by typing underscore followed by numbers 1-3. Elevate your designs with the joyful and dynamic aesthetic of Saturday Lunchtime Font!

Thei is a calligraphy font that helps designers to create beautiful compositions. It looks stunning on wedding invitations, cards, quotes, greeting cards, logos, business cards and every other design which needs a customized touch. How quickly to create main decor element: 1.Type == (equal signs). Or type any Text========== Then move decor elements in the right position. ***Don’t change size of text during this process, because it may not create decor elements (ligatures). Or choose the décor element in Glyphs category.

Lovina Script is our first font in 2019 and has a handwritten script style with a touch of natural rough from the shape of the brush. For Scripts, Lovina fonts have 2 choices namely "Lovina 1" and "Lovina 2" and in this font script there are many alternative choices of characters from Swash Lowercase, SS01 to SS06. Lovina Script is very worthy of being the newest collection in 2019 as a project design creation, social media quote, badges, logotype, fashion design etc.

Introducing, Holybuck, classic signature family! Holybuck is signature script with three style that contain stylistic alternate, swash and underline to create your own costumized signature or logo design. This font is also support multi language. Available in OTF and TTF. Also Support PUA. It's available in three weigh style! For another questions, please send a mail to saridezra@gmail.com. Thank You! To add the line in under the text, type underscore + number (from 1 to 5). Or copy Some_5thing in preview bellow..

Cally is a classic looking typeface with decorative vintage elements. It is perfectly suited for label design and for various lettering postcards and invitations. Cally includes the English alphabet, punctuation, numbers and Western European multilingual characters (check out the screenshots with all available characters). Also there are few ligatures and swashes. To access swash glyphs, just type underscore character and number 1-5, like this _1. Using "standard ligature" feature this symbols will be automatically replaced with one of the swash symbols.

Just Wood Heinz No.4 - the cool display font. Wood Heinz No.4 offering up to four "printed look" variations of all the Latin base letters and figures. An OpenType letter rotator is programmed into the fonts to emulate the randomness of wood type printing. You can switch manually to the alternate letters by using the Stylistic Sets 1 – 4. Stylistic Set 5 will activate the more common look of the capital letter R with a straight leg. PDF Specimen

Six Sided Monogram Font is a perfect shaped monogram font consisting of 78 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Six Sided Monogram Font comes with font file in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

Whitenights is a contemporary text family, which was developed by the prolific Swedish typographer Lars Bergquist in 2002. Containing five weights (11 different fonts total), this family contains every tool you need to set splendid text. The base font of the family is Whitenights Regular, a reliable face designed in the old style manner. It ships in OpenType format, with old style figures. Whitenights Ligatures Regular is a supplementary font, which contains many extra ligatures (e.g., ffb, ffk, tt, and fj) whose use will improve the color" of a page of text set in Whitenights Regular. Whitenights Regular may be accented by combination with Whitenights Small Caps, Whitenights Italic, Whitenights Bold, and/or Whitenights Bold Italic. The Whitenights Italic, Bold and Bold Italic styles all have supplementary Ligature fonts available for purchase, similar to the Whitenights Ligatures Regular face described above. For larger, headline text, the specially designed Whitenights Titling is quite useful. This titling font has been optically redrawn and respaced for use in large sizes. Naturally, it has its own supplementary Ligature font as well. In books, magazines, and newsletters this font is a great display companion to the rest of the Whitenights family. Its use in conjunction with the text faces will make your typographical compositions more sophisticated. Last but not least in the Whitenights family is Whitenights Math, which contains many additional mathematical and logical glyphs not found in a standard font's character set. Used together, the above 12 styles can set almost any text or math-based document. The entire family is included in the Take Type 5 collection from Linotype GmbH."

Presenting Brave Spirit! A Display Font in 2 Styles. This font made with the perfect combination of each character. You can combine with Extra to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Brave Spirit looks stylish and unique on design projects. So, Gilligan Shine can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. WHAT'S INCLUDED? 1. Brave Spirit • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 1. Brave Spirit Alt • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). A Million Thanks Colllab Studio

The Vtg Stencil fonts from astype are based on real world stencils from several countries. In the case of French stencils the challenge was special, because of the varieties of different widths and weights between the stencil sets – so I made France No. 1, No. 3 and No. 5. The most unique and eye-catching elements of typical French stencils are the figures 1, 2, 3, 7 and a specially 5. The figure 5 changes in style on smaller stencil sizes, its bobble getting replaced by something like a “breve”. The letters J and Q can differ in style too. While the local stencil lettering styles are gradually disappearing in other countries, there are regions in France, such as Normandy and Brittany, where these stencils are still in use today. They are used for technical lettering, which is what stencils were originally intended for, but also for ads and information signs in a more artistic or patriotic context. Over the time, these stencil letters became a globally recognized landmark of French design and French taste. All styles offering an extended Latin character set. » pdf specimen «

This is a decorative and steganographic Braille font based on Lorraine Cross pattern. As the Lorraine cross splits space into six areas, it may be used to represent Braille glyphs. Provided Glyphs * Lowercase letters (a..z): a White cross and Black square dots * Uppercasecase letters (A..Z): a Black cross and White square dots * Special characters (e.g. !#$%*+<>{}()[]...) * Decorative glyphs (provided in black and white as well) Glyph code intervals - Codes 48..57: Bullets (0..9 digits) - Codes 130..150: 'White Stars' - Codes 192..233: 'Black Stars', Black border glyphs and other black patterns. - Codes 214..233: Border/Decorative glyphs (Black) - Codes 235..255: Border/Decorative glyphs (White) - Codes for Cross w/o dots: Black (192), White (235) - Codes for Cross and 6 dots: Black (191), White (234) - Code for 'Half-width space' (166) Posters 1. Logo: illustrates usage of border glyphs 2. Meta: Two big Lorraine Braille glyphs drawn with pattern glyphs 3. Stars: illustrates usage of 'Star' and pattern glyphs 4. Bullets: illustrates usage of bullet glyphs (0..9) 5. Human rights - Article 1 NB: - Encoding is: Windows Latin ("ANSI") - Published in two versions: Commercial and Free for personal use

Mundane information—the sort you might ignore—often appears in the form of very simple, utilitarian lettering, devoid of personality, the sort of industrial lettering you find on old blueprints, park restrooms, and electrical boxes. MVB Diazo is such a thing. It looks like lettering done earnestly with a plastic template. The monoline caps—constructed from straight lines and simple curves—have rounded details as if rendered by a blunt pen on a topographical survey or by a router on a rustic campground sign. The MVB Diazo fonts are compact, available in two widths: Condensed and Extra Condensed. Each width offers four weights from Light to Black. The fonts are perfect for wherever plain and boring letterforms are required. All widths and weights are also available in two distressed textures (#1 and #2) that accentuate the industrial character of the design. Rough #1 is gritty, with finer texture for use at larger sizes. Rough #2 exhibits more damage, the roughness apparent when used at smaller sizes. The Rough fonts include alternates of a number of glyphs so that variation of texture is possible when letters repeat in a word.