Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Bolgica is a Neo-grotesque slab serif inspired by the slab serifs of the 1800’s century. By combining modern elements in several letter characters, the Bolgica family is very suitable for various design needs such as advertising, packaging, logos, editorial and publishing, branding and other creative industries. The family has 9 weights, as well as the matching true italics forms, provides typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super and subscript characters. It comes with a complete range of figure set options – old style and lining figures, each in tabular and proportional widths. With over 752 glyphs per style, Elioth supports around 150+ languages in Latin and Cyrillic script. Family overview: 9 weights (from Thin to Heavy) + italics Extended Latin Cyrillic 726 glyphs Variable Font 150+ languages OpenType Features: Localized Forms Subscript and scientific inferiors Superscript (Superiors) Numerators and Denominators Fractions Lining Figures Tabular Figures Oldstyle Figures Circled Number Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates Contextual Alternates

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies... the characters known only as ToBeContinued. One of our characters will win, one will die, at least two of them will be engaged in a Clash of Titans. Face Front, True Believer, This One's Got it All! The Story So Far & Near complete family includes eight weights with support for Western & Central Europe.

Roadbrush was inspired by the mid-20th-century hand lettering of Albert Eckhardt, Jr., that I found in a 1950’s sign painting book. Roadbrush is a retro brush-style script that I re-designed and completely re-mastered. Roadbrush is a powerful font that can be used for logotype, packaging, posters, T-shirts, signage & design projects with a retro & vintage feel. Roadbrush comes with four styles that contain all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters.

To break from the rigidity of a typical monospaced font, Alloca includes weights that go above and beyond. From the wire-thin to the ultra-bold, you’ll be able to do a lot with one monospaced family. With OpenType features like slashed zeros, old style numerals, and case-sensitive forms, Alloca is versatile. It's great for displaying code, showcasing data, or even flowing your body copy. It has broad language support, too, with localized forms for Vietnamese, Polish, Catalan, and Dutch, to name a few.

With its split serifs, Vglee looks like it could be a copy of an “Old West” font but it is not. It was constructed by taking a motif and applying it regardless of consequences. Vglee does not have lower-case letters but it does include a full set of Western and Central European accented characters. Its distinctive, odd appearance can be useful in small doses for decorative purposes. The VgleeStar style contains only the ornament. It is intended to be used in layers with Vglee.

In Holland we eat pancakes with black syrup and I always thought that this ‘suikerstroop’ was the same as molasses. Turns out that’s not the case; syrup is made from sugar, but molasses is a by-product of the sugar refining industry. To celebrate the fact that I learned something new, I named this font family Black Molasses. Black Molasses was made using various cheap brushes and Chinese Ink. It comes in a ‘fat’ version and a ‘light’ version that work together really well.

A ‘Leaden Sky’ is a dark grey sky without clouds. We don’t see too many of them here in Holland, as we usually have lots of clouds. Yesterday, however, the sky turned a sinister greyish green and it spewed out an an enormous amount of hailstones the size of walnuts. Leaden Skies is a handmade, all caps display font. I made it with a brush and Chinese ink. It comes with extensive language support and a set of alternates for the lower case glyphs.

Arcas is a display sans with no curves — straight lines only. Unlike many other typefaces with this characteristic, however, it’s built with some asymmetry, which helps it expand beyond the “sports” or “tech” feel that many of those fonts have. Instead, it’s a surprisingly warm and friendly family, ready to lend a unique personality to headlines, posters, and packaging. Supports a wide array of Latin-script languages. OpenType features include ordinals, arbitrary fractions, and case-sensitive punctuation. A set of catchwords is also included.

Carot Text fonts are especially tuned for reading sizes: their serifs have adequate strength and do not cause fatigue when reading long. Originality lies in the tradition revived by modern language. The whole Carot system is built up from what has long been around; in any case, it was the intention: to evoke the already experienced visual reminiscences of today's spectacled people. I believe in the raw effect of “Carot” typefaces. The family of 64 members offers a modern alternative for all types of design work.

Calima is a humanist sans serif typeface available in six weights. The idea behind this family was simply to try to bring the spontaneity of an italic to an upright roman typeface. The result is a fresh and dynamic sans with clean shapes, well suited for short texts and display use. The fonts, available in Opentype format, include diacritics for most European languages and a variety of Opentype features: oldstyle and tabular figures, subscript and superscript, fractions, case-sensitive forms, localized forms and more.

Impetus is a powerful capitals-only geometric sans in a solid and inline variant. Built around a framework of a circle and square, it echoes angular Deco or Italian Futurist "moderne” forms, and is about as heavy as it is possible for a font to be. Alternate forms are provided in the lower-case keystrokes for the S, G, J and W, and there is also an alternate 1. The two styles can be combined in one setting for effect. Use Impetus where maximum impact is required.

Coluna is a friendly, handdrawn all caps font. Due to its playful, organic shapes it makes you think of cocktails on the beach and the earthy smell of the woods in the morning. It offers vast support for languages using the latin alphabet and comes with a couple of icons to make it even easier to complete the handmade look of your designs. Coluna is perfectly all sort of different use cases, such as birthday cards, packaging, children's books, branding, posters, menus and many more.

Meet Revla Serif, an unashamedly spirited font, with a spring in its step and a lust for life. Loosely based on a few letterforms from a mid century poster, it takes the feel of Madison Avenue print ads and runs with it. OpenType acrobatics ensure letters don't repeat monotonously, using the contextual alternates feature. Also included for your viewing pleasure - automatic fractions, case sensitive forms and one solitary stylistic alternate, an alternative ampersand. And that's it! Put the fun back into your text with Revla Serif.

Riveta is a sharp type family available in 18 styles, designed in 2021 by Joël Carrouché. Medium and medium italic styles are 100% free to use. The typeface features a simple and solid geometric construction, with straight terminals and a very discrete triangular serif that gives the font some extra spice in big size. Riveta is equipped for advanced typography, with features such as ligatures, tabular and proportional figures, arrows and icons, stylistic alternates, case-sensitive forms, fractions, scientific inferiors and superiors, and circled figures.

Point Made JNL is a varied assortment of pointing hands and arrows used for embellishing word copy, drawing attention to key points or simply adding some retro flair to your print or web project. Twenty six designs in varying styles offer a wide range of visual diversity. The images point to the right on the capital keys and to the left on the lower case keys. This font is a companion to Point Taken JNL, which offers twenty-six more pointing hands and arrows.

Being a Star is one thing, but being a Twisted one is even better! JWX Twisted Star incorporates your deep desire for stardom into each alpha and numeric glyph, in a bold bordered font. The upper case letters sport a trailing accent, making them shooting twisted stars. This is a single bold typeface, and is intended to be used at a large size in graphics work, adding a not-so-subtle statement to everything from screen printed t-shirts to posters or even embroidery (available at www.janworx.com).

Meet "Roseka," the font that's here to infuse your designs with a burst of energy and creativity. This playful and funky typeface adds a dash of retro charm, making it the perfect choice for a wide array of projects. Whether you're working on posters, social media graphics, or even reimagining vintage aesthetics, Its whimsical letterforms give your text a unique personality, making it ideal for advertisements, branding, packaging, invitations, and more. Unleash your creativity without limits – Roseka is the creative spark your projects need.

Dear and Fans is all class. A stylish modern font that is a mix of serif and sans serif. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. With a contrasting light italic, Dear and Fans works great in layout design for quotes or body copy. The Elegant curves also make for a unique logo or masthead. Dear and Fans comes with multilingual support also. Full upper/lower case, numbers, punctuation and multilingual support. Full italic style included also.

Health Justice is a new modern handwritten font with a bold style and contemporary design approach, naturally handcrafted, perfect for use in title designs such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, T- shirts, packaging designs, posters, and more. Complete with upper and lower case letters, as well as multilingual support, numbers, punctuation, several perfect ligatures and has swashes that will make your designs more attractive. Thank you so much for looking and let me know if you have any questions.

Gyroscope is an all caps display font duo consisting of two styles - Serif and Sans Serif. Both of them can also be bought separately. Gyroscope has elegant and well balanced curves of letters perfect for logos, headlines, magazines, or even longer texts. There are selected ligatures you can use for a better look. Features: 2 Styles: Gyroscope Sans & Gyroscope Serif Basic latin alphabet A-Z 43 Ligatures & Alternates 56 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Case sensitive glyph Enjoy Gyroscope!

Cowboy Junk is my loose handmade impression of what would happen if the wild west crashed into grafitti! The letters are loose and jumpy and the terminals are kind of exaggerated to give that firce impression of handcraft! So, better get up early and leave this town, 'cos there’s only room for one sheriff in this here town, and that is Cowboy Junk! Comes with contextual alternates, which means that the font will automatically cycle through the 5 different versions AS YOU TYPE! Yieeehaaar!

Gretania includes a full set of upper and lower case letters, multilingual symbols, numbers, punctuation, alternatives and ligatures.This font has a Modern Elegant Style, perfect for branding, logos, invitations, masterheads and more. Gretania features OpenType style alternatives, International binders and support for most Western Languages included. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. Thank you so much for viewing and Enjoying it.

Someday, as computers become the new medium for writing, the art of cursive handwriting will slowly become a lost art. Calligri seeks to preserve this endangered style with tastefully drawn letters that connect with each other in classical artistry. Calligri includes a full character set (UPPER and lower case), all punctuation, all special characters, Euro symbol, and all Latin Extended-A characters, making this font a perfect match for any project including personal messages or notes, holiday cards and newsletters, and wedding invitations and announcements.

Kaffemoster is a Swedish slang word for a lady, usually a bit older, who likes to drink coffee and gossip while she’s drinking it. I have decided to study a bit of Swedish, so I downloaded an app and I am practising my Swedish vocabulary every night! Det går långsamt, men jag klarar det! Kaffemoster is a nice, handmade pencil font. It comes with extensive language support (including Swedish) and a nice set of alternates for the lower case letters. Kaffemoster är ett riktigt bra typsnitt!