Changa is a layered font intended for titles or short texts blocks, with its short ascenders and descenders and a set of lowercase letters inscribed within a square. The uppercases case gains slightly more in height and develops its morphology in a single height in order to make it possible to create text composition with minimum line spacing. Its counter-shapes are rectangular, featuring small curvatures in opposite vertexes which accompany and break the shapes, thus evoking a modern style.

Monotype Caslon Titling was made available for hot metal casting in 1932. The capital Monotype Caslon Titling letters were based on types from the Stephenson Blake Foundry, previously the Caslon Foundry. Originally designed by William Caslon in the eighteenth century, Caslon is considered an old face although it has characteristics which were later found in the transitional typefaces. The Monotype Caslon Titling font has a distinctive style, generous width and strong color, ideal for use in advertising, magazines and on book jackets.

Pelagic Bird is a unique ligature font. Clean, delicate, classic. Available in upper and lower cases with numeric, symbol, punctuation, and multilingual support. Pelagic Bird will be perfect for many projects: logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, or whatever project you’re working on. WHAT’S INCLUDED? Uppercase & lowercase letters Numbers, punctuation Ligature & Huge Stylistic alternate Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

Korey Sister is a beautiful brush font, a contemporary approach to design, this is intentionally made by hand to make it more natural and attractive when used in your design. Suitable for use in title design. Such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters, and others. Korey Sister includes a complete set of upper and lower case letters, and multi-language support, numbers, punctuation, and also has Alternatives and ligatures.

Aderyn is a hand drawn, elegant font with a light touch to it. Aderyn is soft and sleek, but also comes in bolder styles to give a little extra oomph to your designs. Aderyn is Welsh for 'bird', a language I meant to master, but never took beyond 'good morning', 'bird' and 'cat'. I know, it's pathetic… Aderyn comes in 12 styles, all of which have kerning, stylistic and contextual alternates for both lower and upper case letters. It even has a smiley!

I have always liked Scandinavian folklore, although I have to admit that I didn’t know about the Fossegrim. Fossegrim is a fiddle or harp playing water sprite - usually friendly, but he has been known to lure children and women in deep water with his music. Fossegrim font is a little bit weird as well: I made it using a broken bamboo satay skewer and Chinese ink. It comes with extensive language support and a set of alternates for the lower case letters.

I really don’t like candy. In fact, I even hate the smell of candy! But… You can wake me up for caramel in any form or shape! When I was a kid, we used to get a tin of wrapped English ‘quality’ toffees for Christmas. My favourites were the big, flat chewy caramels in a bright purple wrapper! Chewy Caramel is a happy handmade font, ideal for book covers, candy wrappers and labels. Comes with double-letter ligatures for the lower case.

Inspired by late 18th century type specimens, Saltpetre is a grounded yet rustic typeface. His letters have been hand-inked with antique dip pens and playfully spaced for a charming, irregular look. In addition to a set of 26 upper case letters, the font includes a variety of period graphics, interlocking decorative borders, numerals, punctuation, currency figures and multi-lingual support. Saltpetre is extremely versatile and excels at display, as well as specialized uses such as cartography and historical reproduction.

I came across a photo of Al Capone and some of his henchmen when searching the internet for something completely unrelated. We don’t have a history of notorious gangsters in Holland, so I was intrigued by Capone all of my life. Packing Heat is 1930’s slang for ‘carrying a gun’, which I thought befitted this handmade font with an early 20th century look. Packing Heat comes with multilingual support and a set of alternates for the lower case glyphs.

The new Clarendon BT Pro typeface family features 450 glyphs in each font with expanded support for Central and Eastern European languages, and enhanced OpenType features including ligatures, diagonal fractions, superscript/subscripts and Case-Sensitive Forms. Clarendon BT is an updated revival of the square serif (also called Ionic or Egyptienne styles) with bracketed serifs, ball terminals and high xheights. These attributes give Clarendon BT a timeless appearance for a wide range of contemporary uses from websites, ads, publications and signage.

Italian type designer Maurizio Osti and American type designer Jane Patterson created this display FontFont in 2003. The family contains 4 weights and is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Folk provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates.The font was based on the original alphabet created by Ben Shahn in 1940. It comes with proportional lining and tabular lining figures.

British type designer Neville Brody created this display FontFont in 1994. The font is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Dirty Four provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining figures. This FontFont is a member of the FF Dirty super family, which also includes FF Dirty One, FF Dirty Seven, FF Dirty Six, and FF Dirty Three.

Range Serif is a sharp, contemporary, wedge serif typeface with just a hint of fraktur influence. There are five weights from light to black, each with corresponding italics. This is a typeface designed for demanding typographic work; it’s legible at small sizes, but unique at display sizes. There is an abundance of OpenType features in each font, including: Ligatures - all fonts contain standard f-ligatures. Contextual Alternates - Range Serif has been carefully designed to not ‘need’ ligatures. If you choose to deactivate them, the contextual alternates feature will make sure an alternative f is used before certain letters to avoid clashing. Fractions - When activated, numbers separated by a slash will automagically turn into fractions. Numerals - There are many different figure sets. These are Proportional Lining, Tabular Lining, Proportional Oldstyle, Tabular Oldstyle, Superiors and Scientific Inferiors. A slashed zero feature is also included. Small Caps - All styles include small caps, for both small caps and capitals to small caps functions. Ornaments - For convenience, the arrows are grouped in the ornaments feature. Case Sensitive Forms - There are different punctuation and bracket glyphs for all caps usage. Stylistic Alternates / SS01 - The italic fonts contain alternates for the letters A, K, R, U and X. Range Serif is a versatile and fully-featured typeface, ideal for corporate identities, contemporary art catalogs, even t-shirt slogans. The language coverage is impressive (Latin Extended A is fully covered) so Range Serif should prove a useful text and display workhorse for speakers of many different tongues. The typeface includes an array of currency symbols, including the new symbols for Indian Rupee and Turkish Lira. Also check out the accompanying sans serif version, Range Sans.

Mono-Spec Stencil is a monospaced family of sans-serif type. At least in default settings, all characters across the typeface share a common width, which is immediately noticeable for its condensed nature. Mono-Spec Stencil is a sibling of a non-stencil family, simply named Mono-Spec. Characters in each are just as wide, allowing Mono-Spec Stencil to be used together with Mono-Spec, as a secondary typeface. As a typeface whose characters are stencil-shaped, this design channels the spirit of resistance and street culture. When you look at the family, remember that it ships in two different formats. Depending on your preference, you can install the typeface as a single Variable Font or use the family’s five static OpenType font files instead. Those weights run from Light through Bold. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The Mono-Spec Stencil Variable Font’s weight axis allows users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Whatever format you choose, the Mono-Spec Stencil fonts are equipped with several OpenType features. The most striking of these can be activated via a Stylistic Set. That will replace several letters – like “B”, “E”, “F”, “H”, and “I” with double-width alternates. Those alternates take up as much space as two characters placed next to each other otherwise word. The effect of Mono-Spec Stencil’s double-width alternates is striking, and their use strikes a strong chord in any display typography applying them.

RF Takt is a condensed geometric grotesque with closed forms of signs. 14 fonts from Ultralight to Black. 878 glyphs and 3738 kerning pairs. 16 opentype features. Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 91+ languages) We have tried to make RF Takt feel as good as possible in the field of graphic design and became a versatile tool for solving a wide range of graphic tasks. The specific feature of the font is that having condensed forms of characters allows you to place a large amount of information in a limited space. RF Takt will be a bright accent in a large size and will keep the readability in a small size. A large amount of opentype features opens up a wide range of options for experiments and original solutions. RF Takt is ideal for poster design, web design, newspaper design, magazine layout and covers, video titles, infographics, logos and branding, packaging, navigation solutions. Opentype features: ligatures, alternative symbols, ordinary and tabular numbers, old-style and old-style tabular numbers, tabular currency signs, fractions and automatic fraction, arrows and alternative arrows, case sensitive forms, upper and lower case numbers, small capitals.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! You want a playful serif font. Something elegant and charming, but still lighthearted , fun and cheerful with a dash of mischief? Introducing The Wickyfest, a playful serif font with a classic tone. If your next project requires a playful touch, you'll love this collection of special characters and features. The Wickyfest style is incredibly well-crafted, resulting in versatile characters that can present a dashing display for your branding designs and ads. For more extravagant projects, try The Wickyfest for children-related graphics, like book covers, movie titles, or posters. Download The Wickyfest Now and make your designs more memorable. String together words that spell out who you are - not just what you do. Sharpen the image of your company or give your online presence a touch of class and charm. Don’t be afraid to let your clients see there’s more to business than just that bottom line. A Million Thanks www.colllabstudio.com

You can download usiful link: Bodrum Sans PDF Type Specimen Bodrum Sans is a sans serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Sans is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Bodrum Sans a harmonious and sensible appearance for both texts and headlines. Bodrum Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Sans 14 Regular” forms the central point. "Bodrum Sans" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy in all graphic programs. Bodrum Sans is the perfect font for web use.

"Bodrum Style" is a serif Style family designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Style" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances help the legibility and give "Bodrum Style" an harmonious and sensible appearance for both texts and headlines. Bodrum Style provides advanced typographical support for Latin-based languages. An extended character set - supporting Central, Western and Eastern European language - rounds up the family. “Bodrum Style 14 Regular” forms the central point. "Bodrum Style" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Style is the perfect font for web use. Enjoy using it.

“Bodrum Slab” is a slab serif type family. Designed by Bülent Yüksel in 20018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. “Bodrum Slab” is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give “Bodrum Slab” a harmonious and sensible appearance for both texts and headlines. Bodrum Slab provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Slab 14 Regular” forms the central point. “Bodrum Slab” is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Slab is the perfect font for web use.

Thertole is a dramatic display font with a strong background. Because of its rock-inspired design, this typeface is dashing and bold for individuals who dare to be distinctive. If you use this font for a variety of outdoor events, you will get an exquisite and unique look. Standard ligatures, character choices, and international language support are also included in this typeface. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Introducing Burned Duck, the playful handwritten font. With each character meticulously shaped as if inked by a playful hand, Burned Duck exudes a sense of spontaneity and creativity. The irregular lines and slightly varying sizes contribute to the font's organic and dynamic appearance, making it a perfect choice for those seeking to infuse their designs with a dash of personality and humor. Whether you're designing comic strips, graphic novels, greeting cards, or any other creative endeavor, Burned Duck lends an air of authenticity to your text. Its playful imperfections add character and liveliness, making your words dance across the page as if penned by a skilled cartoonist.

This fine lined display type face was named Allioideae because of the ascenders of the lower cases. They are rising upright with a single stroke and are ending - depending on the font style - into a spherical blossom. The name was chosen concerned to the plant allium, that forms an umbel at the top of a leafless stalk, when it is blooming. Allioideae is the name of a subfamily of monocot flowering plants in the family Amaryllidaceae. The name is derived from the generic name of the type genus, Allium. The wide and round capital letters are showing a nice contrast to the lower cases and giving the font a kind of female feeling. That provides a functional and lovely use in headlines for all beauty and cosmetics issues.The typeface appears in 4 different styles. a plain style – Allioideae, a stencil style - Allioideae Stencil, a (dotted) style for both - Allioideae Dot and Allioideae Stencil Dot. It supports multi language as it covers all the latin diacritics and a cyrillic character set. Lots of numbers as monospaced, lining figuers, old styles, sub- and superscript and many fractions in two different styles are giving a nice finish to that font. Also some matching ornaments are included.

If you need a typeface suitable for the most elegant and hard work, you will fall in love with Schotis family, your true Scotch Roman style workhorse. Schotis Text is designed for perfect reading on running texts, leaving the setting of big sizes for Schotis Display. Each optical size family has seven weights plus matching italics, with 1100 glyphs per font. With a very extended character set for Latin based languages including Vietnamese, Schotis shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions. Schotis family is based in Scotch Roman style but designed from scratch, with a more contemporary and not nostalgic look. The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th century with Pica No. 2 in the catalog of William Miller (1813) and assumed the British route towards high contrast and vertical axis modern Romans. In opposition to the continental route of Fournier, Didot, and Bodoni, the English way opted for a wider, more legible letter also resistant to bad printing conditions.

Introducing Special creative products for you, our products will give you an extraordinary experience that will not be forgotten. Balister A popular and professional Handwritten font. Modern and elegant, this typeface is made of beautiful creative strokes. Balister This font is perfect for your creative ideas, both formal and informal. It has a modern style with a touch of creative ideas that is very suitable to be applied anywhere that requires creative ideas such as invitation cards, letterheads, website logos, social media, banners, advertisements, brochures, packaging products, leather products, and any product that requires writing. By using this font, all of your products will look luxurious, elegant, and attractive, please try and see the results. This font includes a complete set of beautiful upper and lowercase letters, numbers, a wide variety of punctuation marks, and ligatures. All lowercase letters include a start and end, providing a realistic style. everything you get. Encoded PUA Character – Can be accessed completely without additional design software., Please note that Stylistic Alternates will require professional design software such as Adobe Illustrator, Photoshop, InDesign or Inkscape. Thank you...

Bilberry Muffin playful Cyrillic Greek script font is perfect for use in all your design projects be it logos, signatures, labels, packaging design, or blog headlines. Also, it will look great in mugs, cards, gorgeous typographic designs, wedding stationery, and much more. Bilberry Muffin playful Cyrillic Greek script font includes a complete set of uppercase and lowercase letters, numerals, a large range of punctuation, and 35 ligatures, giving a realistic hand-lettered style. Bilberry Muffin Symbols is a font with 26 unique, hand-drawn illustrations and elements that can help to make your design more original. A different symbol is assigned to every uppercase and lowercase standard character so you do not need graphics software just type the letter you need. Multilingual Support for 33 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. Font also contains Greek glyphs too. And Cyrillic glyphs support Russian, Belorussian, Bulgarian, Ukrainian, and Kazakh languages.

Slovakian type designer Peter Bil'ak created this script FontFont in 1996. The family contains 2 weights and is ideally suited for festive occasions. FF Masterpiece provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining and proportional oldstyle figures.

Forged to be as imposing as a Norse horde ready to stampede into battle, Works great in all caps which it was initially designed to. I designed the lowercase characters to match really well with each other and the uppercase, so it works well in title case. Designed by Jon Swinn.

Zennor is the work of British designer Phill Grimshaw, a bold italic brush script with slick, dashing letterforms with an almost globular quality. Its uppercase can be used alone or as initials with a strong, authoritative lowercase. Zennor is an ideal choice for work requiring a casual yet confident look.

Présence is a modern sans serif with a light stroke contrast. The capitals are a bit narrow for a titling use which makes them space-economical without lack of legibility. The lower cases have a normal width for a fluid reading. Its wide range of weights allows it many uses.

In 1957, Helmut Matheis designed Charme for the Ludwig and Mayer type foundry, located in Frankfurt am Main, Germany. This informal script is of medium weight and has some variation of color. The caps are flowing and the lower case letters are close fitting. Their is a bold companion, called Slogan.

Dutch type designer Donald Beekman created this display FontFont in 2010. The family has 8 weights, and is ideally suited for music and nightlife and poster and billboards. FF Massive provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining figures.

Hearts, and wings are both powerful symbols.The heart represents the seat of the emotions, and Wings represent movement upward, even spiritually, in the case of angel wings. These images have been drawn with a brush, some of them on rough paper, and are available as a black or white version.

Freestyle Script is the work of designer Martin Wait. It is an informal display typeface which perfectly renders the spontaneous qualities of hand-rendered brush lettering. Its capitals can be used alone in word settings and are complemented by an extensive lower case alphabet which includes ligatures of every imaginable variety.

Italian type designer Alessio Leonardi created this display FontFont in 1997. The family contains 3 weights and is ideally suited for editorial and publishing. FF Handwriter provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining and tabular oldstyle figures.

Burghal Design's mission, should we choose to accept it: design a typeface whose characters consist only of hexagons, circles, triangles, squares and crescents. Mission accomplished, and voila! Monkeywrench is the result. Monkeywrench includes upper and lower case letters, numbers, symbols, punctuation, and accented foreign characters, as well as 7 lucky dingbats.

Vatican is a calligraphic face. The lower case is influenced by the lettering of Arthur Baker but the caps are more formal, the shape of the Cap V reminded me of a Bishops Mitre which led eventually to the name. The lighter weight works particually well in small text pieces

Ragtime was designed by Alan Meetks, an all capital condensed sans serif typeface. It features thick/thin weight variances and fine line casing adornment which recalls magazine styles of the 1940s. This typeface should not be letter spaced too closely. Ragtime is excellent for anything requiring an elegant, refined look.

Elegant, fluid and romantic are but a few of the words that describe this beautiful font. Certificate is a perfect choice for awards, wedding invitations, greeting cards - in fact any products for which a sophisticated, contemporary yet formal look is sought. Certificate was designed for situations that require: - a classical, “award” like font (for certificates, invitations, formal notices etc); - a very legible font (particularly important for invitations to events such as weddings and formal occasions where details of the occasion are very important and should not be mis-read); Certificate is fully professional, carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Allysha Script is a handmade font created with passion and love. I love my work and the people who support me inspire me to always make it with my heart. Allysha Script is very elegant with smooth and soft lines, equipped with upper and lower case letters and alternative lowercase letters, swashes, multi-lingual symbols, numbers and punctuation. It is perfect for many design projects such as logo design, branding, blog graphics, stylish quotes, wedding stationery, art prints, collateral design, packaging, social media, and so on. I really enjoyed the process of making this font and I hope that you will make amazing designs with this font.