Arethusa is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. The standard character set covers many roman-based languages. For extended language support, see Arethusa Pro.

No mystery here: this typeface is based on the not-often-seen Cooper Black Swash Italic, designed by Oswald Bruce Cooper. Swash variants are the norm with this font, but enabling Contextual Alternates will prevent collisions between the swash “tails” and letters with descenders. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

The Radonezh font is a Latin alphabet layout based on Russian Lettering I have seen. The font is designed to give a classic Medieval Eastern European feel with a hand-lettered style. Radonezh comes with full punctuation, a complete character set for most Western European Latin alphabet languages, Cyrillic languages, and polytonic orthography for Greek. Being a decorative font, it works best at larger point sizes.

Based on the typeface Lunda originally made by Karl Erik Forsberg , (1914–1998) in 1941. The name Lunda was a tribute to Berlingska Stilgjuteriet in Lund, a Swedish type foundry (1837–1980) which supported him from the start. The design is close to the original but some significant details have been changed. Several signs are designed from scratch. An additional bold weight has been added.

Matryoshka is a display layering type family which is inspired by the Russian wooden doll. The family contains eight different weights from XXS (thin) to XXL (fat) + Pregnant (all in one). The design is based on an elaborate and complex grid, so each font fits perfectly into the other. With the Matryoshka family the typographer can create millions of new solutions. Play with it!

Organic Cotton is a straightforward, friendly and highly legible typeface. The lettering is based on contemporary brush/pen lettering with a little fun and lushness added. It is solid, fluid and organic without being hippie-dippy or whimsical - not that I am opposed to those things. Organic Cotton is well suited for packaging and branding and it comes with a 69 alternates, 28 swashes, and 14 ornaments.

To start this year, we present a beautiful and attractive font. Font inspired by calligraphy strokes in the Middle East. Murisa Valeria is a beautiful font. With care and patience, we created and processed the font with a deep artistic effect. We believe that the fonts we create have high appeal. We make it with all our heart. Murisa Valeria is a font that you really deserve.

Fusion Slab was developed based on Fusion Sans Pro, as an amalgamation of traditional early nineteenth-century letters. Fusion Slab is a family of 3 weights with very tall x-height which is suitable for long headlines. On the other hand, its ascenders and descenders are extremely short so text lines can be set with a very low leading value. It provides support for Latin and Greek.

Inspired by fonts used in financial and law arenas. Bold style reminiscent of 1920s deco era. Great font for play cash or Monopoly-themed party invitations. Vibes of Wall Street movers and shakers. Includes letters from Latin, Greek, Hebrew, and Cyrillic Alphabets - with some common diacritics. Also includes small caps and English feature words like "the", "of", "with", "and", etc. for marquee style accents.

There’s nothing stinky about this font, don’t worry! But what’s is up with Stink Buster is a whole lot of serifs gone bad! Each letter is loosely based upon the classic slab serif style, but influence by grafitti and comics just made them crooked and off the grid. But despite that, the font works great if you have a message that you want shouted out loud!

ITC Bauhaus was designed by Edward Benguiat and Victor Caruso in 1975. They based it on a prototype face drawn by Herbert Bayer in 1925 while he was teaching at the Bauhaus School in Dessau, Germany. ITC Bauhaus has simple geometric shapes and monotone stroke weights. The rounded, open forms and quirky geometric gyrations of ITC Bauhaus will make contemporary graphic designs look both fun and stylish.

Wittenbach is based on lettering by Rudolf Koch which really embodies the essence of classic gothic-style poster lettering of the 1920s. It brings together the traditional style of gothic lettering and a strong, more modern sensibility characteristic of Koch's work and his era. It is very vertical and stylized, but also extraordinarily attractive without the harshness of many of the designs of that period.

Simeon's Handwritten Blackletter is the result of my desire to have my handwritten old English style writing available for my computer. It is a basic Gothic style font with my own touch to the lettering. Simeon's Handwritten Blackletter comes with full punctuation, a character set for most Western European based Latin alphabet languages. Being a decorative font, it works best at larger point sizes.

Gjallarhorn is based on uncial-style lettering by artist Willy Pogany from his titles for Padraig Colum's classic collection of Scandinavian myths, The Children of Odin. It has various peculiar letter forms, and the font includes two or more different versions of many of the characters. An excellent example of stylized hand lettering by one of the great decorative artists of the Art Nouveau period.

Return Pass JNL is the solid version of Forward Passed JNL and can be used as a standalone font or in combination with Return Pass Fill JNL (the inline version with the main letters stripped away) for a dual color design. In some applications the inline fill may appear to create a cast shadow effect, so it may be necessary to manually adjust any overlaid copy.

Willy is a typeface with a wink. This display font is based on existing piquant form from the immediate vicinity. It is sexy, if you have an eye for. But it also should not be taken too seriously, especially because it has a humorous slant. The font has its origins in an art project. It is now made available for design around festifals, parties, invitations, etc.

Released by the Compugraphic Corporation in 1979, the Garth Graphic font family is based on a design by John Matt from the 1960's, reworked by Renee LeWinter and Constance Blanchard. Garth Graphic was named after Bill Garth, a founder of Compugraphic. A fairly strong old style face suitable for text setting; the heavier weights and condensed forms are most used for display work.

Our Quintessential Pro is based on the calligraphic lettering style known as the Italic Hand. As speed became more essential in writing hands, styles became less formal and more relaxed. Classic, clean, and casual, Quintessential fits a lot of design uses - hence its name. The SmallCaps and extensive figure sets only work to further expand the usefulness of the typeface across a wider breadth of applications.

Dutch type designer Just van Rossum created this display FontFont in 1992. The font is ideally suited for advertising and packaging, festive occasions, editorial and publishing as well as poster and billboards. FF Karton provides advanced typographical support with features such as ligatures. It comes with proportional lining figures. As well as Latin-based languages, the typeface family also supports the Greek writing system.

A modern san serif typeface with a humanistic influence. The intention was to create a clean, functional design that would also have an elegant appearance. Careful attention has been paid to proportions and purity of form to help improve readability across text layouts. Details include 8 weights with italics, 540 characters with old style and tabular numerals, stylistic alternatives, manually edited kerning and Opentype features.

Here’s another wild and wacky typeface based on handlettering found on Hallmark Studio Cards of the 1950s. All possible letter combinations have been kerned, so you can mix and match upper and lowercase letters to create just the balance you’re looking for. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Introducing a classic bold font Hallie. It's an elegant typeface with very high contrast shapes. Thin curly elements combined with bold base shapes brings vintage and modern impression at the same time. Hallie also has a lot of ligatures and swash symbols that helps to create an original lettering composition. It's perfect for labels and postcard design. Thank you and have a nice day!

Life was designed in 1964 by W. Bilz and marks the beginning of a new generation of newsprint fonts. The Ionic style had replaced Modern Face and was now replaced by this new innovative style, which mixed elements of Old Face, Transitional and Modern Face forms. Life’s characters are based on the forms of Times and are the result of a time of change and experimentation.

Classic Blody, The font that has 2 Style with beauty script make your design to be perfect. Classic Blody perfect for large design project like Tshirt, Advertising, bags, book cover, quotes, food, logo , poster, fashion, custom sticker, magazine, and many others. It completed with numbers and punctuation. Multilingual support, and came with PUA encoded. and you will get free editable vector bonus for compliting your project. enjoy :)

Local Market is a wonderful handmade font and art collection. Local Market comes in three font styles, multiple weights, extras, labels, and banners. The handwritten font styles include Local Market Basic, Display, and Script. Extras come with hand-drawn market animals, market food, catchwords, numbers, symbols, kitchen tools, farm icons, leaves, and ornaments. Local Market works perfectly for restaurants, catering, markets, cafés, and marketing.

Peanut is a face full of bounce and playfulness but is based on the traditions of the long revered Roman minuscule. The letters are unique in that they imply “youth” without relying on cliché child-like letterforms. Peanut and Peanut Sans come in a ‘Salted’ style which features many alternate letterforms. Both the Salted and regular styles are combined into in the Pro fonts.

Introducing! Merlandio is a hand painted font with a style natural, sweet and simple. Made with great care to provide the natural and modern elements. This font will look great if used single even with other pairing fonts. The great thing about this font is you can find some style when you use it, examples such as natural handwriting style, unique, simple, elegant, and bold.

“Can you write this card? You have the best handwriting.” Was commonly heard question by Karin that inspired the creation of this font. Now anyone is able to write in her unique style. Hedgehog Lake includes over 400 glyphs for languages based on the latin alphabet and comes in two weights. Perfect for designs that need a human touch like invitations, titles, and more.

introducing a Qualiga script fonts with sharp and beautiful letters that create fonts that are modern, tendy and elegant. Qualiga came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is! I really hope you enjoy it

P22 Sneaky is the newest font by award winning type designer Michael Clark. Sneaky is a connecting-script and sibling of his popular Pooper Black type which shares a similar flow and casual elegance. It features shared details and relative size so that with careful design, the two can be mixed and matched. Sneaky Pro features over 500 glyphs with alternates and a Central European character set.

Ademo is a classic, shaded and perspective looking display font. The design is based on two typefaces designed by Carl Albert Fahrenwaldt and published between 1931– 1932 by the German Schriftguss AG type foundry. pdf specimen Ademos special Fill fonts can be used for building multi colored text or for special finishing needs like blind imaging, embossing, stamping, partial UV coating and laser cutting.

Party Doodles: the perfect font for that quickie party flyer. Six party words in script and hand printing as well as 24 party drawings of gifts, party hats and party crowns, a sundae, a cupcake, fancy cakes, drinks, party horn and noisemakers, candles and a gift tag. One font, many possible party flyers. It can also be found in the book "1000 Fonts" by Bob Gordon.

PiS Creatinin pro is based on a vintage ABC learning game for kids found in my grandparents attic. The narrow and high hand-drawn letters combine delicacy and chunkyness in a wonderful way, so it can be used both in huge display sizes and in small text sizes. PiS Creatinin pro - Makes you want to go back to school and learn the alphabet all over again!

Eckmannschrift is a redrawing based on original sketches and type specimens of the original 1900 Otto Eckmann typeface Eckmannschrift. It includes the original characters designed by Otto Eckmann not included in most modern releases of the font. Though it is a vintage typeface, it has found several popular resurgences of use over its 100 years in existence, including today's retro styles and psychedelic posters from the 1960s.

KgStuttgart1930 -- Kunstgewerbeschule Stuttgart 1930 -- is based on a printed sample of a font designed in 1930 at the Stuttgart School of Applied Arts. Found in the book ABZ, more alphabets and other signs by J. Rothenstein and M. Goodings. I recreated the grid and kept some awkward letters of this bauhaus-era inspired design. I created the missing glyphs and added alternate versions of already existing ones.

Introducing a new elegant retro display typeface called The Beardy Inspired from serif didone combine with flourish typography and 60s-70s pop culture. The Beardy came with open type features such stylistic alternates, stylistic set 01-18, & ligatures. The Beardy typeface mainly intent for logo, headings, branding, magazine, cover album, book cover, movie, apparel design, quotes, invitations, flyer, poster, greeting cards, product packaging, printed quotes, etc

Gibswing born based on the reference of old fancy lettering, vintage illustration, and victorian calligraphy. The Gibswing decorative style make it as an instant time machine to the era from 1800-1900 victorian visual style of the products, printed advertising, and signs back in the day. It will be a perfect companion of your classic visual direction for decorative sign, labels, branding, logotype, you name it.

This delightful dervish is based on handlettering from a 1928 poster for a steamship line by renowned British artist Austin Cooper. It’s essentially a monocase font, with the exception of the letter A, which twirls in one direction in uppercase, and the opposite direction in lowercase. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Introducing a new font combination script and serif called Heykido inspired by urban script fonts with sharp and beautiful letters that create fonts that are modern, tendy and elegant. Heykido came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. MULTILINGUAL ACCENT : ŽžŠŒšŸÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ FILES INCLUDE : Heykido Script. Otf Heykido Serif. Otf

St Friska, based on old movie title lettering, is made just for headlines. It comes with a slight touch and feeling of art deco but it’s designed to be contemporary in 2010 and beyond. Friska comes with a big bunch of OpenType features, so a designer can play with it like Lego, using it alongside old or new typefaces. It has stylistic sets and lots of ligatures.