Summer Crackers is a simple, fun, and relaxed handwritten font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

Kumachi is an ultra condensed font with a stamp style, and is perfect for logos, name cards, magazines layouts, headers or oven large scale artwork.

Filou is a genuine bastard inspired by three different typefaces. It consists of three weights: "Regular", "Medium" and "Extra" which can be easily mixed together.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

Varial typefaces are extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives).

Paola is a redesigned, new interpretation of a typeface from Carl Rudolf Pohl. OpenType features: Central European faces Ligatures & contextual alternates Proportional & mediaeval numerals Fractions

The ALDOGIZIO family is a new slab-serifs typefaces family inspired by Aldo Novarese' Egizio. It can be use for text as for titling applications.

A redesign of Typoart's Thannhaeuser Fraktur. You can access the long s either by typing the integral sign [∫] or activating the OpenType feature historical forms.

FG Rakel is a small old looking handwriting connected script font. I have found it useful on greeting cards and scrapbook journaling among other things.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

Nouveau Eccentrique JNL is a novelty Art Nouveau lettering style found on some 1920s sheet music cheerfully entitled "I'm Glad I Can Make You Cry".

Fig Bun is a slightly curly font with a cute attitude. When used in CAPS only, Fig Bun is is suitable for text in comics!

Use it for all of your hand-lettering projects like invitations, greeting cards, promotional materials, websites, and branding that need that hand-brushed lettering vibe.

Allnoob Typeface is one of the elegant decorative fonts neatly arranged and cool, you can also use it for business, clothing, movie titles, and more

Loftie is an all caps, condensed sans serif font with beveled corner characters. The font is ideal for headlines, titles, branding, small blocks of text.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benefit from a “spoonful of sugar” visually.

An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.

Scripty Style is a handwritten signature font. It has a natural handwritten style and is perfect for logos, branding, business cards, watermarks, and much more!

Baby Fun is inspired by the playfulness of hand lettering. This font can be used for comic design, children's books, preschool name tag and more.

A semi-heavy face slightly condensed, inspired by the Germanic & European type fonts. Applications include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.

This is a connected script font with a trendy flair. You can add little flourishes to the beginning or end letters for a whimsical touch.

Sheepdog is a whimsical handwriting font originally created for use in greeting cards and to combat the propagation of ! Use it to your hearts content.

Bollatica from Philip Bouwsma is a nice interpretation of the scrittura bollatica. It has a floreal historical lettering and can be used for historical documents.

Adolescent is a cute and playful handwritten font. Use this font to add that special cool touch to any design idea you can think of!

Condensed serif font. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Zumbo is a capital letter font, hand designed. The letters can be freely combined: with or without decoration. 2022 by German typeface designer Joachim Frank.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

Agenor is an all caps display typeface family. It comes in five weights and is suitable for headlines, headings, branding, posters, packaging, titles and logos.

Shopping Spree JNL was inspired by the hand lettering on the title card for the 1938 film "Fast Company" starring Melvyn Douglas and Florence Rice.

Chorettan is a hand-written script. This is perfect for branding, wedding invitations, cards, social media, or maybe for your logo products, and also websites.

Monthly Goals A Playful Font It is perfect for headings, flyer, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers, etc.

Grandma is a lovely hand-drawn serif font. It is perfect for greeting cards, children's books and everything that should have a handmade, kind feeling.

Anjelina is a beautiful and romantic script font. It is PUA encoded which means you can access all of the glyphs and swashes with ease!

This typeface was suggested by a 1930s ad for a product called Plantol, designer unknown. It can be either graceful or playful, depending on context.

Araboto is a simple geometric Arabic typeface, with six weights. You can use it in a variety of uses from printings to web and mobile.

This caps only hand lettering could have come from an architect. Speedy written on a 45 degree slope with a bold felt pen or brush.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

Redmoon is a cute and playful handwritten font. Use this font to add that special cool touch to any design idea you can think of!

It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there. Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds. Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff. Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well. This is one quill script that no large bird had to die for. A few technical notes The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on. Awards During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.

Bewilderment is a hand lettered sans-serif font. The perfectly simple font could be used for a variety of projects, such as a design on a t-shirt, car decal, or tumbler! - Contains over 200 accented characters for language support. Some of the languages supported are: English, Spanish, Portuguese, German, Italian, French, Polish, Catalan, Irish, Norwegian, Croatian, Gaelic, and more! If you would like to know if a certain language is supported, please contact me with the language and/or any special characters you wanted to know about.