Keukenhof is a modern calligraphic font that shows the beauty and luxury. Rich of various alternates curly lowercases that will make your project charming. It's perfect for elegant project. Such as wedding invitation, gift card, romantic quotes, elegant branding, and so on. You can get uppercase and lowercase letters, numeral and punctuation, beginning and ending swashes, lowercase alternates, lowercase initial form, and ligatures. Please look at preview pictures detaily.

A charming series of 26 holiday “type warmers” based on the works of Carl S. Junge for the Barnhart Brothers & Spindler type foundry in the 1920s. Single-color cuts are in the uppercase positions, while 13 of the cuts suitable for two-color usage occupy the lowercase in adjacent pairs; e.g., a and b, c and d, and so on.

Show Card Deco JNL is a hybrid of examples from hand lettered titles found on various song folios from the Carl Fischer Music Library circa the 1930s and is available in both regular and oblique versions. This particular typeface lends itself perfectly to show cards, posters, headlines and display titling which captures the modern, streamlined design of the Art Deco era.

Balboa is a display design combining elements of early sans serif and grotesque types with contemporary types. It evolved from ATF Headline Gothic, Banner (a headline typeface I drew for the San Francisco Chronicle), and Newsweek No.9, a Stephenson Blake-like grotesque I designed for Roger Black's 1980 redesign of Newsweek Magazine. There are nine styles, including the three new styles that have been added in 2014: Medium, Light and Ultra Light.

Here’s a collection of border elements taken from the pages of nineteenth and early twentieth century type specimen books of various American foundries. Download the PDF provided for each font for simple guides to constructing various borders. All characters have identical widths, so use spaces between left and right-side elements. For best results, set solid (no extra leading) and use flush left, flush right or center justification to assure proper alignment.

Anvylon is a monospaced typeface for use in programming and tabular material with a remarkable retro look-and-feel of the early video terminals and line printers that makes activities such as 8-bit coding and console work much more appealing and comfortable. Designed for optimal grid fitting at small sizes, its main features are forced to a very restricted set of integer positions and dimensions, absolutely unhinted, and mostly free of overshoots.

Sempione is a spanking new sanserif family suitable for publishing and advertising that looks great in small and large sizes. Its two main styles, Grotesk and Modern, are inspired by the early grots and 20th-century sanserifs. They come in seven weights with the matching italics, Grotesk Cursive and Modern Slanted. The considerable variety of letterforms and styles, along with some peculiar stylistic sets, will be appreciated by designers looking for more freedom of choice.

Jukotha is a casual retro from the san serif font family that carries a vintage theme, this font is designed with care so that it can produce a blend of letters and become a sweet and elegant word but still natural. by using this font, your work will become stronger and more extraordinary. This font is suitable for various graphic promotion media, banners, posters, logos, typography, hand lettering, packaging, t-shirts, labels, and much more.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Spindletop’s ultra-condensed letterforms allow a lot of information to be packed into little horizontal space. Named for a famous East Texas oil field that made a lot of people rich in the early part of the twentieth century. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Ostent is a font family which is inspired by the early Din-Type fonts. In particular, Din 1451. This is reflected in Ostents simple and uncomplicated design, which results in creating a good sense of legibility. Each of the three weights have been carefully designed to work in conjunction with one another, or individually, complimenting other typefaces. Ostent can be used across a wide range of design mediums (both print and screen).

Gliker was designer in the early 2019 and published in June 2020. Gliker is inspired by the characteristics of Hobo Typefaces. All corners of this typeface is founded, giving a more dynamic and vintage feel. Gliker is available in 4 Weights (Regular, Semi Bold, Bold, Black) and 7 Widths (Extra Condensed, Condensed, Semi Condensed, Normal, Semi Expanded, Expanded, Extra Expanded) with a total 28 Styles. Also includes support for 75+ Latin (Extended) Languages.

Ivan Bilibin was one of the best artists and designers of the Russian folk art movement of the early 1900s. His posters and his illustrative work are exceptional, and like many of the artists of the period he did a lot of hand lettering in various old-fashioned and modernistic interpretations of traditional Russian folk calligraphy. Our first Bilibin font is based on his lettering from an illustrated folk story by Alexander Pushkin.

Based on a hand lettered sample from the early 20th Century, Gibson Girl is a heavy script font with a vintage flair. During the end of the 19th Century, the “Gibson Girl” created by illustrator Charles Gibson, was considered the ideal of feminine beauty and poise in that time period. The term has become associated with the Gilded Age in America. The design of the Gibson Girl font reflects both femininity and self confidence.

The name Old Style No. 7 comes from a time when foundries released a variety of typefaces under one name. Linotype produced Old Style No. 7, which was based on an early 1870s typeface from the Bruce Typefoundry, which had based its design on a type from the Scottish foundry Miller and Richards. Old Style No. 7 is a reliable text type that is serviceable for both books and shorter copy demands, such as magazines.

One in the series of fonts celebrating the Halcyon Days of Handlettering. Strongs Draughtsman is a monoline font that evokes the sensibilities of the early twentieth century. Based on a font called "architects' pen strokes" as delineated by Lawrence and Charles Strong in their The Art of Show Card Writing from 1922. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Lamp Post JNL is a digital interpretation of a design popular in the early 1900s called Post Old Style; no doubt inspired by a certain Saturday periodical with a similar name. There is an intrinsic charm to lettering that evokes a hand-made look, and this design is a perfect example of the genre. Available in both regular and oblique versions, it will add the nostalgia of simpler times to any print or web project.

Alaca typeface was designed, based on its octagonal form, as contemporary, dynamic and modern font family. While designing Alaca typeface each glyph was given a form to link with other glyphs. As such, the harmony between the letters was carried to an advanced level. Alaca font family consists of 6 weights and italics matching those weights. It can be used typographically as a logo, title and text font up to certain sizes.

Calling Code — very nice monospaced font — 1. is a monospaced font family for coding and tabular layout. 2. simply consists of 4 style, Regular, Italic, Bold and Bold Italic. 3. is ready in both OpenType and TrueType formats. 4. has slightly condensed width for more useful space. 5. has good distinguishability and legibility and cute curly tails. 6. brings a fresh sensitivity to boring old existing monospaced fonts. You can try Regular style for free.

ITC Ziggy was designed by Bob Alonso, who says it started out as phone doodles in the early 1970s." Alonso rediscovered the sketches years later, thought they revived the feel of the 70s, and decided to digitize the typeface. He liked the form of the letter Z best, so named the font Ziggy. ITC Ziggy reminds its designer of "elephant bellbottoms" and its style as a display face instantly evokes a nostalgia for the 1970s.

Similar in design to Franklin Gothic, News Gothic was one of a number of sans serif faces manufactured by American Type Founders in the early years of the twentieth century. Initially cut as a light sans, heavier versions were made in the 1940s and 50s along with some condensed weights. The News Gothic font family offers an uncomplicated design that is well suited for use in newspapers and magazines for headlines and in advertisements.

Miss Demeanor has a tendency to create her own rules due to her free-spirited nature. She conforms to every day typographic expectations but she wouldn’t like you to think so. She has unusual yet casual and eye catching shapes and makes the best of any situation. I hope you enjoy her pretty style! My inspiration for Miss Demeanor came from a specimen sheet of an american type style from the early 1930’s.

Get ready to dive into the retro vibes of the early 2000s with PUNK CYBER!. This font brings back the bold, colorful, and experimental visuals that defined the y2k era. With 6 captivating styles - Regular, Slant, Outline, Extrude, Outline Slant, and Extrude Slant Features: Has 6 Variable: Regular, Slant, Outline, Extrude, Outline Slant, and Extrude Slant Instructions (Access special characters, even in Cricut Design) Unique Letterforms Simple Installations Enjoy Designing! Dharmas Studio

Let Me Call You Sweetheart was one of the most popular songs of the early 20th Century, and a piece of vintage sheet music for this tune had its title hand lettered in a square, narrow block lettering style. With a few adjustments and adaptations, this led to the creation of Tall and Narrow JNL, a digital version of the type design which is a perfect alternate to the more conventional condensed faces.

Dread Script is a connecting script with a dancing baseline, which is designed to convey scareness and style. This font works perfectly for logos, magazines, menus, books for children, invitations, wedding / greeting cards, packaging, labels, t-shirt etc. All designs will have a wonderful handmade touch. It offers a variety of features such as ligatures, swashes, endings, and many early forms alternately. To unleash your creativity, this font also supports multiple languages.

The source for these hand-drawn initials was an early 20th Century French alphabet book whose pages were displayed online at an image sharing site. This style typifies the Art Nouveau period, and makes a wonderful paragraph starter or "drop cap" for your printed projects. Some users may still want to compose headlines with this font, but be aware there are no punctuation marks, accents or kerning - just the twenty-six initials.

Tactical is nothing more than a testosterone-laced typeface. Rigid, mechanical and unforgiving. Originally conceived in 2007 while I was working through the early sketches of Ginza, Tactical features hard 45-degree angles and the presence of a curve for curve’s sake is just not there. Complimenting the original is a Stencil variant (inspired by the military, marathon video game, explosion-influenced name) and matching Obliques—altogether creating a sharply coordinating family.

Born from the intersection of the geometric and grotesque typefaces. Aribau Grotesk combines low contrast and generous width proportions with typical traits of american gothics from the early 20th century, like the counters aperture and a double story ‘g’. Driven by the process, some details that come from the geometric style arose, like the clean-shaped figures and the circular dots that convey a more affable and contemporary look. Aribau Grotesk PDF.

Similar in design to Franklin Gothic, News Gothic was one of a number of sans serif faces manufactured by American Type Founders in the early years of the twentieth century. Initially cut as a light sans, heavier versions were made in the 1940s and 50s along with some condensed weights. The News Gothic font family offers an uncomplicated design that is well suited for use in newspapers and magazines for headlines and in advertisements.

Chuster - Retro serif Chuster is a serif font that carries a retro theme, presenting a bold and attractive font appearance. With a design inspired by a retro aesthetic, Chuster exudes a strong and bold impression, perfect for design projects that want to convey a vintage or classic feel. Features : - Regular, Outline - Ligatures & Alternates - Letters, numbers, symbols, and punctuation - No special software is required to use this typeface even work in Canva - Multilingual Support

Match and Kerosene is proud to present its debut font, Slab Sheriff. The design was inspired by Caslon's Italian type work from the early 1800s and a general love for western and heavy slab serif fonts. Slab Sheriff is an all-caps font, but there are display options easily accessed in any program using the lowercase glyphs. There are 2 ampersands as well; one of which can be accessed in the Stylistic Alternate OpenType Feature.

ZenoPotion is a geometric styled typeface influenced by alien stories and nostalgia. It carries a techno look with a regular lined top and dipped thick bottom throughout, highly readble, though not best for large bodies of text. Use the alien technology, let ZenoPotion be the type for your designs and stories. From the far reaches of space, another lifeform sent a message, now you can use their typestyle to convey your own!

Cronos is the work of Robert Slimbach, a sans serif typeface family that embodies the warmth and readability of Oldstyle Roman typefaces. It derives much of its appearance from the calligraphically inspired type of the Italian Renaissance. Its almost handwritten appearance sets it apart from most other sans serif designs and makes it an effective choice for text composition. The Italic design was inspired by early Chancery style Italics and is both elegant and distinguished.

Amecane is a mecane. (Mecanes are slab Fonts) inspired by old style typography introduced in the early nineteenth century. Amecane is a slab serif font - designed by Loïc Choquet. The Amecane font family consists of 16 fonts, 2 widths and 8 weights, with italics. Well-suited for editorial projects, logotypes, posters, packaging, etc. The font contains 348 glyphs with a wide range of flexibility for Latin language support for every typographical needs.

I never needed to digitize this early design from 1988. I found it in a drawer underneath layers of dozens of other type designs. The drawings were made with ink on paper, about 15 cm high, meticulously executed and retouched separate glyphs for a primitive photo-lettering. I used a photographic magnifier to set words and lines in my darkroom. In 2018 I decided to make a font out of it just for fun...

Altis combines geometric regularity and soulfulness into one font family. It resembles the traditional sanserif from the early 20th century, which communicates friendly and reads extremely well. Bring out its optimistic airiness with light styles or exploit the masculine strength of the bolds. Altis has been developed to fit present-day editorial conditions and publishing models. There are ten optically-balanced weights and practical OpenType features, which make the family versatile and operationally spot-on.

Meet the first typographic family designed by Papanapa. Inspired by leftover chunks of wood found in a workshop we conducted with one of our clients, this type carries an elegant and distinctive personality due to its unexpected angles. Tocco is available in 8 weights, from Thin to Black, and it was designed to be used primarily on headlines, titles or small texts. It also supports basic Latin. We hope you enjoy it!

Rodfat is a gorgeous, old-timey display font with a modern feel! Inspired by the industrial revolution, It will bring back the early days of the 20th century. This collection comes in two styles: One and Two. It is possible to be paired perfectly when used together. Perfectly suited for any display use. It could easily work for design product names, posters, signage, packages, logos, labels, and eye-pleasing typographic designs and more.

In Welsh mythology, Bronwen was the daughter of Llyr, the god of the sea. It is a popular girls name in Wales and it apparently means "white breast" or "pure heart". I really like this name and I think it fits the font. Bronwen is a fantasy font with a bit of roughness to it. It comes with some curly swashes and a handful of alternates. Use it for your books, cards and products!

Fondamento and Fondamento Italic are calligraphic lettering styles based on the traditional Foundational Hand, a basic teaching style created by Edward Johnston in the early 20th century. The letterforms are clear and cleanly legible, basic and formal. Opentype features include: - Stylistic Alternates for a collection of alternate Small Caps - Full set of Inferiors and Superiors for limitless fractions - Lining and Proportional figure sets, several discretionary ligatures/alternates as well as a collection of ligatures.