Trencher JNL is based on hand-cut stencils spray-painted onto a vintage 1947 Cleveland Trencher acquired by the Marine Corps Mechanized Museum at Camp Pendleton, California. Restoration volunteer Brian Platzer supplied to Jeff Levine the images of the stencil markings - and they were quickly re-drawn and turned into a digital type face.

Mechanized JNL is a solid interpretation of Jeff Levine's stencil font Trencher JNL. Both fonts were based on a photo of hand-cut stencils found on a 1940's trenching machine in the collection of the Marine Corps Mechanized Museum at Camp Pendleton, California. Thanks to restoration volunteer Brian Platzer for providing the images of those stencils.

This sometimes-top-heavy, sometime-bottom-heavy, sometimes-centered typecase is based on an old Photolettering face designed by the irrepressible Dave West, originally called "Nickelodeon". That name was already taken, so I chose another with a nod to the 1953 film starring Leslie Caron. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Mostaza is a new lettering font designed by Carine de Wandeleer. The Open Type features include 164 alternates, also in capital letters, and 100 ligatures. All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms. In addition, we have included some ornaments designed to support the font, some were specially designed to be combined with the letters for a "more calligraphic" effect (access to them through the glyphs palette). Mostaza is doing very well to create titles, logos and posters for brand and packaging, invitations, greeting cards, magazines and book covers, children's material, fashion and wherever you want. Enjoy it!

“Can you write this card? You have the best handwriting.” Was commonly heard question by Karin that inspired the creation of this font. Now anyone is able to write in her unique style. Hedgehog Lake includes over 400 glyphs for languages based on the latin alphabet and comes in two weights. Perfect for designs that need a human touch like invitations, titles, and more.

CUMBANCHERA, inspired by the old albums cover art of Latino music. Cumbanchera reminds of the iconic, classic, and recognized musical theme «El Cumbanchero» composed by Rafael Hernández Marín «El Jibarito». CUMBANCHERA can be used mainly in titles, display and short texts. Supports East Europe languages. Includes standard and discretionary ligatures, alternative style of upper and lowercase, fractions, numerators and denominators, and other OpenType features.

A recent walk down memory lane through old college sketchbooks revealed a collection of caricature fish doodles. Then the sketches were discovered by my son who, being a marine life enthusiast, promptly demanded that I draw more fish. Thus, a collection of 71 fish-inspired drawings and bubbly numbers was born. There is even a lemon, since no fish is really complete without one.

Meatball is a fat and happy display font based on some lettering on a mid-20th century poster for the movie Bringing Up Baby. The lettering for the names of the stars, AudryHepburn, Cary Grant and Charles Ruggles, was the basis for Meatball. The sample was all caps and as it evolved, a lower case started to appear, etc.

Pendleton JNL was created from some scant images found on military machinery housed at the Marine Corps Mechanized Museum at Camp Pendleton, California. The photos were provided by Brian Platzer, a volunteer at the base who specializes in equipment restoration. Having used other stencil fonts by Jeff Levine, Brian thought the design of these hand-crafted markings might make another addition to Jeff's vast library of vintage stencil alphabets.

Aduana is the first typographic product of argentine-chilean typographic archeology project called "Valpo. Ciudad de Letras" (Fabio Ares & Karin Thiers, since 2016). Based on the letter located on the front of the Customs building (Valparaíso, Chile). The resultant family can be described as display type and modern renaissance style, with geometric shapes and serif and mild line modulation. The proceeds from the sale of the fonts will be used to finance the project.

Hatchet Job - A Halloween Brush Font Unleashed onto an unsuspecting public this Halloween, Hatchet Job is a brush font inspired by the slasher and cabin-in-the-woods horror movies and comics typical of the 1970s and 80s. This textured all-caps design takes its visual style from old cabins, ghost ships and axe-splintered wood that can only spell danger! With a bold brush strokes and frayed edges, it offers the tools to leave your readers nerves in tatters! The Hatchet Job font family includes all-caps uppercase and lowercase characters, along with numerals, punctuation, symbols and language support. Also included are a complete set of alternative characters and additional paint marks, drips and splashes. Wingsart Studio Design Tip! The uppercase and lowercase characters work great when mixed in an alternating fashion, with shapes that combine to create a dynamic, un-hinged look that's perfect for the Halloween season. Add the alternatives and paint marks into the mix and you'll have yourself a title or header design that looks truly custom-made.

Cowboy Burt was once a cowboy, but now he's a carnie at who runs the tilt-a -whirl. This hand drawn font was designed for use in a skate-punk layout, but will be quite at home in the old west, the circus, or underground cartoons. There are two versions Regular, and Extrude which work together or apart. There are even some goofy dingbats scatter throughout. You'll have hours of fun with Cowboy Burt...Where's my waitress?

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

Natuna is named after the ocean which is rich in marine ecosystems and the region where I live in Indonesia. For this font, I retained my handwriting style, but I combine it with a touch of modern calligraphy. It is seen with the tail of each letter the same length. The upper and lower case letters all have the same tail. This font is perfect for many creative needs and can be for marriage invitations, greetings, business cards, and more.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

Cary Grant was one of Hollywood’s most versatile actors, playing romantic leads, dramatic parts and showing off his impeccable timing in screwball comedies. A perfect example of this is Frank Capra’s “Arsenic and Old Lace” from 1942. The movie trailer for the film had the title hand lettered in a playful and casual slab serif style, with varying character shapes and weights. This is now available as Screwball Comedy JNL in both regular and oblique versions.

JY Ætna was designed originally by Francesco Griffo in 1495, and appeared in a book by Cardinal Bembo the following year. The typeface was re-created by Jack Yan in 1994, in time for its 500th anniversary. The original x-heights, quaint letters and other niceties have been restored. An italic complement, based on the design by Giovantonio Tagliente, has also been developed. JY Ætna has been one of JY&A Fonts’ more popular families over the years, with some typographers preferring its taller ascenders and descenders for headline work.

Arin Koln is a typeface with fun and playful looks. This type of font perfectly made to be applied especially in storybook children or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Solid version illustration numbers and punctuation multilingual ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Bloem, two new fonts with oodles of character designed by Carine de Wandeleer. Its slight bounce and intentional irregularity gives your words a wonderful flow. The thick and thin strokes in this typeface combine balance and harmony. This new font family includes a sans regular and a script font. The script has OpenType features such as Stylistics and Contextual alternates, Swashes, Ligatures, up to nine Stylistic sets by letter that allow you to mix and match pairs of letters and  a Central European language support to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work. All OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Bloem Sans is a complementary handmade font, that works in harmony with Bloem script to create accurate typographic designs quickly! Bloem looks lovely on wedding invitations, greeting cards, logos, business-cards, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds!

The Sidetic language is a member of the extinct Anatolian branch of the Indo-European language family known from legends of coins dating to the period of approximately the 5th to 3rd centuries BCE found in Side at the Pamphylian coast, and two Greek–Sidetic bilingual inscriptions from the 3rd and 2nd centuries BCE respectively. The Greek historian Arrian in his Anabasis Alexandri (mid-2nd century CE) mentions the existence of a peculiar indigenous language in the city of Side. Sidetic was probably closely related to Lydian, Carian and Lycian. The Sidetic script is an alphabet of the Anatolian group. It has about 25 letters, only a few of which are clearly derived from Greek. Consensus is growing that the script has essentially been deciphered.

Mikha, designed by Carine de Wandeleer, is a delightfully handwritten family font which keeps the casual drawing of a marker with clean strokes. Its slight bounce and intentional irregularity, gives your words a wonderful flow. This new font family with 736 glyphs, includes Regular, Condensed and Sans. It has OpenType features such as Stylistics alternates, Swashes, Ligatures, up to five Stylistic sets by letter, initial and terminal forms in upper and lower, ornaments that allow you to mix and match pairs of letters and a Central European language support to fit your design. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. This will help your creativity and make it easier to make expressive and elegant your typographic work. Also with Mikha Sans it is possible to write all in capitals. Mikha looks lovely on wedding invitations, greeting cards, logos, posters, labels, t-shirt design, logos, business-cards and is perfect for using in ink or watercolor based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds! Enjoy it!

Skeletal Wish is a line from one of my favourite Opeth songs: Heir Apparent. The lyrics are pretty veiled and bleak, describing the destruction and downfall of something that once was beautiful. I am worried about what is happening with our planet: the Amazon forest is burning down, our oceans are full of plastic and the earth is warming up. I had to think of this when I created Skeletal Wish and I thought the title was perfect. Skeletal Wish is a heavy and scary halloween font. It comes with blobs, splatter, gore and whatever else you may need for your designs. It won’t help save the Amazon rainforest, nor will it stop the flow of marine plastic, but you could use it to create a protest sign. After all, the change begins with you.

The single-named, multi-talented designer Joluvian now lives in Madrid. But he grew up in the “Caribe” of Venezuela, where thick jungles meet endless beaches, and fecund trees bear juicy fruit – a tropical paradise where music and dance vibrate in the humid air. The Tropical pack, designed by Joluvian and digitized by Ale Paul, echoes the spirit of his birthplace. Its three faces are casually stylish – a bold, wet-looking display script, an inky, textured brush script, and hand-penned capitals with a felt-tip look. Like a fruit cocktail, each ingredient is tasty on its own, but they combine even more deliciously. Sprinkle the included catchwords, shapes, and bursts in your layout to complete the easygoing, Carribbean vibe. Each face includes alternates and support for multiple Latin languages.

An industrial strength slab-serif inspired by Detroit itself, Motor City is a heavyweight titan of type that breathes diesel and exudes brawn. Defined by its trapezoidal serifs that were characteristic of many Detroit-centric sign-painters during the dawn of the 20th century, this typeface is a modern adaption of a classic aesthetic. This typeface can be layered with the outline version to add levels of detail quickly and easily making an already strong statement even more powerful and prominent. This uppercase only typeface comes with a set of true small capitals that is certain to add an extra level of style to your next project. Features Include: Over 330 glyphs Uppercase Only Small CapsSupports 75+ Latin Languages OTF files Designed and Developed by Jason Carne

Robust, towering, and geometrically refined, Skyward is a surefire classic cocktail of equal parts utility and elegance. This typeface carries a set of over 300 glyphs across 8 distinct faces. With Deco-era sensibilities and a touch of modern refinement + an all new alternative set of characters, Skyward is exceedingly effective in a diverse spectrum of situations. Skyward is the perfect selection for modern, chic, luxury products and packaging as well as bold ad campaigns, window signage, magazine headlines or the classic branding project. Skyward works best as display text. 12 styles Sans-Serif, Serif, and Rounded styles Select Stylistic alternates Upper & lowercase Numerals & punctuation   330+ glyphs per style Supports 75+ Latin based languages OTF files Designed by Jason Carne

Cavendic is a Minimalist Modern Elegant vintage font with beautiful ligatures, tons of special alternative glyphs, ornament, and multilingual support. It's a very versatile font that works great in large and small sizes. Elegant Karin is perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. ------------------------------------------------------- Features: All caps Stylistic Alternates & Ligatures Numerals & Punctuation Accented characters Multiple Languages Supported PUA Encoded ----------------------------------------------------------- HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs --------------------------------------------------------------------------- Follow my shop for upcoming updates including additional glyphs and language support. And please message me if you want your language included or If there are any features or glyph requests, feel free to send me a message, I would like to update it.

Bovary is an elegant, stylized and expressive script font inspired by those beautiful calligraphies of yesteryear, but in a modern point of view. Bovary is full of personality! When I designed it, I started from the Clauques Script. Therefore, Bovary can be perfectly combined with Clauques Sans. Bovary includes almost 900 glyphs with many stylistic variations, swashes, ending and initial forms, catchwords and ligatures for both uppercase and lowercase, assuring almost infinite combination possibilities. In addition, the font includes a set of very useful ornaments to combine and give an ornamental aspect to the calligraphic text. All our fonts are carefully controlled and tested in both aspects: readability and technical aspects. We deal with the kerning pairs, optimization of hinting information to avoid pixel grid, and the precise programming of the OpenType features; as well as drawing smooth curves points and the final touch of each glyph. Remember that to access to all additional characters, you must use software that is truly compatible with OpenType, such as Adobe CS applications, or we recommend using the Glyphs palette.
 This family font is perfect for logos, magazines and book covers, fashion, headlines and short phrases, cards, posters, websites, and packaging. Bovary is the brand new modern script, designed by Carine de Wandeleer and published by Eurotypo.

Nuit, a delightfully handwritten family font with strong character designed by Carine de Wandeleer. Its slight bounce and intentional irregularity, gives your words a wonderful flow. The fatness and thinness of their strokes give an impressive harmony. This new font family includes Regular, Italic, Bold and Bold Italic. It has OpenType features such as Stylistics alternates, Swashes, Ligatures, up to four Stylistic sets by letter, initial and terminal forms in upper and lower, ornaments that allow you to mix and match pairs of letters and a Central European language support to fit your design. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. This will help your creativity and make it easier to make expressive and elegant your typographic work. Also with Nuit it is possible to write all in capitals. Nuit looks lovely on wedding invitations, greeting cards, logos, posters, labels, t-shirt design, logos, business-cards and is perfect for using in ink or watercolor based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds! Nuit was made to make your project more beautiful and attractive.

Galia is a new font with a vintage character designed by Carine de Wandeleer, inspired by the beautiful look of Victorian calligraphy, capturing all the elegance of its flourishes. Galia has a variety of ornamental swash letters; hundreds of ornamental and descending ascenders allow a beautiful interaction of strokes and combinations, avoiding overlaps or conflicts. Galia has a total of 947 characters, in OpenType format, such as Stylistics and Contextual Alternatives, Swashes, Ligatures, up to twenty stylistic games by lowercase and three in the uppercase, which allow you to mix and match pairs of letters, in addition to a wide set of ornaments perfect for interacting with the text. To this, we add a support of central European language to adjust your design. This will help your creativity and make it easier to do the impressive and elegant typographic work. All OpenType features can be accessed through OpenType compatible applications or the character map to view and copy any of the additional characters you want to paste into your favorite text editor / application. With virtually endless ways to personalize its use, Galia helps you to design invitations, greeting cards, logos, business cards, fashion magazines, food, packaging and menus, book covers and whatever your imagination!

Inspirited as much by nature and the elements as it was by the decorative and ornate alphabets of early sign-painting and lettering books, Alchemist aspires to become the next surefire, go-to staple in the display type community. This semi-condensed, high contrast, and stylish take on classic Roman forms is certain to stand out in your arsenal.Alchemist lends itself adeptly to signage, headlines, cinematic and gaming titles, packaging design and much more. This protean display face can shift and adapt to your every need with over 100 alternate characters and more than 40 ligatures. Explore this massive 500+ character font today and see what you can create with it. 100+ Stylistic Alternates Standard & Discretionary Ligatures Uppercase & Lowercase Numerals & Punctuation 500+ glyphs Supports 75+ Latin based languages OTF file Design by Jason Carne

This family was created/inspired from the well-known Baskerville Roman and Italic typefaces created by John Baskerville, the English font designer. We were inspired by the original family sent by Baskerville’s wife after his death. The full Baskerville collection was bought by the French editor and author Pierre-Augustin Caron de Beaumarchais who used it to print - in Switzerland - for the first time the complete works of Voltaire (known as the “Kehl edition” from the "Imprimerie de la société littéraire typographique"). We have used this edition, with copies from 1785, to reconstruct these two genuine historical styles. The font faces, kerning, and spacing are scrupulously identical to the original. This Pro font includes characters for Western, Eastern and Central European languages (including Celtic) and Turkish, with a complete set of small caps, standard and “long s” ligatures in each of the two styles.

The product of 5 months of work. This unicode font supports 1 latin and 16 ancient languages. When you install this font, the latin alphabet will appear if you do not have the appropriate software. Although there are other unicode fonts that print these ancient texts, this font has the design I use in all my fonts. That's the difference. You can easily use this font with related software. https://www.babelstone.co.uk/Software/BabelPad.html you can choose my font with babelstone babelpad software at this address and write it here and then copy and paste it to the relevant place. This font includes the following languages. Latin, Old Hungarian, Old Turkic, Old Italic, Runic, Tifinagh, Lycian, Lydian, Carian ,Phoenician, Cypriot, Ogham, Old South Arabian, Old North Arabian, Includes, Old Percian, and Ugaritic. This is a unicode font. Please learn how to use it and buy it.

Attention all Space Marines! The battle for legibility in the galaxy is over! Introducing Battlemaze—the font that will help you obliterate any enemy with its heavy techno headline design. Inspired by the legendary Japanese industrial logo designs and fused with the futuristic 1980s computer printer fonts, Battlemaze is the ultimate weapon in your typography arsenal. With its tightly folded line treatment, this font is built to withstand the most intense space battles. Whether you’re fighting on a distant planet or defending your ship from alien invaders, Battlemaze will never let you down. And if you’re looking for an added advantage, check out its ligatures—the “B” flips when it comes before a “J” period, or comma. So gear up, Space Marines! It’s time to unleash the power of Battlemaze and conquer the galaxy with its angled “A” and “V” glyphs. Trust us, your enemies won’t know what hit them! Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.