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  1. Rudge by Adam B. Ford, $9.00
    Rudge is an intentionally rough sans-serif font. It was designed to share the look and feel of many “antique” fonts, although it lacks the standard serif look of those fonts. The corners are slightly rounded, the edges are wobbly, and the kerning is tight. It could be used as a faux “sloppy printing” font or just a more regularized hand-drawn font. It comes in six flavors: Light, Regular, and Bold, with italic versions of each.
  2. Florensans by Milan Pleva, $18.00
    Florensans is an all caps display sans serif typeface in elegant & modern style with ligatures, special alternative glyphs and old style figures. The Florensans family contains three weights: Light, Regular and Medium. Florensans is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc. Features: 3 Weights - Light, Regular and Medium Basic latin alphabet A-Z 64 Ligatures & Alternates 56 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Enjoy Florensans!
  3. Phonk by Slava Antipov, $39.00
    Phonk is a bold and wide sans serif. It's great for logos, packaging, posters, advertising and other tasks requiring strong and bold typography. The font family contains the following 4 styles: Regular, Regular Italic, Contrast, Contrast Italic. Contrast styles are characterized by increased readability in small font sizes. Phonk has very wide language support (80+ languages). The font includes Latin and Cyrillic scripts. I recommend you check out the new and improved version of this font! Phonk Sans
  4. Silken by Scholtz Fonts, $19.92
    Silken is a stylish and contemporary handwriting font that combines the elegance of fonts such as Zapfino with the immediacy of handwriting fonts such as Affable. There are many handwriting fonts out there, but many of them border on being grungy and irregular. This font combines beauty with individuality and spontaneity. Silken comes in a number of styles, the primary style of which is Silken Scarf. This style has a strength and sophistication that is particularly appropriate for headlines and short passages of text (such as invitations, certificates, greeting cards etc.) Silken Thread is a variant of the font family that is even more delicate and polished than Silken Scarf. The third style, Silken Book, with a greater x-height and less dramatic capitals, is more readable and less extreme than the other two styles. It should be used for longer passages or where readability is of primary importance. Suggestions for use: - wedding stationery - greeting cards - valentines day mediaa - beauty product media - lingerie tags - women's magazine pages - classical music media - award certificates The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It includes all the accented characters used in the major European languages.
  5. Matreshka - Unknown license
  6. Butterflies - Unknown license
  7. Miso - 100% free
  8. DepotTrapharet - Unknown license
  9. SketchTools - 100% free
  10. Thomas Paine - Unknown license
  11. TRACEROUTE - Unknown license
  12. Elegancy by Intellecta Design, $14.95
    Note: only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.
  13. Coklat Sunda by Graphicfresh, $15.00
    Coklat Sunda is a monoline script family including Regular and Slant versions . It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.
  14. Egyptian Slab by Wooden Type Fonts, $20.00
    A revival of one of the popular wooden type fonts of the 19th century, regular, slab serifs, a very useful design for display, upper and lower case.
  15. Ogden by Intellecta Design, $19.90
    Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.
  16. Cloister Open Face by Bitstream, $29.99
    Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.
  17. Loyola Pro by RodrigoTypo, $30.00
    It is a redesign of "Loyola". This family contains Light, Regular, Bold, ExtraBold, Black, also a set of shadows and dingbats, special for short titles and children.
  18. Latin Fiesta JNL by Jeff Levine, $29.00
    The playful, casual hand lettering on the 1941 movie poster for “Blondie Goes Latin” inspired Latin Fiesta JNL which is available in both regular and oblique versions.
  19. Yanna by Intellecta Design, $9.00
    Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.
  20. Questy by Intellecta Design, $17.90
    Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.
  21. Train Car JNL by Jeff Levine, $29.00
    Hand lettering from the opening credits of Alfred Hitchcock’s “Strangers on a Train” (1951) inspired Train Car JNL, which is available in both regular and oblique versions.
  22. Paola Decorative by Intellecta Design, $9.00
    Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.
  23. Brochure Sans JNL by Jeff Levine, $29.00
    Brochure Sans JNL is based on Sans Serif No.7 from the 1921 Miller & Richard type specimen book, and is available in both regular and oblique versions.
  24. Large OT by DSType, $19.00
    First designed in 1999 Large now becomes LargeOT and it's available in Regular, Extra and Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.
  25. Hoochie by Etewut, $27.00
    Hoochie is a display font family based on sans serif. It has 4 styles: regular, display, mono and rough. All european languages with special characters are included.
  26. Palermo by Intellecta Design, $19.90
    Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.
  27. Selena by Intellecta Design, $21.90
    Note: Only the regular style in this font family is longer available due the complexity and the resulting memory and performance issues associated with the other styles.
  28. Roundwood JNL by Jeff Levine, $29.00
    The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.
  29. Generic Sans JNL by Jeff Levine, $29.00
    Generic Sans JNL was modeled after “Condensed Blair” from the 1907 specimen book of the Inland Type Foundry, and is available in both regular and oblique versions.
  30. Alderman JNL by Jeff Levine, $29.00
    Alderman JNL is a wide slab serif typeface based on the classic wood type Antique Light Face Extended, and is available in both regular and oblique versions.
  31. Manual Typewriter JNL by Jeff Levine, $29.00
    Manual Typewriter JNL was modeled from an example of the 1933 design originally created by Morris Fuller Benton, and is available in both regular and oblique versions.
  32. Actium by Type Mafia, $45.00
    Actium is a contemporary multilingual sans serif typeface developed to help perfect typography automatically. Type Mafia has focussed on words with odd combinations of capital letters and numbers, such as product names and postal codes such as WD40 and H1N5, jump out of the text. They sit awkwardly together as the numerals have been designed to work with the lowercase, not the uppercase letters – affecting readability.To fix this Type Mafia invented Smart Capo™. Smart Capo™ Smart Capo is a feature that automatically activates once you type an uppercase letter together with a number. When a capital letter is sat next to a numeral, Smart Capo converts the letter to a mid-cap — a contemporary alternative to small caps — and the default old-style numeral to a lining numeral. Actium’s mid-caps and lining numerals have been designed with the same height (between cap and x-height) so they sit comfortably next to each other and fit more harmoniously into text. Smart Capo applies equal attention to capitalised words without any numbers, such as NAVO and USA, and are also automatically set into mid-capitals. Working on its own, Smart Capo saves time and money for the typographer — taking the pain out of text formatting — and makes it a more pleasurable experience for the reader. This feature is made possible by the use of ‘contextual alternates’, an OpenType feature used in modern font software, working with a set of characters specially designed at mid-cap height. By default these changes automatically take place so it doesn't need to be switched on, it will just work. Actium Actium’s design has an unusual diagonal contrast — much more common in a serifed face than in a sans serif — giving it more bite. The typeface looks elegant when set in large sizes and remains very legible when shown in small sizes. The family consists of six weights in two styles, making a dozen fonts. Weights range from light to black in roman and true italic. All fonts are fully loaded with functional elements. Actium boasts an extended Latin character set and with Greek. This means a wide range of Western languages are supported: perfect for use in bilingual publications and packaging. For numerals, each font includes old-style and lining figures in both proportional and tabular widths, with superiors and inferiors. These allow you to select the right set of numbers for the right task.
  33. Wilhelm Klingspor Schrift by Alter Littera, $25.00
    A comprehensive and faithful rendition of one of the finest metal typefaces of the 20th century. Rudolf Koch designed Wilhelm Klingspor Schrift (initially conceived as “Missal Schrift”, and later referred to also as “Wilhelm Klingspor Gotisch”) between 1919 and 1925 for the Gebr. Klingspor Type Foundry in Offenbach am Main. It is an impressive textura typeface, being sharp, elegant, spiky, sensitive and noble at the same time. Some of its most notable features have to do with the delicate decorations, the thin but subtly swelling lines that parallel or bridge strokes in the capitals, the hairline endings that terminate each stroke in both the capitals and the lowercase letters, the subtle joining of hairlines to thicker strokes, and the tension of some of the transitional curves. Koch’s original design included two sets of capitals (normal and condensed); alternates for a, d, e, r, s and z, plus long s; short and long flourished finial forms for f and t; thirty-five ligatures; and eighteen decorative pieces (Zierstücke). All of these features, plus several additional ones for modern use (including the usual standard characters for typesetting in modern Western languages, additional alternates and ligatures, plus carefully coded Opentype features), have been thoroughly implemented to the highest and most lively level of detail in the present font, in the hope that the past greatness of Wilhelm Klingspor Schrift will finally step into the modern OpenType realm. The main sources used during the font design process were several pages from a specimen book issued by the Gebr. Klingspor Type Foundry in 1927. Other sources were as follows: Bain, P., and Shaw, P. (Eds.) (1998), Blackletter: Type and National Identity, New York: Princeton Architectural Press (p. 43); Hendlmeier, W. (1994), Kunstwerke der Schrift, Hannover: Bund für Deutsche Schrift und Sprache (pp. 56-7); Kapr, A. (1983), Schriftkunst, Dresden: VEB Verlag der Kunst (p. 453); Kapr, A. (1993), Fraktur - Form und Geschichte der gebrochenen Schriften, Mainz: Verlag Hermann Schmidt (pp. 124-5); and Klingspor, K. (1949), Über Schönheit von Schrift und Druck, Frankfurt am Main: Georg Kurt Schauer (pp. 136-7). Some public and private comments by renowned designer and design historian Paul Shaw have also influenced both the design and the description of the present font. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Wilhelm Klingspor Schrift” Font Page.
  34. Aracne Regular is a distinctive font that captures the essence of hand-drawn imperfections and organic texture, which sets it apart from the more polished and geometrically precise fonts that dominat...
  35. Aracne Ultra Condensed by Antipixel, $15.00
    The all-caps Aracne collection features tall, slightly scrawled letterforms, and is available in regular, condensed and ultra condensed styles for maximun functionality. With a spiritted quality and casual character, it will add a personal style to your work. Aracne Ultra Condensed was created as an extended version of the font Aracne, a regular full of energy handwritten font, with light and regular styles, including italics. It provides a wide range of possibilities, including the Aracne Soft and Stamp, which offer softer and cleaner edges. Its glyph coverage supports languages such as English, Spanish, French, German, Polish, Czech, among many others. It’s recommended usage is for display titles, and small ammount of text, because of its good legibility and quality of glyphs. Check out her sisters Aracne and Aracne Condensed!
  36. Aracne Condensed by Antipixel, $15.00
    The all-caps Aracne collection features tall, slightly scrawled letterforms, and is available in regular, condensed and ultra condensed styles for maximun functionality. With a spiritted quality and casual character, it will add a personal style to your work. Aracne Condensed was created as an extended version of the font Aracne, a regular full of energy handwritten font, with light and regular styles, including italics. It provides a wide range of possibilities, including the Aracne Soft and Stamp, which offer softer and cleaner edges. Its glyph coverage supports languages such as English, Spanish, French, German, Polish, Czech, among many others. It’s recommended usage is for display titles, and small ammount of text, because of its good legibility and quality of glyphs. Check out her sisters Aracne and Aracne Ultra Condensed!
  37. Nicolas Jenson SG by Spiece Graphics, $39.00
    It was the original work of fifteenth century designer Nicolas Jenson that formed the basis for this roman serif style developed by Ernst Detterer in 1923. Similar in spirit to other early twentieth century revivals such as Centaur, Cloister Old Style, and Italian Old Style, Nicolas Jenson is distinguished by its pristine and delicate nature. A gifted young apprentice to Detterer, Robert Hunter Middleton, greatly expanded the family. And by 1929, bold, italic, and open were part of the Ludlow Foundry’s beautiful Nicolas Jenson Series. It was reintroduced under a new name, Eusebius, in 1941. This digital version includes a new medium and extrabold weight with intermediate small caps and swash alternates throughout the family. There is also a regular expert version with a variety of currency symbols plus a regular petite caps (regular x-height small caps) and old style figures version. Nicolas Jenson is now available in the OpenType Std format. Small caps, old style figures, and swash alternates have all been combined into one style for ease of use. You will also find an additional regular petite caps version included with the regular style. Some new characters have been added as stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.
  38. Sanserifing - 100% free
  39. Castle Dracustein - 100% free
  40. Alex - Unknown license
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