German type designers Henning Wagenbreth and Steffen Sauerteig created this display and script FontFont in 2000. The font is ideally suited for advertising and packaging, festive occasions, film and tv, editorial and publishing as well as poster and billboards. FF Prater Script provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining and tabular lining figures. This FontFont is a member of the FF Prater super family, which also includes FF Prater Block, FF Prater Sans, and FF Prater Serif.

Dutch type designer Alex Scholing created this script FontFont in 2003. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as small text. FF Roice provides advanced typographical support with features such as small capitals, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Introducing by Balpirick Studio. Dancing Matilda is a Modern Handwritten Script Font that's perfect for adding a personal touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Child Witch - Halloween Font is a display font that is inspired by horror style because its shape is very unique and is perfect for any project that you will use with this theme. Child Witch came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

The term starboard derives from the Old English steorbord, meaning the side on which the ship is steered. Before the steering wheel, boats were steered by an oar at the stern of the ship. Since most sailors were right handed, this is where you would find your steering oar! Starboard font is a rough, handmade, brushy kinda font. It was, of coarse, made with my favourite cheep brush and Chinese ink - resulting in a slightly eroded looking font. Starboard comes with all the trimmings, including double letter ligatures for the lower case.

Montesori is inspired by the economic forms and large x-height with a condensed style and a humanistic-grotesque typeface forms. It is a perfect option for editorial projects, branding, logos and packaging. Montesori comes in a variety of nine weights (Fine, Extra Light, Ultra Light, Light, Regular, Semi Bold, Bold, Ultra Bold and Black) with its two styles (round and italic) classified in two forms, Basic and Alternative. In addition, its case-sensitive shapes, ordinals, scientific inferiors, denominators, superscripts, subscripts, numerators, fractions... make it ideal for posters or infographics.

Bongani has its origins in wood-carved African design and art. The letter forms are informal and asymmetric and the "decorative" elements are matched to each letter shape and have no mechanical rigidity. It is was designed for situations that require: -- the look and feel of Africa -- strong ornamental headlines It can be effectively used in advertising and in applications such as greeting cards and book covers. The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present).

New American Vintage is the latest vintage serif font packaged in a modern and classy style, New American Vintage is also equipped with access to the OpenType feature to access many alternative choices for upper and lower case variations to get a luxurious and luxurious appearance. elegant appearance. New American Vintage has a very unique and versatile serif style with several unique ligatures and 260 alternatives to make your designs really pretty. This font is perfect for branding projects, Clothing Branding, Logo designs, magazine titles, advertisements, packaging, T-shirts, postcards, wedding invitations and many more.

Tertre is a display/short text typeface with a wide range of applications from signage or posters to menus and pricelists; branding, packaging or publishing. It is named after Place du Tertre, a square located at the top of Montmartre—a hill overlooking Paris, made famous by the artists of the 19th and 20th Century. Like in Galette, the letters have no overhangs and the stroke thickness of capitals and lower case letters is identical, making hinting or anti-aliasing more uniform at any point size and zoom combination.

Dutch type designer Just van Rossum created this sans FontFont in 1991. The family contains 4 weights: Light, Regular, Bold, and Black and is ideally suited for advertising and packaging projects. FF Advert provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Advert super family, which also includes FF Advert Rough.

German type designer Jürgen Huber created this sans FontFont in 2003. The family has 8 weights, ranging from Regular to Extra Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as wayfinding and signage. FF Plus Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Years before the many "modern" ways to creates signs and posters, the popular method was the rubber stamp printing set. Many of these sets used the classic DeVinne typeface, and were manufactured by at least a half dozen different companies. The "sign and chart printers" (as they were known) often consisted of both upper and lower case letters, numbers, punctuation, pointing hands and other symbols. "Hand Stamped JNL" puts all the fun of the rubber stamp printing set into an easy-to-use digital font with no messy ink spills or clean-up.

American type designer Christian Schwartz created this display and sans FontFont in 2005. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for advertising and packaging, music and nightlife, poster and billboards, software and gaming as well as sports. FF Oxide Solid provides advanced typographical support with features such as ligatures, titling alternates, case-sensitive forms, fractions, and super- and subscript characters. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Oxide super family, which also includes FF Oxide Stencil.

Oliva & Oliva Italic are two strong and funky display fonts. Influences came from typefaces like Futura Black by Paul Renner and Motter Ombra by Othmar Motter, but also Stilla by François Boltana and Allegro by Hans Bohn lay on the desk. All these ingredients were mixed to a new and contemporary type experience and packed in proper OpenType files Oliva & Oliva Italic are OpenType Pro, featuring full Western, Central European, Baltic, Turkish and also Cyrillic language support. They contain ligatures, superior numerals, and a stylish set of decorative ornaments and arrows.

Bismuth is a simple versatile multi-purpose display typeface with nine weights. Both the upper and the lower case are capitals -- the paired letters (e.g. Aa, Bb) differ in construction but keep the same width. The width is also consistent across all weights, making the fonts easily interchangeable. The nine styles are accompanied with a free font Bismuth Symbols which contains more than one hundred various arrows, symbols and patterns for even more striking display typography. Learn more about the typeface and its OpenType features at http://www.urtd.net/fonts/bismuth.

Altair is a sans serif type family derived from Zetafonts's Digitalino typeface. The original bold design by Francesco Canovaro has been expanded in a seven weights family, suitable for a wide range of design uses, from body copy to display text and ranging from a thin weight to the ultra one. Altair's main originality lies in the calligraphic roots of its design, that gives it a friendly, confident look that is perfect for corporate voices, new technology startups, news blogs and any other case where a solid design must be given an emotional context.

Watford is a textured brush font, a contemporary approach to design, handmade with irregular base lines. Suitable for use in title designs such as clothing, invitations, booklets, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more. Watford includes a complete set of upper and lower case letters, as well as multi-language support, numbers, punctuation, binders, alternatives and additional swash. If you have questions, feel free to contact me via email: madjack.font@gmail, com Thank you very much for finding and enjoying it! Muhammad Zaki

During the heydey of automobile travel hundreds of motels, motor courts and tourist cabins sprung up along the roadways in order to offer weary drivers (and most often their families) rest with a night's lodging. Tourist Cabin JNL takes the inline portion from the inline font Asbury Park JNL and creates this pleasant monoline design. The original design inspiration (from which the inline portion of the letters was taken) was a 1930s WPA (Works Progress Administration) Federal art project poster with the hand-lettered words “Work with Care”

Canadian type designer Silvio Napoleone created this sans FontFont in 2004. The family has 20 weights, ranging from Light to Black in Normal and Extended (including italics) and is ideally suited for book text, editorial and publishing, logo, branding and creative industries as well as small text. FF Hydra provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

An early drawing tablet was largely responsible for the LeakorLeach typefaces. They resemble hand lettering using cake icing or done with an ink pen that leaves lots of ink blobs or ink blots. The family has two widths, plain and condensed, and in addition to each having an oblique style, each also has a leftward-inclined style. There may not be many uses for a leftward-inclined typeface, but for those needing one, the LeakorLeach family offers two. The LeakorLeach typefaces are unlike any other faces from IngrimayneType.

This font was inspired from the numerous font-types looking like Hand-carved in the 1700's. The capitals are mainly inspired from the font carved by Fournier in year 1781, the year of the famous American and French decisive victory at Yorktown, and drawn by Benjamin Franklin himself, and the lower cases are inspired from the well known "bâtarde coulée" style, ornamented with final loops and enriched with alternates and ligatures. The font is available for English, Western Europe (including Celtic) Icelandic, Baltic, Eastern Europe and Turquish languages.

French type designer Xavier Dupré created this sans FontFont in 2006. The family has 14 weights, ranging from Hairline to Fat (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as small text. FF Sanuk provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

German type designers Axel Bertram and Andreas Frohloff created this serif FontFont in 2012. The family contains 4 weights: Light, Regular, Medium, and Bold and is ideally suited for film and tv, editorial and publishing, small text as well as web and screen design. FF Videtur provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

My kids have a tin box filled with crayon and pencil leftovers: bits and pieces that have fallen or broken off, but are still good enough to use. For me it is a treasure trove, as I often find a nice bit of crayon to use for a new font. In this case, I created Leftover Crayon. Leftover Crayon is a fat, crumbling and seriously eroded crayon font. Completely hand made, completely legible and full of character. Use it for your bedtime stories, product packaging and invitations. Comes filled to the brim with diacritics.

It's unpredictable! It's enigmatic! It has a winning smile and a devil-may-care personality. It can be charming and obliging and yet also elusive and impractical. It is the doer of deadly deeds, it is the dextrous hand of ELEPHANTMEN artist Justin Norman. It is swift and decisive, hesitant but packed with Talent. Ladies and... uh, More Ladies... Moritat has entered the building. Whoops, actually Moritat has LEFT the building. Moritat is the alias of Justin Norman, comic book artist and illustrator. The font is based on his pen lettering.

German type designer Jürgen Huber created this display and sans FontFont in 2002. The family has 5 weights, ranging from Light to Regular (including italics) and is ideally suited for advertising and packaging, editorial and publishing, poster and billboards, small text as well as software and gaming. FF Ginger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

The inspiration for this font (as well as the name!) comes from a London cafe I visited years ago. I was fascinated with the handwritten menu - irregular and awkward, yet refreshingly charming. I did my best to recall that particular look by adding 4 slightly different versions of each lowercase letter. The name of the font comes from the speed of the waiter...or the lack of it! But luckily he took his time, otherwise I wouldn't have had the time to really look at the handwritten menu! :)

ITC Verkehr was designed by Mott Jordan, who based its forms on those of narrow sans serif typefaces but also chose a departure from the tradition to set the font apart from the rest. The upper half of each character is heavier than the lower half, although this is usually the other way around. Diagonal strokes, like the horizontal of the lower case e, relax the otherwise regular, bar-like look of the font. ITC Verkehr is suited exclusively for use in headlines and display in larger point sizes.

Space Mode is a multi-weighted typeface, sent back in time from the distant future. Forward-looking typeface designers often predict a reductive future where Latin letterforms have become increasingly modularized and simplified, or random bits have mysteriously gone missing. Thankfully, this is not the case, and typography has instead flourished and evolved. New forms have appeared, and some revived from historical references. A more complex drawing model has arisen that seems to add new curves in a effort to tame the strange diagonals that appear in the final quarter of the alphabet.

Big, expansive and flat on top; that’s a land formation called a mesa. “Mesa” was the first name for Strata Bold Rounded Serif, but it turns out it’s someone else’s registered trademark; in any case, if you need a bold, extended mono-height font that’s great for logotype, you could, as we used to say in the Mid-West, do a whole lot worse. SBRS is the final generation of an evolution that started with Mesa begating Mesa Bold which begat Mesa Bold Rounded which culminated in this evolutionary superior product. Use it!

Initial Seals JNL was created by utilizing the typeface from Gummed Letters JNL and one of the decorative dingbats from Miscellany JNL. On the capital A-Z keys, the letters are black on a white on black seal design, while the lower case a-z keys have a seal version in solid black with white letters. Corresponding blank versions of the seals are on the left and right parenthesis keys, and the period key has a fill oval for overlaying background colors onto the black and white set.

Grosen Typeface Family is designed by Oğuzhan Cengiz in the years 2017-2019. It has a grotesque structure that contains humanistic effect. Although it is designed upon the basic geometric structure, it shows own style with expansion that makes a reference to serif at start and finish of round letters. Grosen Typeface Family has fourteen styles with seven weights and theirs real italics. These have advanced OpenType features; like small capitals, case sensitive signs and math symbols, alternative characters (a, g, M, J, &), automated fractions, oldstyle figures, tabular linings, proportional numbers...

This typeface came about when playing with felt tip marker settings in Corel Painter and is derivative of my own handwriting. Up until Workstation Clutter, all of my fonts were designed on paper, then scanned or reproduced into a digital format. With the use of Painter, the non-digital steps were removed, making this the first fully-digital Zang-O-Fonts typeface. Brian J Bonislawsky of the Astigmatic One Eye Typographic Institute helped round out the character set and additional needed characters. The name was inspired by an ex-girlfriend's disorganized desk.

Diocletian fortiter in re, suaviter in modo Diocletian typeface captures the essence and glory of the Diocletian’s palace, one of the most imposing heritages of the late Roman empire. It is designed to bring the confidence and fortune to contemporary communication in a heroic and gentle manner. Diocletian typeface is based on the Uncial script, made up of wide, rounded letters. It is desirable for cafes, restaurants, shops, hotels and apartments. The typeface’s x-height is around 76% of its capitals. The font is enriched with ligatures and special characters.

Dranskof is a light-hearted, cheery font. It is inspired by a page from an extraordinary serbian publication for children by the writer, poet and journalist Duško Radović. Dranskof whimsical letterforms are full of joie de vivre, consisting of different glyphs on upper and lower case slots for added flexibility.The contextual alternates feature will instantly alternate glyphs. To literally add a twist here and there, Dranskof is equipped with a spirited set of stylistic alternates, easily accessible through stylistic alternates feature or by the glyphs palette. This is definitely a 'make feel good' font. Enjoy!

Hottera elegant serif with a creative atmosphere and perfect shape, inspired by today's beautiful Display serifs. thick, balanced and varied, born for luxury and beauty. In my example I show how this Serif can be used. It's great for logotypes, branding, wedding invitations, romantic cards, retro labels, packaging, name spelling and more. Hottera comes with beautiful upper and lower case letters, numbers, and punctuation. In addition to the main character set, there are many alternative characters, start and end sweeps. If you have any questions please feel free to contact me! Thank You,

Banquet SCF is a rough-and-ready brush font with a "warts and all" appearance. Is has a simple, unsophisticated "believable" look. Use it when you want to make your message more honest, more homespun and more real. Use it in menus, invitations and advertisements. When I created it, I was designing a simple brush-written invitation to a medieval banquet. Hence the name: "Banquet". It has a full character set with all upper and lower case, special and accented characters. All characters have been letterspaced and kerned.

I named the font "Sangoma" after the traditional healers of the Southern African tribes. Sangomas often work by "throwing bones". The shapes of the bones have suggested the shapes of the characters in the Sangoma font. The font is useful for creating designs or producing text that has an African look. Typified by an African angularity the characters reflect the ethos of Africa. The Sangoma font contains the full range of upper and lower case characters, all punctuation and special characters as well as the accented characters used in the major European languages.

Slovakian type designer Peter Bil'ak created this sans FontFont in 2001. The family has 20 weights, ranging from Light to Black in Condensed and Medium (including italics) and is ideally suited for book text and editorial and publishing. FF Eureka Mono provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka and FF Eureka Sans.

Ljubljana was inspired by art deco lettering seen in Slovenia, Croatia and Romania. It includes the Latin, Greek, and Cyrillic alphabets. It is named after the capital of Slovenia. Ljubljana is unicase, composed of as few basic glyphs as possible. The basic glyphs are shown in black, and the derived or duplicated glyphs in grey. Ljubljana attempts to encapsulate the essence of both upper and lower case designs in a single glyph. It also explores the common origins of the Greek, Latin, and Cyrillic alphabets, using the same glyph in more than one alphabet.