In the late medieval period appeared a "semi-cursive" writing, the French "écriture de civilité". Quickly, it is carved and melted down in lead for printing. It is a very elegant running font, with numerous variants, both final than initial characters, many of the accented small characters were present in the model I was inspired by, after “Fournier Le jeune ”, in his catalogue "Modèles des caractères de l'imprimerie et des autres choses nécessaires au dit art nouvellement gravés par Simon-Pierre Fournier le jeune" published in 1742 in Paris. A render sheet, included in the font file, makes all characters easy to identify on keyboard. This font, very attractive and decorative may be used for web-site titles, posters and flyer designs, editing ancient texts, labels, greeting cards... and anything you want! It supports as easily enlargement as small size, remaining elegant and pretty.

While we can’t comment of the suggested definitions for ‘tuggle’ that you might encounter online, we are happy to expound on Tuggle’s quirky and endearing characters. The gravity of its bellbottom slab-serif structure is mitigated by soft rounded corners, while surging swashes and globular stroke endings further attenuate Tuggle’s otherwise would-be uptight tenor. The ideal typographic solution for children’s blocks, candy packaging, vape shop signage, and hospital way finding. Pair Tuggle with an equally juicy script like Dave West’s Superstar. Designed by the Photo-Lettering staff, and digitized by Susana Carvalho. TUGGLE CREDITS: Typeface Design: Photo-Lettering Staff Typeface Digitization: Susana Carvalho Typeface Production: Bas Smidt Typeface Direction: Erik van Blokland, Ben Kiel Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Athena is a handdrawn rustic sans serif font yet still looks elegant. It offers a professional look in one way and you serve in a retro look in another occasion. It is beautifully handdrawn on a paper to give the natural feeling to the shape for each characters. The texturized rustic effect give a retro and vintage style to your design. Athena Rustic features upper cases only at the moment but will have the lowercase update in the roadmap. It also standard International Characters. Of course it comes with bunch of alternates, numeral as well as the punctuations. The font family includes 2 styles: Athena Rustic Regular Athena Rustic Italic Athena Regular Athena Italic That's a wrap! I do really hope you like this font, and please don't hesitate to contact me if you have any questions. Also, drop by to our instagram! www.instagram.com/tigadestd Tigadestd | Doli Harahap

Ethos Nova is a minimalist neo-geometric sans-serif typeface family of 12 fonts featuring the finest design inspired by the simple and clean design approach of the modern era. The typeface is made with a special focus on minimalism and simplicity in typography, this typeface can transform your design projects to another level of visual appeal. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 312 glyphs are included. Ethos Nova is a perfect choice for graphic design, text presentation, web design, print and display use. The typeface can be an amazing option for branding, logo / logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the Caps will make this font perfect for minimal headlines and logotypes, as shown in promo images here.

Looking for a typeface that will add luxury and elegance to your next project? Akuina is here for you! With a bold sans style, this post-modern typeface is ready to give your graphic designs a new twist. Each font has its own unique style and can be used across multiple media channels including web, print, and more. You can’t go wrong adding this creative font to your library – it’s made with versatility in mind! This unique font pack features 18 beautiful modern font styles that you can use in a variety of projects. Each character has been created to maximize beauty and character. so that your project performs optimally of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Thanks for checking out Faith and Glory! These 2 hand-painted brush fonts are designed to perfectly combine with one another and allow you to create beautiful rustic typography with a personal touch. Ideal for; Logos, printed quotes, invitations, image overlays, greeting cards, product packaging, text headers, & whatever else your imagination holds! Faith and Glory One Is a script font which includes upper & lowercase characters, punctuation, numerals, and multilingual support. Alternates are available for several lower case characters, these are accessible by turning on 'Stylistic Alternates', or via any software with a Glyphs panel. Faith and Glory Two is a condensed brushed font containing uppercase only characters, punctuation, numerals, and multilingual support are also included. Alternates are available for key characters, you can access these simply by switching between upper & lower case glyphs within the 2 fonts (e.g. typing 'A' and 'a' will give you 2 alternate characters).

Calmingly is an elegant display serif font suitably applied to express charmingly aesthetic designs and to give more feminim touches to any of your designs. Its simple designs and letter height and line thickness variations make this font legible. Additionally, another characteristic of this font is the curvy letter edges added to some of the letters. Enjoy Calmingly’s lovely features to beautify your designs. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Calmingly fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Fonts are Inhuman and Human Fonts are IN! Now, the Comicraft Cybernetics Corporation is proud to announce the first in a new line of fonts with GFP... Genuine Font Personalities. Paranoid Android is an outer alloy, inner void, solitary solenoid GFP prototype -- you can tell, can't you? Finally a font that knows its place as a digital servant to the human race. What will Comicraft think of next? No, don't bother to answer that, Comicraftsmen are fifty thousand times more intelligent than you and even they don't know the answer. Warning: Nothing left to be enjoyed, every diode rheumatoid*, terminally Paranoid Android is not so much a font, and more a kind of electronic sulking device. Share and Enjoy! *The moving parts on the left side of this font are in a solid state. It may sit in a corner and rust, or just fall apart where it's standing.

This is not just a typeface inspired by a kid’s first attempts to write. This is in fact how exactly a kid writes. Alexandros Papalexis was born again kid when he became a father. This series came about while designing his daughter’s birthday invitations. Since its first release, it has been constantly on our most wanted list. You step into a supermarket, a bookstore or a clothing store and you see tens of products using this typeface. Anything from baby products, food, clothing, children’s books and magazines, print and TV campaigns, you name it. But don't just stick to the name. Every single weight serves the right purpose. This is why this typeface has also been used extensively for grown-up market. Recently, it was upgraded to include Latin, Greek and Cyrillic. Furthermore, the accompanied series of pictograms was completed and loaded with 125 western and eastern European pieces.

Introducing the cutting-edge Excelancer Extra font, a modern masterpiece born from the rich heritage of classic sci-fi typography. Our inspiration? The boundless allure of outer space. And bestseller — the Excelancer font! https://www.myfonts.com/collections/exelancer-font-popskraft Excelancer Extra font is a harmonious blend of sleek, contemporary design, drawing from the timeless elegance of its predecessor. What sets Excelancer Extra apart is its captivating fusion of bold, ornate uppercase characters with meticulously crafted lowercase letters that maintain exceptional readability, even in extensive text. With Excelancer, you possess an all-encompassing font toolkit, designed to tackle every facet of forward-looking design. But that's not all. This font isn't just for intergalactic tales; it's also a striking choice for anything related to technology, innovation, progress, and even the world of sports. In essence, Excelancer embodies the pure essence of the future—an infusion of dynamism that knows no bounds!

IT’S MAILBAG TIME! Dear Jolly JG Roshell and Rascally Richard Starkings, Comicraft Fonts are a thing of Beauty and a Joy Forever! You guys must be a Wild Bunch, and I roar with delight whenever a new comicbookfonts release appears in my emailbox. But I have to level with you daredevils...what about us Letterhacks? We need representation too! We haven’t spent years hammering away on our typewriters to be ignored! BRING BACK THE LETTER HACK! In fearless font form. You know it makes sense! Truly Yours, Forbush, Irving, senior. We give up! We can’t resist your appeals, threats and commands ANY LONGER!!! We may crack under the strain, but this month’s release IS two (count 'em) Letterhacks! That’s right, a pair of fantastic fonts that recreate the look and feel of your Marvelous Letters of the Sixties! It’s a Bullpen Bulletin! It’s an Iconoclastic Item!

Terafile, a sans serif family designed by Raúl Plancarte who was inspired by hi-tech aesthetics. It is made up of eight weight variants with their respective italic versions. Ideally it works to capture in a graphic way the universe related to technology, sci-fi, industry and similar topics. It is a mixed family, because the construction of certain letters (as in "a", "f", "z", "B", "P", among others) is enriched with different finishes in structure to gain differentiation and plasticity. In other words, it moves away from an entirely academic design. Another important line in the creative concept of this typeface is the function of its ink traps, which, in addition to fulfilling their primary function, serve to gain gestuality in its use. This font is capable of covering complex design needs by enabling association with specific themes, which makes it highly competitive in its graphic line.

Quatre is a clean, friendly, monoline display script with a number of subtle but significant features. Originally based on the style of cursive you may or may not have been taught in middle school, Quatre has a clean geometric flow to it while containing a robust set of OpenType features such as ligatures, swash capitals, and stylistic alternates that give it a unique look. With over 700 glyphs, coverage for over 30 languages, arbitrary fractions, contextual alternates and more, Quatre will have you covered for whatever situation you may run into. I mean, probably. I can’t know every single weird way you might be trying to use it. The point is, it’s got all of the bells and whistles you could reasonably hope for. Make sure you open up the OpenType panel in Illustrator, Photoshop, and InDesign to make use of all of those features.

We know what you're thinking... This is not a new font, just an old one with a few bullet holes in its helmet, dirt on its shins and some carbon scoring on its breastplate. You're thinking this is like a variant cover by Joe Madureira or J. Scott Campbell -- handsome and rugged on the outside but weak and effete on the inside. Well, my fine, font-finagling friend, you'd be Dead Wrong! This really is an All-New, All-Different, All Star, Ultimate Collectable, from the Comicraft House of Ideas! Our Dynamic Duo -- Johnny Comicraft and Ferran 'Nuff Said have brought you another winner from the Silver Age of comic book lettering. It’s a little worse for wear, we admit it, but wouldn't you be after three rounds with the Justice League of Avengers Assembled?!? See the families related to Battle Scarred: Battle Cry & Battle Damaged .

Where the heck does a name like Chaloops come from? You know that Chihuahua that used to sell the tacos? Chank's mother-in-law calls him Chalupa. And the American pluralization for that must be Chaloops, because that's her nickname for her two little spoiled fuzzball dogs. Another comic variation on Chank's whimsical handwriting, Chaloops is bouncy, quirky, and light-hearted like the Chauncy fonts. But Chaloops has more squiggles and its stroke terminals are mostly square. Just like you. Chaloops the font comes with a few alternate characters to give your designs a more authentic hand-drawn look. Happy and playful like a pair of frolicsome puppies, this font is perfect for kids’ products and marketing. Advanced OpenType features include "Stylistic Set #1: Decaf" which gets you a calmer, more legible variation. The fonts in this family come in 3 weights in cross-platform OpenType format for both Mac & Windows.

Monostep is not just another Typewriter. It can do so much more! It is available in five rigorously designed font styles; all of these come in Straight, Rounded and in Italics respectively. It contains geometric symbols as well as all of the characters of the Indo-European alphabet. What makes it so different, and thereby remarkable, are the 77 ligatures that combine letters in upper case, in upper case with lower-case letters and any combination of lower-case letters. Monostep is alive! It will be introduced into the typing script market with a highly characteristic corporate design. Various promotional gimmicks such as a specimen brochure, posters, a website, animations and a promo film with a distinct sound, including lyrics and a dance, make Monostep a truly recognizable label - they bring Monostep to life. That will make you want more: Let me see your Monostep! www.monostep.de

Megaki - Serif Display Font. Megaki is a Serif Display Font with a modern, classy, fun, unique and versatile style. Looks great at display size and easy to read at text size. This font also has many unique alternatives and ligatures (500+ glyphs) that will make for amazing design projects. Megaki Serif Display Font works well for branding projects, logos, television shows, movie titles, wedding designs, social media posts, advertising, product packaging, product design, labels, photography, watermarks, invitations, special events or anything else required to create a theme. Megaki is built with OpenType features and includes initial and final language styles, alternative characters for uppercase and lowercase letters, numbers, punctuation, alternatives, endings, and also supports other languages. Have fun using Megaki!!! Hope you enjoy our fonts and if you have any questions, feel free to message & I'll be happy to help :) Thank you very much for purchasing our fonts!

HUNKSTER is heypentype journey to simplified a stencil fonts. Simplified means it must easy and fast to cut when creating stencil art. Hence, this typeface inspired a lot from stencil arts and fonts right from the beginning of its creations. When a lot of stencil fonts out there used to create political message and self-expression, Hunkster take it beyond that. This typefaces can be applied to anything, from motorsports, branding, logo or logotype, industrial design, products packaging, software, games, website headlines,etc. Whatever it will be used, the spirit of the stencil and street art remains. Include in this typeface family is plenty of ligatures because the nature of stencil and our design aims, easy-to-cut but still beautiful. Most importantly its thrown away an image of stencil fonts bound on military themes. This ligatures will be developed in the future release along with updates on Hunkster variable fonts.

Zing Rust is a truly handmade type system consisting of 238 fonts. This incredible font family is based on layer combinations and gives endless possibilities to mix and make various designs. Each style could be used separate or merged in order to achieve all the creative designs you can imagine. The font is based entirely on hand writing which brings an aesthetics that can’t be imitated with any computer filters, scripts or plugins. Having moderate proportions Zing RustTM is the perfect solution for logos and headlines that really stand out. Zing Goodies As a dessert we serve you Zing GoodiesTM that tops off the whole package, making it the extraordinary delicacy! It has 4 basic forms—Bakery, BBQ, Banners and Words — with two style each, which contain plenty of adorable icons for any food and taste, elaborated banners, ribbons and ornaments, and even beautiful selection of useful words accentuating your design.

Is your branding missing something that makes people going WOW? Have you thought about how you can add that touch of magic to your branding and projects? What if we told you that we have solution to maximize your designs? Cloudy Arolse - A Sans Serif Font Family This font is more than just another sans serif font. Cloudy Arolse is a package that will delight you. With elegance, passion, and dreamy look you’ll be sure to boost your sales and make best impressions. This font become more special with many weights option. You will get so many alternatives to maximize your design. Use it for headings, logos, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Our font always includes Multilingual Options to make your branding globally acceptable. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Rhd Studio

This typeface came out as a side idea while I was working on one logotype. Suddenly I came up with an idea of creating “tuned” version of the typeface, based on that logo. The “tuning” turned me in a completely different direction and in a few hours of haste I was looking at a completely different typeface. A few days later I made this font available for free, since it wasn't meant to be at all :-). A few months later, I saw my typeface used in the menu in one pizzeria. I was amazed and glad and happy and proud, all at the same time. Oh, by the way: the logo I was working on was of different style and even of another stem’s widths. So, this is truly a font of it’s own design. Naftalin has both Latin and Cyrillic sets, since it was used with both.

I created this font in 2016 with the name “Burtons”, and now here I am turning it into “Badhorse”. If you’re looking for the perfect touch of vintage flair for a design project, Badhorse is an exceptional choice. Pairing a rustic serif with a decorative handwritten script, Badhorse offers two distinct type designs that complement one another beautifully. This font duo is effective on product packaging, particularly for wares that prefer a handcrafted, artisan approach to their finished presentation. Badhorse is ideal for strong branding, identity, and logo design, as its letter forms effortlessly express a tone of familiarity, reliability, and timelessness. Advertising spreads and menu layouts will also take advantage of this modern classic, conjuring a sense of nostalgia and comfort in the viewer. Badhorse offers stylistic alternates and ligatures through OpenType, as well as symbols, punctuation, and international characters for additional language support.

We at Fontscafe are forever trying to work on conniving up typography that will blend itself into your work space in a manner that will make you wonder how you ever managed without it…and that effort has led us to the birth of yet another all-new font for you! And this one like most of our others has a niche appeal although it is versatile as versatile can be. Now this is a font that can pretty much fit the bill when you want to send out an exclusive appeal but yet not overly formal. It is styled with fonts that cry out ‘eliteness’ and exclusivity, but without the part where it becomes so exclusive and classy that it goes way over people’s heads! The ‘Egregio’ can still connect on a very personal, almost friendly level with your audience while it remains in a class of its very own!

My son’s name is Ata Caner Yüksel. After building this character, I wanted to honor him by using his name for this font. I think it fully reflects the character I created in my mind. Ata Rounded, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family, with eight weights plus matching italics, was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding, and signage, as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-sensitive forms, classes and features, small caps from letter cases, fractions, superior, inferior, denominator, numerator, old-style figures, stylistic alternates; just one touch easy In all graphic programs. You can enjoy using it.

I am a HUGE fan of Bernard Cornwell’s ‘The Saxon Stories’. Ever since a television series has been made, the series of books is also know as ‘The Last Kingdom’. I have read them all, at break-neck speed and I can’t wait for the next book!! Wintanceastre (Winchester) is based on a 10th century Latin manuscript. I have tried to stay close to the original letters, but since Latin does not have all modern glyphs, I found myself designing the missing ones. So, before you scold me for having made a font that is historically inaccurate: it was never meant to be an exact replica, nor would anyone want an exact replica, as it would be useless for modern texts and designs. Wintanceastre comes with a whole bunch of ligatures and alternate glyphs. Use it for any design that needs a little ‘Dark Ages’ look!

Stapel is a contemporary closed sans serif with sci-fi looking forms and eloquent, thin stroke joints. The superfamily consists of three subfamilies of different width: Normal, Narrow and Condensed. Each subfamily contains seven weights with corresponding true italics. Additionally, there are several extra wide bold styles. All these styles work perfectly in headings and short display texts. Another important subfamily is Stapel Text which includes upright and italic styles of lower contrast and more generous spacing. Text styles are great for body text in small and medium point sizes. Most styles include alternate characters, proportional and lining figures, math symbols, fractions, currency signs and case-dependent punctuation. A wide range of styles and typographic features makes Stapel ideal for use in brand identity, infographics and all kinds of designs related to technology, science, finance, politics or sports. Stapel was designed by Alexander Lubovenko and released by Paratype in 2020.

BigStripesMono is another typeface family from IngrimayneType that explores the possibilities of alternating letters sets. The family is monospaced with four fonts: a base or solid style, an outlined style, and two styles in which each character is cut diagonally and the halves are separated to form two characters. These split styles are not designed to be used alone but layered with the base style, outlined style, or both to form colorful lettering with an unusual striped appearance. The stripe is not apparent in single letters but only in words or lines of text. For best results use an application that supports the OpenType feature Contextual Alternatives (calt) to alternate the letters of the split styles. The four styles can be combined in several ways to create unusual lettering appropriate for titles, headlines, and similar uses. And if one wants a bold, monospaced, sans-serif face, BigStripesMono has that too.

Introducing “SEDOYA Font” – Where Handwriting Meets Elegance. SEDOYA Font is the epitome of graceful handwriting. With its exquisite handwriting theme, this font adds a touch of sophistication to your creative projects, making it the ideal choice for those seeking refined and elegant script. Whether you’re designing invitations, branding materials, or anything in between, SEDOYA Font effortlessly captures attention and infuses your designs with timeless charm. Crafted with meticulous detail, SEDOYA Font exudes the elegance and allure of handwritten script, forging an immediate connection with your audience. Its versatility knows no bounds, making it suitable for a wide array of applications, from wedding invitations to luxury branding. SEDOYA Font elevates both legibility and style with its flowing strokes and refined lines, lending a natural and enchanting appearance to your text. It also offers multilingual support, ensuring it resonates with a global audience. – PUA Encoded Characters – Fully accessible without additional design software.

Comforter promises to be a favorite among professional designers and people who love quality hand lettered forms. It’s a bouncy, upright brush style script. It’s look is appealing for many various usages. It’s contemporary, and non- traditional. It’s sophisticated, yet fun and funky. The Brush style of Comforter adds another touch to its “brushy” look. Comforter Pro versions come complete with multiple language options including Rob’s interpretation of a script style of Cyrillic. Unlike a “cursive” style, the script Cyrillic uses both traditional and cursive forms. In addition, the PRO versions are programmed with numerous OpenType features plus a few ornamental and word art glyphs not found in the Regular flavors. The regular versions are properly kerned, but contain none of the OpenType features found in the PRO versions. The Alternate flavors contain a few of the alternate forms found in the PRO versions of the typeface, including Cyrillic.

Packing more copy in a narrow space is the main reason for using a condensed type. Characters with a more ovular shape tend to be less wide than their circular counterparts and will allow for more letters per line. In narrow columns for example, this typeface can provide up to 25% more copy than the regular typeface in the same space. Another reason is when a larger type size is called for — used sparingly it is useful for headings or headlines. For emphasis, narrower letters can provide a stark contrast in the flow of reading, creating impact while retaining typographic character. Condensed types can specially useful in tables and charts because typically both use few words in each block. If space now allows, you may think about the luxury of a larger point size. This optimizes space while keeping your typography more easily legible.

Annlie™ Extra Bold and Annlie Extra Bold Italic are two display faces designed by Fred Lambert in 1966 for the Annlie type family. These two samples from the Annlie family are both fat faces. Fat faces were offshoots of the modern, or Didone, typefaces that were de rigueur during the early 1800s. These fat faces were among the first typefaces to be used solely for advertising purposes. Naturally, they were always used in larger point sizes, in display functions. Annlie could be called an optimization of these old advertising typefaces. With high x-heights, ultra contrast between thick and thin strokes, and perfectly engineered drawing techniques, Annlie is a highly crafted typeface. Give it a spin in your next advertising campaign! Annlie’s fine thin strokes are very graceful in their appearance, and lend a strong, yet soft, feminine feeling to anything they touch.

A typeface for telling stories. After seven years through which Rodrigo Saiani worked on Dupincel, Plau’s team still had months of dedication until found a good way of summing up this typeface. All this effort was rewarded, though, when we came up with a motif that gave Dupincel the grandiosity it deserves. Telling stories is this typeface’s gift because it has the emotion for it, resources for it and the breadth for it. Like all that wasn’t enough, it has the scale for it: optical sizes Small, Medium and Large make Dupincel optimized for stories of every length. From short stories displayed big or long stories on small letters. We don’t want to dictate the types of stories either, anything goes. But if ornaments make a good fit with that story, we will be even more thrilled. In the end, Dupincel makes us want to find new stories to tell.

Philip Bouwsma returns with yet another great manifestation of historical calligraphy. Luminari is an amalgam of High Middle Ages writing, a blend that combines the ornate Church hands with the simple Carolingian from the ninth to the fifteenth centuries. Its majuscules are particularly influenced by the versals found in the famous Monmouth psalters, as well as those done by the Ramsey Abbey abbots in the twelfth century. The minuscules also exhibit some influence from the book hand of prolific humanist Poggio Bracciolini from the early fifteenth century. Italian and essentially romanesque in style, Luminari exercises a slight tension between the round forms and the angular “gothic” styling. Luminari was updated with plenty of alternates and expanded language support in 2012. It now supports a very wide range of codepages, including Cyrillic, Greek, Central and Eastern European, Turkish, Baltic, Vietnamese, and of course Celtic/Welsh.

This is the digitization and considerable expansion of the cheeky and enormously popular film type Eightball, one of the most widely used faces of the 1970s and 1980s. Round and happy like a bouncy ball, these are letters after a sign maker’s own heart. Seen everywhere in its film version, from bingo and pool hall parlor signs to comic books, now this computer version opens the door for the happy roundness to be used on a much larger scale by anyone who designs layouts on a computer. The original film type included a few alternates. We included them, but we added many more as well. So make sure to check out the various OpenType features in your program while using this font. Eightball is great for a variety of applications, including signage, rubber stamps, poster design, titling, cartoons, comics, and pretty much anything where happy and round fit in.

Bastliga is a signature font that has its own uniqueness and characteristics from a signature font, because it is handwritten manually, so it has the impression of a true signature. This font is carefully crafted with a modern touch. This font looks elegant, luxurious, natural with a beautiful signature touch. Bastliga would perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events or anything that need signature taste. Your download will include 4 font files; ~ Bastliga One, Two, Three, Four and Five A hand-made, all characters brush font which has a complete set of A-z characters. Includes a range of multilingual support, punctuation, ligature & alternate. ~ Bastliga Tail A bonus set of 52 Uppercase & Lowercase with tail. Simply select this font and type any A-Z & a-z character to create one of the bonus elements.

And now Arabic Scratch font is here! Based on the old Naskh based typeface, this font along with the other Si47ash dirty font Persian Grunge, is introducing new possibilities to use Arabic letters for some of your exciting graphic projects, including book covers, posters, banners, brochures, catalogs, logotypes, and more! Every glyph is unique and all the patterns and textures are distinctively designed and make the font an artwork itself! It's so convenient, you do even have to do anything! Just type the words and the magic happens spontaneously! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

My son’s name is Ata Caner Yüksel. After building this typeface, I decided to honor it with my son’s name. I think I fully reflects the character I created in my mind. Ata typefamily, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family has eight weights plus matching italics was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding and signage as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures, Stylistic Alternates in just one touch easy In all graphic programs. You will enjoy using it.

Chemre is a serif font filled with a modern and classy atmosphere. This font is complementedwith a mix of all caps. which is the same height and allows for unlimited combinations to give a unique style to your typography. The high contrast between thick and thin strokes gives Chemre a luxurious look. This font comes in two styles, Regular and Italic Version. Chemre is suitable for posters, packaging, branding, logotypes, headlines, titles and editorial designs. Features: 48 Ligatures - Standard Multi-Language Support Alternative Characters A, C, S, T, V, W, Y Unicode PUA Encoded This type of family has become a work of true love, making it as easy and enjoyable as possible. I really hope you enjoy it! I can't wait to see what you do with CHEMRE! Feel free to use the #Dora Typefoundry tag and the # Logo CHEMRE font to show what you've been up to!

Archie is a wide attention-grabber based on a simple geometric alphabet drawn in the early 1930s by Dutch calligrapher and lettering artist Martin Meijer. This digital family expands considerably on the original letters, adding biform shapes, small caps, italics across the board, and support for many Latin-based languages. Archie's eye-catching forms are meant for clear, seamless and strong message delivery. In its upright styles, strong vertical strokes emphasize the sense of confidence and importance, and in its italics, that emphasis is further affirmed by a natural sense of urgency. This kind of alphabet is perfect for display typography aiming at the glance-and-go crowd. When used properly and placed prominently, no eye can escape it. The basic Archie family is comprised of six basic fonts, while the Pro set combines all three uprights in one font and all three italics in another.

Introducing Ethnocentric, the typeface of the future. With its sleek, ultramodern design, Ethnocentric is perfect for those looking to inject a high-tech feel into their projects. The outstretched pod forms of this accelerated font suggest rapid horizontal movement, making it the ideal choice for anything from tech blogs to cutting-edge product labels. But what sets Ethnocentric apart from other typefaces is its non-traditional, scientific sensibility. Sharp diagonal cuts and anomalistic gaps inject your words with a sense of experimentation and innovation, perfect for companies on the cutting edge of technology. If you prefer a more rounded style, be sure to check out Ethnocentric’s sister typeface, Quadrillion. But if you’re looking for something with a bit more edge, Ethnocentric is the perfect choice. With six weights and italics available, you’ll have all the versatility you need to make your project stand out from the crowd. Don’t settle for anything less than the best. Choose Ethnocentric, and take your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.