Kayla Sans is a sans-serif display font and works best in display applications, such as headline, magazine, posters, product branding, corporate branding, signage, logos and titles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Zagist Font Family is suitable for headlines of all sizes, editorial design, branding, packaging, web and broadcast use, etc. This font designed with sharp and modern forms with some sharp shapes and angles on every glyphs, so each individual character is quickly and easily recognized.

Rockel is a bold and authentic display font. It suitable for your any project that needs the outer space touch. And the font also suitable for branding project, t-shirt print and many more. Featured : Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard)

Adelyna is a ravishing and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Adelyna is PUA encoded which means you can access all glyphs and swashes with ease!

Muge is awesome for branding and logotype, Muge has a modern, trendy and elegant impression. Muge Comes with Ligatures and lots of alternate characters & unlock types featured so you can mix and match like a you want. Muge also supports multi-language (Western Europe Latin)

Pieve (means community): The idea was to create a gestual and fresh typeface, almost rustic and sometimes elegant, a Latin typography popular and irreverent. This font comes with stylistic variations that highlight their regular handwriting. The result is a modern writing readable and well balanced.

Slash Signature is a modern handwritten font. With a classy and natural handwritten style, it brings a classy and beautiful typeface. Slash signature is best used for branding, logotype, and quotes. Includes: - Slash Signature (OTF) Features: - Multilingual Support - Stylistics Set - PUA Encoded - Numerals and Punctuation

Scriptone is a attractive handwritten font with standard alphabet, punctuation and multilanguage support including ligatures and alternates to maintain a natural and artistic impression. Scriptone font is included right and left swash, so that it can add a beautiful art image to your work.

Pitchey Bloom is a modern handwritten font. With a classy and natural handwritten style, it brings a classy and beautiful typeface. Pitchey Bloom is best used for branding, logotype, and quotes. Includes: - Pitchey Bloom (OTF) Features: - Multilingual Support - Stylistics Set - PUA Encoded - Numerals and Punctuation

Alexer is a modern font family. It comes in 12 weights, 6 uprights, and matching italics. Each weight includes alternates (G,I,t) and OpenType features. This family is ideally suited for packaging, headlines, advertising, and corporate identities. Perfectly for web, signage, and editorial design.

Fat Bubble is a cute, cheerful and modern display font. Thick and friendly, this font will be an ideal choice for a wide range of casual, comic, kids book, and any informal designs. Use Fat Bubble for your creations and explore its endless possibilities.

Raimoo is a handwritten typeface. It is suitable for any design needs, branding, cover title, t-shirts, posters and more. The Raimoo typeface includes multi-lingual and currency support, numerals, and punctuations. It comes comes with standard ligatures, stylistic alternates and 3 stylistic sets.

The Matesih is an amazing handwritten font. This font will make your design more beautiful and powerful, and is suitable for any design such as branding, quotes and more. It includes: -Accents (Multilingual Characters) -PUA encoded -Numerals and Punctuation (OpenType Standard) -Many alternate characters

Mercearia is a bold typestyle font, based on a 1944 Brazilian book about alphabets and letterings styles. Combining squarish letterforms and soft edges with a handcrafted feel, Mercearia is best suited for display sizes and works like a charm from 18pt and up. Try it!

Hiladous is a bold and retro-styled handwritten font. This font reads as strong, confident, and dynamic, and can add tons of nostalgic character to your designs. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Sodaster is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Sodaster is PUA encoded which means you can access all glyphs and swashes with ease!

Slightly slanted brush tip handwriting script that looks both elegant and streetwise, very suitable for all your poetry, lyrics and memoires. The font comes with a couple of swashes to use as you please and includes all eastern European, Baltic, Scandinavian and Turkish characters.

The Adelle family continues its stylistic expansion with the release of Adelle Mono and Adelle Mono Flex by Veronika Burian and José Scaglione. Monospaced typefaces are the default choice for developers and programmers and are also an aesthetic choice for many designers and communicators. The Adelle Mono font family has two widths to serve both breeds and a variable font for the flexible spectrum in between. Monospaced typefaces are born of necessity rather than purely aesthetic values. Each glyph is constrained to a strict box, making the naturally smaller ones the same width as the naturally wider ones. While this serves the functional purpose of keeping text aligned in vertical and horizontal rows, it is completely unnatural in terms of readability. A monospaced ‘l, i’ are overblown compromises while ‘m, w’ become compressed mutations. The Adelle Mono family was therefore designed with both the developer and the aesthete in mind. Adelle Mono respects its necessary constraints while still being visually appealing and easily read. Activate it for use in Sublime, Swift, Terminal, or your IDE of choice and see how well it performs. Clarity will lead to less developer mistakes, and its aesthetic appeal will make your work enjoyable. Adelle Mono Flex is the proportional width version that works for any kind of normal text reading or a design intended to invoke “system or information aesthetics”. Opposite the demands of the monospace family, Flex is reader friendly and intended for branding, annual reports, paragraphs, UI, logos, posters, screens, tables, captions, and more. Employ the Mono version where monospace is needed and the Flex version where reading or coherence is priority. Adelle Mono’s experimental 20-style design explores the space between proportional and monospaced types. It boosts creativity and coherence by providing flexible options in the same family, including italics and the variable font format with an axis of weight and a spectrum axis between multi-width and monospaced characters. Combining Adelle Mono with either Adelle or Adelle Sans adds more layers and adaptability to your work.

Introducing Sixty Niners - a retro display font that draws inspiration from unique typography and lettering found in vintage magazines, combined with modern typography styles. This font features modern ligatures that allow you to create beautiful lettering and artwork. With its open type features, including a variety of alternates and end swashes, Sixty Niners provides ample options for customization and creativity. Sixty Niners is perfect for a wide range of design purposes, including logotypes, headings, covers, posters, logos, quotes, product packaging, headers, merchandise, social media posts, greeting cards, and more. Its distinctive retro style adds a touch of nostalgia and elegance to your designs, making them stand out and capture attention. To access the alternate glyphs in Sixty Niners, you can use design programs that support OpenType features, such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe InDesign, and Corel Draw. This allows you to easily switch between uppercase and lowercase letters, apply alternates and ligatures, and create unique and customized lettering compositions that suit your design needs. In your zip package, you'll find the Sixty Niners font files in otf, ttf, and woff formats, providing versatility for different design projects. The font includes uppercase and lowercase letters, numerals, punctuation, and symbols, ensuring that you have all the elements you need for your designs. Sixty Niners also offers multilingual support, making it accessible for designers around the world to create designs in different languages. Whether you're designing for English, Spanish, French, or any other language, Sixty Niners has got you covered. In summary, Sixty Niners is a retro display font that combines vintage and modern typography styles, providing a unique and elegant look to your designs. With its open type features, multilingual support, and versatile design options, Sixty Niners is perfect for various design purposes. So, elevate your designs with Sixty Niners and create stunning artwork that captures attention and stands out from the crowd! Thank you for choosing Sixty Niners from our collection. Happy designing!

Introducing Draghord, a bold and dynamic typeface that embodies the essence of superheroic power and adventure. This font is a visual journey into the realm of fire, swords, skulls, and wings, capturing the spirit of mighty heroes and formidable villains alike. Characteristics: Flaming Elements: Each letter of Draghord is adorned with fiery accents, reminiscent of a blazing inferno. The flames dance around the characters, conveying a sense of untamed power and intensity. Sword-Inspired Strokes: The letterforms draw inspiration from the sleek and sharp edges of legendary swords. The angular and precise strokes give the font a cutting-edge aesthetic, symbolizing strength and precision. Skull Motifs: Intricately integrated skull motifs within the font add an element of danger and mystery. The skulls serve as a visual reminder of the challenges faced by our superheroic characters, embodying both mortality and defiance. Dynamic Winged Elements: The font incorporates dynamic winged elements that soar across certain letters, emphasizing the theme of flight and freedom. These wings symbolize the superhero's ability to rise above adversity and transcend limitations. Usage Scenarios: Comic Books: Draghord is perfect for comic book titles, captions, and speech bubbles, adding a dramatic and visually striking element to the narrative. Movie Posters: Use Draghord to create attention-grabbing titles and taglines for superhero movies. Its bold and adventurous design will set the tone for epic storytelling. Gaming Graphics: Ideal for in-game text, Draghord adds a heroic touch to video game interfaces, especially in fantasy or superhero-themed games. Event Promotion: For superhero-themed events, Draghord can be utilized in promotional materials, posters, and banners to convey a sense of excitement and power. In Conclusion: Draghord is not just a font; it's a visual experience that transports you into the heart of superheroic tales. With its fiery, sword-inspired design, skull motifs, and dynamic wings, Draghord is the perfect typographic companion for any project seeking to channel the thrilling energy of the superhero genre. Unleash the power of Draghord and let your words ignite the imagination!

Quirky and irregular FS Split is no ordinary typeface. Its irregular proportions make it unique, with round letters appearing wide, and straight letters narrow. Other quirks include its eclectic crossbars – the uppercase ‘A’ has an unusually low bar, while the bar on ‘G’ is particularly long. The uppercase has many interesting features in fact, including large counters, closed terminals on certain letters like ‘J’, and a cap-height that lines up with ascenders. The lowercase also holds surprises – the dots on ‘i’ and ‘j’ are unusually large, and some characters, such as ‘g’, feature double-storey counters. An extreme but stylish italic The italic versions of FS Split Sans and Serif are particularly striking. While similar in style to their upright, Roman versions, they take on a larger-than-usual 18-degree angle, making the forward-slant more dramatic. Although the main purpose of any italic is to help words and phrases stand out, this unique execution helps to make the italic variants of FS Split stylish fonts in their own right – they would work brilliantly on magazine covers, in titles and headlines, pull quotes, and even used commercially in logos and corporate branding. Serif and sans: a split personality FS Split Sans and Serif have their differences but also their similarities, contrasting and complementing each other perfectly. This ‘love hate’ relationship inspired the name of the typeface family, and means the two variants provide a versatile, typographic palette for use in graphics and branding. While its proportions are similar to the sans, the serif has a bigger contrast between its weights of bold, regular and light, bracketed serifs, and different styles of terminals, some being straight and others ball-shaped. FS Split Sans has more subtlety and simplicity, with a smaller weight contrast, less flamboyant terminals, and more consistent counter sizes. The two variants are distinct yet alike, so can be used successfully either in isolation or together.

Quirky and irregular FS Split is no ordinary typeface. Its irregular proportions make it unique, with round letters appearing wide, and straight letters narrow. Other quirks include its eclectic crossbars – the uppercase ‘A’ has an unusually low bar, while the bar on ‘G’ is particularly long. The uppercase has many interesting features in fact, including large counters, closed terminals on certain letters like ‘J’, and a cap-height that lines up with ascenders. The lowercase also holds surprises – the dots on ‘i’ and ‘j’ are unusually large, and some characters, such as ‘g’, feature double-storey counters. An extreme but stylish italic The italic versions of FS Split Sans and Serif are particularly striking. While similar in style to their upright, Roman versions, they take on a larger-than-usual 18-degree angle, making the forward-slant more dramatic. Although the main purpose of any italic is to help words and phrases stand out, this unique execution helps to make the italic variants of FS Split stylish fonts in their own right – they would work brilliantly on magazine covers, in titles and headlines, pull quotes, and even used commercially in logos and corporate branding. Serif and sans: a split personality FS Split Sans and Serif have their differences but also their similarities, contrasting and complementing each other perfectly. This ‘love hate’ relationship inspired the name of the typeface family, and means the two variants provide a versatile, typographic palette for use in graphics and branding. While its proportions are similar to the sans, the serif has a bigger contrast between its weights of bold, regular and light, bracketed serifs, and different styles of terminals, some being straight and others ball-shaped. FS Split Sans has more subtlety and simplicity, with a smaller weight contrast, less flamboyant terminals, and more consistent counter sizes. The two variants are distinct yet alike, so can be used successfully either in isolation or together.

Anface is a bold, square font with a playful, creative letters. This font is unique because of its bold and strong letterforms that evoke a feeling of confidence and strength. The square shapes add a modern, geometric element that gives it a cool and contemporary look. In terms of functionality, Anface offers a range of styles, including regular and bold, as well as a full character set that supports multiple languages. Its special features include a full range of punctuation and symbols, making it a versatile choice for a variety of design projects. The design concept behind Anface was to create a font that was both bold and playful, making it perfect for a variety of creative projects: headlines, logos, and other design elements that required a strong and confident visual impact. Its unique square shape and bold letterforms make it a fresh and exciting addition to any designer's toolkit. Here are a few ideas for where Anface could be used: Tech companies: The geometric design of Anface could be a good fit for technology or software companies, as it has a modern and futuristic feel. Sports teams: The bold, strong letterforms of Anface could be used for sports team logos, jerseys, and other branding materials. Its square shape gives it a sporty and athletic look. Architecture firms: The clean, modern lines of Anface make it a great choice for architecture firms or any businesses related to construction or design. Art and design studios: Anface's playful, creative design would be well-suited for art and design studios, or any business related to the creative industries. Music industry: Anface's bold, attention-grabbing design could be used for music album covers, posters, or other promotional materials. Cafes and restaurants: Anface's square shape and bold design could be a good fit for cafes or restaurants that want to create a modern and unique brand identity. Its playful and creative look could help businesses stand out and create a unique visual identity.

Square Technocrat is a sharp, geometric font that embodies the essence of structure and modernity. Drawing inspiration from cube-like forms and contemporary architecture, this font family is perfect for designs that require a strong, stable presence. The Square Technocrat font family comes in five weights: Thin, Light, Regular, Bold, and Black, giving you a wide range of options for creating impactful designs that demand attention. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Created with love and attention to detail, this font instantly brings out the natural characteristics of your projects, adding a playful and whimsical touch. Whether you're designing websites, SVG graphics, home decor items, branding materials, blogs, logos, invitations, or more, Super Cute is the perfect choice to infuse your creations with charm and character. Super Cute offers a versatile combination of uppercase and lowercase letters, providing endless possibilities for your typographic compositions. It also includes a comprehensive set of numbers and punctuation marks, ensuring your designs are complete and well-balanced. With multilingual support, this font allows you to communicate your message effectively across different languages and cultures. With PUA Encoding, Super Cute unlocks additional special characters and glyphs, allowing you to add extra flair and uniqueness to your designs.

Say hello to Grenoble, the sans-serif font that combines the best of modern design with the elegance of vintage feels. With its monoline strokes and clean lines, Grenoble is both simple and sophisticated. Choose between the regular and slant styles to give your designs the perfect balance of classic and contemporary style. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Starlive Script is a beautiful and interesting calligraphy handwriting font. You can see from scratches that give a realistic and modern style. This font looks sweet and is full of the best characters. You can use this font in your design product range like invitation, mockup, embossed, branding card and others. Starlive Script includes a full set of large and attractive international letters, numbers, punctuation and ligatures. All lowercase letters include the beginning and end of the swashes. Also, Starlive includes multilingual symbols. The script is encoded with PUA Unicode, which allows full access to all additional characters without special design software. Mac users can use Font Books, and Windows users can use Map Characters to view and copy additional characters to be included in your favorite text editor / app.

Mosherif is a type of sherif font created with the aim of using for logo branding and print media. This font has three style that can be combined manually with one another in one word / text so that it looks unique and interesting. One example is in the first preview ( cover ), where the word "MOSHERIF" was made using three font styles ( Mosherif Regular, Mosherif Tall and Mosherif Short ). You can make it manually by making a space and remove some characters between words "MOSHERIF" becomes "M HE F" with using the font "Mosherif Tall" and fill it with "Mosherif Regular" in character "O" and "R" and "Mosherif Short" in character "S" and "I" by stacking them. By bringing the concept of vintage, clean, thick and sharp, hopefully Mosherif can provide choices for designers. Enjoy!

Charles Gibbons' Fleischman BT Pro revives J.M. Fleischman's quirky and elegant text faces of the 1730s. Born in Germany, Fleischman worked in Holland, primarily at Enschedé en Zonen where he cut dozens of faces. His types represent some of the earliest examples of the Transitional style, predating and influencing the work of Fournier, Baskerville, and Bodoni. They were wildly popular in their day, used for everything from newspapers to currency, and Fleischman himself has enjoyed a renaissance of late. Fleischman BT Pro preserves the feel of the printed metal types while expanding the original to include four OpenType fonts: roman, italic, bold, and bold italic. They all include small caps, old style and lining figures, discretionary and historical ligatures, ornaments, and superiors. Fleischman Pro also supports Western, Central European, and Eastern European languages.

Brampton is a font trio package contain a monoline script, serif and sans serif which looks great to be paired especially for vintage and adventure theme! This font trio is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Brampton Serif, Sans Serif and Script uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Wonderworld is an antique calligraphy typeface. This medieval font brings you back to the magic times of stories about knights and kings, with thin fractur letterforms and sharp edges. Use it for a blackletter logotype or headline to give your work that genuine Middle Ages look. The Wonderworld family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

This family is inspired from the set of two styles, Roman normal and Italic, and the ornaments used by an unknown printer working around East Switzerland, circa 1750's. It is a Dutch style font, slightly bolder than usual Fournier's or Caslon's Roman fonts, with some emphasized serifs and finals parts and special letters as capital "U" for example. A set of initials, fleurons, ornaments and frame elements is joined to the family as a supplement. The two styles, Normal and Italic, are containing standard ligatures, a few alternative characters and titlings (who are more preferable than enlarged capitals). They are "small eye" or "Small x-eight" fonts. The standard characters set is completed with accented or specific characters for Western (Including Celtic) and Central Europe, Baltic, Eastern Europe and Turkish.

@andinistas presents Cherrypie, a font family inspired by 1957 Speedball lettering, Ross F. George. Cherrypie will bring unusual typographic fun to your designs with 3 fonts with a fresh and creative brush lettering look. Use Cherrypie Script, Caps & CapsB mixed or independently in logos or headlines for coffee, music, juice, beer or sports. With Cherrypie you will get flashy and spontaneous short messages on packaging and craft and sweet designs. Take a look at the examples in our gallery and you'll get inspiration to get the most out of the Cherrypie OpenType potential with alternate uppercase and lowercase letters and numbers, ligatures and flourishes ideal for beginning, middle and end of words. Cherrypie has a total of 1583 glyphs distributed in Cherrypie Script (707 glyphs), Cherrypie Caps (438 glyphs), Cherrypie CapsB (438 glyphs).

Matilost Wikly is an elegant handwitten fontinspired by natural brush typography. Written in rapid motion using a slightly dry brush pen. This will give you a fresh and elegant design. Matilost Wikly comes with uppercase and lowercase letters, large sets and small sets, numbers, alternative styles for several lowercase characters are also available that make your text and design more attractive. Try Matilost Wikly, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. - Included multilingual support and special ligatures If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows):

Absolute is a handwritten font which feels incredibly elegant and flowing. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Provide Ligatures and alternates with special character make the design letters looks incredible. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirt and much more. Font Features : Regular Version Character set A-Z in Uppercase and Lowercase Ligatures in lowercase and special Aternates option Numerals and Punctuation Accented Characters Multiple Languange Supported Recomended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. If you have any questions, just send me a message and I'm glad to help.

The all-caps Aracne collection features tall, slightly scrawled letterforms, and is available in regular, condensed and ultra condensed styles for maximun functionality. With a spiritted quality and casual character, it will add a personal style to your work. Aracne Ultra Condensed was created as an extended version of the font Aracne, a regular full of energy handwritten font, with light and regular styles, including italics. It provides a wide range of possibilities, including the Aracne Soft and Stamp, which offer softer and cleaner edges. Its glyph coverage supports languages such as English, Spanish, French, German, Polish, Czech, among many others. It’s recommended usage is for display titles, and small ammount of text, because of its good legibility and quality of glyphs. Check out her sisters Aracne and Aracne Condensed!

Typographical Caballero is a family created by Fabio Eduardo Godoy Angel, the concept is inspired by a type with firm and clear, with perfect posture and personality to be used by Graphic Designers and Architects, in terms of print, TV Corporate Identity, Merchandising - Other Projects. Ideal for antetétulos, titles, subtitles, texts from 12 Pts. Caballero Outline and Caballero Outline Italic, are presented as an option for antetétulos, titles and subtitles as well as short texts from 20 Pts. Caballero in his presentation Outline, allows wide range of applications in regard to the use of color, and be combined with Caballero Regular and Caballero Italic. Font Project Caballero, is set with a vertical and horizontal logic calligraphic lines, amount of contrast medium, antlers mullet and its completions are straight.

Tatline was intended to be a fun side project that developed into something cool and rather unprecedented. It's bold, it's chunky —and it just looks good whether it's a mock movie poster or a key element in a brand identity for a business. With serifs thicker than stems, it looks more down to earth, solid, reliable and firm. And yet there's an almost imperceptible playfulness in the way it looks and behaved on the screen and paper. Tatline would look great on posters and flyers. We've tried creating a coffee brand identity with it —and surprise, looks great again. Maybe it's magic, but we like to think it's just a result of tough work put into creation of Tatline. Try it yourself and let us know what you think!

The all-caps Aracne collection features tall, slightly scrawled letterforms, and is available in regular, condensed and ultra condensed styles for maximun functionality. With a spiritted quality and casual character, it will add a personal style to your work. Aracne Condensed was created as an extended version of the font Aracne, a regular full of energy handwritten font, with light and regular styles, including italics. It provides a wide range of possibilities, including the Aracne Soft and Stamp, which offer softer and cleaner edges. Its glyph coverage supports languages such as English, Spanish, French, German, Polish, Czech, among many others. It’s recommended usage is for display titles, and small ammount of text, because of its good legibility and quality of glyphs. Check out her sisters Aracne and Aracne Ultra Condensed!

Impacting and vibrant, Cordelia family draws inspiration from covers of 'cordel literature’, small booklets of popular story-poems that played an essential role on the folk-popular cultural life of Brazil.  Printed in coarse paper, usually with an woodcut illustration and lettering in the front, these booklets were sold on the streets, in marketplaces and town squares, hung in a cord - therefore the name ‘cordel’. The work of these humble printers and poet-singers of northeastern Brazil strongly served as source for acclaimed romances and movies and still inspires writers of all genres, movie makers, painters,​ musicians. And type designers too :) Cordelia doesn’t bring a picture font yet, but ​it ​goes pretty well with Chronic and Manicuore illustrations. It goes well with and without them. It definitely goes well. You bet!