Rainbow Candy font is a very neat handwritten font that gives a cute and tidy note-taking style! Its semi-bold weight conveys relaxation and cuteness to your projects. It offers support for all the characters in English, Italian, Spanish, French, and German as well as standard punctuation glyphs. It is perfectly suitable for numerous use such as quotations, banners, logos, product packaging, titles, headers, menu lists, and even for digital note-taking!

Candy Grunge is a fun and comical sans serif font. You can use it for anything ranging from t-shirts, kids’ book designs, and greeting cards to stickers and posters, or anything that needs a casual touch. Fall in love with its incredibly versatile style and use it to create lovely designs!

Introducing Donut & Candy by Tlatous Type. Dinut & Candy is a Modern Handwritten Font. This font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Avocado Candy - a Modern Monoline Script Font that's clean, elegant and perfect for a range of design projects! With its smooth, effortless lines and understated sophistication, this font is the perfect choice for those who want a modern look that's still timeless in its appeal. Crafted with precision and care, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, packaging, and more. With its simple yet refined aesthetic, it's sure to make a lasting impression on anyone who sees it. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Candy Shop is a vintage decorative font. It has a classic elegant look, perfect for food packaging and label design. Additional curly swashes can help you to create a unique lettering compositions. Five additional swashes can be found in "Glyphs" panel.

Retro Candy is a cool retro style candy display font. You can use it for anything ranging from t-shirts, kids’ book designs, greeting cards, stickers, and posters, or anything that needs a casual touch. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Candy Bits was originally designed at Bitstream as a custom project for a large printer manufacturer. Released in 1997, Candy Bits was designed by Jim Lyles. The typographic characters were fashioned after a well known American candy. The balance of the characters in the font are designed to enhance the 3D illusion by appearing to recede into the page. Soon after its completion, Mr. Lyles joined a local health club.

Introducing, Candy Paint fonts. Candy Paint have a unique shape, rounded and fun. Comes with 4 style Regular, Outline and Extrude, then can mix and match with Stylistic Set. What's Included Inside The Fonts ? Uppercase Lowercase Symbols Numerals Stylistic Set 1 Stylistic Set 2 Stylistic Set 3 Stylistic Set 4 European Multilingual Thank you, Regards!

When the conditions are met, a heart is attached to the capital letter. It feels soft and lovely. It goes well with wedding cards, invitations, elegant brochures, web images, and promotional materials. If you do not apply the open type feature, the letters without hearts are applied, so you can use it in two moods.

Christmas Candy - Christmas Display Font is a font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen

Introducing Slime Candy by Forberas Club Slime Candy is a Handwritten Script font that will make your designs look classic, Farmhouse, Boho, and Feminine. It is a great font for events, Wedding Project, fashion, apparel projects, signature, album covers, logos, branding, magazines, social media posts, advertisements, but it also works great for other projects. Add it to your fonts’ library, and it will enhance your creativity! Slime Candy is best for: - logos, branding, & Signatures. - Flyers, Album cover, Magazine, & Advertisements. - Website design , design blogs, & fashion. - Quote graphics for social media. - and also it works great for other projects. Whats included : - Character Set - Numerals and Punctuation (OpenType Standard) - Accents (Multilingual characters) If you have any questions, before or after purchase, please feel free to get in touch.

Candy Cursive is a sweet & lovely connected script. Use this flowing cursive wherever eloquence or delicacy is required. Candy Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Inspired by Argentina and its culture, Alejandro Paul’s Candy Script captures the country’s spirit. It comes from the tradition of window sign painting, but its thick hand-brushed characters, with alternates for almost every upper and lowercase letter, have a personality all their own. Tons of OpenType alternates included, over 1150 characters in all.

Introducing "Candy Baby" - a delightful and whimsical font that adds a touch of playfulness to your designs. With its unique and charismatic letterforms, Candy Baby brings a sense of joy and lightheartedness to any project. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Sugar Candy is a signature typeface font inspired from classic handwriting style. Suitable to create any branding, product packaging, invitations, quotes, t-shirts, labels, posters and more. Feature UPPERCASE lowercase Number & Symbol International Glyphs Alternative Uppercase Alternative lowercase Ligatures

Comic Candy is a fun script font. It will elevate a wide range of design projects to the highest level, be it wedding designs, branding, headings, invitations, signatures, logos, labels, and much more!

Eurostile Candy is a fun spinoff from Akira Kobayashi's Eurostile Next family. As the name implies, it is based on Eurostile but with many striking new features. Most obviously, the corners and joints have been rounded off to give it a more friendly and softer feel. On top of those changes, the main skeleton of many characters have been modified. Any extra strokes have been removed - such as in the a, s, or t - and joints have been simplified to create even more square shapes - like in the n and r. With these contemporary and futuristic-styled alterations, Eurostile Candy is a cool new design great for many display projects.

Introducing CANDY NIGHT! A Hand Drawn slab serif font! Made by hand to provide a natural, unique and modern style. This font is carefully designed to maintain the balance of each letter. Very easy and convenient to use.

Glitter Candy is a happy font: rounded, fat and cute. Ideal for children’s book covers, posters and product packaging.

Caramel Candy is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Kid Candy is a sweet and friendly handwritten font. Kid Candy is a serif and sans font that can meet your design needs with funny and cheerful themes You can use it in your various designs, clothes, logos, posters, invitations, crafts, and more. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Candy Design is a display font containing 265 glyphs. It was designed during a stay in Tanzania, Zanzibar in 2022. The main idea was to combine a sans-serif modernist, grotesque typeface with the addition of delicate Arabic accents. Its main assumption of use is posters, product design and branding. Unusual, dynamic and unpredictable accents that are found in practically every letter give the character of a very custom font, also completely not intended for typesetting, which, contrary to the features mentioned above, remains legible. Usually all letters are of the same size - however, as we used to when designing, hide small flavors in the whole sequence of numbers / letters and characters.

Use this font for your party or cute moment. Do your magic ! :D

Salty Candy is a children's font with a cheerful and happy impression. This simple font will make the ordinary one extraordinary that can be collaborated with design projects such as children's t-shirt design, children's web design, logos, event titles, and others. try to feel this font with your design filled with color it will be even more amazing.

Three Candy Font is Sans Serif and modern font combined with a sweet touch and beautifully curved each letter. using a touch of soft curves so that it is pleasing to the eye. Three Candy Font Spirit is great for: Wedding invitations, fashion magazines, logos, signatures, and suitable for watermark photography.

Candy Cake is a cute and sweet display font. The authentic lovely & fun touch makes it a perfect mates for your projects, in any design purposes.

Not inspired by any one thing, Candy Randy came about as an attempt to capture the feel of hours spent aimlessly perusing childrens' advertising and packaging from the early 1960s. It always reminds me a bit of Christmas and was named after an imaginary character in tales told to my youngest sister.

Forsty Candy is a Fun Display Hand-brushed Font. Forsty Candy is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Forsty Candy support multilingual. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Introduce, Hello Cantika Script with beautiful handwriting style. Equipped with a flying machine. Hello Cantika Script is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything else that needs a touch of elegance. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. There are additional ways to swash, using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0 How to use the font style set in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Thanks for checking! I really hope you enjoy it. Thank you.

The handwritten cursive by the famous Italian Casanova has inspired Petra Beiße to design a new script, the “Casanova Script Pro”, with a complement of over 1400 characters and symbols. “Petras Script”, the first digital script font created by the calligrapher Petra Beiße, has, for many years, met with worldwide success. Petra Beiße has resided for a long time in Wiesbaden, Germany, where she is working as a renowned calligrapher. It is rare that any of her scripts are transferred into digital format and sold worldwide as fonts. Because “Petras Script” became such a huge success, she decided to release this new design for digitization. Under the guidance of Günther Flake, Jessica Franke enlarged this font to contain over 1400 characters. Further information about Petra Beiße and her present workshops can be found under www.handlettering.de.

The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

In 1903, the typeface family Alternate Gothic was developed for ATF (American Type Foundry) by Morris Fuller Benton. It was Benton’s intent to solve many diverse layout problems with the development of a narrow Sans with different width values. The Alternate Gothic enjoys great popularity to this day. Therefore, Elsner+Flake re-worked the typeface family, added all European fixed accents and complemented it with an Antique version.